Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
In this epic tale of just what happened before the Alien films, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are two archaeologists who have stumbled upon something fantastic. In different locations all around the world,
It all begins here.
spanning centuries, the same symbol of a gigantic man pointing to a specific star region, as if to say “Come find us.” Interested in this speculation, Peter Weyland (Guy Pearce) finances the whole thing with his massive amounts of dough and creates a ship, named Prometheus.
Janek and Vickers. Opposites attract?
Piloted by Janek (Idris Elba) and watched over by the android David (Michael Fassbender), after two years of flying, the crew lands on the distant planet the star map told them to come to. Under Meredith Vickers’ (Charlize Theron) watchful eye, the crew must find what they’re looking for, even if what they’re looking for is no longer around. What they find is more than they bargained for, and the must stop the deadly trap from making its ways to Earth.
Where should I begin in my shining review of Prometheus? Well, I think that finally technology in special effects has made its way up to Ridley Scott’s vision of what he has wanted the Alien films to look like. It’s space agey, cold and
An unknown marvel awaits.
clinical, and full of wonder and horror all at the same time. The planet storm was breathtaking, the creatures and surreal caverns were creepy and mammoth sized, this movie incorporated everything you wanted to see in our race discovering a planet in… 70 years.
Noomi Rapace, giving her heart and soul to Prometheus, as only she can.
This strong cast of actors all did their jobs in developing their roles in what you would expect of a spaceship crew. Idris Elba did a great job as the ship’s commander. Slightly minor, but he didn’t take shit from anybody as you would expect. Charlize Theron (in one of the only roles I applaud her in) plays the oddly robotic and bitchy overseer of the entire operation. She tows the line between sci-fi amazonian and unemotional human in a very convincing performance. Michael Fassbender stole the show again as the android, fully immersing himself in what Theron had to hint at. His intrigued and distanced character embodies what sci-fi novelists and movie makers have seen as a human robot for years (think Ian Holm in the original, but add the quirkiness of Jude Law in A.I.) And then there’s Noomi Rapace. This Swedish actress from The Dragon Tatoo series put her heart and soul into the part. She tired herself out, did some terrible yet necessary things to her body, and did it all with a British accent she had a coach for. Seeing her dive into a character that has to deal with all these terrible revelations was both disparaging and inspiring. She didn’t let what was happening put her down or stop her from her end goal.
The only true scene I wanted to see in 3-D.
One person I was particularly impressed with was Guy Pearce. I’ve loved him since The Time Machine remake (and Memento, of course) and think he was born to play in sci-fi films. His air of bravado and poise resonates in entitled sci-fi characters. And not to mention he’s playing an old man for 15 minutes of the film that you would barely recognize. And a great little cameo from another one of my favorite actors (since Watchmen), Patrick Wilson.
The music was orchestratedly stunning. At all the moments you feel fear or exhilaration in this newly discovered planet, it fills in with the proper soundtrack. Much as Gabe would describe it as a soundscape
No words can describe it.
that fills in all the spots of your imagination, this soundtrack did that for me. (Was it similar to the other Alien films? Let me know.)
Another thing that was so great about this film (haven’t I said enough?) is that you don’t have to be a die hard Alien fan to watch this movie. This movie itself can get you hooked in (being a prequel and all). I’ve only seen the first Alien and the AVP series (always been more of a Predator fan, sorry), and this movie makes me want to watch all of them. This movie tackles the mythology and world of a film that is also a film! Something made up and fantasized analyzing something else in the same manner? That’s wild! And I thought it was so well done and handled from such a organic and basic place that it made itself into this mythological God that could spark films and analysis for years to come. Until it becomes a reality.
… What started it all.
With all this ranting and raving about the film, why haven’t you X-ed out of my blog and already started up your car to go see this in theaters? You need to see this in order to boost the ratings and maybe someday prove that a genre other than drama can win the Oscar for best movie of the year. Because I would argue that this film is in the running for 2012. Just saying. I have no complaints and was mesmerized from the start of the film. Go see it. Now. 10 out of 10.
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So I’d been planning to see this movie with my mom for some time. We’re big James McAvoy, and this movie quickly jumped to the top of our list. We thought, “Hey, James McAvoy. A new X-men movie that looks quite good? Definitely.” And he didn’t disappoint. And neither did anyone else in the film X-Men: First Class. I did expect to take the phrase “First Class” literally, but I was a bit mistaken. (I thought this movie would focus on the first young group that Charles Xavier took into the X-Men academy. Guess not.) But I wasn’t disappointed at all. This movie delivered. I would say it did, even more than the original trilogy.
