Lock, Stock, And Two Smoking Barrels

I gotta tell ya, if you didn’t already know this about me, I love British films. I’ve watched the casts in British T.V., films, and American movies alike, starring alongside other big name actors. They crush their lines with timing and precision, they hold an air of Shakespearean flair, and

The Lock and Stock gang (not actual name).

they got the whole suave, posh thing goin’ on. I gotta hand it to Jason Statham, he’s a godawful muscle man stunt actor in American films, but he fits right in when the rest of the cast is from the U.K. And Lock, Stock, and Two Smoking Barrels is this perfect case when it comes to that. A flavorful British cast with a renowned British director in one of his first film debuts, Guy Ritchie. Let the guns fly and the villains die.

Always out for a pint.

That’s basically what this movie is. Although there’s not really any big hero vs. villain gun fights or anything (you can’t tell the heroes from the villains anyway. Why would you want to?) you love the situation and the feel of the movie. It seems like everyone in the film has got a mouth on them, and they all speak the crime lingo. Everyone’s out for themselves with the big payday, and this movie has a big payday indeed.

The movie starts out with Bacon (Jason Statham) a two-bit swindler who speaks easy and cons you out of your money. Selling less than par jewelry, he and Eddy the Card Shark (Nick Moran) run through the streets of London after they’ve been had. Meanwhile, Tom (Jason

Talk about your smoking barrels…

Flemyng) is finishing his last deal with Nick “The Greek” (Stephen Marcus). He’s the brash leader of the group. Then there’s Soap (Dexter Fletcher), the straight walking saucier chef of the bunch. They all bring together 100,000 pounds for Eddy to play with versus Harry “The Hatchet” (P.H. Moriarty). After being forced into a loan and some shady dealings with some cameras and Morse code, Eddy loses and all four of the guys have to pay back 500,000 pounds. Oh no.

Cage match. For keeps.

With no means of being able to pay Harry back, the gang decides to drop in on a fellow gang’s robbery idea, stealing from the thieves. With a domino effect of a plot ensuing, you’ll never see the ending coming (or will you?). I personally was very satisfied with this film. Considered one of those “classic films” you should probably see before you die, I do agree. It is. It has a witty cast and a great vibe to it that just reeks of British gangster (as it should. They’re pretty ballin’.)

I want to spend a bit more time on that ballin’ cast I was talkin’ about. I already said Jason Statham, familiar with his feet set on the other side of the pond (not in America, obviously). There’s Nick Moran, who is someone I’ve seen occasionally in small roles, but after seeing this, I think he is destined for bigger and better things.

You bald buffoon.

Jason Flemyng is one of those actors I love seeing (besides his classic role and Dr. Jekyll and Mr. Hyde in The League of Extraordinary Gentelmen), and I can’t get enough of his versatility. It was nice to see Dexter Fletcher without gray hair (he plays Nathan’s dad in the British T.V. show, Misfits) and his character is worth a few laughs. And I have to admit that I found P.H. Moriarty to be a pretty nefarious gang boss in this one. He played Gurney Halleck in the Dune series movies for cryin’ out loud! And there’s Vinnie Jones, the former club soccer player in England. Ever since he did this movie, he’s been poppin’ up all over the place. More power to him.

I’m the Juggernaut, female dog.

I loved the plot of this film. I don’t know if I can speak highly enough of it. It has at least 6 moving parties in the film (even some bumbling idiots you wouldn’t expect to do much), and everyone gets in a whole lotta shenanigans by the end. It’s not very often you see such complicated plots like this with such a great amount of dialogue that is pulled off so well. Leave it to the British to do that.

Combine all this with a solid soundtrack, colorful references and

Let’s get it poppin’.

language and a dialect all its own, and you have a crime film that defines the late 1990’s (even into the 2000’s). I’m just sorry I hadn’t seen this earlier. It kicked my ass, and left me wanting to see some other crime flicks. Looks like Revolver and RocknRolla are up now on my list of things to watch. 8.8 out of 10.

