In this quick little 4 episode OVA, I was blown away by the breadth of this show that took a mere 2 hours to explore. And this is coming from an OVA that was based on a video game! With a beginning, middle, and complete end, this show summarizes (or does it?) or gives a complete new angle to a game I’d really like to play now.
So, Baldr Force EXE Resolution. It’s the story of Toru Soma, an ex-hacker turned good guy cop. He does this for his own motivations in order to catch his protege’s killer, located inside the police force. What he encounters is more than he could have possibly imagined. With
Pretty dec, right?
a past unfolding and new friends becoming enemies, Toru is forced to redefine what he considers real.
Despite the brevity of this show, I still consider it worth watching. It may move much quicker than most anime, but it performs well as a mecha/psychological thriller. Some characters perform well as side characters and need not be fleshed out, but others shine in their key roles that unfurl the story of the internet servers and what’s been menacingly destroying them.
Relying too much on that Fbook, right?
What I find most interesting about this show is its commentary on the interdependency of actual life events with what happens online. The two become so intertwined that it does sort of beg the quesiton, what is reality? Hate to say it, but in an almost Inception-esque way, this OVA suggests that people these days may rely too heavily on technology to get through life. (Hence, I should shut down my internet use and no longer give you my baller ideas on all things entertainment.) Pretty smart thinking from a Windows/Dreamcast game made way back in 2003.
But I digress. I rather enjoyed the 3-D animation of the Simulacrums that people used to maneuver around the internet, and it really spoke to a mecha audience instead of a fake reality spin in which we as humans walk around on the internet. I like the consequence that was created, like in the Matrix (if you die in here, you die for real shizz) and it was a perfect balance of plot and action sequences.
What madness is going on here?
All-in-all, just check this little mecha OVA out and see if it stacks up against the computer game. If it does, let me know, I’d love to check it out for myself. I’ll give this Matrix/Inception/thriller mecha a 7.9 out of 10.
Leave a comment | tags: 2003, 3-D animation, 4 episode, Anime, Baldr Force EXE Resolution, brief show, cyber cops, Dreamcast, good breadth, hackers, Inception, interdependency, internet servers, key roles, killers, Matrix, mecha, online, OVA, protege, psychological thriller, reality, rely on technology, Simulacrums, Toru Soma, video game, Windows | posted in Anime/ T.V., Video Games
Hey all you readers out there! It’s been too long, so now I’ve returned in full force! Expect over the next few days to be reading over 10 new posts! I’m pumped and I hope you all are too. So let’s get down to this.
A little while ago, I watched Casshern Sins, the story of a mecha dramatic tragedy in which the world is ending and there’s no glimmer of hope in sight. And who is this tragedy all due to? Casshern. The misunderstood tragic hero of this tale is said to be invincible. By destroying the Sun Called Moon, Luna, Casshern has gained invincibility and is now sought by all robots to be consumed. Why he is sought to be cannibalized, you may ask? Casshern, with his everlasting life, appears to be the only cure in a world that now is overrun with the Ruin. The Ruin is a disease of sorts that begins to slowly errode the machines. With their metallic bodies rusting, it seemed as if the immortality that had been achieved by humans and robots alike. With the meshing of these two races into one race against time, Casshern must rediscover his murder of Luna and the world in which he has destroyed.
Now, to tell the truth, this anime threw me for a loop. I had caught the first 4 episodes at Anime Boston and I found it to be dark and interesting. With a sort of
The interesting art of Casshern.
animation and drawing style I’d never seen before, the first 4 episodes seemed to flow with a slow undercurrent slowly building. Never having seen what Masaki Takei has done before (it seems as if he’s written/created smaller works dealing with sci-fi/fantasy) I was intrigued with the way in which this anime looked. With swooping hairstyles and slender, fluid characters up against the blocky, brutal masses, this sci-fi drama blends the worlds of what’s real and what is seen as the apocalyptic future into one.
Eric Vale gives a stirring performance as Casshern.
