I’m a huge sucker for anime that involves martial arts. Heck, for anything that involves martial arts. I dream about one day becoming a disciple of a certain martial arts form, but that day may be behind me (my only training was trying lethal moves out on my sister, in a joking manner of course). But the adrenaline and inspiration that martial arts injects into me makes me feel like I can do anything. And a character like Kenichi: History’s Mightiest Disciple proves it.
Although this anime boasts 50 episodes (and OVA’s to come), it is rather simple and extols the teachings and techniques of martial arts. Kenichi “Weak Knees” Shirahama (Josh Grelle) is just what his nickname suggests. Picked on all the time at school and always outcasted, Kenichi joins the school’s Karate Club in order to become stronger. After being
Kenichi and the masters of Ryozanpaku!
threatened by the biggest kid in the club, Kenichi is worried for his life. And his alien looking friend Haruo Niijima (Todd Haberkorn) confirms this.
Until one day when Kenichi’s entire life changes. Rescued by a new transfer student to the school, Miu Furinji (Carrie Savage), Kenichi discovers a way to fight back against all those bullies. Joining the Ryozanpaku dojo, Kenichi becomes the sole disciple and strongest hero by story’s end.
Miu, the boob action in the show. Pretty ridonk fighter though.
What I liked most about this show, other than the martial arts, is the sensei’s of the dojo. There’s Hayato Furinji (R. Bruce Elliott), the wizened leader of the gym who is basically unstoppable. Although he’s not around, he supports Kenichi and his granddaughter Miu. There’s Shio Sakaki (Christopher Sabat) the drunken comedy and Karate master. His punches are fierce and so is his standoffish personality. He likes Kenichi like a father (although he already has one) and pushes him to do better. Apachai Hopachai (Sonny Strait) is the dumb guy in the group. He’s lovable and friendly, but he doesn’t know his own strength. Always kicking Kenichi into the atmosphere, he loves calling out his name when he performs Muay Thai (my favorite. Period.) Shigure Kosaka (Trina Nishimura) is the weapons expert of the group. She doesn’t talk much, but makes up for it with quick sharp wit with her blade. Kensei Ma (Vic Mignogna) is an interesting old man. Bald and brazen, he brings the pervert aspect into the anime. Always taking pictures, he still finds time to teach Kenichi Chinese Kenpo (softer martial arts). And last but not least, Kenichi’s main teacher, Akisame Koetsuji (Kent Williams). His intelligence and artful technique pervade every aspect of his life. He can usually be seen forcing Kenichi to tow him around on a tire attached to a string through the city streets.
The Shinpaku alliance!
And there are far more characters than that that add spice to this show. As I mentioned before, Niijima is a wonderfully slithery character. His art of running away never fails, and his PDA never fails on recon. Todd Haberkorn brings a wildly raucous character to life with his evil alien features. And then there’s Ragnarok. Considered all to be Kenichi’s arch rivals, Kenichi must defeat them in order to keep from dying (or anything else terrible). One of my personal favorites is Hermit (Eric Vale) this solemn and quiet character has a masterful technique and an iron will. Eric Vale does a wonderful job as usual as a character who never gives up with a great dramatic voice. Jerry Jewell plays a ferociously sinister character I can’t really talk about, but he’s worth waiting for. And J. Michael Tatum does a voice I didn’t recognize at first with Ikki Takeda, the boxing beauty with shiny blue hair.
With all of these wonderful Funimation voice actors and so many characters, nothing could be better. And then you get down to all the fighting. Although some of it may be unrealistic and come with explosions of light and unheard of power with your fists, the technique is there. I’ve learned more from watching Kenichi than I have from anything else. I know moves, fluid techniques, and trick moves too. I know their names and why they’re significant, I might as well have just
Niijima and his wonderfully alien good looks.
watched a Discovery Channel show on it. And from so many different countries! China, Japan, Thailand, and any other Asian country that may have been mentioned. This show displays a sort of U.N. like congregation of the wonders and majesty of martial arts and brings them together in one wonderful show.
This show may floor you.
The plot is simple and straightforward, pulling no punches (pun-ch intended). Kenichi must systematically defeat and conquer enemies and his fears in order to become the best. What more of an archetypal story do you need? Throw in a whole lot of comedy, boobs, and amazing fighting technique, Kenichi: The Mightiest Disciple is one of the best shounen out there. Get some of that kick ass. 8.3 out of 10.
I’m going to say as little as I possibly can about this show while trying to talk about this show and how interesting it was for me. Also, in this review, I’m going to attempt to talk about characters in such a vague way that I don’t reveal anything about the plot and just encourage you to watch the show. Impossible task? Challenge accepted.
