And now I begin the journey of slobbering and raving all over The Matrix series. You know those experiences in movies when, after it’s all over, you want to believe what you saw is real? I had that. And the insane desire to practice martial arts moves. I can say with pure conviction that this movie was the exact point where I defined
That’s a stunner right there.
myself as a person. My love for action/martial arts films started here. My love for metal also started here. With how I’m saying this was such a definitive movie in my life, how can it not be considered amazing and a game changer?
For those who don’t know what The Matrix as a movie/concept is, I’m not gonna reveal too much, but I’m going to talk about this movie at great length. So sit back, relax, and be ready to jump into that rabbit hole.
The Matrix is the story of Neo (Keanu Reeves), a computer hacker by night and a computer programmer by day. The duality between his life is cleverly dictated by colors and clothing as well as surroundings. On a constant search for Morpheus (Laurence Fishburne), Neo must steer two lives as Mr. Anderson and Neo in order to bring some semblance to his life. But he discovers something he may not have expected. In a chance encounter with Trinity (Carrie-Anne Moss), Neo realizes the truth about the turn of the century world we live in even as we speak.
In a world so heavily controlled by technology and computers, it isn’t any wonder that a film with complete computer
Black is back.
dependence would be created. It adds an element of mystery to it when the creators of the film, the Wachowski Brothers, are really not well known at all. Wanting to keep their own privacy, it seems as if these brothers know something about the world they’re not supposed to tell…
He is the one. (How many times have you seen this homaged in movies?
I truly love all the influences that the Wachowski Brothers drew on in order to make this movie. Anime style world and immersion, sci-fi concepts and futuristic ideas of control and advancement, Kung Fu fight scenes, even turn of the century CG effects and camera techniques. This movie, in 1999, was the true game changer when it came to creating a whole new era of cinematography and special effects through computer graphics. This movie was well thought out in all aspects and stands as one of the last true bastions of original thought in cinema. Stand aside Inception, you took your “original” ideas from The Matrix. (The whole time I was sitting in the theater at Inception, I thought hmmm, this seems familiar… A dream within a dream? More like, are we within the Matrix?)
She wrecks pretty hard in this one.
Some people criticize the first film for creating this amazing start to a story with original story and unconventional means of explanation. Then the second half of the film deals with guns and fighting, turning into a traditional action film. That is EXACTLY what I wanted from this film. I am a sucker for great fight scenes and lots of blood and carnage. This movie made me think at the same time that it delivered in a visually stunning way. When you can cross genres like this film did, you know you created something unique.
Add to wonderful things about this film: acting. You got a great cast that each person has done a handful of works, but not that well known. You got Laurence Fishburne, a man who will always been seen as
The greatest fight scene of all time.
Morpheus. His ability to act as sensei and grandmaster of knowledge and leadership shines in this film. Joe Pantoliano as Cypher. He did some work before this, but I felt this was a springboard for a lot of actors to get bigger and better work heading into the 2000’s. His “cheesy action lines” felt well delivered, as did every line in this film. This is one of those movies in which every line feels original, as if Neo is awaking to a world where everything is new and fresh. That’s excellent. Carrie-Anne Moss is the sexy, badass, femme-fatale chick who rocks the short haircut and kicks in bullet time. I had no idea who she was, but this movie made me aware a woman can be just as cold and calculated in a film like this. Cue every other female hero in a movie after this one.
A world gone wrong.
And then we come to Keanu Reeves as Neo. People complain he didn’t do well. People make fun of Keanu Reeves in general as always playing that dumbass Ted from the Bill & Ted movies. I would say he lost the surfer accent in this movie and really took the reins. His character dictates the film and discovers himself throughout the series, regardless if anyone thinks Keanu is a good actor. Here’s the thing though. Could you imagine anyone else in the role of Neo? Will Smith turned it down because he felt he wasn’t mature enough of an actor to do the role. And Nic Cage was offered the role. As amazing of a movie as that would’ve been, it wouldn’t have been as good. I think the Wachowski Brothers made the best choice possible. Of anyone.