What really caught my eye about this anime was some of the voice acting. Not knowing which characters would remain constant after the first 4 episodes, I found Eric Vale, the voice of Casshern, to be a compelling and distant character. His innocent voice withholding power to end lives creates a construct in a character often show in control, but that’s the last thing that Casshern is. Lyuze (Brina Palencia) gave another angle to Casshern Sins with a character with a soft side and revengeful edge. Another few actors that round out the top actors of this anime are Jerry Jewell, Shelley Calene-Black, and Jason Douglas, characters that’re introduced later in the anime.
And now I come to the bad point about this anime. The cyclical nature of this anime is its downfall. Despite the draw of the first four episodes, the following 20 episodes follow in the same fashion. Casshern, on his journey of discovery, comes across characters with tragic and emotional pasts. And what happens? He passes on past them and continues on his way. Either through destruction or heartbreak, Casshern can’t seem to come to terms with those around him and his uncontrollable power. But this anime, if you can get past its monotonous pace, really makes up for this in its art style and fluid animation in a rigidly dying world. So I encourage you to check it out. I give Casshern Sins a 5.8 out of 10. The Abyss is back in full force!
If anything, the fluidity may blow you away.
Leave a comment | tags: Anime, Brina Palencia, Casshern, Casshern Sins, compelling, control, cyclical, dark, dramatic, Eric Vale, fantasy, humans, Invincible, Jason Douglas, Jerry Jewell, Luna, Lyuze, machines, Masaki Takei, mecha, monotonous, repetitive, robots, sci-fi, Shelley Calene-Black, slender characters, swooping hair, The Abyss, the Ruin, tragedy, unique drawing animation style | posted in Anime/ T.V.
The title of my review says everything about this anime. I fell in love with the graphics, the 3-D battles, the back story. And I was taken away by the emotions behind the characters. The anguish of the foreigner in a land that doesn’t accept them for who they are. The man in love who cannot tell the woman he loves how he truly feels. The orphan abandoned and left without a help in the world. This German set anime (talk about a country of hate and anguish) is tastefully portrayed with a religious background and a head full of steam. With every new character arc (from Gerd to Malek, Hermann to Amanda) you are lead by your heartstrings to the heartbreak you are meant to see, and some you are not.
The idea behind Blassreiter is one of mecha, with a sci-fi drama backdrop. The line between man’s science and God is
An Amalgam's go to vehicle. Can you feel the emotion?
blurred. No longer is it the struggle between machine and man, but a meshing of the two. Man’s ultimate goal. In futuristic Germany, a crack team of soldiers known as the XAT (Xenogenesis Assault Team) has been given the task for the bast decades to find and eradicate as well as protect the citizens of Germany from what are known as Amalgams (Demoniacs to the public.). These Amalgams are humans who have been transferred using some scientific disease into machines capable of attaching themselves to electronics and vehicles.
It is only common for these Amalgams to be created from dead bodies. Until one day, after being involved in an Amalgam attack, Gerd Frentzen (Christopher Sabat) is given the chance to regain his
legs and race again. But the price it pays is that he becomes a living Amalgam. And the fate of all Amalgams? Bloodlust, insanity, and death. It is up to the XAT to discover the cause of a living Amalgam and what this would mean for the furure of Germany and the rest of the world. But the Amalgams go deeper than a mere nuisance. And I’ve only covered the first 6 episodes. You have to watch the rest for yourself.
Gerd Frentzen (Christopher Sabat)
As I said before, this anime has some pretty spectacular 3-D animated graphics that blew me away. Any scene with an Amalgam or vehicle is given a special touch of full-breadth motion and fluidity. Combine this with a 2-D background and characters and you have an interactive combo right there. What could be better than this you say? Well, the character creation is top notch. The characters (and there are quite a few) deal with so many different emotions and personalities. There are the soldiers of the XAT, dealing with betrayal, duty, and what it means to be a soldier. (A very German thing, the honor of fighting for one’s country.) The humans turned Amalgams and their struggle with their humanity. The original Amalgams and their struggle with their pasts and their duty to the furthering of humankind and its evolution. God’s role in this anime is huge. (Another attitude of a prominently Protestant country.)
