Marvel’s The Avengers

In this culmination of the Iron Man, Thor, Captain America, and Hulk series of movies comes The Avenger’s movie, produced by Marvel and Disney Studios. Okay, let’s be realistic about how much I know or care about the Marvel series and any of its connected works. There’s very little. I never really read  comic books when I was younger, other than Ghost Rider and Spawn. I always had a thing for the darker characters and (other than Ghost Rider) not a lot of Marvel characters caught my interest that much. So I was apathetic as to the plight of the superheroes in this movie. Didn’t mean I wasn’t converted into a huge fan in less than 2 hours. This movie alone makes me wanna go back and watch all the others, just to know what went down.

Now it’s not that I’m completely ignorant of the superhero world. I love Batman (not so much these latest installments that showcase Christopher Nolan as the be all end all of Batman with his same cast from every movie that he loves so much)

Lookin’ good there, Evans.

and Spiderman (again, why are they making another one in less than 5 years of the last one? Yes, it may be “more true” to a comic, but Sam Raimi doesn’t need to be spit in the face. My favorite director doesn’t need to be shown up for no damn reason.) and Ghost Rider (we don’t need to get into the whole Nicholas Cage issue, just read my blog on the second movie). I followed the Blade films and even checked out a Hulk or two. I was a kid once, and cartoons are all about superheroes.

The Hulk. Become a fan.

Which, I find, comes at a fault. To realistically shape and morph comic superheroes into people and set them in a different medium is a bit weird to me. You got these groups of superheroes coming together and nobody finds it odd or strange in a modern society that all of this is coming up out of sci-fi fantasy make believe. To depict these dark characters for what is considered to be something that children collect and watch and slap a PG-13 rating on it so the younger kids who like this stuff can’t see it? It seems strange to me. If my little 5 year old cousin can’t see The Avengers and he loves Iron Man, what kind of a situation is that? Yes, there are those comics geared towards an older audience, but you’re still appealing to something meant for those who are younger. Just something to think about.

Enough of my rant about the paradox that is comics and comic book movies. The Avengers is a particular story that has been in the making for a while now. All of these movies were put out in anticipation of one film that would unite all these superheroes in a huge clash of good versus evil. I can tell you though, I have

Some egos clash right here.

no idea who the bad guys were or what their purpose was in coming to Earth other than to destroy it. Nothing gained, a planet destroyed I guess. But you bring together all these clashing egos and you have yourself a more dynamic and interesting squad than the Justice League or any other huge star superhero teams out there.

Go on and use those “superpowers” guys…

Meanwhile, at some underground base that S.H.I.E.L.D. runs…

Nick Fury (Samuel L. Jackson) has heard some terrible news about this source of power/reactor thing that is going to change the world, known as the Tesseract. Talk about throwbacks to Madeline L’Engle and A Wrinkle in Time. Loki (Tom Hiddelston) transports from this sinister looking purple planet and steals away Hawkeye (Jeremy Renner) and this scientist, Erik Selvig (Stellen Skarsgard). They plan to use the Tesseract for some nefarious deeds, and take down Thor and all the other superheroes who have done them wrong. Loki has a score to settle with his brother and he is seeking revenge through some freaky deaky alien people.

So Nick Fury decides its time to assemble the team. He gets Captain America (Chris Evans) who was frozen in some ice in the ocean from way back when. There’s Tony Stark, AKA Iron Man (Robert Downey Jr.) who has been working on some new energy sources and Hulk (Mark Ruffalo) who has been helping sick Indian children before he’s picked up by Black Widow (Scarlett Johansson). Rounding out the team is Thor (Chris Hemsworth), come to find his brother and stop him. With these ultimate superheroes (and those like Black Widow and Hawkeye who really aren’t anything special thrown in) comes ego clashing, fights on an epic scale, and one of the coolest final battles shot in Cleveland and made to look like NYC that you’ll ever see.