So you got the great acting, the amazing cinematography and effects, and an amazing storyline. What more could you need? ENTER THE AMAZING SOUNDTRACK. Don Davis absolutely
Mind bending with Aang. (Am I right?)
created the best score possible to set the tone for this movie. An amazing brass section to create revelation moments throughout the film, making the jumps and feats seem that much more badass. Quick trills and a pounding bassline when needed just to make you wish you were onscreen, in the Matrix, doing what Neo is doing. When a soundtrack, not even the songs used, can pump you up that much, that is an award winning musical score.
And then there’s the songs from the film. Marilyn Manson, Rob Zombie, Deftones, Rage Against the Machine… Talk about all the 1990’s greats that have exploded into the 2000’s. This movie made “Calm like a Bomb” at the end feel like the only song anyone could ever
I’m calm like a bomb.
end a film with. So kick ass. When I heard those ending credits roll, I knew what kind of music would define my life for the rest of it. Superb.
So combine all these outrageously amazing aspects into one film and create a series out of it? You have me hooked for life. I would consider this in the top three movie trilogies of all time, probably #1 of all time. Nothing gets better than this if you love movies. No question. 10 out of 10. Check it out to see just how deep the rabbit hole goes (I also love Alice in Wonderland. Go figure.)
Let me start this off with a short video that I watch at least one time a day to calm the nerves:
If you watch Deadfall, a couple of scenes from one of his best performances from that Youtube compilation will start to look familiar. And that’s all you’ll really remember about this film.
And that is exactly what makes this film remarkable. Nicholas Cage’s performance, with his strange wig hair and dark sunglasses and matching mustache, is so over the top you can’t believe it actually made it into the film. What did the director ask him to do? There are times when he stumblingly mumbles over half the lines. Others, he’s had to dub over the original audio because it was so incoherent. Did they allow the great Nic Cage to do what he wanted during this film, most likely drunk and living it up? I hope so.
Everything else about this movie is so basic. Joe Donan (Michael Biehn, the man I will always remember from The Abyss as Lt. Coffey) is a con artist who accidentally shot his dad, Mike Donan (James Coburn) in a con. With his father’s last dying wish, Joe
The legendary Nic Cage.
travels to his father’s brother’s place and finds himself in a whole new world of cons and deceit. Nicholas Cage is actually only in the middle third of the film, but his performance as Eddie is unforgettable.
And would you believe it that there are two other good actors in this film? Leave it to Francis Ford Coppola’s nephew and Nicholas Cage’s brother, Chris Coppola to utilize his connections. There’s Peter Fonda as, get this, Pete. He’s only in it for about two scenes, but he makes more of an impression than a lot of the other actors in this film. And, in my favorite performance of the entire film, is Charlie Sheen. Playing the smooth pool player, Sheen dazzles onscreen with intelligent lines, a cool attitude, and a suave look. He actually plays a realistic looking conman, unlike EVERYONE ELSE. For shame…
That woman was in it, but I didn’t care.
With unremarkable acting from a very minimal script, I’m sure it was hard to ever make this into a B-rated movie. It clings onto a solid C if anything, and wishes it could rise. You know what brings it out of the dregs of all those other movies you were never meant to see? NICHOLAS CAGE. This man is a legend. He can take any average college film and turn it into something you should see before you die. That man is King Midas. This movie became gold when he graced it for 45 minutes. After he leaves the silver screen (if it ever made it to that), it all goes downhill. There’s some creepy German doctor from The Human Centipede with a scissor hand for God sakes! That was less entertaining than one scene of Nic Cage ripping it up. Damn it, all movies need to have Nic Cage in it at all times. He should’ve been the star (no offense, Biehn. Wasn’t your best.)!
So watch this for the Cage. Ignore all else. By all means, stop watching after his unfortunate end. It’ll be worth it. Trust me. Deadfall as a whole, 3.1 out of 10. Nic Cage’s performance? 10 out of 10.