This is an anime set in the Prohibition Era of America in the early 1900’s. There is an element of magic and mystery that intertwines itself in this show so that you have to accept what’s possible with the impossible. There are gangsters, and, orignally, magicians (of a sort). The characters range from the mentally unstable to the kind and thoughtful. With inspiration from the film, The Untouchables, the gangster and his New York accent come to life in the world of the speakeasies.
There are a lot of characters...
When you first begin to watch this show, you may become frustrated. A lot of characters and events are thrown at you all at once. Told from so many perspectives, it can become overwhelming in the first couple of episodes. But have patience. In a nonlinear plotline that comes together in pieces, this show was ingeniously crafted to have the characters drive the story until the plot becomes clear. Just remember when watching that the Flying Pussyfoot (really don’t like the name though) is the central event of the series. Things occurring on the train, for the most part, are happening in the real time (I think…) while all other events of the early 1930s are flashbacks, or maybe even flashforwards. Still not entirely sure. It’s a show worth watching through more than once.
What's going on?
With all the gangster families, it can become hard to determine just exactly who is who and who did what and who is wanted for what purpose. With all the accents and the strange character names, (Jacuzzi Splot. Enough said.) with three different gangster mafioso families going on at once (the Gandors, the Genoards, and the Martillos) including Jacuzzi’s gang and the Russo family, toss in Isaac and Miria, and you have a lot of chaos all at once. Nothing is as it seems and nothing seems to make much sense in the Baccano! world. It’s all about the ending payoff.
A few noteworthy voice actors in the dubbed version to speak of. You have to start with Isaac Dian and Miria Harvent. J. Michael Tatum and Caitlin Glass
Isaac and Miria. Best.
really branch their talents to their extremes with two ridiculous thieves with no care in the world and no idea what’s going on. John Burgmeier puts on an English accent as a character I can’t reveal (sorry). And R. Bruce Elliott places a mean old Russian bastard who is actually a terribly villainous magician. Joel McDonald in a surprisingly heartfelt performance gets his Brooklyn on as Jacuzzi and Nice, his eye-patched love interest and crime partner is nicely done by Colleen Clinkenbeard. Throw in a Frenchman in jail and you have the wide ranging and seductive talents of Eric Vale. Throw in Todd Haberkorn and his always likeable goofy characters and you have a Baccano! cast.
I love this man so much.
But, I could never forget the big standout in the show. In a very underrated voice actor comes one of the best performances of his career. Ladd Russo, a highly skilled and highly delusional killer is voiced by Bryan Massey. His questioning and highly energetic character from My Bride is a Mermaid, Shark, returns as another kind of inhuman being. Ladd is vulgar, he is brutal, and he is one of the most likeable and sinister characters in the series. Any guy who can walk into a room and say, “I like you! F%*k you!” deserves respect.
Let's get to pokin'.
And for the rest, AKA the amazing plot, you have to watch it for yourself. In the same vein of shows as Durarara! (interesting, both are marked with exclamation points…) comes a character driven show with a great payoff. Watch it for the characters and voice acting. Watch it for the interesting non-linear plot. Watch it just to watch it. It’s well worth a shot. You just might find what you’re looking for in a show in this 16 episode anime, Baccano!
I don’t know how long this review may turn out to be, but I have so much to say on the topic of Fullmetal Alchemist/Fullmetal Alchemist: Brotherhood. In what I would consider, and what others would consider to be one of the greatest and most well known anime of all time, Fullmetal Alchemist delivers on so many levels. It has so much going on and so many characters to follow and love that it’s going to be quite hard in keeping this short (that’s what she said).
All that being said, Fullmetal Alchemist: Brotherhood (And its original show I’ve watched as well, and own) is the story of Edward (Vic Mignogna) and
Too many great characters to count.
Alphonse (Aaron Dismuke/Maxey Whitehead) Elric. These two brothers are into alchemy, the mystic version of what we today call science. In a world apart from our own, Ed and Al delve into the inner workings of things like equivalent exchange (In order for something to be gained, something must be lost of equal value.) and alchemic circles. Seeming to be something of the occult, these two delve into what is common practice of the early 1900s.
Living happily with their mother and father (for a time, until he leaves) Ed and Al become engrossed in the world of Alchemy. Taking every opportunity they can to learn about its secrets, the two become formidable alchemists in their own right at a very young age. And then, tragedy strikes.
Ed and Al, two brothers on an adventure.
Struck down by some unexplained illness, Ed and Al’s mother dies at an unexpected and early time in her life. While the two of them are still young (7 and 9), they attempt the taboo. The attempt to perform human transmutation. With what appears to be a straighforward procedure, the two attempt to create life from the makings of a human (i.e. water, carbon, trace elements, etc.). What they don’t account for is what costs them. Taking Ed’s right arm and left leg and Al’s entire body, Ed barely saves Al’s soul by attaching it to a suit of armor in the corner of the room. Debilitated and with no family left except some loving family friends, Winry Rockbell and her grandmother, Pinako, these two burn down their family home and leave Risembool.
