Tag Archives: melodramatic

Natural City: The Sci-Fi Korean Drama

I really didn’t know what to expect when I started watching this movie. What I wasn’t expecting was the formulaic Korean drama. What do I mean by that? Simple.

A Korean drama is one in which a couple in love usually has one of the lovers die in a horrendously heart wrenching way. This leaves the other lover alone to mourn and deal with all their feelings. This is a sci-fi film about cyborgs, androids, and

The picturesque cityscape really stands out in this film.

humans and a plot to bring down the futuristic city from within. I had no idea the Koreans could incorporate such a soap opera-y plot into such a steampunk film. Good on ’em for that one.

So “R” (Yoo Ji-tae) is a policeman in a futuristic society in which people can’t tell humans apart from androids and cyborgs. There’s a distinct difference though. Androids were never human; cyborgs have been outfitted with a cybernetic chip that controls and

Blood and love. All in one.

helps them function. R is one of those rogue cops who never follows the rules and does his own kickass thing. After botching up a destruction mission at a local processing plant, R must reconcile with the consequences.

R has fallen in love with a table dancing cyborg. Ria (Seo Lin) has but a few days left to live, and this film follows R’s decisions into how to save her from decimation. He finds salvation in an orphaned prostitute named Cyon (Lee Jae-eun), and finds that her existence is also in the interest of the androids attempting to use human DNA for some nefarious purpose. With the strange Cypher (Jeong Doo-hong) on the loose, R and the police force must find their own means to an end.

The look and feel of the film is very 1980’s Bladerunner feel. Yoo Ji-tae functions as a suave and gritty Harrison Ford,

Damn it, gotta love those views.

patrolling the streets for his own personal gain. There’s not much to speak of with character development on the side of the androids or cyborgs, but the presence of these untraceable electronic beings is a frightening concept. They can knock a man’s leg clean off with one punch for God sakes! Never thought I’d see that kind of special effect in my life.

Tell me that’s not Bladerunner, right?

The guns are clunky, the special effects and digital graphics are dated (even for 2003), but I liked the storyline all the same. It was more of an artsy film than anything else, and it was all about the feels. The emotional range required for understanding this movie from start to finish is not for the weak willed. It has undertones of dystopian elements, and questions just exactly what it means to be human. The ending is long and tragic, and is obviously created to pull at the heartstrings of those who watch it. It got me there towards the end, and I’d love to know what other people thought of it who saw it. Good or not? Let me know!

I’ve always liked Yoo Ji-tae (I hope I’m not spelling that incorrectly…) since I saw him in Oldboy, and I find his acting

A bit of fighting for the action fans.

style to be brutal at the same time that he is a fragile human being, just like the rest of us. This pretty boy can pack a punch with his acting, and I’d advise watching out. He just might lay you out on your back.

All the feels.

There’s no true way to describe what/how to take anything away from this movie. It’s one of those seeing and believing situations where you just have to watch it and attempt to understand what the movie is throwing at you. I’m not entirely sure what I was shown in this movie and if I even got it. So just check it out for yourself, especially if you’re always ready for a melodramatic cry. It’s a good one for that. 7.2 out of 10.

Advertisements

Cyberbu//y: I CAN’T GET THE CAP OFF

Are you crying from watching this horrid movie on Youtube, Emily Osment?

You may be alarmed at the use of capitalization in the heading for this review. But what you should be more alarmed about is the content of this movie. In an effort to stop the gross amount of cyberbullying that has gone on in the past decade, Cyberbu//y the movie was created.  And instead of raising my awareness and sympathy for the cause, this movie took the whole movement quite a few steps back. At least, from a cinematic perspective.

So Taylor Hillridge (Emily Osment) is a typical high schooler. Stigmatized by Hannah Montana she may be, but normal all the same. She has two rad friends, Samantha (Kay Panabaker) and Cheyenne (Meaghan Rath).  One’s a fellow Disney channel star, the other, a sexy ghost on Syfy. Word.

Then, oh my god! Taylor gets a laptop for her birthday. I find it funny they never indulge her age, but hey, Meaghan Rath is 25…  What’s the first thing you do when you get your own personal computer? Apply to a Faceobook rip-off website that asks you what color your underwear is. And also doesn’t allow you to block unwanted friends. Sounds like a plan.

Is that the Xbox symbol? What?!?

So Taylor does so and unfortunately enters the world of cyberbullying. With a simple use of “bitch”, Taylor is relentlessly assaulted by one of the ugliest popular girls I have ever seen in my life. If there’s someone who should have been relentlessly bully beaten, it was this girl. If they were going for the ugly girl you have to hate because they think they’re pretty, then they hit the nail on the head. Either way, don’t hire Nastassia Markiewicz.

Her mother had all the opportunities in the world to delete her "Cliquesters..."

How many sentences can I use to tell just how horribly inaccurate and coarse this movie was? Yes, it was a movie for ABC Family T.V., but this movie barely scratched the surface on the harshness of teenagers. All those hormones flying around and the best they could do is talk about STD’s and pregnancy? Two things that would be self-evident the second the person showed up at school. But no, I must withhold my judgment. This is a harsher time, a worse off place in this magical land of ABC wonderment. No real world problems are dealt with here. The entire movie my head was full of evil retorts that could’ve been used to right the situation. Oh, the audacity.