In this culmination of the Iron Man, Thor, Captain America, and Hulk series of movies comes The Avenger’s movie, produced by Marvel and Disney Studios. Okay, let’s be realistic about how much I know or care about the Marvel series and any of its connected works. There’s very little. I never really read comic books when I was younger, other than Ghost Rider and Spawn. I always had a thing for the darker characters and (other than Ghost Rider) not a lot of Marvel characters caught my interest that much. So I was apathetic as to the plight of the superheroes in this movie. Didn’t mean I wasn’t converted into a huge fan in less than 2 hours. This movie alone makes me wanna go back and watch all the others, just to know what went down.
Now it’s not that I’m completely ignorant of the superhero world. I love Batman (not so much these latest installments that showcase Christopher Nolan as the be all end all of Batman with his same cast from every movie that he loves so much)
Lookin’ good there, Evans.
and Spiderman (again, why are they making another one in less than 5 years of the last one? Yes, it may be “more true” to a comic, but Sam Raimi doesn’t need to be spit in the face. My favorite director doesn’t need to be shown up for no damn reason.) and Ghost Rider (we don’t need to get into the whole Nicholas Cage issue, just read my blog on the second movie). I followed the Blade films and even checked out a Hulk or two. I was a kid once, and cartoons are all about superheroes.
The Hulk. Become a fan.
Which, I find, comes at a fault. To realistically shape and morph comic superheroes into people and set them in a different medium is a bit weird to me. You got these groups of superheroes coming together and nobody finds it odd or strange in a modern society that all of this is coming up out of sci-fi fantasy make believe. To depict these dark characters for what is considered to be something that children collect and watch and slap a PG-13 rating on it so the younger kids who like this stuff can’t see it? It seems strange to me. If my little 5 year old cousin can’t see The Avengers and he loves Iron Man, what kind of a situation is that? Yes, there are those comics geared towards an older audience, but you’re still appealing to something meant for those who are younger. Just something to think about.
Enough of my rant about the paradox that is comics and comic book movies. The Avengers is a particular story that has been in the making for a while now. All of these movies were put out in anticipation of one film that would unite all these superheroes in a huge clash of good versus evil. I can tell you though, I have
Some egos clash right here.
no idea who the bad guys were or what their purpose was in coming to Earth other than to destroy it. Nothing gained, a planet destroyed I guess. But you bring together all these clashing egos and you have yourself a more dynamic and interesting squad than the Justice League or any other huge star superhero teams out there.
Go on and use those “superpowers” guys…
Meanwhile, at some underground base that S.H.I.E.L.D. runs…
Nick Fury (Samuel L. Jackson) has heard some terrible news about this source of power/reactor thing that is going to change the world, known as the Tesseract. Talk about throwbacks to Madeline L’Engle and A Wrinkle in Time. Loki (Tom Hiddelston) transports from this sinister looking purple planet and steals away Hawkeye (Jeremy Renner) and this scientist, Erik Selvig (Stellen Skarsgard). They plan to use the Tesseract for some nefarious deeds, and take down Thor and all the other superheroes who have done them wrong. Loki has a score to settle with his brother and he is seeking revenge through some freaky deaky alien people.
So Nick Fury decides its time to assemble the team. He gets Captain America (Chris Evans) who was frozen in some ice in the ocean from way back when. There’s Tony Stark, AKA Iron Man (Robert Downey Jr.) who has been working on some new energy sources and Hulk (Mark Ruffalo) who has been helping sick Indian children before he’s picked up by Black Widow (Scarlett Johansson). Rounding out the team is Thor (Chris Hemsworth), come to find his brother and stop him. With these ultimate superheroes (and those like Black Widow and Hawkeye who really aren’t anything special thrown in) comes ego clashing, fights on an epic scale, and one of the coolest final battles shot in Cleveland and made to look like NYC that you’ll ever see.
Looks like Cleveland to me…
I didn’t have a lot of problems with this film. Overall, it set out what it wanted to do, entertain and tell the story of the Avengers, and make as much money as possible off of the series. I mean, a BILLION DOLLARS?!?! That’s pretty redonkulous. The dialogue wasn’t too bad and cheesy like a stuffed Ritz or anything, although Samuel L. Jackson got the short end of the stick in this movie. He was really bad in comparison to everyone else. He came off as incompetent and not a hardass at all. For shame Samuel L., for shame. I really enjoyed Mark Ruffalo’s acting in this movie as The Hulk. He was witty and laid back enough to believe that he was truly holding back a beast. And when he finally let out all that anger, I instantly became a Hulk fan. On the spot when he punched that alien dirigible thing in the face.