And then there’s the skeletons in Germany’s closet. The race hatred. The problems with German old
The amazing graphics behind Blassreiter.
family citizens of a higher class and the lower class foreigners given a chance for a new life in Germany, but given the scraps of the other classes. The hatred, the xenophobia. It all plays out on a tasteful stage. But even as this issue fades out to a respectable end, Germans are given a nod of respect for the strides they’ve made since the blood of the past has begun to dry and flake on their hands. And I give a nod of respect to the Japanese for the nod to the Germans.
The premise is interesting for a mecha. In a world moving forward, what is the point in which humans must pull back and examine their humanity versus their
What is behind the Amalgams?
technological drive? Anti-sci-fi (?) in a mecha is an interesting approach, and I welcomed it, being a mecha anime fan myself. (If I haven’t covered this before, non-anime fans/fans to be, mecha is mechanized (?) anime, dealing with machines and robots, i.e. Gundam Wing.)
Joseph (Todd Haberkorn), a character of anguish.
There should also be some credit given to the voice strained voice actors who lent their emotion to this anime. Watching this dubbed, I was amazed with the power given to the characters purely through voice. Joseph Jobson (Todd Haberkorn). Almost unrecognizable, but gives that brooding hero voice with a disturbed and tragic past to perfection. Hermann Saltza (Travis Willingham). This guy swore and yelled more than any other voice actor I’ve ever heard. I give him credit for days at a time (probably) of a hoarse speaking voice. His emotions and pain came to the table and delivered. Gerd Frentzen (Christopher Sabat). I give him credit because he is the amazing Christopher Sabat (as you know, I’m a big fan.). His voice of gruff torture and anguish spoke to me as usual, and kept me grippingly emotional. And Amanda Werner (Jamie Marchi). Her torrent of emotional confusion and desperation was quite excellent. And that’s only a few. But isn’t that enough to get you watching this anime? Get to it. 7.8 out of 10.
Leave a comment | tags: 3-D, Amalgams, Amanda, Amanda Werner, anger, anguish, Anime, anti sci fi, back story, betrayal, Blassreiter, bloodlust, brooding hero, Christopher Sabat, death, Demoniacs, desperation, duty, emotional confusion, emotionally, evolution, foreigner, fueled, futuristic, Gerd, Gerd Frentzen, German, Germany, God, graphics, gripping, gruff, Gundam Wing, hate, heartbreak, Hermann, Hermann Saltza, higher vs lower class, honor, humanity, insanity, Jamie Marchi, Japanese, Joseph Jobson, love, machine vs man, Malek, mecha, mechanized anime, motorcycles, old family vs new, orphans, past, Protestant, race hatred, racing, religious, romantic, sci-fi, soldiers, strained, swearing, Todd Haberkorn, torture, tragic past, Travis Willingham, vehicles, voice actors, XAT, Xenogenesis Assault Team, xenophobia | posted in Anime/ T.V.
I need to say this right now about the original Neon Genesis Evangelion. This is hard to watch. It’s harder to watch dubbed, at least, from my experience it is. I feel the director/writer Hideaki Anno said it best about the show. “It’s strange that ‘Evangelion’ has become such a hit – all the characters are so sick!” And to me, that’s not “sick” in a good way. These characters, to put it better, suck. The main characters of this anime somehow don’t develop as the show progresses. And their back stories and personalities are just as bad. I don’t mean to put down a classic anime, but this show had problems from its inception.
Okay, basic plot. Shinji Ikari, in the first episode, comes to Tokyo-3. He’s there because his father asked him
Shinji. Pouting and whining with no comfort from Rei.
to come. This sounds odd you say? Well it is. Shinji has not seen his father for years, basically they became estranged after his mother’s death. (And Shinji’s father was implicated… sort of… not really… I’m not sure…) His father, one of the creators of N.E.R.V., has created these “machines” known as Evangelions. EVA’s for short. And these machine’s soul purpose are to destroy Angels. These Angels have been hitting the Earth for the past 15 years. Known as 2nd impact, this Angel that comes to Earth is defeated, but not before major devastation is wrought. And because of the 2nd impact, Earth has been changed and N.E.R.V. and a coalition of countries have been tasked with defending the Earth.