The Great Happiness Space

In this documentary by Jake Clennell (a UK documentarian), the world of Ouran High School Host Club comes to life. In Osaka, Japan, the Cafe Rakkyo is a place for tired and worn down women to come and feel healed, emotionally and probably physically, by the male hosts. With lots of drinking and fake flirting, Clennell dives into the secrets and tips of being a Japanese male host.

For Jake Clennell’s first time doing a documentary, he does a great job. In a mere hour and fifteen minutes, he captures the host life through a

Not your average Ouran boys…

handful of interviews and first hand events. Centered around the owner of Cafe Rakkyo, Issei, who every girl loves and wants to be with. His animal magnetism comes from the way in which he tailors himself to what a girl wants. And what’s the endgame? Money.

This entire interview/documentary is about a human’s instability. Growing up into such a business mogul the way in which Issei did has sacrificed something. Even those who have come in fresh to the game (as one host did) notice something different about themselves. The hosts can’t escape the attraction to the girls (some say love, others say connection) but in the end there is a lot of focus on materialism. Fashion designer clothes, accessories, hairstyles, it’s all about selling themselves to entice women to come to their host club. They lose the excitement of falling in love with someone and lose senses of trust, commitment, and honesty.

Some cute Asian cuddling?

From someone who doesn’t know a thing about host clubs or anything other than from anime, it comes as a culture shock. To see men in a power and control of sexuality and a socialite position in quite in contrast to America. Here, women hold all the power when it comes to sex. We pay for their drinks, we are the ones that instinctively flock towards them in clubs and bars. Men actively seek women in this country. It is up to the women to say yes or no.

But, in the world of Japan, men are the ones in these types of clubs that dictate the tempo. Women pay for privacy and one on one time with them. Women buy the men drinks in order to loosen them up and make them more friendly towards them. These women spend

Just your average host selection bar…

thousands of dollars a visit in order to woo these men. A male host starting off can make $10,000 American dollars a month. How insane!

And then comes the issue of who comes to these host clubs. More often than not, they’re call girls/prostitutes who have just gotten off work. They come to relax and enjoy time away where they’re the ones being catered to. The Osaka district in Japan is drenched in sex. Male businessmen, young impressionable females, host club employees, it’s everywhere. And to see a place that encourages social interaction other than sex is something interesting and new.

The real message to take away.

In the end, as these boys emerge from their cavernous man-den, the come out drunkenly into the sunlight, falling over, hair a bit askew, wanting a good night’s rest. And they’ll be back in a few hours to do it all over again. Issei heads back to his apartment, speculating about his future life and if he’ll ever marry. But what this documentary has delved into is that this may not be the case for this host culture. A bunch of boys jaded by love and what it means to be faithful, who knows if they’ll ever find love. All I know is that this documentary was entertaining and complex, insightful and opened a whole new culture aspect to me (being interested in Japanese culture and all). If you like pretty Asian boys or just something that will make you more aware and intelligent on Japan, you need to check this out. It’s pretty deep. 7.2 out of 10.

Harry Potter & The Deathly Hallows: Parts 1 & 2

Wow, it’s been far too long since my last post! Been busy, but now coming back more furious than ever. (Not mad.) So first things first. Let’s start with the last of the Harry Potters. Didn’t catch the midnight showing, but watched the first part the day before and the second part only 3 days after its release (matinee in the middle of the day? Yes thanks.). I gotta say, I was semi-impressed. In totality, these movies do justice to the end of an era. But separately, it just seems as if they need to be combined. (Total of 4 hours of film in a row? It’ll just be Gods and Generals with magic.) It’s the final battle, and Harry has to take on the wizard of wizards, Voldemort. If you haven’t read the books, then I won’t spoil anything for you. But here it is.