Thanks for this one Joss Whedon. Not so much Nick Fury over there…
There were some stunning visual effects in the film and some free flowing action. Unlike other movies that have a lot of cheesy comedy for the fans, this movie was far different than those. This movie has some good humor for a bit of an older audience. And every character has their own comedic scene. This movie is a pretty good balance of comedy, violence, and full throttle action. At no point in the film was I bored, and that’s a good achievement for a 2+ hour film. And a setup for a sequel? I wouldn’t mind that at all. If it’s still in theaters (and at the time of posting, it is) go check this out. It’s got a good range for a film that a lot people will find fun and exciting. So suit up and join The Avengers, it’s a cinematic ride you don’t wanna miss. A solid 8.5 out of 10, perfectly good action/superhero movie.
I was pleasantly surprised by this film I had never heard anything about. The second I saw Edward Norton playing twins, my mind jumped to Nicholas Cage in Adaptation. And I love that film because of him and everything about it. So I got a little bit excited once I saw both of them interacting together onscreen. A film that centers around the lifestyle of weed and academia, I know one half of. But that didn’t detract from my enjoyment of the film. It enhanced it with how intelligently represented both sides are.
I think it was best said by whoever put it on Wikipedia when they said this film has everything of the great tragedies. Mistaken identity, betrayal, violence, loss, and all that good shizz. I was hooked the second Ed Norton stepped on camera as his
Two brothers, one person.
intelligent half, Bill Kincaid. He gives such a convincing performance as the well-to-do, goody-goody brother of the family that went off to college to become a thinker. And that scene is completely contrasted by his portrayal as Brady Kincaid, the equally intelligent marijuana grower. Both sides have an intelligent way of speaking (despite the Oklahoma “Southern” accent) and it comes off as very entertaining to hear their rapport.
A great little cast.
So the movie’s about Bill and Brady, the Kincaid twins. One has aspirations of Harvard and the other aspirations of a lucrative weed business. They parted ways long ago after differences in family experience and got on fine. But things haven’t been going so well for Brady. Brady tricks Bill into flying out by faking his own death and meeting up with Brady’s associate, Rick Bolger (Tim Blake Nelson). After everything gets figured out, Bill finds out that Blake needs him to pose as himself while he goes out on some business. All he has to do is visit their mother, Daisy (Susan Sarandon) and everything will be fine. But, of course, that’s not how things turn out.
There’s a great quality of culture clash in this movie when North meets South, East meets West. Although both characters started out in the OK, they have drifted apart and need to reconnect. There’s a great subtle love/seducing interest between Bill and a small town girl, Janet (Keri Russell). She noodles and ropes them broncos and all that shit, and its strange for Bill to find a girl just as knowledgeable when it comes to poetry. There’s a clash between the greater Christian community and the Jews in this movie as well. Big props for Richard Dreyfuss pulling off the kinky role of Jewish mob boss in this film. And never forget about the little guy, a great job by John Pais.
What a great Jewish badass.
People had a problem with the move from the comedic to the dark and tragic, but it didn’t bother me as much. Moving from quirky to murky isn’t as hard as people take it to be in films. This movie leans in that direction from the beginning with the drug running and gang violence and can’t end well because movies have to have that element of loss or gain. If Bill came down and visited his mother and nothing bad happened and things went off without a hitch, this movie would be about 45 minutes shorter. So I give the benefit of the doubt to this film for tiptoeing around that issue.
I was pleasantly surprised how well Tim Blake Nelson directed and wrote this movie, as well as starred in. He pulled off the trifecta well and made a compelling story all at once. From only knowing him as
That’s some great work you’re doing there, Mr. Pendanski.
