After a long semester of work, homework, and plain more work, I have come back to the world of review blogs. Thanks to those of you out there who come back to check and look forward to reading the inane and ridiculous things I say. And now it’s time for a little movie review. This one (that I watched wayyyyy back in August) is called Margin Call. Based on the events of the 2008 mortgage crisis, this independent film boasts a
Look at Spock and those well defined eyebrows.
star studded cast that focuses more on the characters and their interactions than it does on the action and big picture scheme. If you are looking for car chases and guns, look elsewhere. This movie gets its bite from the dialogue.
So Zachary Quinto (star of Heroes and that almost unrecognizable role as Spock) plays Peter Sullivan, a low level employee that sees the company he has been striving so hard for begin to unexplainably fall apart around him. His boss, Eric Dale (Stanley Tucci) is fired for no discernible reason, leaving Sullivan with a program he was working on that show what we have come to know as the great 2000’s recession (I just call it that… but not really). After some late night calculations, Sullivan finds that his company is really in a lot of deep feces. I’m talking mounds of excrement with no rain boots.
A role Spacey was born to play… A lot…
So a whole meeting is called as you see the chain of command called in to this banking company. It starts with Paul Bettany’s character (my favorite of the entire movie. He’s one of those unspoken characters that just gets it.) and works itself all the way up to Jeremy Irons as the company’s CEO. I was really surprised that for an independent film such as this that so many good actors would sign on, but for a role like this that portrays life in its true form, I’m not as surprised.
But could I even say anymore about the star studded cast? I already mentioned Quinto, Tucci, Irons, and Bettany. That’s solid right there. But throw in Kevin Spacey? Now we’re just getting American Beauty high class on this one. And he’s just as brutal as a upper class boss in this one as he was in Horrible Bosses. But he does have a heart, mind
A bit of that trading floor drama.
you. You got Simon Baker as the hardass playboy with an ego issue that wants to keep it all under wraps. Demi Moore as the manipulated female staff member. Her unsure performance keys right in to a cutthroat business that leaves no room for the timid. Throw in Aasif Mandvi (without any comedic relief, unfortunately) and you have your top billed cast right there.
And what’s more, there is some really great dialogue and monologues in this movie. First one that comes to my mind is the one done by Stanley Tucci towards the end of the movie. His reevaluation of his entire life up to the point he gets fired is true and heartfelt, even if he is approaching it from the way in which he helped out a town commute from West Virginia to Ohio over a bridge. Gotta give him his props for memorizing all those numbers. And basically any line out of Paul Bettany’s mouth just sounds like privileged few from New York’s best areas. His snarky attitude and calm assessment of the downfall of banks during the crisis was just spot on. You need characters like him in movies to really gain perspective on the overall plot.
A star studded cast of dramatic proportions.
Combine all of these great interactions with greatly portrayed characters and you have yourself a movie that is character-driven. But it’s not just that. How could a movie about the logistics of the mortgage crisis be so interesting? This movie barely talks in actual economical jargon. Well, there is some, but I was enraptured by the characters to notice too much. What this movie effectively does is put real human faces to the upper management devastated by this terrible crisis in our society, and help people realize that not everyone who later benefited from the liquidations and lay-offs were such terrible people. (Sure Jeremy Irons was, but look at Kevin Spacey in comparison. Perfect contrast.)
So I would encourage fans of John Grisham bo0k-to-movie remakes and real life drama films to check this one out. It’s not that well known, but it’s worth checking out if you’re not all about the comedy and action. Real intellectual shizz. Margin Call gets a 8.4 out of 10 from me. Get at me guys, I’m back into reviewing!
Bring it home, Tucci.