This leads Ed and Al to pursue the only other alchemic object that readers of Harry Potter will be familiar with. The Philosopher’s Stone. This magical object, in the context of FMA, can circumvent the need for equivalent
Always leaving Winry behind to cry...
exchange. This object, they believe, will allow them to get their bodies back and return to a life of normalcy. But with the heavy prices and hardships in store, it won’t be that easy. Providing his services to the military state of Amestris as a “dog of the military”, a state alchemist. With Al along, the two must discover just what it means to put it all on the line for the Philosopher’s Stone.
Alchemy. It's hip.
I don’t want to go into too much detail about the later workings of the plots that go down in FMA and FMAB. After a certain amount of episodes, the two diverge in plot. Fullmetal Alchemist doesn’t follow the original plot of the manga, while Brotherhood follows it exactly. Never having read the manga (I’m an anime person, sorry.) I didn’t have a problem with either. There is some big debate and divisive opinions on the matter, but I feel the two shows stand apart, despite being about the same things. Both are quite satisfying in the end.
Great characters, old and new.
In any case, the characters in this show are wonderful. So is the voice acting. Actually, if I may be so bold, the English voice actors are just as popular with this show as the Japanese ones. Funimation did things right when they got the rights to this show and casted accordingly. But enough about that for now. We have to talk characters. I guess I’ll have to talk about characters without revealing anything about the plot. Hard to do, but I’ll manage.
Well, there’s Ed and Al, of course. These two drive the plot and give
Armstrong. Always good for a shirt rip.
wonderfully heartfelt and considerate characters to the show. Ed can be a bit hotheaded (and therein lies the comedy) but his stubborn attitude and realistic view of the world really shape our view into the world of Fullmetal Alchemist. With Al, who’s just as important, comes the caring and gentle giant (because of the suit of armor) character that I secretly admire greatly. His only flaw and greatest strength is that he cares too much. Winry comes across as the weeping damsel in distress, one of the only female characters in the show to do so. Functioning as a sort of love interest in what is collectively called a shounen, this girl can pack a punch… comedically, whenever she needs to.
Kimblee. Badass. All in white.
And then there are some of my favorite characters. There’s Zolf J. Kimblee, the most badass villain and coolest alchemist to grace the series. With the power to alchemically turn anything into a bomb at his whim, he lays waste to everything in his paste. His nonchalant attitude about life and the love he holds for chaos is something I find to legit to quit in villainous characters. There’s Scar, the Ishballan priest turned freedom fighter. After his people were destroyed in a civil war, Scar ditches his name and uses the powers granted him by his brother in order to kill those alchemists who wronged him. He’s a bit of a conflicted character who really jumps around in the series, but he’s well worth rooting for. Roy Mustang and his surly crew of officers. Mustang is a high ranking officer among the military and effectively rules it with his ability to set anything on fire. Mirrored in his fiery attitude, he has the ambition to rule the country as Furher someday. (Amestris is basically Germany in the early 1900s. Almost hard to swallow that they’re reflecting Nazisms in this show, but it’s a choice.)
This was legit.
Then there are these creatures in the world known as Homunculi. I can’t say anything more about the topic (it’s too damn important), but I can say that they’re named after the 7 deadly sins. Their powers and personalities reflect that, and look out for Greed, Gluttony, and Pride, three of my favorites. Wrath used to be one of my favorites, but he/she is two different characters in FMA and FMAB. All of the Homunculi are key in the plot and well worth picking your favorite for how diverse and interesting their characters are. With two different explanations as to their origins, you can pick your favorite.
I enjoy this.
Now that I’m thinking about all the things that FMA/FMAB has to offer, I am starting to wish I had done a separate blog on Fullmetal Alchemist. These shows are two worlds apart, and similar in so many ways. There’s just so much to go into in detail and scope, and just not enough time to discuss it in. I don’t want to bore anyone with a long winded review, but if you do have questions you’d like answered or a specific topic I should review on my blog, let me know via comment or something. I’d love to talk about it!
Oh, all the characters and the plot I can’t get into and all that good shit. I’m now seeing this review as more of a teaser than anything. The intricate plot and reveals of both versions are well worth it. The dialogue and emotions will enrapture you in joy and sorrow. I can’t talk this up enough, can I? Well I wanna mention voice actors in English before I give this show the 10 out of 10 it deserves.
Can't even explain what's going on here.