Good old Harry Potter (Daniel Radcliffe) has to find the Horcruxes. These are items in which Voldemort

Harry, Ron, and Hermione vs...

stored his soul through the act of committing unspeakable evils (a.k.a. killing people). With one down (Dumbledore’s sacrificed hand to the “ring”) and another out there in the kid’s peripherals (a locket), the adventure is set. The Ministry of Magic,

...Voldemort & Crew

Gringott’s, the Malfoy’s house, and even Hogwarts, this movie goes everywhere. And as the books did, everything sums up and becomes clearer and connected. People have always had problems with the movies not lining up with the books, but come on, there’s no way all of the info and exact actions of the books can be portrayed, so some slack has to be given to Warner Bro.’s. But that’s besides the point.

The action is fantastic. No 3-D for me though, there’s really no point in any film being in 3-D. I would continue to rant about this, but the movie industry likes the money coming in from it and doesn’t care about the headaches and unrealistic way 3-D alters the films. Oh well. The magic duels were great

Just some of the movie magic from Part 2

and the carnage was really brought to a level not a lot of children’s books would go to in theaters, hence, the PG-13 rating. The effects, as usual for every movie, every year, are top notch. The locations are interesting and breathtaking. (I always picture any adventure film outside must be filmed in New Zealand since LOTR.) It feels almost as if every location were waiting for the characters to return to play their part.

These 3 have thankfully improved over the years.

The acting, thank God, has gotten better with every film. Daniel Radcliffe’s flighty and flinty acting has improved to an acceptable level, but I’m sure, in most fan’s mind’s eyes, Harry should’ve been different. (No offense, you did the best you could Daniel.) Ron (Rupert Grint) with his older age has improved and gone on to make other good films (two I would recommend would be Driving Lessons and Wild Target.). Hermione (Emma Watson), in addition to her beauty, has become a wonderful young actress (come on, I’m her age and I’ve grown up with her basically.) who I’m looking forward to seeing in other films now that the H.P.’s are over.

There’s still the supporting cast (in reality, senior acting class that really give the movies their class) that needs to be mentioned. Snape (Alan Rickman) gives a stirring performance in Part II that was tearful, heartfelt, and lovely. It completely redeems his misunderstood character over the years. Ralph Fiennes is as

Snape. You were the best.

fierce as ever as Voldemort, scary and unrelenting as he was meant to be. Helena Bonham Carter plays the deranged (yet sexy, well at least to me) Bellatrix Lestrange, Voldemort’s right hand woman and biggest fan. Jason Isaacs plays Lucius Malfoy. Although completely defeated and beaten by Voldemort and his failings, I respect Malfoy and his wife and child, Draco (Tom Felton) for their misunderstood compassion shown in the films that is taken for cowardice. Rhys Ifans plays Xenophilius Lovegood, Luna’s father, a smaller part but still important. One of my favorite characters, besides Sirius of course.

Neville Longbottom. Just as heroic as Harry.

And there’s the rest of the kids. I won’t go through all the great acting that the students of Hogwarts have given over the years, but it’s spectacular. Neville becomes the hero he always could have been, Dean has gone through some freak growth spurt, Seamus still blows shizz up, and Luna is as quirky as ever. The whole Weasley family is amazingly brilliant, the Hogwarts teaching staff has all come back for the fight and Hagrid is disappointingly left out for pretty much all of the movie.

I feel a sadness in me as the books of my childhood leave me. When I turned 11, for that birthday I went to see the first movie with my friends. From the beginning I was blown away. The books I was reading were coming to life on screen. I was growing up with Harry as a constant friend. They were all my friends I would return to read and see every year. I, like everyone else my age, wished we were wizards. (Or had crushes on Emma Watson.) We wished we had the adventures of Ron, Harry, and Hermione. And now that it’s over, now that Voldemort has been beaten for good, what is there left to do? Will J.K. Rowling write more on Harry and his children’s lives? Will she be a one trick pony? I hope not. I hope generations to come see Harry Potter and become as bewitched with it as we all did. In its entirety, Harry Potter and the Deathly Hallows deserves the 10 out of 10. (Separately, Part 1 – 8.8 out of 10, and Part II – 7 out of 10) This magical empire has come to an end, but its the books that will be read and movies seen that will live on forever. In all those Muggles who believe in magic.

Will it continue? What is the future of Harry Potter?