Tag Archives: Inception

The Dark Knight Rises: I Was Born In It…

Sorry I’m a bit late on the uptake with reviewing this movie, but I did see it, so I do need to review it. This movie, as the whole series does, holds a lot of mixed feelings with me. People moan and complain about the past Batmans (never had nipples, I get it), and rant and rave about how this series is the end all be all of Batman fandom. That’s great, neat-o. People have all different kinds of preferences when it comes to comic book

Hello there, Mr. Batman (in a Sean Connery voice).

heroes and the types of ways that they’re represented, but get off my back when I say I am a bit more nostalgic and partial to the original Tim Burton films. Jesus…

But, that doesn’t mean I didn’t enjoy these movies. We all must remember that these are movies about fictionalized characters from comic books made mostly for the demographic of children to teenagers. Being in college, I can claim, just on the border, that it still applies to me. And hell, these movies only apply to people my age they’re so damn dark these days. I never read The Dark Knight series, and I don’t plan to (not a big comic person). Christopher Nolan can do what he wishes, but just because he made Memento that film kids orgasm over, doesn’t mean he’s the best director and visionary of all time.

A worthy, catlike foe.

And therein lies where my grudge starts. I enjoyed Batman Begins for its iconically classic cheesy action lines and origin story. For a lot of other fans, that movie is shit in comparison to The Dark Knight. Sure, in hindsight, any movie is better than its predecessor (very rarely). But please, respect the originators. The Dark Knight was good as well. Great story, not the best film of all time, because remember, only dramas and artsy films win Oscars, and as much as I would like that to be changed, it won’t. So stop pretending that this movie deserved Oscars, it ain’t gonna happen Nolan.

And then, it all started. Nolan made Inception. The stupid dream within a dream jokes started. This film may be visually pretty, but in lacks when all the hype built around its release left it wanting something. And then, as if to pay homage to a film that has nothing to do with the Batman series, to service the fans, Nolan does something I find strange and deplorable. He puts Marion

The Dark Inception Rises?

Cotillard, Tom Hardy, and Joseph Gordon-Levitt all into the Batman series. With plenty of other candidates out there to try out, he did that whole in-circle movie inclusion thing. All I’m saying is, if I were a director, I would want to work with lots of varying talent and not stick the same old actors into every movie. I wouldn’t have been surprised if Nolan replaced Christian Bale with DiCaprio…

Now that my rants over, let me start a conflicted review about The Dark Knight Rises that people probably won’t read because I’ve already forced out everyone who lives and dies for this series anyways…

So, I gotta say this movie was really hit or miss for me. I love Christian Bale. Plain and simple. His depiction of Batman is

Christian Bale, may you never change.

satisfactory, and one of the only things that keeps me watching these movies. Sure, he does the whole deep voice thing, but isn’t that to entirely mask his identity from other people? He messes up once in the movie by continuing to do the voice although Catwoman knew who he was. But maybe it’s just a mentality thing.

The other thing that made me watch this movie, an amazingly and surprisingly good performance from Anne Hathaway as Catwoman. I’ve loved her ever since The Princess Diaries, and this movie solidifies that she is an actress of all genres. She’s witty and sensual in a way I didn’t know she could be, but not a pushover or bimbo as some comic book villainesses are depicted. A perfect counterpart and conflicted villain of Robin Hood status for this movie.

The only other reason I liked this movie? My adoring nature for

She even makes the orange look classy.

Joseph Gordon-Levitt. I’m talking Brick, even throwbacks to when I used to watch 3rd Rock From The Sun occasionally. The Lookout, 50/50, his hits just keep rollin’ on. He was one of those sleeper actors that, once given the chance, showed he could do great things. And his twist reveal at the end of this movie was worth waiting for.

Now come the hang-ups I had about this film. First off, it was too long. I don’t know what makes Christopher Nolan pack so much material into a movie I felt could be 2 hrs tops, but he exhausts every single thing he can thing to put in a script and doesn’t understand the meaning of “edit”. Once it hits Batman in the prison of doom, I started to fall asleep. After the last battle, I woke up for the unnecessarily long wrap up ending.

