Okay, let’s think about this logically. I was just reading up (and I’ve been told) that The Matrix: Reloaded is considered a flop of a sequel. The first one set up such a good plot that the second detracted from that and focused solely on action. In essence, a stupid man’s film about boobs, guns, and fighting. Let’s rethink this, shall we? People always say that the
An all-star, stunner cast.
second film in a series flops in comparison to the first. But let’s think about a few trilogies followed the same principle.
The Lord of the Rings. There is an apparent escalation in the amount of action and violence in comparison to the first film. That Battle for Helm’s Deep? That’s a pretty damn good action scene. Star Wars. Both parts. Episode 4 has the Battle of Hoth and Episode 2 has the Clone Wars. Hell, even Harry Potter and the Chamber of Secrets has more action and violence than the first. You wanna know why this is so common? Because the story is set up in the first, and the meaty middle of the story contains most of the action before the crescendo in the third. It’s just the way trilogies are set up. Beginning, middle, end. Simple.
Get at me.
So, now that I’m done explaining that, plot.
Neo (Keanu Reeves) is back again with a vengeance. He has been releasing minds from the Matrix and kicking ass. He and Trinity (Carrie-Anne Moss) are a loving couple (I stress loving in the sexual sense of the word for some of the content rating) and are returning to Zion after a meeting with the other captain’s in the Matrix. With the sentinels digging into Zion and threatening the last bastions of humanity, Neo, Morpheus (Laurence Fishburne), Trinity, and Link (Harold Perrineau) must find some way to beat the machines. It’s gonna be an all out brawl.
And this movie delivers on so many levels. Amazingly choreographed fight scenes, mind blowing CG graphics that broke ground, and great stunts throughout. This movie has it all for Martix and action fans
Straight out of anime. Word.
alike. Some revelation-level secrets are released and we all get to see why Neo is the one. What could be better?
The cool and suave acting is just as good in this one as the last. Everything about the movie just screams sleek and badass, but in a cool way. Keanu Reeves improves his performance from the last one in Reloaded as does Laurence Fishburne and Carrie-Anne Moss. Some newcomers to the film add some spice as well. Jada Pinkett-Smith, one of my Hollywood crushes, performs beautifully as the cold and intense Niobe, captain of the Logos. I loved playing as her in the Enter the Matrix game for Xbox, a game I would recommend re-releasing for the 360 or something. Please?
Wielding, like a boss.
Lambert Wilson was comedically enthralling as The Merovingian, an older program that has survived for years in exile. And Monica Bellucci, the drop-dead gorgeous Mary Magdalene from Passion of the Christ. She’s even sexier in this one, and I’m actually glad she’s in Revolutions as well. Collin Chou throws up a great fight scene (one of my favorites) with Neo as Seraph, the protector of The Oracle (reprised by Gloria Foster, sadly, for the last time). Throw in a cameo from Leigh Whannell, creator of Saw, and you have a great cast of Matrix familiars. A whole world is created with these interesting characters, and I can’t get enough.
Another great soundtrack from Don Davis and various Nu Metal/Metal bands I enjoy listening to, and you got yourself another amazing installment of the Matrix. I may just be a sucker for films like this, but I just can’t find very many flaws with these films at all. It’s a classic tale/archetype of the hero and his transformation/journey, and it just speaks to me on an epic scale of what a good movie and story is. So get at me about The Matrix: Reloaded. It blew my mind, and still does. 9.3 out of 10.
Bang on me!
Leave a comment | tags: action fans, amazing choreography, amazing installment, archetype of the hero, back with a vengeance, Battle for Helm's Deep, Battle of Hoth, blows my mind, boobs, cameo, Carrie-Anne Moss, classic tale, Clone Wars, cold and intense, Collin Chou, comedically enthralling, cool and suave, creator of Saw, crescendo in the third, delivers on so many levels, Don Davis, drop dead gorgeous, Enter the Matrix, epic scale, Episode 2, Episode 4, escalation in action, exile, fighting, focuses on action, Gloria Foster, good action scene, good movie, good plot, good story, great fight scene, great soundtrack, great stunts, groundbreaking, guns, Harold Perrineau, Harry Potter and the Chamber of Secrets, Hollywood crushes, improved performances, Jada Pinkett Smith, journey, Keanu Reeves, kicking ass, Lambert Wilson, last of humanity, Laurence Fishburne, Leigh Whannell, Link, Logos, loving couple, machines, Mary Magdalene, Matrix familiars, metal bands, middle of the story, mind blowing CG graphics, Monica Bellucci, Morpheus, Neo, newcomers, Niobe, no flaws, not a flop, Nu Metal, Passion of the Christ, programs, re-releasing, revelations, Revolutions, sentinels, Seraph, sexy, sleek and badass, Star Wars, story is set up in the first, sucker for films like this, The Lord of the Rings, The Matrix, The Matrix: Reloaded, The Merovingian, the One, The Oracle, transformation, trilogies, Trinity, violence, whole world is created, Xbox, Xbox 360, Zion | posted in Movies
So last night as I was sitting in my dorm room I thought, “What would be a great movie to watch right now? Something I could review?” And then one word popped into my head. Collateral. This movie is entertaining in a fast-paced, don’t know what’s gonna happen type way, fused with a great plot, characters, and look. I first saw this movie 6 years ago and was blown away by it. I watched it 4 times in a week. It was a movie I hadn’t seen in a while. It was gritty. It was the life of L.A. at night. It was unique.