Leave a comment | tags: 2008 mortgage crisis, Aasif Mandvi, amazing monologues, American Beauty, banking company, based on real events, CEO, chain of command, character driven plot, computer program, cutthroat business, Demi Moore, downfall of the banks, economical jargon, ego issue, Eric Dale, femal staff member, firings, focus on characters, gains perspective, good actors, great interactions, greatly portrayed characters, hardass, heroes, Horrible Bosses, independent film, intellectually stimulating, Jeremy Irons, John Grisham, Kevin Spacey, late night calculations, lay-offs, liquidations, logistics, low level employee, Margin Call, movie review, New York, no comedic relief, Paul Bettany, perfect contrast, Peter Sullivan, playboy, portrays live truthfully, quick rapport, real human faces to business, real life dramas, recession, review blogging, Simon Baker, snarky attitude, Spock, Stanley Tucci, star studded cast, top billed cast, upper class boss, upper management, West Virigina to Ohio bridge, Zachary Quinto | posted in Movies
And this is where the Hellraiser series begins to fall flat. Bought by Miramax, an American company. Pinhead crosses the ocean and finds his feet on shaky ground in Hellraiser 3: Hell on Earth. Claiming that “Hell has come to Earth,” this installment enters the club scene of New York in the early 90’s. (Or some such city…) With Clive Barker becoming a co-producer and a basis for the series, this is where the Jenga tower gets wobbly.
In this part of the series, Kirsty is no longer involved. She did her duty to send back the Cenobites to Hell and gains a well deserved rest. It is now her testimony on a couple of psychiatric tapes that give clues to the new main female protagonist of the film. Pinhead has been rent in twain and his former self as Captian Elliott Spencer and his id as Pinhead (both Doug Bradley as classically usual) are about to throw down. It is up to young reporter Joey Summerskill (Terry Farrell) to reunite the two.
This really was the best scene though. Yay sacrilege!
Basic plot? Here goes. J.P. Monroe (Kevin Bernhardt) is a pimpin’ playa hatin’ psycho club owner of the aptly named Boiler Room. (This club was incidentally the most expensive aspect of the production and was filled with cast, crew, and friends.) In order to exude this strangely masochistic feel, J.P. gets his hands on the pillar of souls from the last movie, containing Pinhead’s veracious killing streak. After sucking in one of J.P.’s sluts, Pinhead emerges, asking for more souls to release him from his prison.
J.P.'s pimpin' Pillar of Souls!
Meanwhile, Joey Summerskill is on the case! Like a modern day Nancy Drew, Joey walks the bad streets of her newly formed beat, somehow stumbling on this supernatural case of torture. With the chance meeting of J.P.’s main squeeze Terri (Paula Marshall). Once they discover the secrets of the Lament Configuration, things get weird. Although, Joey has been having some strange Vietnam flashbacks of her father dying in Vietnam. I don’t know the time frame on this movie, but I really am not seein’ it.
The bastardized Cenobites pull Joey's hair!
With a whole new crew of Cenobites (because all the originals died in the last movie, but come back in the fourth for no reason…), these rip-off cyborgs must be stopped at all costs and Pinhead must be stopped from his sacrilegious ways. I wasn’t so sure about the ending, but hey, this movie was the weak link.
I dunno about this movie, it was just strange overall. After having so much fun watching the first two, the third kind of burnt me out on the series. What makes the next one even better is a little secret about the director (I can’t wait to tell you all!). With Clive Barker as a backseat driver in this series from this point on, it makes it hard knowing he is not the driving force behind what’s going on onscreen. The acting became worse, I cared less about the characters, and the only good thing that came out of this one in the series was a bit more development with Pinhead’s character. Leave it to an American company to make a great horror series lame (insert every Asian horror movie and its destruction when turned into an American remake).
With that in mind, I am not disappointed with the Hellraiser series overall. This one had a bit less gore and animatronics, but just a bit. The kill scenes became comedic, and the Cenobites were bastardized American versions of Chatterbox, Butterball, and The Female. With the amount of over the top gore in this movie, I felt short changed. It gets a bit better in Bloodline, but not a whole lot. Hopefully the stride will be regained in 6… But I gotta give Hell on Earth less than 1 or 2, it’s a saddening 3.8 out of 10.
I will survive.