Evangelion. A cast to hate due to their "sick"ness.
And it doesn’t stop there. Just wait til the last 2 episodes. Either it will bore you or fascinate you. Either/or, it will confuse you. In typical mecha WTF fashion, this show will confuse you. And/or frustrate you with its characters. First of all, scum of the Earth #1 is Shinji’s father, Gendo Ikari. He neglects his son, and then doesn’t care if he lives or dies. Quite the father figure. There’s Asuka Langley Soryu, the most annoying German/Japanese girl on the planet. If she’s not berating Shinji with insults and back-handed comments, she’s most likely speaking terrible German (That voice actress has no idea what German is.) And she hates her life. Basically. So that’s another strike against her, among countless strikes. Rei Ayanami is another classically boring character that is hard to comprehend. Her monotone voice (it’s explained) mixed with emotionless conversation makes her scenes hard to watch. Misato Katsuragi is a whorish female major with nothing more to do than worry about others and become promiscuously unsavory. Quite the combo, including a ridiculously sloppy apartment.
And those are just to name a few. And, as I said, the one bane of this show is that none of these characters change throughout the entire anime. Not a one. They all remain in their own worlds of self pity and pettiness until the end. And if that’s what other people got from this show, I’m sure that is also portrayed across the board, subbed or dubbed. I watched the dubbed and pretty much regretted it. It being a 1995 anime, precursor to the golden age of voice actors going on now, these voice actors are hired more for their voices than their acting skills. I will give credit to 2 though. Kyle Sturdivant does a great Greg Ayres impression without even knowing it as Kaworu Nagisa (can’t explain, too far in). And Aaron Krohn does a great job as Ryoji Kagi, Misato’s love interest and all around stud. Everyone else was most likely just in it for the chance to “attempt” to voice act. I’m not quite sure.
The EVAs are cool, I just don't know what to say about the show...
Other than that, I would give the show in total a 5.2 out of 10. The concept, above all, is actually very interesting. I have a soft spot for mecha anime, and this is considered one of the best and most original. It is a classic. But I’m not sure it suits everyone’s taste. And that’s why they re-did the ending and added the movies for a different perspective on Neon Genesis Evangelion. The comments on symbolism and religion are quite prominent. But not until the end. The psychological/philosophical musings became redundant, as it seemed they were just lines to fill time more than actual reevaluations of the meaning of life. But I am interested to see the takes that were made after the original. So we’ll just have to wait a while and see what’s in store. And I’ll make sure to make a review to fill in all my “fans” with. But seriously, if you view my blog weekly/daily, why not subsribe? It’d let me know what people wanna see me review and what people’s interests are. Thanks for reading always, it’s a real treat inviting you to The Abyss.
2 Comments | tags: 1995, 2nd Impact, Aaron Krohn, acting skills, angels, Anime, Asuka Langley Soryu, back stories, berating, blog, boring, characters, classic anime, confusing, daily, director, dubbed, Earth, emotionless, ending, EVA, Evangelion, EVAs, fans, fascinate, father, frustrating, Gendo Ikari, German, golden age of voice actors, Greg Ayres, hard to watch, hates life, Hideaki Anno, insults, interesting concept, Japanese, Kaworu Nagisa, Kyle Sturdivant, last episodes, love interest, machines, meaning of life, mecha, Misato Katsuragi, monotone, mother's death, movies, musings, neglect, Neon Genesis Evangelion, NERV, no development, original, personalities, petty, philosophical, promiscuous, psychological, Rei Ayanami, religion, Ryoji Kagi, scum of the Earth, self pity, Shinji Ikari, sick, sloppy, son, stud, subbed, suck, symbolism, The Abyss, Tokyo-3, voices, weekly, whore, writer, WTF | posted in Anime/ T.V.