So the plot of this movie is the origins of the X-men. I’m pretty sure it holds true to the comics, and I think this
The rivals unite.
was a big plus. (Maybe a few liberties were taken?) But, either way, this 1960’s set X-men classic follows the origins of Erik Lensherr/ Magneto (Michael Fassbender) and Charles Xavier (James McAvoy). This is before Charles was given his wheelchair (explained) and so that’s why you see him puttering around on his own two legs. The hip, suave, young Xavier (a welcome change from Patrick Stewart’s stuffy portrayal of Professor X) has just become a Professor from Cambridge based on his work on human mutation. (Fitting right?) Parallel to this, Erik is on a rampage (using his harnessed powers) to destroy the German Nazis that imprisoned him during WWII and killing his mother. It was this pain that unleashed his powers as a young boy.
And it is through the power of the government that these two come together to team up for the only time in their lives. To stop an evil mutant of unspeakable power, Sebastian Shaw (Kevin Bacon) these two must recruit other mutants across the world in order to prevent nuclear disaster. As you watch the movie, you find that, in fact, the X-Men were what prevented the Cuban Missile Crisis. And then, as expected, things fall apart for the duo, leading up nicely to the next movies made years ago.
It sent chills down my spine when he put that helmet on.
I’ve heard people didn’t like this movie. People gave this a bad review and I was surprised. I found this to be a decent movie that was respectable among X-men entertainment. So I found it hard to believe, with such a good cast and decent special effects, how this movie could even be viewed as a bomb. I mean, come on, James McAvoy (great actor) and one of my personal favorites, Michael Fassbender? You can’t get much better than that. Throw in a handfull of cameos (yes, a scene of Hugh Jackman as Wolverine and Rebecca Romjin as a view of the older Mystique.) and great foreshadowing, and you have a great prequel.
I mean, I can’t say enough about the cast this film boasts. I have to say again, James McAvoy. Having another big action film under his belt, Wanted, he is perfectly comfortable as an action hero (although be it a passive one). Michael Fassbender. He is no newbie when it comes to action films. 300, Centurion, Inglorious Basterds. This guy has done some of the best action films of the decade. And he’s such a malicious character actor that when you see him as the villain, you can actually see the evil seething from him. Kevin Bacon. I haven’t seen him in a while and they hid it well in the trailers that he was in the movie. And as the villain? That was a shock. But still, he was quite devious. Combine that with Nicholas Holt as Beast (great job to say the least) and Jennifer Lawrence (academy award winner for Winter’s Bone.) among other X-Men, and you have a great cast.
Great group. Great cast. Great movie.
From the director Matthew Vaughn, director of some pretty badass action films, Layer Cake (personal favorite), Kick Ass, even Stardust was decent, you have to expect some good acting combined with great visual chemistry. There’s a great scene with Michael Fassbender absolutely destroying some Argentinian Nazi fools that brims with gorish action. This movie screams great summer film. If Stan Lee’s onboard (not just for the money, I hope) then it has to be good. His baby creation has come to life once again and it’s all good. 8.8 out of 10.
2 Comments | tags: 1960's, 300, academy, action hero, bad reviews, Cambridge, cameos, Centurion, Charles Xavier, comics, Cuban Missile Crisis, Erik Lensherr, foreshadowing, German Nazis, good cast, government, Hugh Jackman, human mutation, Inglorious Basterds, James McAvoy, Jennifer Lawrence, Kevin Bacon, Kick Ass, Layer Cake, Magneto, malicious character actor, Matthew Vaughn, Michael Fassbender, mutants, Mystique, Nicholas Holt, nuclear disaster, original trilogy, Patrick Stewart, powers, Professor X, Rebecca Romjin, Sebastian Shaw, Stan Lee, Stardust, summer film, villain, visual chemistry, Wanted, wheelchair, Winter's Bone, Wolverine, WWII, X-men, X-Men: First Class, young Xavier | posted in Movies
Neil Marshall has done it again! As the director of one of my favorite horror movies, The Descent, I had to check out this director’s 5th attempt at directing. After taking a peek on IMDB at Marshall’s other directing attempts, I saw another two movies I found were right up Marshall’s alley when it comes to genre and style, Doomsday and Dog Soldiers. The movie posters alone look like movies I would gladly see. (I had heard of Doomsday before, it’s shown a lot on FX, definitely going to check it out now.) This movie doesn’t disappoint and it gives one of those quick in and out glimpses into the world of the Romans during a time of war. If I had to say it, which I will (I mean come on, there are 2 actors in this movie who were major players in 300) this movie is on some sort of level with Gerard Butler and his 300.