Looks like Cleveland to me…

I didn’t have a lot of problems with this film. Overall, it set out what it wanted to do, entertain and tell the story of the Avengers, and make as much money as possible off of the series. I mean, a BILLION DOLLARS?!?! That’s pretty redonkulous. The dialogue wasn’t too bad and cheesy like a stuffed Ritz or anything, although Samuel L. Jackson got the short end of the stick in this movie. He was really bad in comparison to everyone else. He came off as incompetent and not a hardass at all. For shame Samuel L., for shame. I really enjoyed Mark Ruffalo’s acting in this movie as The Hulk. He was witty and laid back enough to believe that he was truly holding back a beast. And when he finally let out all that anger, I instantly became a Hulk fan. On the spot when he punched that alien dirigible thing in the face.

Thanks for this one Joss Whedon. Not so much Nick Fury over there…

There were some stunning visual effects in the film and some free flowing action. Unlike other movies that have a lot of cheesy comedy for the fans, this movie was far different than those. This movie has some good humor for a bit of an older audience. And every character has their own comedic scene. This movie is a pretty good balance of comedy, violence, and full throttle action. At no point in the film was I bored, and that’s a good achievement for a 2+ hour film. And a setup for a sequel? I wouldn’t mind that at all. If it’s still in theaters (and at the time of posting, it is) go check this out. It’s got a good range for a film that a lot people will find fun and exciting. So suit up and join The Avengers, it’s a cinematic ride you don’t wanna miss. A solid 8.5 out of 10, perfectly good action/superhero movie.

Collateral (2004)

So last night as I was sitting in my dorm room I thought, “What would be a great movie to watch right now? Something I could review?” And then one word popped into my head. Collateral. This movie is entertaining in a fast-paced, don’t know what’s gonna happen type way, fused with a great plot, characters, and look. I first saw this movie 6 years ago and was blown away by it. I watched it 4 times in a week. It was a movie I hadn’t seen in a while. It was gritty. It was the life of L.A. at night. It was unique.

So, Max Durocher (Jamie Foxx) is a taxi cab driver. He works the night shift, more relaxed, better tips, we all know that deal. One day a man named Vincent (Tom Cruise) steps into in taxi and his whole world is changed as he’s taken on a hit spree throughout the burroughs of L.A. As the story unfolds, we find out exactly why Vincent is killing at seemingly random, and we accompany Max on this death-filled ride and we live/die with him. The endings great, definitely worth the watch.

There are a lot of great scenes in this movie, a lot of interesting feels to each hit that Vincent does. You have the ghetto-style hit, the businessman hit, the jazz hit (hilariously and well played) and even the club scene hit. (I hope that’s not giving too much away…) Every murder comes with a different feel to L.A. and creates a real atmosphere for what one city can offer. At every twist and turn, you wonder who’s going to live and die, it’s never certain. And as you go along, unlike most movies, you get development with the action and thrills that gives you emotional stock in the characters.

What I loved is the script of this movie. The rapport between Tom Cruise and Jamie Foxx is ridiculously entertaining, witty, and quite thought provoking in its intensity. Max and Vincent, in a weird way, develop a friendship that doesn’t seem to break until the very end, although it may have started out driver/assassin and transformed into kidnapper/hostage. Although I’m sure most situations such as this wouldn’t develop into a long-standing story, this one instance still feels as if it had the capability to occur. And it stands alone as an experience that none would ever forget.