Vic Mignogna is as iconic and well known for his voice as Edward Elric as the Japanese voice actor. Loved by many, he may always be recognized as Ed. Aaron Dismuke, one of the youngest voice actors to grace Funimation, got his start from a very young age as Alphonse Elric. With a voice that began to change as the show went on, it was all too unfortunate that Aaron could no longer fulfill the part. Maxey Whitehead did a good job in her own right, but there was
Here's a little throwback Greed.
a distinct difference in Al’s soft spoken voice. Travis Willingham delivers well as Roy Mustang, the fiery commander of the Amestris military. In what I would consider an improved performance from the original FMA, he really allowed his character to come out in Brotherhood.
Caitlin Glass does a phenomenal job as the constantly emotional Winry at all the right points. I must say though that I liked Dameon Clarke far more as Scar than J Michael Tatum. The gruff demeanor of Scar, I feel, leans more towards a man of few words than a gruff sounding religious freak. Just saying.
You beat them back, Scar, you religious freak you.
Both good, just drastically different. Who else should I mention… Eric Vale was badass as Kimblee with his, “I don’t care, I’m nuckin’ futs crazy. I’ll kill you.” attitude. Enough said there. Laura Bailey is as sexy as ever as Lust, the sexiest of the Homunculi. Troy Baker, more than Chris Patton, in the original, provides a great “I want the world and I’ll do anything to get it” voice as Greed. And, exclusively to Brotherhood comes Lin Yao, a prince from Xing with one of the best scenes and deliveries in the entire show, done by Todd Haberkorn. The goofiness of Todd disappears behind the character of Lin Yao and become something entirely different. And, of course, Christopher R. Sabat is amazing as with everything he does as Alex Louis Armstrong, the Strongarm Alchemist.
So with all these great things all in one amazing anime, why haven’t you already seen this/are watching it now? There’s no need to read this review when all I could have said is watch this show. Watch Fullmetal Alchemist and tell your friends about it. Subbed or dubbed, it doesn’t matter. Watch both versions and compare, let me know which one’s your favorite. Bask in the glory that is FMA/FMAB. It’s all good so trust The Abyss and jump right in. It’s worth it. 10 out of 10.
I’ve seen Akira Kurosawa’s film, 7 Samurai. The second that I saw there was an anime dedicated to it (and supplied with the voice acting talents of Chris Sabat as Kikuchiyo) I had to see it for myself. In what I would call a very honest and original ode to Kurosawa, this 26 episode anime series follows the classic tale of the mighty vs. the meek. I saw this film quite a while ago in my film appreciation class and found it to be quite cinematic for its time (1954 in fact). With great characters and a good helping of action, nothing could be wrong with this film and anime classic.
The basic plot of Samurai 7 is that of David vs. Goliath. In a small rice village named Kanna, field workers and peasants must fulfill quotas of rice production to be paid to the bandits. These bandits are former
The cast of Samurai 7.
humans who have encased themselves in the wave of the future. In these new Gundam like bodies, the bandits hold sway over the lives of the peasants and demand rice in exchange for the peasants lives. And yet, despite their payment, the bandits take women to the imperium to become slaves.
After years of this slavery and menial servitude, the peasants decide to secretly do something about it. The village elder sends Komachi (Luci Christian), Rikichi (J. Michael Tatum), and Kirara (Colleen Clinkenbeard), the village’s water maiden. With her divining skills, the three peasants seek out the help of human samurai to fight the samurai encased in metal. Over the course of the show, 7 samurai are recruited in order to defend the rights of the lowly peasants of Kanna. Within this plot comes another plot (NOT INCEPTION B.S.) unlike the Kurosawa film. With an imperial plot by the merchants of the city, the 7 samurai must find the strength to fight off multiple enemies.
That's a legit battle right there.
What I really loved about this anime was the character designs of the 7 samurai. Shimada Kanbei (Robert Bruce Elliott) is the leader of the clan of samurai, wielding the most power. His brusque attitude can come off as disconnected, but he always has the goal in mind to help the peasants in any way he can. Okamoto Katsushiro (Sean Michael Teague) is the timid member of the group with a hidden power that is not revealed until the opportune moment. He also provides the majority of the love interest in the story for Kirara, although it becomes convoluted towards the end. Katayama Gorobei (Bob Carter) provides the easy, laid back man of wisdom with a protective attitude. Shichiroji (Duncan Brannan) plays the right hand man to Kanbei’s leadership in an almost transparent role. He never contradicts or creates any conflict with Kanbei, as I sort of expected. Kikuchiyo (Christopher R. Sabat) plays the outcast of the group as the robotic samurai, out to prove his worth to the humans around him. He plays a great comedic element in the show and provides an endearing character who, despite his buffoonery, inspires hope. Hayashida Heihachi (Greg Ayres) is the quiet, well to do good guy who only wants a good living and nothing more. And Kyuzo (Sonny Strait) plays the no nonsense badass turncoat. Great characters all around.
