Goemon: The Funimation Crew

I’d like to classify this movie as an anime, but that would be a straight up lie. But, when you watch this, you’ll see what I mean. The plot, the action and special effects, everything in this movie is set up to be an anime. The stylistic violence explodes off the screen and Goemon skirts building tops at a Flash-like pace. There’s love and betrayal, there’s status, loyalty, and duty. Brotherhood plays one of the bigger roles in this movie to a point that really took over the movie. Goemon and Saizo, two ninja brothers at odds, rival and play to each other’s strengths, recognizing each other as friends in the end. And this is all supplemented by an amazing English dubbed cast from the Funimation studios that actually did a good job at dubbing a foreign film. Imagine that.

In a very overly dramatic style, this movie tells the story of a young ruffian who found the ways to honor and strength

The cast and its wonderful costumes that won it some awards.

through the teachings of his slain master, Nobunaga Oda. Slain by who you may ask? Well, the evil lieutenant, Toyotomi Hideyoshi (acted by Eiji Okuda, voiced by Chistopher Sabat). In a power move that succeeds, Hideyoshi plans to take the Princess Chacha as well (strange name, but all the same…) and all the power he can grab. With the exchange of a small box that was stolen from the royal coffers, Goemon is set on a chase that will reunite him with his sparring partner, Saizo (played by Takao Osawa, voiced by Troy Baker) and the aforementioned brotherhood is rekindled.

The rivalry rekindled!

What ends up happening leads to three huge fight scenes and the dramatic death of someone in the film. There’s some major slaughter, tastefully done I may add, and some traditional face-off scenes between Goemon and the big baddies. With a bigger political and army related plot at hand, the multi-layered elements of the plot may or may not be lost on you when you check this movie out. But, it also begs the question why a lot of the scenes in this movie weren’t as choreographed as I would’ve liked them to be. The special effects were geared more towards destruction than any sort of blood and kill scenes. It does leave you asking for a bit more than was offered, but the plot makes up for that lack of action sequences.

And for those American audiences who complain, “Why do I have to read a movie? I’ll miss stuff!” Whine no more. This is an actually well done dub. Yes, it’s always awkward to watch a film knowing that the foreign actors can hold their own and don’t need a voice actor trying to translate their feelings and emotions into another language, but this film does it differently. These aren’t any old voice actors. These are some of the best from the most well known English anime/voice acting company in America. Funimation. If you were a kid in the late 90’s and early 2000’s, you’ll know of their talent from Toonami. Dragonball Z, Yu Yu Hakusho, all these anime and more from Toonami were voiced by those Funimation voice acting wonders.

The stunning visual effects at play in the film.

 

Set sail on this epic tale of battle.

Other than that, this is a well done live action… action movie. It has all the elements of an epic and almost feels like an overdone Japanese play or something similar. The special effects give a heightened stylistic element to it and may leave those of us more keen to a Tony Jaa film wanting a bit more fight oriented element to it. But for entertainment value, this movie delivers quite well. The music was well done and the comedy was on cue, and you may actually shed a tear at one point in the movie or another. Either way, check this out dubbed and let me know what you think. It’s at least worth a watch. 7.5 out of 10.

Nabari no Ou: The Emotional Dance of Ninjas

Does everybody remember that Ninjas vs. Pirates debate a few years ago? During that whole ordeal, I never took sides. But now that I’ve watched Nabari no Ou, I’ve decided I would definitely side with the Ninjas. In this anime of love (the… strange kind), betrayal, and apathy, Miharu Rokujou (Brina Palencia) must discover just what it means to be a ninja and follow the path. In a war of ancient ninjas and the pervasion of the modern world, the Shinobi of the old ways must fight for a future which still finds ninjas to be relevant. And this is decided through the power of the Shinrabansho.

Miharu is a 14 year old apathetic middle schooler, floating through life. One day, one of the teachers at his school attacks him from nowhere, throwing shiuriken and jumping from tree to tree. Not fully

Miharu and his wily ways...

understanding what’s going on or why this man was attacking him, Miharu is saved at the last minute by one of his other teachers, Tobari Kumohira (Eric Vale). Hearing the word Shinrabansho and not fully understanding, Miharu is thrown into a dreamlike state in which a “fairy” speaks to him about his inner power. Meanwhile, outside, Tobari-sensei seals this hidden power inside Miharu, protecting him for a time from himself.

With the conclusion of this night fight, Miharu is from now on protected by Tobari and two of his classmates, Kouichi Aizawa (Chris Burnett) and Raimei Shimizu (Kate Oxley). With their help and the guidance of the Fuuma village ninjas, Miharu and his friends must find the forbidden secret arts of each ninja clan and use them in order to extract or use Miharu’s Shinrabansho. With a surprising ending and quite a few turns or loyalty, this show really delves into what it means to trust and believe.

The power of the Shinrabansho!

I really liked the fluidity of the fight scenes and the use of ninja arts in this show. This is coming from someone who just recently got into Naruto, the slightly retarded, childish version of Nabari without a whole lot of plot. (Well, I like it though…) With every character skinny as a pole, it’s almost easy to believe the gymnast like moves of these stylishly dressed ninjas. I was a big fan of the fact that not every character in this show was a ninja though. Yes, it’s hard to think that Miharu never really fights (a hard thing for me to get over when it comes to protagonists), but he makes it for it with his wiles. What’s great is the samurais,  Raimei and her badass bro, Reiko Shimizu (J. Michael Tatum). He’s said to have killed every member of the Shimizu family, by himself, when he was very young. Can’t get more destructive than that.

As with most shounen I’ve been watching, there’s a focus on an overarching plot with little sections running throughout, resulting in the product of the ending. I’m not opposed to this structure, but, coming from a movie lover, it’s slightly difficult in getting over a show that doesn’t trudge ahead by sticking to one linear plot. But I digress. There are a bevy of interesting characters in this show that really stand out to me. I would say Yoite (Joel McDonald) is the strongest of the crew. In what seems to be an antagonist role, Yoite slowly becomes an emotional character that lots of other characters begin to put stock in. In the end, Yoite becomes somebody that changes the face of all those involved, whether they realize it or not. Shifting focus between characters is an interesting tactic in plots, and this was pulled off well.

The Fuuma clan, ready to fight.

I had problems with Miharu, and its mostly due to his apathetic nature. With characters like this, they seem to let things happen to them without truly doing anything themselves. To not connect with others or attempt to find any form of help/solace really frustrates me as a viewer. Those who don’t attempt to find help in others or really care about anything leaves them floating in a void. And this helps no one. In contrast to that, Tobari-sensei attempts at every corner to help Miharu and the other because of the sins of his past. His caring nature and fatherly approach are really pronounced and worth admiring. (Some people may not like him, but I find him to be likable.)

With a more artistic, flowing feel, I found Nobari no Ou to be a compelling and interesting take on what it means to be a shounen about the popular topic of ninjas. From a emotional standpoint, the focus on characters rather than action is commendable. The use of powers and ninja arts is almost poetic in their symbolism and stand out in comparison to the actual weapons used. Not a bad voice acting crew with a lot of notable names, it is a decent body of work. Enjoy the boy on boy love too! (Not exactly, but you’ll see what I mean.) 7.1 out of 10.

A little bit of that boy love for ya.