To be honest, I had no idea what this movie was going to be about when I first started it. I searched Netflix for movies starring Christian Bale and/or Ewan McGregor and
The perfect glamster couple. (Collette + Meyers)
found this little gem. (I think gem’s the right word to use for this movie in particular.) Not a strong runner in the money department, this movie has a star studded cast but boasts the time and effort of an independent film with a message to put across. I was perfectly okay with all the homosexuality as well. And trust me, there was a lot.
And it wasn’t even a gay vibe from the outfits.
This movie exudes glam and glitter more than any other film I’ve ever seen. In the same documentary/journalistic vein of Party Monster (review a few entries back), this movie handles the earlier era of Glam Rock (back in the 70’s). Knowing not much about glam rock other than David Bowie, it was interesting to see a character based on him. This movie performs as an homage to David Bowie and Iggy Pop, but with less of a focus on the drugs and more on the sex. I wasn’t expecting as much of a straight edge film, but this movie doesn’t leave out the Sex, Drugs, and Rock ‘n’ Roll.
And here’s something even weirder. I’m not that huge of a fan of glam rock. Sure, I have Gary Glitter’s Rock ‘n’ Roll Pt. II on my iPod, but that’s about as far as it goes. Oh, and this:
That’s the extent of my glam rock knowledge. But what surprised me about this film is how much I enjoyed the musical soundtrack of the film. The movie was right in informing me from the very beginning that I should turn up the volume on my T.V. I thoroughly enjoyed the songs of the 70’s, and had no idea how much I would enjoy glam rock. John Rhys Meyers and Ewan McGregor both lent their vocals to the soundtrack to give it a truer feel to the film, something I always
The fantastical outfits.
But let’s get into the story a little bit. Structured after what is considered by every film student as the greatest film of all time, Citizen Kane, this movie attempts to uncover the glittery veil on who Brian Slade (John Rhys Meyers) truly was. Arthur Stewart (Christian Bale) is a journalist and former glam enthusiast who has come full circle in what used to be his glory days. He has been charged with unearthing the truth on Slade/Persona known as Maxwell Demon. After he pulled a fake assassination stunt at one of his concerts, he fell from grace and landed in obscurity. Meanwhile, everyone around him give their opinion of what their lives were like with Brian Slade around.
The Glam-man Rises.
It’s interesting to see how involved Christian Bale’s character was with the glam scene and those who surrounded Brian Slade. In a world of blossoming bisexuality, all of the characters explore just what it means to be human through sexual interaction. At the same time that it could be discomforting to someone who is against abnormal sexual acts, this movie doesn’t play it up to more than it is, human interaction on a very base and carnal level. It is always amazing to see actors perform onscreen what they truly aren’t in real life. All three (Bale, Meyers, and McGregor) are straight men. They all simulate homosexual acts (kissing, suggestive thrusting, etc) on camera in front of what I would expect is a mixed morals cast and crew. When you slip into something you’re not and sell it, I give you props for that.
The costumes and personalities flair onscreen creating something pretty to look at as well as substance for a story about a form of music that swept both the U.K. and America. With this clash of countries (Ewan McGregor plays Curtis Wild, a glam rocker from Michigan) and love all over, this movie
Ewan McGregor, showin’ it all.
professes love and understanding, no matter what beliefs, morals, or nationality. I was impressed with John Rhys Meyers haunted acting (just as I was with Culkins in Party Monster) and everyone did their share. Christian Bale created a character conflicted with his sexual identity and his confused past, while Ewan staged an opposite character that embraced all life offers. It was a dazzling performance by everyone, including Toni Collette. Throw in Eddie Izzard to add some pizzazz and you have yourself a great cast of rockers.
A side you’ll never see of John Rhys Meyers.
And that’s what I loved about this movie. This isn’t your average film. Combining the worlds of musical and sexual liberation created something that an outsider like myself wouldn’t be able to acquire otherwise. The actors deliver superbly and the songs and colors create a fantastical cosmic journey you don’t want to end. If they couldn’t strung a series of glam rock music videos together, I wouldn’t have complained. So I say anyone looking for a change of pace to life should check out this film. It’s fab. 8.4 out of 10.
I am a huge fan of Matt Lucas and David Walliams’ hit British comedy, Little Britain. Their sketches and the characters/situations they create are groundbreaking and traditional all at once. They take the old British gag of dressing up as women and take it to the next level. They know no boundaries of race, religion, or moral. They will make you feel uncomfortable, all the while laughing at their zany antics.
And now, they bring you a new show. New characters, a new setting, but the same old tricks. It’s not necessarily overdone because we’ve seen
Taaj, keeping it fresh with the biatches.
the same style before, but they keep it fresh, just by being themselves. This time around, Matt Lucas and David Walliams are a variety of characters, all centered around an airport. In this mockumentary, entitled Come Fly With Me, Lucas and Walliams keep their fans happy with a brand new hilarious show.
Praise to the Lord they will not sue!
And what a show it is. With talking-head interviews supplementing situational comedy throughout the airport, Lucas and Walliams play over 30 characters in a feat I haven’t seen on Television comedies before. Every character feels unique and everyone can choose their own personal favorite. With the makeup being so well done, you may not even recognize Matt Lucas some of the times if you are just a casual watcher of the show.
But there is a problem people have with the program. They say it’s racist. And yes, I can admit to laughing hysterically every time Matt Lucas plays Precious, the coffee store worker. (It’s an inside joke about the name and personality, but it comes across as funny all the same.) Or, even the
All in a day’s work for Matt Lucas.
Japanese fangirls… But that’s not the point. I think this show proves that airports, despite racist characters like Ian Foot (Walliams), the airport head of security and customs, an airport is a place of a widening array of people. Unlike America, the “true” melting pot of all nationalities, an airport such as this one does have people from all over the world flying from all other places. It is a unifying experience, known simply as “flying”. Even Lucas and Walliams recognized that themselves when Moses (Walliams) approaches a Chinese man as the airport liason, and, saying, “Sprechen Sie Deutsch?”, he surprises himself with the Chinese man responding in German. And, despite all that, they show embraces and pokes fun at the homosexual community, Matt Lucas being a proud member of that group. So how could a show that pushes all the limits not go on doing so? Come on…
How much do you love Disney World?
Despite racist allegations and shots at the show’s ego in spite of being after Little Britain’s success, I’m damn proud of Lucas and Walliams getting back out there and doing more comedy. I missed them immensely and was just looking for another show to fill the hole in my comedic heart. This show did it (with the help of Snuff Box).
So set aside your politically correct mind for 6 episodes and sit back and relax and allow yourself to giggle at the occasional profanity or stereotype. I promise, when all’s said and done, you won’t be a
Get a load of that…
redneck. Or whatever you fear you may become. This show lightly grazes over a topic I didn’t know you could go over for 6 episodes for. Flying and airports. Hating the experience of flying itself, I felt this show handled a bunch of jokes that comedians have been pondering for years. “Why is airline food so bad…” And why is this show so good? 9.5 out of 10.