No words for this awesomeness.
And the animation was, I thought phenomenal. Interesting fact. To produce each individual episode, 32,500,000 Yen, ($300,000) were spent on each episode. The fluent switch between animation styles and the fighting scenes really stood out to me. The robotic digital animations were well coordinated with the samurai fights and the picturesque backdrops of different areas of the world created by Toshifumi Takizawa was a sight to behold. AND THE MUSIC. The keyed up traditional Japanese music with every fight scene and the melancholy tones of the peasant workers were just as good as the music from Kurosawa’s film. Funimation did a fantastic job with the dub and it all came together for a good two weeks worth of watching this on Hulu. I gotta hand it to Hulu, but they stream some quality looking entertainment. So hands off to all those involved with Samurai 7 and hell, how about it for Hulu? Best anime I watched in 2012 so far. 9.4 out of 10.
Does everybody remember that Ninjas vs. Pirates debate a few years ago? During that whole ordeal, I never took sides. But now that I’ve watched Nabari no Ou, I’ve decided I would definitely side with the Ninjas. In this anime of love (the… strange kind), betrayal, and apathy, Miharu Rokujou (Brina Palencia) must discover just what it means to be a ninja and follow the path. In a war of ancient ninjas and the pervasion of the modern world, the Shinobi of the old ways must fight for a future which still finds ninjas to be relevant. And this is decided through the power of the Shinrabansho.
Miharu is a 14 year old apathetic middle schooler, floating through life. One day, one of the teachers at his school attacks him from nowhere, throwing shiuriken and jumping from tree to tree. Not fully
Miharu and his wily ways...
understanding what’s going on or why this man was attacking him, Miharu is saved at the last minute by one of his other teachers, Tobari Kumohira (Eric Vale). Hearing the word Shinrabansho and not fully understanding, Miharu is thrown into a dreamlike state in which a “fairy” speaks to him about his inner power. Meanwhile, outside, Tobari-sensei seals this hidden power inside Miharu, protecting him for a time from himself.
With the conclusion of this night fight, Miharu is from now on protected by Tobari and two of his classmates, Kouichi Aizawa (Chris Burnett) and Raimei Shimizu (Kate Oxley). With their help and the guidance of the Fuuma village ninjas, Miharu and his friends must find the forbidden secret arts of each ninja clan and use them in order to extract or use Miharu’s Shinrabansho. With a surprising ending and quite a few turns or loyalty, this show really delves into what it means to trust and believe.
The power of the Shinrabansho!
I really liked the fluidity of the fight scenes and the use of ninja arts in this show. This is coming from someone who just recently got into Naruto, the slightly retarded, childish version of Nabari without a whole lot of plot. (Well, I like it though…) With every character skinny as a pole, it’s almost easy to believe the gymnast like moves of these stylishly dressed ninjas. I was a big fan of the fact that not every character in this show was a ninja though. Yes, it’s hard to think that Miharu never really fights (a hard thing for me to get over when it comes to protagonists), but he makes it for it with his wiles. What’s great is the samurais, Raimei and her badass bro, Reiko Shimizu (J. Michael Tatum). He’s said to have killed every member of the Shimizu family, by himself, when he was very young. Can’t get more destructive than that.
As with most shounen I’ve been watching, there’s a focus on an overarching plot with little sections running throughout, resulting in the product of the ending. I’m not opposed to this structure, but, coming from a movie lover, it’s slightly difficult in getting over a show that doesn’t trudge ahead by sticking to one linear plot. But I digress. There are a bevy of interesting characters in this show that really stand out to me. I would say Yoite (Joel McDonald) is the strongest of the crew. In what seems to be an antagonist role, Yoite slowly becomes an emotional character that lots of other characters begin to put stock in. In the end, Yoite becomes somebody that changes the face of all those involved, whether they realize it or not. Shifting focus between characters is an interesting tactic in plots, and this was pulled off well.
The Fuuma clan, ready to fight.
I had problems with Miharu, and its mostly due to his apathetic nature. With characters like this, they seem to let things happen to them without truly doing anything themselves. To not connect with others or attempt to find any form of help/solace really frustrates me as a viewer. Those who don’t attempt to find help in others or really care about anything leaves them floating in a void. And this helps no one. In contrast to that, Tobari-sensei attempts at every corner to help Miharu and the other because of the sins of his past. His caring nature and fatherly approach are really pronounced and worth admiring. (Some people may not like him, but I find him to be likable.)
