Tag Archives: In the Name of the King

The Expendables 2: Redonkulousness.

I have never seen the original Expendables. I had only ever heard vague rumors about how ridiculous these movies were. I had to see it for myself. So we rolled out and hit up the theater hard for this action-packed massacre of bullets and destruction. I was expecting the bloodbath of the newest Rambo. What I got was one of the most ridiculously and classically cliche things I’ve ever seen in my life. And I laughed all the way through my enjoyment.

Sylvester Stallone is back as Barney Ross, a character who is not really a character. More of Sylvester Stallone as his mumbling self with some jacked biceps. He’s got his crew with him, and they’re on some mission

Always fire from the hip, boys.

to kill someone or other in some Middle Eastern looking village. They all roll up in battle jeeps and brandish light machine guns out the ass and wield Gatling guns with one arm, smokin’ fat cigars with the other and whatnot. Just your average C-rated action film.

What makes people see these movies, you may wonder? (Or not…) It’s all about everyone’s favorite action hero. And there’s such a damn long list!:

You got yourself classic Stallone. I’ll never forget the first time I watched Demolition Man, or the first time I left the room when my friends watched Over the Top. His forgetably bad movies are what makes Rocky so good in comparison (and Rambo too, I guess…) He just needs to get his shit together and figure out how to talk correctly though.

This is where everyone lost it.

You got your relatively new newcomer, Jason Statham. Making it big in the Transporter series, this guy has been garishly blowing up the screen with nonsense after nonsense. His Guy Ritchie days were great, but America has loved to cast Statham in weirder and weirder movies. I’m talkin’ In the Name of the King and Crank 1 and 2. I can’t tell you how many nightmares I had over Crank 2…

Then you have Jet Li. There can be no complaints about one of the best action stars/ martial artists the world has ever seen since Bruce Lee. I was so happy to see him get the hell out after the first scene in this movie and no longer associate himself with the Expendables (unless he comes back for the third round…).

You got yourself Terry Crews, star of The Longest Yard remake and Everybody Hates Chris. What he has become known

What’s that hat all about, Stallone?

for is a bit more tragic and bizarre than his acting career. Yay, Old Spice!

There’s Randy Couture! His MMA days must be getting stale! And that cauliflower ear must be rancid! Don’t try to fool us with your book reading and glasses wearing. Your name is this movie is Toll Road. Enough said.

And then you got Arnold Schwarzenegger and Bruce Willis. One I love, one I’ve always despised for the Die Hard series. (I wish they would stop making them…) If I ever hear another Yippie-Kai-Yay again, I may have to go Alan Rickman on his ass. But you can’t go wrong with Arnie. He holds a gun like such a boss in these movies! Firing from the hip, laying waste to countless, faceless minions all over the movie. Looks like the Govenator will never lose his touch.

Absolute kick perfection.

And some new faces! There’s Dolph Lundgren, greatest joke It’s Always Sunny has ever made. Chuck Norris, the biggest and most soft-spoken hardass of them all. He appears every once in a while, and this Walker doesn’t need a walker, you feel me? But what sealed it for me was Jean Claude Van Damme as Jean Vilain (looks like villain right?). His obsession with goats and round house flying kicks is what made this movie badass. Seeya Liam Hemsworth, you got a knife right through the heart from a Jean Claude kick.

So what do all these players equal? One of the most hilariously classic action movies I’ve seen since well… ever. You can’t get more cliche and classic action than with a movie like this plot and characters like these. We were all losing our shit in the movie theater laughing from all the classic one liners and unrealistic gigantic explosions. It was all so great, right down to Liam Hemsworth declaring that he was dying from Jean Claude’s boot stomp. You gotta love movies like this.

So whether you love action, or love satirical action, this movie is a must see. I’m

Classic Stoagie.

gonna go back and watch the original ASAP. You gotta love all the mindless destruction and countless body count that comes up with movies like this. So come in with an open mind, because, at first glance, this movie is gonna be awful. But remember, not all bad things are totally bad. Some things that are expendable, are just so damn good. 6.5 out of 10.

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Season of the Witch: Get Your Cage On

I'm liking this.