2 Comments | tags: American company, Asian Horror Movies, bad acting, bad American remakes, bastardized, Bloodline, Butterball, Captain Elliott Spencer, Cenobites, Chatterbox, Clive Barker, club owner, club scene, co-producer, comedic, cyborgs, Doug Bradley, female protagonist, flashbacks, Hell, Hell has come to Earth, Hell on Earth, Hellraiser 3, Hellraiser III: Hell on Earth, Hellraiser series, Id, J.P. Monroe, Jenga tower, Joey Summerskill, Kevin Bernhardt, kill scenes, Kirsty, Lament Configuration, less gore, masochistic, Miramax, modern day, most expensive part of production, Nancy Drew, new Cenobites, New York, no animatronics, over the top, Paula Marshall, pillar of souls, Pinhead, psychiatric tapes, psychotic, puzzle box, reuinification, secret director, sluts, strange movie, supernatural, Terri, Terry Farrell, The Boiler Room, The Female, Vietnam, worse characters | posted in Movies
So I watched this my roommate recently and had a blast the whole time. I forgot how funny these movies could be. Chris Tucker, as the title of my blog suggests, really is the hilarious force behind this movie. Every line out of his mouth was perfectly delivered and left me literally laughing out loud. With the combination of Tucker’s black humor and Chan’s pretty much sick stunts, this movie makes out to be a pretty entertaining ride.
Chris Tucker and Jackie Chan become this super-cop duo of Det. Carter and Det. Lee in their search for the ambassador from China’s daughter. She has been kidnapped by Juntao (Tom Wilkinson) and she is being ransomed at a hefty price. Although Lee and Carter bungle up the drops every once in a while, they get the job done in the end and save the day. Pretty simple construct.
Most of the humor in this movie comes from the culture shock that both Lee and Carter face when they’re forced together. There’s this hilarious scene in which Lee confuses Carter’s greetings as something that he’s allowed to say, and Lee must use his badass moves to quell the situation. But enough about Jackie Chan as the Chinese version of Arnold Schwarzenegger. Chris Tucker is where it’s at. Every line out of his mouth is either a slap against Lee and his ethnicity or something witty said in such a stereotyped way that you can’t help but laugh at it. There’s something about Tucker’s appearance and high, tinny voice that forces me not to take him seriously.
There’s not much to say cinematographically about the film, or even acting wise. Brett Ratner does a great job in directing all three of the Rush Hours and the acting, from mostly “A” to “B” grade actors is on par or better. The one thing I do like about this movie is the cameo appearance of Chris Penn, one of the Penn brothers who I always enjoy seeing. Back to Ratner though, I will say this about him. Any guy that can go from Rush Hour to Red Dragon to X-men, I find to be pretty darn impressive. The guy who wrote the story for the movie Ross LaManna is great. Great stuff he thinks up. Oh, and I almost
Ken Leung. Badass.
forget to mention, Ken Leung is in this movie! Can anybody say Sang from Saw?!?!? YES.
I just thought, “Hey, I like this movie.” Not my ultimate favorite, but let’s review it. It’s worth a laugh and it’s great seeing Jackie Chan at the pique of his prime. (He’s getting older now and The Forbidden Kingdom was kinda sad. I mean, yes, Jackie Chan, Jet Li. Awesome. But no to the story/white kid.) All three are great and I really can’t choose my favorite. But check back in to The Abyss and you might find the others reviewed later so you can decide for yourself. 6 out of 10.
By the way, it’s been suggested that I do a top 10 favorite anime/T.V./Movies/Video Games/Books/Whathaveyou, and I think this is a great idea. If anyone would like to comment (Please) and suggest genres or things I should review, please let me know. I’m up for everything and as you know, The Abyss encompasses Everything.
Leave a comment | tags: black humor, Brett Ratner, China, Chinese version of Arnold Schwarzenegger, Chris Penn, Chris Tucker, culture shock, Detective Carter, Detective Lee, genres, hilarious force, hilarity ensues, Jackie Chan, Jackie Chan at his pique, Jet Li, Junato, Ken Leung, kidnapping, New York, Penn brothers, ransom, Red Dragon, Ross LaManna, Rush Hour, Rush Hour series, Sang, Saw, sick stunts, stereotypical, The Abyss, The Forbidden Kingdom, things to review, Tom Wilkinson, Top 10 favorites, X-men | posted in Movies