With a more artistic, flowing feel, I found Nobari no Ou to be a compelling and interesting take on what it means to be a shounen about the popular topic of ninjas. From a emotional standpoint, the focus on characters rather than action is commendable. The use of powers and ninja arts is almost poetic in their symbolism and stand out in comparison to the actual weapons used. Not a bad voice acting crew with a lot of notable names, it is a decent body of work. Enjoy the boy on boy love too! (Not exactly, but you’ll see what I mean.) 7.1 out of 10.
This short little anime is a bit different from what I’ve recently been watching. Black Blood Brothers, better known as, basically, old vampires, is the story of, well, old vampires. Versus basically new vampires. It’s like Blade 2. This is essentially 12 episodes of an instance in the life of Jiro Mochizuki. He’s one of the old blood vampires that quelled the rebellion of the Kowloon Children at Hong Kong. Complicated backstory that is explained throughout the episodes. But this anime is basically about his return to Hong Kong, more specifically, the Special Zone.
Now this Special Zone is “special” because it is a safe haven for vampires. Of all sorts. Well, more vampires that are Kowloon Children. And this anime is about some Kowloon Children getting into the Special Zone. Unfortunately. Jiro is not initially allowed into the Special Zone, but he’s allowed “if” he helps quell a second rebellion. And this time, Jiro has his younger brother in tow. And with the help of a vampire mediator, we’ll
A handful of characters for you.
see what happens.
This vampire anime is a slightly different take on what it means to be a vampire. These vampires hate sun, but don’t necessarily die in it. They don’t like water either, and can die in it. They drink blood to replenish their powers, but won’t kill or turn humans who they suck blood from. Silver kills them for sure. And the humans utilize that to keep them in line. The only way humans (red bloods) can be turned into black bloods (vampires) is if vampires let humans drink a bit of their vampire blood. It doesn’t happen often, but it can happen. (Unfortunately not in this anime.)
J. Michael Tatum as Jiro.
But yes, this is the story of Jiro vs. the Kowloon Children. And Jiro is done by quite the voice actor. J. Michael Tatum, a voice actor I met at Anime Boston, voiced Jiro, the Silver Blade. He does quite the good job at an English accent, and that’s due to his speech therapist, an old English hag (Just kidding). Colleen Clinkenbeard voices Mimiko Katsuragi, the mediator between the humans (The Company) and the vampires of the Special Zone. Colleen does great work and voices good female characters, one of the best female voice actors that Funimation provides. Jerry Jewell provides the voice for Zelman Clock, a rather mischievous old blood vampire with an affinity for fire and a vehement tongue, the perfect combo for Jerry Jewell himself. Brina Palencia
Jerry Jewell. Nice.
lends her voice for a few episodes as Yafuri Chao, a direct descendant of the Kowloon King and quite the formidable opponent of Jiro. And, last but never least, Christopher Sabat lends a Piccolo like voice as Cain Warlock, another gruff supporting character of the many anime that Christopher Sabat performs in. And this is just half of a cast the lends itself to a
Oh. And they can walk on walls.
decent performance in a short vampire anime.
Now the animation/art direction isn’t necessarily my cup of tea (or blood, if you prefer), but it does justice for itself in its own way. It’s not shonen, and yet its not seinen (Check Basilisk for the reference.). This line that Black Blood Brothers blurs is where it loses me. And the way in which the anime isn’t long enough either leaves it something that it’s desperately missing. These characters have done things that we only hear about through recall. Not direct interaction. And this is where it should’ve been a longer anime. But, all the same, it’s decent in its scope and the way it deals with vampires. 6.3 out of 10.
And yet I keep coming back. I know I’ve been gone for a short while, but those college finals are creepin’ up on me. But I’m here for yet another anime review, and this time, it’s academically related.
So this time in Anime Club, we watched RomeoxJuliet, the slightly altered fantasy version of the classic Shakespearean teen angst play, Romeo and Juliet (not much of a title change). But this time, it’s different. No spoilers (already had it ruined for me before I saw the ending) but it’s not as different as you’d think. Slightly different. Okay, kind of a major plot twist ending. And yet, still romantic and tragic. Yeah…
So this is the story of Juliet “Insert ridiculously long middle name here” Capulet, the remaining member of her noble family who were wiped out 14
Juliet. More manly/aggressive.
years ago by the evil Montagues. It was a good thing she had Conrad (who was only a badass in his earlier years. Now he looks like a whiny old coot.) or else she may not have survived, thus, no need for this anime. But anyways, now her and her family’s followers are out for revenge. But for the first 5 episodes or so, she doesn’t know she’s of royal descent. But yeah, of course that changes her and gives her a bit more of an edge and a chip on her shoulder. It’s expected.