The acting in this movie is quite phenomenal. You don’t necessarily get a feel that you’re watching actors in this situation, but more that these are real cops and thugs going about business as usual. Yes, Tom Cruise is the odd man out in this situation. Hired assassin. Although the salt and pepper hair look is quite good for Tom, you get the feel he’s out of place, although that works perfectly for his character. Jamie Foxx is quite good, but doesn’t give the real feel of a cabbie for me. Granted, I’ve only been in taxis in New York, but I feel that the cool grooves, Marvin Gaye style Jamie portrays in this movie is a bit off. Jada Pinkett-Smith is fantastic as always (one of my favorite actresses. I mean come on. Niobe. Matrix. Ridiculous.) as no nonsense lawyer. Mark Ruffalo, another of my favorite actors, plays a street cop that is always for justice, a kind of character I’m always for. Peter Berg makes a nice little appearance along with Bruce McGill who play cops alongside Ruffalo. Even Javier Bardem makes a great appearance, almost unrecognizable as Felix, the drug running boss. He has a great speech and plays his part amazingly well. Another little fun cameo comes from Jason Statham at the beginning of the movie in the airport scene where he passes off a brief case to Cruise, solidifying Cruise as a badass action star. (I mean, come on, Mission Impossible, Minority Report, Rain Man.)

Overall, the feel of this movie is great. The gritty, wobbly shooting style, mixed with the incredible night scenes give a great late night business/seedy underbelly feel to the film. Although they may give street names and locations to the film, you don’t feel lost or out of the loop as the action progresses. Michael Mann is a fantastic director/producer/writer, and Collateral is no exception. His last three movies, Miami Vice, Collateral, and Public Enemies, all have a conventional gangster style to them that really draws in audiences. (Although I wasn’t a big fan of Public Enemies. Not shot right. Not well recorded.) With this cast and crew, combined with an amazing story, this movie is sure to entertain and give you a feeling of the unexpected of what life brings. 8.7 out of 10.

 

The Kids Aren’t All Right

My mother, (see Everything I Know about the U.K. … I Learned from the BBC blog on WordPress.) got the movie The Kids Are All Right (2010) from the library. Not knowing a thing about this “critically acclaimed movie,”we as a family decided to give it a watch. Let me just say you see more sex acts in the first hour than you would see in most HBO or Skinemax shows. This, to say the least was a bit alarming. (Mind you I’m open to plenty of movie styles, but I’ve never been very keen to unneeded sex scenes in movies.) The idea of this movie is quite interesting, what I would call one of those Sunshine movies. What I mean by Sunshine is a movie that is given a quirky edge with heavy and hard topics, some of the more popular ones being homosexuality and death. (Examples being Little Miss Sunshine and Sunshine Cleaning. Get it? Not my bag though.) But yes, the plot of the movie is that Julianne Moore and Annette Bening are lesbians. Even the director’s a lesbian. And what do lesbians want? Children. The have one part of a two part equation for this. What do they need? Some Mark Ruffalo action. Lo and behold, two children, Mia “Alice” Wasikowska and Josh Hutcherson. Joni’s (Mia) on her way out of the house and ready for college while Laser (Josh) has a tool for a friend, and seemingly no other friends. At least Joni has a dumb slut for a friend and an Indian kid who reminds me slightly of the love interest in The Lovely Bones (and don’t get me started on that let down.) Laser (Hippy homage to Dodgeball?) wants to meet his biological dad, Paul (Mark Ruffalo) and it takes off from there. Not to toot my own horn, but I did call the need for penis/straight sex in this movie and found it to be a realistic dilemma (sort of). All in all, I didn’t find this movie to be quite the rabble-rousing, critical acclaim film I felt it was when I saw its ratings in Entertainment Weekly. I have liked Oscar buzzworthy movies in the past, this one in particular just struck me as bland. Mark Ruffalo was great, I have a real respect for him. (If you’ve seen Reservation Road, you’ll know why.) I’ve never gotten over Julianne Moore’s role snatch of Clarice in Hannibal or her performance in Evolution shortly after. Mia Wasikowska was quite good for such a small career under her belt, but what got me was how underutilized Josh Hutcherson was in this movie. He had his tuffle with his toolish friend and that was about it. Ever since he was in Little Manhattan he’s been doing great work and I’ve found him able to handle more than he’s been given. (Firehouse Dog… come on…) Other than that, this movie was okay and I’d give it a solid 7 out of 10. Until next time (and that might be soon) welcome to the abyss, I hope you’ll stay for a while.