Do you see the likeness, brother?

Bane. Plain and simple, the way Bane is represented in this movie. It’s a big step up from the poison addled Bane of the Clooney times, but it ends up amount to little better than a lackey. I had a friend tell me all about how Bane was so smart and could beat Batman physically as well as mentally in the Dark Knight Series. What do I find out? Bane is a pawn in a much bigger game. And what’s with that voice? Did Sean Connery get a Vader mask and forget to go through puberty? This comically funny voice ruined any chance at making him a legitimate contender for good villain in this movie. Cillian Murphy’s appearance again as Scarecrow in this movie was more entertaining and evil than Bane was. Sad.

Marion Cotillard. Her twist ending as yet another villain biatch in a Christopher Nolan film saddened me. It felt like an unnecessary cop out and exhaustive effort on the writer’s part to make this a cyclical film. Even if this is how the Dark Knight comics went, change it. It sucked.

Throw in a bunch of unnecessary explosions that would make Michael Bay proud and you have a fireworks ending to this

There’s a lot of debris in this movie…

film with a cliffhanger stuck on for good measure. (Seriously, people complain about how explosions take over substance in Bay’s films? Nolan should take a quick peek in the mirror.)

That’s not to say the movie wasn’t entertaining. As most action films for me (and this is nothing more than a “psychological” action film) there are good and bad parts. This was really divided down the middle for me. I would watch it again, and it would become one of those classic movies me and my roommate quote to pass the time. I don’t mean to over emotionally disrespect on anyone who really liked this movie. It may have just hit me at a bad time. Only time truly will tell. But, as for the overall delivery of this movie, in all its components, I’ll give it a 6.6 out of 10.

Advertisements

Bunraku: Paper Punishing Dolls

Suck it, R.T...

Alright, first off, death to Rotten Tomatoes. I’m not really sure where this website gets off giving this film 16% (why the hell a percent?) “approval” rating or however they go about rating all films. I’m just assuming at this point that they shit all over action films and take no account of the true purpose of an action film. Action. That’s what the damn genre is called and that’s what I expect. So this critique websites that don’t really go too hard into giving the least bit of credit where credit is due, need to re-evaluate what’s going on. Maybe I should rename my blog “Reviews from the Silver Lining,” cause there’s rarely a film I can’t take something away from and appreciate it for that fact. Even if it’s horrible, there are a lot of people whose blood, sweat, and tears went into that film. And they deserve at least a worthwhile evaluation of, I would suppose, a life’s pursuit. Come off it.

And I found a damn lot right with this movie. The title of the film coming from the Japanese art of paper doll plays, this movie created a landscape in which the actions and scenarios displayed on film could be believed. From one

The Drifter (Hartnett) and Yoshi (Gackt). A dynamic duo.

direction of town comes The Drifter (Josh Hartnett). The other, a Samurai named Yoshi (not Nintendo related) without a sword or honor. In a world without guns, an all out brawler and sword expert come together to absolutely Tech Deck wreck a bunch of foolish thugs.

And why do they come to this town? They come to kill the Woodcutter, Nicola (Ron Pearlman). With a debt to repay and a talisman to recover, these two must join forces in order to conquer the evil

Word Ron Pearlman. Choke a Demi.

that has taken of the East. Without a specific location, this movie took on a whole new post-apocalyptic world in which, finally, sissy-ass guns have been laid to rest. The only movies I ever want to see guns in are The Matrix and Equilibrium. Enough said. Upon this landscape of raised paper houses, anything and all can happen when you can swing like a prizefighter and run house like Kurosawa.

For a half arthouse, half action packed punch, this movie brings out the action side with a lot of action stars. From Pearl Harbor, Black Hawk Down, and

I gotta say Hartnett worked shit in this one.