But what does she do before she learns this sworn hatred of the ruling Montague family? She falls madly and irrevocably in love with the son of that
Romeo. Pansy.
evil bastard, Romeo Montague. I feel like it was a love based on herbology, but that’s for another review. Just know: irises. So this complicates things. OH, AND DID I FORGET TO MENTION? They have been passing off Juliet as a boy for the last 14 years of her life. She’s been Odin, knowing she was a girl, but she never knew why. Now she does. And now, Romeo is sexually confused. Add that little twist to your lemonade why don’t you.
So the rest of this little Twilight romance (yes, there are references) is played out in Neo Verona, a floating island above God knows what and it’s falling apart. That’s cool. But these little lovebirds must decide what’s more important, love/angst or their families, and we all know how that one goes. But it’s a great twist and quite worth a look see.
Great supporting cast.
Things I liked. The use of other characters from other plays. If only in name, this was a great tribute to Shakespeare, and, being in a Shakespeare class now, I can appreciate the sentiment. Again, I also liked this anime because it didn’t follow the exact plot of Romeo and Juliet. It used the new additions and twists to carry along a well told out story to a new end. Quite interesting if I do say so myself. Looking back on the list of voice actors, I wish I had watched this dubbed and not subbed. J. Michael Tatum as William “Willy” Shakespeare? Thanks very much I’ll take that.
The animation/art was quite good and the plot was ripe for the homages. The ending reminded me of Xam’d untimely end, but I think that’s the only reason I liked it. Otherwise the ending was terrible. The explanation, the random use of the tree of life… I was a little thrown off by how out of place it all was and why any of it was relevant. You have this nice little Romeo and Juliet plot zooming along and then you throw that tree/world wrench in there. Completely unnecessary. Other means to end the anime would have been appreciated.
Other than that, quite a good show. The story empowered Juliet instead of making some damsel in distress out of her, and it actually turned the story around completely. It made Romeo into the princess in the tower and quite
How cute. He's "watching" her from afar.
the whiny, unlikeable counterpart to Juliet. It took a while, but he came into his own. Tybalt destroyed people, I loved the Curio/Francisco (Eric Vale, by the way) dynamic, and it was all good (sort of) in the end. If you’re a Romeo and Juliet fan, or a Shakespeare fan in general, check this out, it’s worth the watch/twist. 6.8 out of 10.
Did I mention this anime ruined Josh Groban’s “You Raise Me Up” forever. Well, it sorta did. But here it is all the same.
Let me start off by saying that this is now one of my favorite humorous comedic anime. Hands down. It’s simple, it’s hilarious, and it encompasses an all star cast of voice actors that bring the humor up to a whole new level. I recommend dubbed before subbed, naturally, as I feel anime that we can’t really glean a good delivery from due to subtitles suffers in the delivery. But this anime really stands out to me as one of those anime that comes along for purely a comedic purpose and nails it. Yes, there are quite a few sexual innuendos and reference and most of the characters are drawn in a sexual manner, but it doesn’t detract from the awesomeness that is My Bride is a Mermaid.
The plot of this show is that Nagasumi Michishio(Todd Haberkorn) is visiting his grandmother at the Seto Inland Sea. He drowns. But who saves him? A mermaid. And because Nagasumi has seen Sun Seto (Alexis Tipton), he must pay the price
Pretty serious there, eh?
with his life, for it is the mermaid law. But clever little Sun uses the “loophole” in the law and marries Nagasumi in an effort to save both their hides (or tails in Sun’s situation). This leads to a hilarious string of goofy and outlandish situations that kept me laughing through all 26 episodes.
Okay, so the voice actors that make up the cast of MBIAM is what makes the show amazing. We have Todd Haberkorn as Nagasumi, and his voice always lends a bit of geeky, endearing comedy to everything he does. I truly feel he’s always cast as the geeky character, and I have no problem with that, he’s quite amazing at it and always delivers well. There’s John Swasey, doing his gruff badass voice (he has two modes, gruff or girly) as Sun’s father Gozaburo, the leader of the mermaid mafia gang that threatens Nagasumi’s life. He is not cool with his daughter’s marriage, and makes it a point to make Nagasumi’s life a living Hell.
Now he’s a voice actor who surprised me. Christopher Sabat (AKA God) surprised me fully with his voice as Masa, the black mafia member of the Seto
Christopher Sabat???
tribe. His voice comes off as so black and sensual that you become shocked to find out that Piccolo did his voice. Great work. Monica Rial as Maki, the deranged conch shell assassin. Annoying at yet always laughably funny. Bryan Massey, as Shark, one of the funnier side characters of the anime who always speaks in the form of a question. Would love to cosplay him one day. Another shocker: J. Michael Tatum plays Lunar’s father, the Terminator spoofing hardbody who will do anything to quote one of Arnold Schwarzenegger’s films. And last but not least, Eric Vale. Time and time again he has proven to play characters I connect with and admire, be it my first love of Trunks or the great snob who is Kai Mikawa, the porpoise and agoraphobic who is after Sun’s heart.