I don’t wanna spoil every scene of ridiculousness in this movie (anything that Jon McLaren does as Scott is worthy of this) but there are quite a few. So I’ll just show this:

Now, my idea is to take every character, in a viral video I’d love to make, and recast all the characters. In this short video, I’d have every character, every time they have trouble or become sad, and have them have to deal with a pill bottle. Because what this film has taught me is that for some uneducated suicidal teens, pill bottle caps save lives. And I will use this ridiculous scene from the movie to illustrate that.

This girl wanted to get even. The other kid was a fruit.

What more is there to say about this? This movie is based on a girl who did kill herself after cyberbullying. Where’s the HBO version of this? Why doesn’t the girl succeed and they continue with the effects her death has on the family? This movie just didn’t roll on the issue as hard as it should have. I wanted some bullying that was worth dying over. Not some viral video of a girl with a bag on her head pretending to be a prostitute. Not to advocate any of this, but sometimes it takes a Holocaust proportion example to move people’s awareness. Just saying, not to be a horrid person.

A disgusting plate of horridness.

But let’s move past the issue. The acting, for the most part, was actually okay. Other than Scott. That kid needs to quit acting altogether. But yes, for the most part, the acting was accurate. But where it fell short was that this was 2011 film that struggled to keep up with a changing teen scene. It was stuck back in Myspace when people have moved on to Facebook. The pettiness has become more frightening. It’s fierce, and the lingo lacked luster. The situation seemed vague to encapsulate a teenager’s life, and the melodrama of a Lifetime movie shone through. Unfortunate and ruinous in the end.

So watch this if you have no idea what the internet is. Watch this if you like Disney channel. Just don’t watch this if you want to be moved and informed on the topic of cyberbullying. Actually, scratch that. Watch it for the humor because of its downfall. It falls hard. 4.1 out of 10.

For shame, if only Haley Joel knew...

 


AnoHana: A Title Too Long, An Anime Too Sad

The characters of AnoHana

Okay, the title is far too long. Ano Hi Mata Hana no Namae o Bokutachi wa Mada Shiranai. Roughly translated, We Still Don’t Know the Name of the Flower We Saw that Day. (Probably actually translated) I’m no expert in the Japanese language, but… Why? Anyways, that’s besides the point. This was a phenomenal show. It was also phenomenally sad. With angst and tears in hand, this show could do no wrong. For the most part.

First recommendation about this show. Watch this by yourself. No groups

The Haunting by Menma.

allowed. Unless you and another few people really wanna attempt to cry and connect with your emotional side, then do so by yourself. It’s well worth it. Second, watch this subbed. The dubbed version is not out, may take a while, but make sure this is watched subbed. The Japanese voice actors in this show give a whole new meaning to emotional acting. And third, whatever you do, love Yukiatsu. He is the most fantastic character in this anime. Not a jerk.

The cute children of AnoHana!

To the plot. This show is about a group of friends who, when they were children, called themselves the Super Peace Busters. Slightly strange, but they were for justice and peace, not for busting it. (Or were they?) Jintan, Menma, Anaru, Yukiatsu, Tsuruko, and Poppo would hang out all the time playing Nokemon and playing in the forest in their amazingly built clubhouse for a bunch of small children. One day tragedy strikes and Menma dies. This horrific accident separates the group forever.

Until one day, Jintan starts seeing Menma and what appears to be her poltergeist apparition form. Menma is now older and has aged like all the others to their high school age. Acting  just like she did when she was younger, she now stands in stark contrast to those who lost her so many years ago.

Unconrtrollable tears!

Jintan has become a shut in who no longer attends school, Anaru has become what appears to be a snobby slut, Yukiatsu and Tsuruko have become cold hearted people, and Poppo is the only one who has remained the same.

Giving Menma appearing to him as an illusion of the summer heat, Jintan continues to go about his usual life. Having lost his mother, his father and him have seemed to grow apart to a superficial level. But, slowly but surely, Jintan begins to connect with Menma and starts to remember the emotions and feelings of his childhood. With Menma not knowing what exactly is her purpose on “haunting” Jintan, Jintan must try and grant her wish and send her to Heaven.

Yukiatsu, my love.

There is one thing and one thing only to say about this show. Tears. This show trys in every capacity, every episode, to make you cry. Not even the frequent intermissions of comic relief can attempt to dry your eyes of the sadness. The ending song itself functions as a key to emotionally end every episode on a revelation/sadness scene. And it is so damn effective. You become entirely attached to all the characters and want them to come to terms with Menma’s death and become friends again. And it doesn’t look possible. The alienation of growing up and high school, coupled with traumatizing death seems to leave them all hopeless. You wish the best for them and cry when things turn out all right. Just not in the way you’d think.

The comic relief needs to flowww.

With all the emotion and revealing scenes of twist and turns, this show just deliver and delivers. It spares not a minute of its short 11 episode run. The story is told and you’re left with a feeling of warmth beside a feeling of loss inside. And that makes it worth it. But you know what? I don’t want to cry every episode. I don’t mind spilling my man tears, but when you’re beaten over the head and told to cry, does the act of emotion and sadness really become an effective anime in the end? With the characters, I would say yes! Please for the love of God, Yukiatsu is the person I wanna be! (Wink wink) But with the plot and short period of time it has to function, give me a break every other episode. Let me dry my eyes and not feel this is kind of stupid in the heaviest melodramatic Lifetime movie way possible. Don’t try to make me cry for the sake of crying. Make me happy to shed tears for those I care about. Not unecessary tears of circumstance.

That being my only contention with this show, it takes it down heavily from the 10 out of 10 category and down into the 8 out of 10 category. But based solely on Yukiatsu, give it the 10 out of 10. Final verdict, 7.9 out of 10.