Lucky Number Slevin comes Josh Hartnett. His no talk, just rape (in whatever sick and twisted good way you can talk about utter destruction) this guy lays waste to those who would doubt him. Next up, and most notably, is Gackt, Japanese singing sensation and all around beautiful face. Among other talents, Gackt can speak English far more fluently and clearly than say, Ken Wantanabe in Inception (what happened between Last Samurai and that?). His sword skills are a bit jumpy at parts, but who wouldn’t expect that from a pretty boy singing prodigy? He is in his late 30’s…

Kevin McKidd as Assassin #2. What a character.

Throw in Ron Pearlman, face of Hellboy and a handful of other well known action films. There could have never been another soul alive who could have played Hellboy half as well as he did. And he wasn’t the worst at Nicola either. Give another little toss to Woody Harrelson of Natural Born Killers and more recently Zombieland. Not a big fan, but he did his part as The Bartender. He just never really stands out to me… Demi Moore for the old woman looks, and here’s the surprise. Kevin McKidd. This Scottish bastard had a cocky, yet strange way about him in this film that I found almost endearing. In quite a few period pieces and my favorite, Hannibal Rising, this is the first movie I think… (other than Trainspotting) that I knew this guy was from Scotland. A little bravo your way, McKidd.

Lovin' that background layout right there.

So we got the cast, the setting, and the situation. It’s all coming together. And what ties it up in a neat little bow? It for sure wasn’t the 2 hours this movie was allotted. It felt more like 3… It was the special effects. provided by Snoot FX, the locations and shooting styles felt action-y (?) and the fluidity of the fight scenes and the transitions (especially Hartnett’s fight scene in breaking out Yoshi from prison) was just top notch. It just gave such an interesting and non-retarded Sin City feel to it that I was hooked.

As Dennis Harvey of Varietysaid of the film about its fake flower feel, all color and no substance/life, I’d have to say he missed the point of the film. He was definitely batting from the ballpark of critical art film acclaim, when he should have been coming from what the essence of a Samurai/Western would be. Include the feeling of a theatrical Japanese paper doll show, and you have Bunraku. Not something tacky, but a whole new way to tell a story that I truly appreciate. That was its best part. A solid 7.6 out of 10.

Could it get better?


Baldr Force EXE Resolution (Not the Video Game)

In this quick little 4 episode OVA, I was blown away by the breadth of this show that took a mere 2 hours to explore. And this is coming from an OVA that was based on a video game! With a beginning, middle, and complete end, this show summarizes (or does it?) or gives a complete new angle to a game I’d really like to play now.

So, Baldr Force EXE Resolution. It’s the story of Toru Soma, an ex-hacker turned good guy cop. He does this for his own motivations in order to catch his protege’s killer, located inside the police force. What he encounters is more than he could have possibly imagined. With

Pretty dec, right?

a past unfolding and new friends becoming enemies, Toru is forced to redefine what he considers real.

Despite the brevity of this show, I still consider it worth watching. It may move much quicker than most anime, but it performs well as a mecha/psychological thriller. Some characters perform well as side characters and need not be fleshed out, but others shine in their key roles that unfurl the story of the internet servers and what’s been menacingly destroying them.

Relying too much on that Fbook, right?

What I find most interesting about this show is its commentary on the interdependency of actual life events with what happens online. The two become so intertwined that it does sort of beg the quesiton, what is reality? Hate to say it, but in an almost Inception-esque way, this OVA suggests that people these days may rely too heavily on technology to get through life. (Hence, I should shut down my internet use and no longer give you my baller ideas on all things entertainment.)  Pretty smart thinking from a Windows/Dreamcast game made way back in 2003.

But I digress. I rather enjoyed the 3-D animation of the Simulacrums that people used to maneuver around the internet, and it really spoke to a mecha audience instead of a fake reality spin in which we as humans walk around on the internet. I like the consequence that was created, like in the Matrix (if you die in here, you die for real shizz) and it was a perfect balance of plot and action sequences.

What madness is going on here?

All-in-all, just check this little mecha OVA out and see if it stacks up against the computer game. If it does, let me know, I’d love to check it out for myself. I’ll give this Matrix/Inception/thriller mecha a 7.9 out of 10.