District 13: Ultimatum

Dope.

In this sequel to the French action film, Banlieue 13, also known as District 13, there’s more parkour and straight up ass kicking to the extreme in this film. Taking place 3 years after the events of the first, Ultimatum is a movie that really makes me wanna go back and watch the first. That’s how good this movie was, it makes me wanna watch the first one (although I understood what was going on) just so I can connect the two and rewatch the second one. That’s what’s good with this film. Word.

In this film, David Belle and Cyril Raffaelli reprise their roles as Leito and Damien, the hard hitting cop and parkour specialist. In this movie (and I’m assuming it’s a continued story from the first) there’s still a District 13 in France,

Dave and Cyril, Damien and Leito, back again.

comprised of thugs and gangsters from every major European nation. There’s the Jews, the Blacks (Africans, I’m pretty sure), the Asians, and so on and so forth. In a symbolic representation of the tensions felt between races, this movie really speaks to race relations in a modern society, if left unchecked. With these problems plaguing the French government, the DISS (also known as the Department of Internal State Security) has some big plans for this district.

After busting some dumb thugs who see a man in heels and a wig and assume he’s a woman, Leito (Belle) takes them out one by one with a medicinal gun. He drops them down this conveniently placed sewer grate and looks good all the while doing it. I don’t think it means I’m gay that I found him to be attractive as a woman, I had no idea at first that he was a man, which I think is a bit of a bravo for the makeup crew on this movie set. The movie industry does wonders. Afer a job well done, Leito goes back to his flat and bangs his black girlfriend. Then he’s kidnapped for a drug framing. And this is where the conspiracy starts.

Just a taste of the parkour in the film.

While in jail, Leito calls on his best friend Damien to help get him out, which he thankfully agrees to. With some great parkour moves and some investigating of his own, Damien and Leito discover a plan that will rock all of District 13. Will they be able to stop the dastardly plan? It’s all up to Damien and Leito and their French stunt skills.

What I really liked about this film was the realistic stunts. And the way those realistic stunts flow in between a well delivered plot with some good rapport and dialogue. Leito goes from shoving his foot down some punks’ throats to Damien jumping effortlessly from building to building in order to save the day. And who knew that parkour could save someone’s life? The last scene is quite mind blowing and full of adrenaline pumping destruction from every gangster in the film. Any scene between Damien and Leito is a natural conversation between friends, although I know nothing of the French dialect and its intonations. Just two friends destroying and having a good time doing it.

The classic batch of gangsters.

The idea behind the movie is pretty cool, and I’ve not seen that many French films before. Luc Besson has written some badass films in the past (Transporter Series, The Fifth Element, etc.) and this movie is no exception. You know that old stereotype about French being sissies? Watch this movie and tell me that to my face with a straight look. I was impressed with the wide ranging cast of ethnicities and the

‘Bout to kick some ass, all while savin’ a Van Gogh.

deliverance in lines. There’s a bit of that cheesily delivered lines, and some lines you wouldn’t believe people in government wouldn’t ever say, but this action movie doesn’t go overboard. And that impressed me. With a movie like this that can keep you entertained at every turn with its fast paced filming and action, you can’t do anything but want more of it. And that’s exactly what I’m gonna do. Impress me some more France. I’m listening. A solid 7.3 out of 10.

Leaves of Grass (The Film)

I was pleasantly surprised by this film I had never heard anything about. The second I saw Edward Norton playing twins, my mind jumped to Nicholas Cage in Adaptation. And I love that film because of him and everything about it. So I got a little bit excited once I saw both of them interacting together onscreen. A film that centers around the lifestyle of weed and academia, I know one half of. But that didn’t detract from my enjoyment of the film. It enhanced it with how intelligently represented both sides are.

I think it was best said by whoever put it on Wikipedia when they said this film has everything of the great tragedies. Mistaken identity, betrayal, violence, loss, and all that good shizz. I was hooked the second Ed Norton stepped on camera as his

Two brothers, one person.

intelligent half, Bill Kincaid. He gives such a convincing performance as the well-to-do, goody-goody brother of the family that went off to college to become a thinker. And that scene is completely contrasted by his portrayal as Brady Kincaid, the equally intelligent marijuana grower. Both sides have an intelligent way of speaking (despite the Oklahoma “Southern” accent) and it comes off as very entertaining to hear their rapport.

A great little cast.

So the movie’s about Bill and Brady, the Kincaid twins. One has aspirations of Harvard and the other aspirations of a lucrative weed business. They parted ways long ago after differences in family experience and got on fine. But things haven’t been going so well for Brady. Brady tricks Bill into flying out by faking his own death and meeting up with Brady’s associate, Rick Bolger (Tim Blake Nelson). After everything gets figured out, Bill finds out that Blake needs him to pose as himself while he goes out on some business. All he has to do is visit their mother, Daisy (Susan Sarandon) and everything will be fine. But, of course, that’s not how things turn out.

There’s a great quality of culture clash in this movie when North meets South, East meets West. Although both characters started out in the OK, they have drifted apart and need to reconnect. There’s a great subtle love/seducing interest between Bill and a small town girl, Janet (Keri Russell). She noodles and ropes them broncos and all that shit, and its strange for Bill to find a girl just as knowledgeable when it comes to poetry. There’s a clash between the greater Christian community and the Jews in this movie as well. Big props for Richard Dreyfuss pulling off the kinky role of Jewish mob boss in this film. And never forget about the little guy, a great job by John Pais.

What a great Jewish badass.

People had a problem with the move from the comedic to the dark and tragic, but it didn’t bother me as much. Moving from quirky to murky isn’t as hard as people take it to be in films. This movie leans in that direction from the beginning with the drug running and gang violence and can’t end well because movies have to have that element of loss or gain. If Bill came down and visited his mother and nothing bad happened and things went off without a hitch, this movie would be about 45 minutes shorter. So I give the benefit of the doubt to this film for tiptoeing around that issue.

I was pleasantly surprised how well Tim Blake Nelson directed and wrote this movie, as well as starred in. He pulled off the trifecta well and made a compelling story all at once. From only knowing him as

That’s some great work you’re doing there, Mr. Pendanski.

Mr. Pendanski in Holes, he made one hell of a movie. There’s not a lot of focus on the life Bill had (obviously this movie is meant to change him towards family) and it’s a lot about going back to your roots. I thought Edward Norton did an amazing job in both roles and made me think (if I didn’t know it was Edward Norton) that it was two different people. Let’s jump back 50 years when filming two people at once was more of an amazing thing and blow some minds. Maybe roll up a joint (this movie is really not about weed at all…) and enjoy some Leaves of Grass. Its limited release and Sundance Premier really secured this as a not well known good movie. I’ll give it a 7.7 out of 10.