Margin Call: I’m Back to Reviews Everyone!

After a long semester of work, homework, and plain more work, I have come back to the world of review blogs. Thanks to those of you out there who come back to check and look forward to reading the inane and ridiculous things I say. And now it’s time for a little movie review. This one (that I watched wayyyyy back in August) is called Margin Call. Based on the events of the 2008 mortgage crisis, this independent film boasts a

Look at Spock and those well defined eyebrows.

star studded cast that focuses more on the characters and their interactions than it does on the action and big picture scheme. If you are looking for car chases and guns, look elsewhere. This movie gets its bite from the dialogue.

So Zachary Quinto (star of Heroes and that almost unrecognizable role as Spock) plays Peter Sullivan, a low level employee that sees the company he has been striving so hard for begin to unexplainably fall apart around him. His boss, Eric Dale (Stanley Tucci) is fired for no discernible reason, leaving Sullivan with a program he was working on that show what we have come to know as the great 2000’s recession (I just call it that… but not really). After some late night calculations, Sullivan finds that his company is really in a lot of deep feces. I’m talking mounds of excrement with no rain boots.

A role Spacey was born to play… A lot…

So a whole meeting is called as you see the chain of command called in to this banking company. It starts with Paul Bettany’s character (my favorite of the entire movie. He’s one of those unspoken characters that just gets it.) and works itself all the way up to Jeremy Irons as the company’s CEO. I was really surprised that for an independent film such as this that so many good actors would sign on, but for a role like this that portrays life in its true form, I’m not as surprised.

But could I even say anymore about the star studded cast? I already mentioned Quinto, Tucci, Irons, and Bettany. That’s solid right there. But throw in Kevin Spacey? Now we’re just getting American Beauty high class on this one. And he’s just as brutal as a upper class boss in this one as he was in Horrible Bosses. But he does have a heart, mind

A bit of that trading floor drama.

you. You got Simon Baker as the hardass playboy with an ego issue that wants to keep it all under wraps. Demi Moore as the manipulated female staff member. Her unsure performance keys right in to a cutthroat business that leaves no room for the timid. Throw in Aasif Mandvi (without any comedic relief, unfortunately) and you have your top billed cast right there.

And what’s more, there is some really great dialogue and monologues in this movie. First one that comes to my mind is the one done by Stanley Tucci towards the end of the movie. His reevaluation of his entire life up to the point he gets fired is true and heartfelt, even if he is approaching it from the way in which he helped out a town commute from West Virginia to Ohio over a bridge. Gotta give him his props for memorizing all those numbers. And basically any line out of Paul Bettany’s mouth just sounds like privileged few from New York’s best areas. His snarky attitude and calm assessment of the downfall of banks during the crisis was just spot on. You need characters like him in movies to really gain perspective on the overall plot.

A star studded cast of dramatic proportions.

Combine all of these great interactions with greatly portrayed characters and you have yourself a movie that is character-driven. But it’s not just that. How could a movie about the logistics of the mortgage crisis be so interesting? This movie barely talks in actual economical jargon. Well, there is some, but I was enraptured by the characters to notice too much. What this movie effectively does is put real human faces to the upper management devastated by this terrible crisis in our society, and help people realize that not everyone who later benefited from the liquidations and lay-offs were such terrible people. (Sure Jeremy Irons was, but look at Kevin Spacey in comparison. Perfect contrast.)

So I would encourage fans of John Grisham bo0k-to-movie remakes and real life drama films to check this one out. It’s not that well known, but it’s worth checking out if you’re not all about the comedy and action. Real intellectual shizz. Margin Call gets a 8.4 out of 10 from me. Get at me guys, I’m back into reviewing!

Bring it home, Tucci.

 

Horrible Bosses

So this movie probably is no longer in theaters, but when me and my roomie all the way out there in London (this is a shout out E. Miss you.) caught this movie in theaters, it was in its 6th week showing. I think that itself says a lot about just how good this movie is. Plus the aged ticket vendor woman who told us this adult movie full of swearing, drugs, and new age humor for the 20 year olds was “funny as poop.” So yeah, I had to check out this movie. I mean, come on, Jason Bateman and Charlie Day in the same film? Perfect. This was a movie worthy of its under-hype, so to speak.

In this film of every Average Joe’s fantasy, three friends Nick

Trio of champions.

(Jason Bateman), Dale (Charlie Day), and Kurt (Jason Sudeikis) all hate and want to kill their bosses. Nick’s boss is a psychopathic withdrawing bastard (Kevin Spacey) who forces Nick to stay late, work often, and never give him that sought after promotion. Dale’s boss is ironically a maneating sex addict (Jennifer Anisten) who just wants Dale, despite knowing full well that he’s engaged to marry. And Kurt’s boss, the toolish son of the former boss who kicks the bucket and takes over by default (Colin Farrell). With this trio of terror, the boys just don’t know what to do to rid themselves of these terrible bosses with a job market where there’s no chance of redemption.

Until one day, Mutherf@#$er Jones (Jamie Foxx) stumbles upon them. And by that, I mean Nick and the gang to rovin’ around in a black neighborhood and stumble upon one mean Jones who’s willing to help them get rid of their bosses for a small fee.  And what does he do? He becomes their “murder consultant,” and helps them to kill each other’s bosses. What transpires is one of the funniest series of events that I’ve ever seen on film in the last 5 years. Other than 30 Minutes or Less, and that review will be coming shortly.

The good and bad. This film was shorter than I wanted it to be. This film needed to be longer. This 98 minute film could’ve been fleshed out to a 2 hour movie and I wouldn’t have complained for a second. There’s always more comedy that can be shoved into a film, and this movie could’ve used it for the full $10 movie theaters are charging now. Other than that, maybe Jason Sudeikis wasn’t the best SNL choice to go with in this film. I didn’t mind him, but at the same time, I didn’t really notice if he was funny at all.

It was mostly on Jason Bateman and Charlie Day, coupled with Colin Farrell’s hilarious scenes of

These 3 brought the house down.

cocaine and Kung Fu, that brought the brunt of the comedy in this film. I love the way in which Farrell can make fun of himself and not always go for the better roles that cast him in a better light (I’m just glad he doesn’t do movie like Alexander anymore…). But yes, Jason Bateman performs in his prime (Arrested Development level) and I’m happy to see he’s really putting work in this year with The Change Up and an Arrested Development movie in the works.

Charlie Day. Thank you for living.

Charlie Day. What is there to say about Charlie, member of one of the greatest trios to ever grace cable television on Always Sunny in Philadelphia. His signature character of the bumbling idiot shines through again in a Hollywood blockbuster meant for his caliber of acting skills. I know it may seem that Charlie Day will be typecast forever, but I could care less. His fantastic attitude and demeanor as a character actor could be the same in 1000 films and I’d watch every one.

Kevin Spacey gives a great dickish performance, in coupling with Jennifer Anisten trying on some level to reclaim some never found sex idol roles in this film. Sure she looks nothing like her normal self in this movie, but

Let the On Star begin.

damnnnn. Wow. With some great On Star humor and some great banter between Jason, Jason, and Charlie, this movie performs on par with The 40 Year Old Virgin, #1 in my favorite comedies of all time. (Since then Judd Apatow has never made another funny movie.) I give credit to Seth Gordon in this breakout directing “debut”. His work on The Office, Modern Family, and Parks and Recreation gave him some experience going into a full length Hollywood film. And definite props to Michael Markowitz and John Francis Daley (among others) for great dialogue between three great characters. 8.8 out of 10.