But what I liked about it? It wasn’t Gerard Butler. Come on, you have to give it up for how creatively mind bending 300 was. I love Zack Snyder. Plain and simple. 300 brought a new meal to the table. But yeah, this movie wasn’t quite 300 at all. It was almost a 300 meets Gladiator fusion. Quite spectacular. Instead of Butler, we have one of the new and upcoming British actors, Michael Fassbender. This guy is putting in the work and getting
great results (and I’m not talking about his abs in 300). He’s done quite a few British T.V. shows and made his big break with 300. (He was that guy that cut off the emissary’s arm and told that fool they would fight in the shade.) Inglorious Basterds (I’ll give it to you Tarantino, this one time…) and Jane Eyre, this guy has range. And most excitingly, he will be playing Magneto in this summers sure to be masterful hit, X-Men: First Class. I expect good things from this guy.
Other notable appearances in this film? Dominic West, of course. Another 300 familiar, this guy was the traitor. But still, he was great. I loved his alter ego in Meet the Spartans, Traitoro. Dominic West has done some good work
as well, and I feel that as a fellow British actor to Michael Fassbender, he will go great things one day. He’s done wonderful things on The Wire, and he did one of my favorite guest appearances in my favorite part of the Hannibal Lecter series, Hannibal Rising as Inspector Popil. He has quite the list (Palace Guard in Phantom Menace???) and should keep strong for years to come.
Also, what I like about movies like this? Neil Marshall can get together a rag-tag group of virtually not well known actors, and still make a badass film. Noel Clarke (one of the Doctor’s helpers on Dr. Who) plays Macros, the slave turned athlete who really just runs the entire movie. JJ Feild (recurring British T.V. period piece actor) as Thax, one of my favorite characters in this film. David Morrissey (character actor who seems to switch between
A rag-tag, cantankerous crew
American and British film) as Bothos, the slightly obese centurion who’s that one loyal friend, but not that ridiculous. I mean, the list goes on. But that’s what really appealed to me about The Descent. It brought together a handful of unknown actresses and turned out to be a really well made film.
Complaints. Okay, there are quite a few archers in this film. And you know what happens? Everyone of them can aim for someone’s head and hit them directly, no hesitation, no mercy. This is a bit ridiculous. I find it hard to believe that every archer in this film is Robin Hood. But to each his own. It still made for pretty amazing gore throughout the film that was just nonstop. One whole scene about 20 minutes in is just literally unheard of. Another thing, I have never heard the “f” word so much in a period piece film like this. It is out of place. Distasteful right there.
Everything else about this movie? Great. It had great cinematography and looked like it took cues from The Lord of the Rings in its overhead helicopter shots of men dashing across snowy mountains. (Pretty sure this was shot in New Zealand.) The locales were quite spectacular although you couldn’t really place what was going on. If I related it in plot to any movie, it would’ve definitely been a mirror image of The Descent. Actually, the more I think about it, it’s like a cookie cutter version of The Descent, just different time and characters. Wow. If Neil Marshall does this again though, I might not be so forgiving. You can’t hope to make 3 identical plot movies and think people won’t notice. But taking Centurion as its own tour de force of mayhem and devastation in the time of the legion and Rome, it really does not yield. 7.7 out of 10.
Leave a comment | tags: 300, American film, archers, athlete, beautiful locales, Bothos, British actors, British film, British TV, Centurion, David Morrissey, devastation, Dog Soldiers, Dominic West, Doomsday, Dr. Who, FX, genre, Gerard Butler, Gladiator, gore, great cinematography, Hannibal Lecter, Hannibal Rising, headshots, helicopter shots, horror movies, I will not yield!, IMDB, Inglorious Basterds, Inspector Popil, Jane Eyre, JJ Feild, legion, Macros, Magneto, mayhem, Meet the Spartans, Michael Fassbender, Neil Marshall, New Zealand, Noel Clarke, Palace Guard, period piece actor, Phantom Menace, Robin Hood, Romans, slave, Star Wars, style, Tarantino, Thax, The Descent, The Wire, Ther Lord of the Rings, Traitoro, unknown actresses, war movie, X-Men: First Class, Zack Snyder | posted in Movies