The Red Shoes: Korea’s Hans Christian Andersen

First of all, this movie should be renamed the pink shoes, because clearly (unless I’m colorblind) those shoes were pink. Not that color matters, but it came off as weird… Anyways, this was a pretty satisfactory horror film from South Korea about the old fairy tale about the crazy broad who couldn’t stop shindigging in her red pumps. In this take, a curse is placed on the shoes and you should probably make sure to watch your ankles, cause you’ll get cut off by the shin.

The story centers around Sun-jae (Kim Hye-su) a working wife who is semi-happy with her life. Her husband doles on their daughter, Tae-su (Park Yeoh-ah) and leaves very little love for his wife. One day Sun-jae comes home a little too early from stalking their daughter on her way to dance class. She finds her husband cheating on her and

That’s how the movie kicks off. Bang.

promptly leaves with Tae-su in search of a happier life (a little Pursuit of Happiness, but completely different).

In a run down apartment opposite of the subway, Sun-jae is struggling to start up her eye clinic with the help of hipster before it was called hipster contractor, In-cheol (Kim Sung-chu). With a jealous daughter who misses her father and wishes he mother was gone instead, Sun-jae takes solace in her fancy shoe collection. And then, on the subway, the perfect pair comes along… of… pink, shoes.

A mother and daughter, on a mission… for shoes.

Things start going wrong, horrific visions, her daughter is becoming jealous of a pair of shoes she can’t even fit into, and life is just becoming stressful in general. The perfect elements for a gory psychological thriller. Except for the ending. When a movie has 3 different endings (2 short of LOTR: ROTK) then you know you have a problem. It means the writers second guessed themselves and thought the movie needed more closure/explanation than it actually needed. And that is exactly what happened. You’ll see once you watch the movie, it’s not that bad up until a bit of a struggle with the end. It was 20 minutes too long.

But I loved the way this movie delivered the horror. A lot of it dealt with the wait and spook (jumpy scenes) but the music really dictated the tempo. There were screeching violins, nails on a chalkboard, offbeat music rhythms that really made you feel unsettled. There were some of those psychological scenes that dealt with disturbing images (i.e., one example – not a ruiner – but bird in a bloodbath sink) and a lot of tensions between

Beautiful and tragic.

family members on some adult levels. The director and the cast/crew had a good sense of what creeps people out and what works in a classical sense, and they nailed all the major points.

This is one of those horror movies though that brings in a whole lot more than just horror. This movie tackles family relations, materialism and consumerism (with the shoes and all that, even an ad agency), a woman’s self image and outer appearance, and even feet fetishes. It was done in a very deliberately symbolic manner, and my analytical film mind actually picked up on those cues. This film ended up being a more intelligent horror movie than I thought it could be. That’s worth applauding. The acting was creepily good, special shout out to Kim Hye-su, the star, and a little girl who had to take on more than she probably bargained for, being yelled at by adults (proud of you, Park Yeoh-ah). Overall it was a very visually disturbing movie with an underlying message and too long of an ending. That all adds up to movie you should view for yourself and decide whether you like it or not. Have fun! 6.3 out of 10.

Is it over yet? Who knows…

 

100 Feet

It’s not every day you see Famke Janssen under house arrest for killing her husband. And it’s not every day that you see a vindictive poltergeist wreaking havoc all over her life for killing him. In this version of what I would consider Jennifer Lopez’s “Enough” gone wrong, Famke Janssen is haunted by her husband she killed in self defense. There are some frightening scenes and I really enjoyed the way that the jumpy scenes are strewn throughout without warning, not just built up until the end. With a minimal cast and quality acting, this was a horror movie that was unfortunate that I hadn’t seen sooner.

Marnie Watson (Janssen) is a newly paroled felon who has just been released from prison and given house arrest in her house. This is the very house that she killed her husband in in self defense. A little twists is that her husband was a police officer, and the partner cop to the man who will stalkingly watch her for the rest of the film, Officer Shanks

Famke Janssen, terrorized all over again.

(Bobby Cannavale). I was semi-impressed with Cannavale’s performance in this film, only because it wasn’t a stretch for him to play a hardened Brooklyn cop. He’s a character actor and it’s all good.

So Famke’s ass gets locked up with a house arrest anklet that only allows her to go within a 100 foot radius in her own house. If she leaves the confines of the house, the alarm will set off and she has only seconds to return to the barrier. This is a problem because parts of her huge and nicely furnished house are off limits to her, including the basement. Plot device, anyone? So Marnie returns to a semi-life of normalcy and goes about buying groceries, cleaning house, ad finding anything she can do to keep busy.

The face of a wife beater…

It’s not any help that the entire neighborhood doesn’t believe that she fought in self defense to save herself. Looked down upon by everyone, only one delivery boy, Joey (Ed Westwick) finds no problem with her. Attempting to be her friend, Marnie copes with a life of solitude. Until her husband starts attacking her from beyond the grave. In a series of scenes that bust up her and her house, Marnie starts reliving all the horrible beatings her husband gave her in life. And this time around, Marnie has had enough of this poltergeist B.S. She’ll fight back at any cost necessary. Without being able to leave her house, this plot restricts her from running away. It’s time to kill again.

I really liked the simplistic plot of this film. It was a creative idea, although I’m not sure they would lock her up in the same house she killed in, as poetically justified it may seem. There are some great haunting scenes in the movie involving a lot of things breaking (including some bones). Ed Westwick plays a reasonably real character in this film, although he’s a straight tool for his work on Gossip Girl. I’d say this is one of his better works. Hauntings and devilish exorcisms and demons are more my style when it comes to horror, so this movie was right up my alley. There’s a great kill scene in the movie, and, although the CG effects in this movie are a bit Syfy channel middle of the road, it doesn’t detract from the whole overall

I know I’ve been stalking you for a while now, but did you know you look like that read headed wench from X-men?

experience of the movie. It’s brutal, and it does the job of performing as a threatening and horrifying film (didn’t scare me much, but all the same, the lights were on).

Most of the time, I’m a tool.

The one thing that will either disappoint you or make you laugh will be the end of the film. There’s some strange confrontation and a ridiculous explosion of an ending that would give Michael Bay a boner. It ruins the whole otherworldly feel of the movie and gives rise to a really dumb explanation of why he’s haunting her and how to stop him. Everything is resolved and, in a really sloppy style for a poltergeist, Shanks believes her and gives her the happy ending she wanted from the beginning. It just really comes down to the sub-par dialogue at the end and that explosion. I can’t get over how that ruined the movie.

But, from beginning to middle, this movie was well executed. It has the right amount of horror and plot, jumpy scenes and furthering events. Famke Janssen did her job (not as Phoenix from X-men, obviously) and gave the woman in peril role new meaning. She fought back with a butch attitude I wasn’t entirely expecting. She doesn’t frighten away like most women do in films and really sticks it to her husband in the film. There’s a real in your face attitude about this horror movie and that made it a breath of fresh air. It’s only the ending that takes down the rating. I’ll give this little horror film a 6.2 out of 10.

Janssen won’t back down easily.