In the same vein as Black Death and watched only a few nights afterwards, I came to the realization as to why this movie didn’t work for me. It’s not Nic Cage or Ron Pearlman. It’s not the lackluster accents put on by the cast. It’s not the Rock ‘n’ Roll ahead approach to the plot. It’s the fact that I didn’t feel that any of these actors were ever meant to or destined to star in period pieces. As in Black Death, Sean Bean was specifically bred and born to play the role of a Medieval knight. In Nic Cage’s case, I’m not at all positive. Sure, Ron Pearlman has wielded a sword in In the Name of a King (come to think of it, even Jason Statham can’t play an English peasant…) but Pearlman’s body size is really only perfect for Hellboy and Blade II.

And, in this manner, I was removed from fully immersing myself and enjoying the plot presented in Season of the Witch. (Original title idea for Scorsese’s

Do you believe this wench to be a witch?

Mean Streets.) I had to watch this though. My goal in life is to watch the entire career of Nicholas Cage in full. All the way from Fast Times at Ridgemont High down to Ghost Rider 5 (I hope…). I’ll take all the good (The Cage Renaissance) all the way down to his money problems (National Treasure and onwards… for now…). Seeing as this Medieval film really fits this quota, let’s dissect it.

Nic Cage and his flowing locks of sultry power.

So Behmen (Nicholas Cage) and Felson (Ron Pearlman) are two ex-crusaders. And to say that, I mean that after many wars, these two decided all the killing wasn’t worth it anymore. And I gotta say, some pretty pimp-ass helmets as well. They look like cauldrons. Whatever floats your boat. So these two ruffians hustle it back to Germany just in time to find that the Black Plague has hit Europe. (Actually accurate that a lot of Crusaders missed that bit in history.) Discovered in some barn area that they are wanted by the Church, these two duel for a quick second and then are whisked off to meet with Cardinal D’Ambroise (Christopher Lee).

Haggard as ever and possessed by the plague, the Cardinal orders these two men to escort a suspected witch to a hidden monk’s shindig house in order to LIFT THE ENTIRE CURSE OF THE BLACK PLAGUE. All because of one girl?

Read, Deballsack!

Unlikely… But that’s beside the point. So the two agree to avoid jail/death, and they assemble their Super Squad. First up we got Debelzeq (Stephen Campbell Moore). This is pronounced De-ball-sack. Unfortunate, but an actual name. One of the more believable period piece actors, Moore brings a bit of the clergy to the screen. There’s Eckhart (Ulrich Thomsen), the soft-spoken man with a heart of gold. He obviously can’t last. And there’s Hagamar the thief (Stephen Graham). He’s really not worth mentioning.

Robert Sheehan, the last bastion of hope in this film.

And then there’s the star of the show. Young altar boy turned knight, Kay von Wollenbarth (Robert Sheehan). This new up and coming actor stars in one of my favorite shows in the U.K., Misfits. This show (which will be reviewed soon) is a wonderful breakout role for Sheehan, and he has proved his mettle since then in Killing Bono and Red Riding. He’s really not given a chance to shine in this film with the limited script, but you’d barely recognize him. If only his Irish accent could flow from those lips in every film.

So, on this whirlwind roller coaster adventure, in every twist and turn, lives are at stake. Is Anna (Claire Foy) truly a witch? Or something more? Will Behmen and Felson survive? Only watching this movie from start to finish in hopefully one sitting will tell…

There’s really not much to say about anything else in this film, so I’ll summarize. The acting is a period piece, without a sense of the period. English accents failed to veil whatever was going on at the time. If those were even accents… I love the Cage, but when you want some Cage action, you expect a bit better from him. This one was toned down and I commend him for that action, but some more terror and mania was necessary. This supernatural film came across as realistic at first, and moved towards the CGI graphics and buffoonery towards the end. It seemed as if the movie was going in two different directions from start to finish. I don’t blame the actors or what was attempted onscreen, I would say the flaws started from the writing/pre-production phase. So, cast and  crew of Season of the Witch, you gave it your all, but you let Nicholas Cage down. And for that, the Cage vehicle of dastardly deeds gets a measly 3.3 out of 10.

This haggardly crew must fight the witch in this touching film of evil.