So, Max Durocher (Jamie Foxx) is a taxi cab driver. He works the night shift, more relaxed, better tips, we all know that deal. One day a man named Vincent (Tom Cruise) steps into in taxi and his whole world is changed as he’s taken on a hit spree throughout the burroughs of L.A. As the story unfolds, we find out exactly why Vincent is killing at seemingly random, and we accompany Max on this death-filled ride and we live/die with him. The endings great, definitely worth the watch.
There are a lot of great scenes in this movie, a lot of interesting feels to each hit that Vincent does. You have the ghetto-style hit, the businessman hit, the jazz hit (hilariously and well played) and even the club scene hit. (I hope that’s not giving too much away…) Every murder comes with a different feel to L.A. and creates a real atmosphere for what one city can offer. At every twist and turn, you wonder who’s going to live and die, it’s never certain. And as you go along, unlike most movies, you get development with the action and thrills that gives you emotional stock in the characters.
What I loved is the script of this movie. The rapport between Tom Cruise and Jamie Foxx is ridiculously entertaining, witty, and quite thought provoking in its intensity. Max and Vincent, in a weird way, develop a friendship that doesn’t seem to break until the very end, although it may have started out driver/assassin and transformed into kidnapper/hostage. Although I’m sure most situations such as this wouldn’t develop into a long-standing story, this one instance still feels as if it had the capability to occur. And it stands alone as an experience that none would ever forget.
The acting in this movie is quite phenomenal. You don’t necessarily get a feel that you’re watching actors in this situation, but more that these are real cops and thugs going about business as usual. Yes, Tom Cruise is the odd man out in this situation. Hired assassin. Although the salt and pepper hair look is quite good for Tom, you get the feel he’s out of place, although that works perfectly for his character. Jamie Foxx is quite good, but doesn’t give the real feel of a cabbie for me. Granted, I’ve only been in taxis in New York, but I feel that the cool grooves, Marvin Gaye style Jamie portrays in this movie is a bit off. Jada Pinkett-Smith is fantastic as always (one of my favorite actresses. I mean come on. Niobe. Matrix. Ridiculous.) as no nonsense lawyer. Mark Ruffalo, another of my favorite actors, plays a street cop that is always for justice, a kind of character I’m always for. Peter Berg makes a nice little appearance along with Bruce McGill who play cops alongside Ruffalo. Even Javier Bardem makes a great appearance, almost unrecognizable as Felix, the drug running boss. He has a great speech and plays his part amazingly well. Another little fun cameo comes from Jason Statham at the beginning of the movie in the airport scene where he passes off a brief case to Cruise, solidifying Cruise as a badass action star. (I mean, come on, Mission Impossible, Minority Report, Rain Man.)
Overall, the feel of this movie is great. The gritty, wobbly shooting style, mixed with the incredible night scenes give a great late night business/seedy underbelly feel to the film. Although they may give street names and locations to the film, you don’t feel lost or out of the loop as the action progresses. Michael Mann is a fantastic director/producer/writer, and Collateral is no exception. His last three movies, Miami Vice, Collateral, and Public Enemies, all have a conventional gangster style to them that really draws in audiences. (Although I wasn’t a big fan of Public Enemies. Not shot right. Not well recorded.) With this cast and crew, combined with an amazing story, this movie is sure to entertain and give you a feeling of the unexpected of what life brings. 8.7 out of 10.
Leave a comment | tags: Bruce McGill, club scene, Collateral, Collateral 2004, Felix, ghetto, good rapport, gritty shooting style, Jada Pinkett Smith, Jamie Foxx, Jason Statham, Javier Bardem, jazz, killing spree, L.A. night life, late night business, Mark Ruffalo, Marvin Gaye, Matrix, Max Durocher, Miami Vice, Michael Mann, Minority Report, Mission Impossible, night shift taxis, Niobe, paid hitman, Peter Berg, Public Enemies, Rain Man, seedy underbelly, taxi driver, taxis, Tom Cruise, Vincent, witty thought provoking script | posted in Movies