Now that we’ve gotten a little into how great the voice actors are, let’s talk about the meat of the show. So, usually, every episode pertains, in some way, to some side character always trying to break up Sun and Nagasumi. Be it Sun’s father or Lunar (Cherami Leigh) Sun’s singing and life rival, there’s always something awkwardly sexual going on. Favorite scene? Nagasumi
Eric Vale, you devil, you...
rubbing down Sun’s legs behind a bush. (Mermaids can walk on human legs, but the second they touch water, it turns into a fin.) Oddly enough, some of this show, I would venture to guess, may turn on some men, who are into mermaids, and young voluptuous girls… That are cartoons. And I think that’s where the TV-MA rating comes in. There is the occasional swear, but the sexual content is where the show really gets its fangs.
All in all, I really love this new up and coming anime. I enjoyed every minute of it and found the dub to be far better than the sub. The delivery and timing of the jokes speaks to both a American and Japanese audience. The art direction was great (weird thing with shiny unicorn blood?) and although the theme song might have been annoying and a tad too long, it didn’t take away from the fact I would get excited when they show started to play. Definitely
Come watch, won't you?
look out for this anime and, hopefully, this will become a big thing. 8.7 out of 10.
So recently, as I’ve been constantly doing, I watched another anime. It’s one of my girlfriend’s favorite, and I thought, hey, sure, why not? Yes, it was Ouran High School Host Club, and I was a bit confused at first. But if she hadn’t prepared me already for what was going to happen with School Rumble, I would’ve been lost beyond belief. And I wouldn’t have enjoyed it as much as I did.
So here’s the story. I feel it only holds constant for a few episodes and then the rest of the show is left to its own devices. But, I digress. Haruhi Fujioka, (Caitlin Glass) is a “commoner” student, allowed to attend Ouran Academy, a very well to do school full of the social and economic elite. Through her merit, Haruhi is allowed to attend, finds the Host Club, and embarks on an endless list of shenanigans that left me laughing with confusion. (The initial plot is that Haruhi breaks a vase that is quite expensive that the Host Club owns.)
First impressions. This show is quite homoerotic. The Hitachiin twins, (Voiced by Todd Haberkorn and Greg Ayres) Hikaru and Kaoru, give off the distinct impression of homosexual taboo incest. Played up to attract more girls, granted, but still rather hard to swallow. The comedy in this show is quite ridiculous, typical of anime, I find. (i.e. weird comic faces, strange noises, etc.) But over time, I find it to be quite funny. I always laugh when Tamaki (Vic Mignogna) mopes in a corner after facing some sort of ridicule. The comedy when it comes to Haruhi’s commoner status is hilarious, especially when the Host Club visits her at home and at the trading expo.
OH, AND DID I FORGET ONE VERY IMPORTANT THING?!?!? Haruhi, to pay back her debt to the Host Club, must dress as a boy. And although nobody else can apparently tell, she has short hair as some girls do, and is voiced by Caitlin Glass. Oh well, it’s a nice comment on the role of gender. There are a few episodes concerned with Tamaki’s and the twins’ feelings towards Haruhi, and the discovery of Haruhi’s gender by others, but it all works out in the end. Trust me.
One thing that stands out to me about this show is the all-star American cast that voices the members of the Host Club. As I already mentioned, Caitlin Glass does a great job as Haruhi, the gender bender. Vic Mignogna, who I had the pleasure of meeting a week ago, is incredible as always as the flamboyant Tamaki. Along with the twins to round out these powerhouses, we have J. Michael Tatum as the money-crunching Kyoya, who in the end, becomes my favorite character. Honey is done fantastically by Luci Christian, a voice she also uses for Tenma from School Rumble. And last, but not least, Travis Willingham creates an amazing dynamic character with his “Hmm’s” and “Ahhh’s” and “Ahem’s” as Mori, Honey’s “protector.”
And if it wasn’t good enough, the guest appearances by voice actors like Aaron Dismuke, Christopher Sabat, (AMAZING) and Brina Palencia, it makes for an episode by episode guest star that is hard to top for any show. Yes, I quite enjoy voice actors and love following their bodies of work.
The humor’s great, the voice acting is superb, and the guys are metrosexual. What more could you ask for from an anime? Definitely 8 out of 10.
I’m a huge sucker for anime that involves martial arts. Heck, for anything that involves martial arts. I dream about one day becoming a disciple of a certain martial arts form, but that day may be behind me (my only training was trying lethal moves out on my sister, in a joking manner of course). But the adrenaline and inspiration that martial arts injects into me makes me feel like I can do anything. And a character like Kenichi: History’s Mightiest Disciple proves it.
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