You wanna talk about dark and strange to the point of comedy? This show encompasses that idea. Seeing the faces of Matt Berry and Rich Fulcher once again warmed my heart to the sound of “Holy Shitnuts!” and Berry’s sultry pickup lines. I’m glad these two met through Noel Fielding and Julian Barratt’s The Mighty Boosh, because who knew such bizarre comedy could be made! Add some rap song about babies and Matt Berry’s whimsical singing voice and you have a campy comedy about Hangmen.
But it’s far more than that. Using their own names as the personas for their characters, Rich Fulcher and Matt Berry deliver skit after skit that may seem unrelated, and usually is. Berry wants his women and his silver cowboy boots, while Fulcher just wants Matt’s approval (and maybe some women). They both cavort around in a one room brothel/tavern occupied by cantankerous old farts, saying what they want, even traveling back in time. There’s no limits to their
The strange men who are Matt Berry and Rich Fulcher.
brashness and I loved all 6 episodes.
Looks quite old for a show from 2006…
If you liked The Mighty Boosh (and I have a blog on it from way back when) then you will most likely like this show. But it’s not a given. This show has some differences. Matt Berry and Rich Fulcher, although outrageous, have hits and misses in their show. For some people who like references in their comedy to draw from, this show has about a 20-80 ratio of referential comedy. It features no big Brit comedians, other than the occasional pop-up from Richard Ayoade from The IT Crowd and the Shaman from Boosh.
A coffee… For those awkward moments of Snuff Box.
But what I can’t get over is how bizarre this show actually is. Most sketches have nothing to do with what’s going on, and, like Little Britain, this show returns to sketches that may or may not have
Leave it to an American to make love to a lollipop…
worked out in previous episodes. It’s rather alarming to see the amount of progress made throughout this six episode series from start to finish. But if you are fans of Rich Fulcher and Matt Berry, this show will work for you.
It really worked for me.
There’s really not that much to say about this show. It’s one of those see it to believe it kind of deals. And there really isn’t anyway to describe it. So just check it out. It’s Brit comedy to the extreme of strange, the edge of darkness. It is, in a word, wonderful. 7.7 out of 10.
But really, leave it to an American on British Television to do things like this. Unbelievably witty.
Ice floe, nowhere to go! Ice floe nowhere to go! I don’t think I stopped saying this for a week straight after the first time I watched the Tundra episode of The Mighty Boosh. This show is ridiculous… ly awesome. Every episode redefines humor and every plot outdoes itself in comparison to the last. If I had to choose my favorite British television show, of those I’ve seen, my favorite would still be The Might Boosh hands down. I do love Little Britain, The I.T. Crowd, and of course Monty Python’s Flying Circus. But these all pale in comparison to the genius that is Boosh.
Each season takes place in three very distinctly different locations that use those locations to the fullest. The first season starts off as Noel Fielding and Julian Barratt’s original creations, Vince Noir and Howard Moon, two zookeepers of the Zooniverse. It was with the success of this season that the other two came into being. The second series takes place in Naboo (Michael Fielding) the Enigma’s flat, and the third series not far from there in Naboo’s boutique, eloquently named Nabootique. Using the Zooniverse as a location, a lot of the episodes focus mainly on the use of animals and adventures that are so outlandish, I laughed heartily to every one.
Howard, Vince, Bollo, Naboo, and Fossil
As far as the first season goes, Howard has to rain the pain down on a kangaroo like a monsoon. This series blows up to hilarious proportions even from just the very first episode. My personal favorite episode form the first series is the Bollo episode in which Howard is taken to monkey hell instead of Bollo by accident. In this episode, Julian plays one of two hilarious characters that he plays, the first being the mirror world protector complete with mirror balls, and Sandstorm, the sexually frustrated man of sandpaper. It’s not to say I’m giving anything away by revealing characters, each episode in itself seems to have nothing to do with any of the others.
The Jungle episode of the first season introduces one of Rich Fulcher’s (Bob Fossil, later Lester Corncrake) best characters, Tommy Nookah, the man made of cheese. Suffice it so say that although Rich Fulcher is the American man in an all British show, he has some of the most outrageous lines and characters. My roommate loves the hilarious jazz man Lester Corncrake, the most absurdly ridiculous comment on a Southern, American, old, blind, black man. It’s great. Rich’s most notable character, Bob Fossil, runs the Zooniverse underneath one of the funniest comedic British actors to ever grace the T.V., Matt Berry, A.K.A. Dixon Bainbridge. Originally meant to be played by Richard Ayoade, Richard is not left out and comes back in seasons 2 and 3 as a ridiculously awesome shaman, Saboo.
The second season kicks in with the guys, Howard, Vince, Naboo, and Bollo, all crashing at Naboo’s flat in Dalston. We have the Nanageddon episode, hilarious with a great song towards the end, great lines from Howard too. The Fountain of Youth episode reintroduces the cockney character of Noel, the most hilarious and outlandish character of the entire show, my personal favorite. But what the shows most famous for and what became a Youtube phenom was the Old Gregg character played by Noel in the second season. If you’re really interested in the show and want to see some of it, definitely check this Youtube clip out.
The third series, although apparently toned down, is no less amazing. We get a lot of the Board of Shamans along with a new batch of ridiculous characters that find their way to the Nabootique. (Along with Lester Corncrake.) There’s a great tribute to a movie I can’t recall, but it has to do something with shrinking down a human in a sub and injecting them into somebody else to cure them from some sort of disease. The great part about this is the ridiculous twist they put on it and how Noel plays all parts of himself. The show ends on a quite uneventful note with the stage performances of Howard and Vince, both respectively as a lead singer for a new mod band and for a avant garde director. I would’ve rather had the show end with the crimping episode, one of my favorite features of the show, but I guess they still had more ideas coming.
At this point, I feel as I’ve I’m rambling, talking up a show that most people will mistake as the rambling of idiots. But there’s more to the show of that. I feel like yes, it may have the distinct kind of humor most people will shake/scratch their heads at. It isn’t conventional. It’s absolutely absurd. And there’s a growing population of people out there who love it. I’d have to say that most people should give this show a chance. At least one episode. It’s well worth it. Definitely a 10 out of 10.
Here’s that scene from the Old Gregg episode I was talking about. Enjoy. Just like Bailey’s from a shoe. Creamy beige.