Mr. Pendanski in Holes, he made one hell of a movie. There’s not a lot of focus on the life Bill had (obviously this movie is meant to change him towards family) and it’s a lot about going back to your roots. I thought Edward Norton did an amazing job in both roles and made me think (if I didn’t know it was Edward Norton) that it was two different people. Let’s jump back 50 years when filming two people at once was more of an amazing thing and blow some minds. Maybe roll up a joint (this movie is really not about weed at all…) and enjoy some Leaves of Grass. Its limited release and Sundance Premier really secured this as a not well known good movie. I’ll give it a 7.7 out of 10.
The second I saw this trailer in theaters and Ghost Rider is pissing fire, I lost my mind. First, I am a huge Nicholas Cage fan and love all of his work, good or bad. Second, I am a huge fan of the Ghost Rider comics. And this movie came up just at the right time. The first one didn’t do it for me. It gave me a small taste of the Ghost Rider I’m familiar with from the comics, but wasn’t true enough. This one, thankfully, redeemed that for me a bit.
In this installment of what I hope turns into a yearly thing, Ghost Rider is back. With a vengeance. Etc., etc., etc. And this time, Johnny Blaze is trying to hold back his powers. Knowing that, if he unleashes them, The Rider will kill those he loves and hates, Blaze must hold back the demon. This works for a time but soon, his powers are needed to save the world.
Nic Cage is back, with a more badass bike.
At the start of this film, in a nondescript location, Moreau (Idris Elba) is a drunken vigilante priest set out to warn a castle full of monks that they are no longer safe and cannot protect a young boy named Danny (Fergus Riordan) who is said to have the Devil within him. He must be kept from evil before the day of reckoning, and, of course, that’s not gonna happen. A swat-like takedown ensues and Danny and his mother Nadya (Violante Placido) are forced to leave the safety of the castle. Moreau performs a dastardly move and protects Nadya and Danny for a while.
Meanwhile, after Moreau escapes from his lofty predicament, he seeks out the help of Johnny Blaze, The Ghost Rider (Nicholas Cage). Confining himself to a shed in the middle of Europe somewhere, Blaze vows never to allow his powers to be used again. When told of Danny’s situation and the promise that Moreau can help remove his powers, Blaze agrees to let The Rider out one more time.
Nadya and Danny are on the run from Ray Carrigan (Johnny Whitworth), a no good gun runner and overall punk who is in league with Rourke, The Devil (Ciaran Hinds). He is successful in kidnapping him a number of times and it is up to Moreau, Nadya and Blaze to save him before it’s too late.
How is this drunk man driving?
I was more impressed with this movie more than the other one. Scott M. Gimple, Seth Hoffman, and David S. Goyer wrote a better script/plot that allowed for more elements of The Ghost Rider universe to enter. Johnny Blaze’s conflicted feelings come into effect in this movie. Although Peter Fonda didn’t come back for Mephistopheles (The Devil), Rourke was a poor substitute. Hinds’ decrepit body was no appeal for a diabolical devil. Blackout was a good addition to the series, although the decaying thing isn’t really a part of it, and Blackout is more a factor in the Danny Ketch/Ghost Rider series. Including Danny as a suggestion for the continuation for the Marvel Knight’s Ghost Rider was exciting, but that Fergus kid was a strange one.
Good old Johnny Whitworth is back!
The writers got most of the powers right, and even added a new one. Leaving out the Penance Stare was a bit disappointing and I really enjoyed that in the last film. But what was cool about this one was the ability for The Rider to create any vehicle into a Hellfire machine. I know it’s not true to the comics, but the CG suggestion of it was pretty badass. What they should have brought in was The Rider’s shotgun which projects hellfire. That’s what I’m talkin’ about.
I think where most people got hung up on this movie was Nic Cage’s performance. His performance comes off as over the top manic, and, if he had toned it down, things may have gone over better. His age is also a factor in the movies. A much younger Johnny Blaze probably would’ve been better. And the “Cage stigma” on the film probably stigmatizes the whole thing, but hey, as least it was a more truthful approach to Ghost Rider.
A little bit of the Nic Cage madness.
Other than the Cage’s acting, I was impressed with Idris Elba’s performance in this movie. This English actor badass from the 5th season of The Office as Charles Miner and his hit/award winning show Luther, his acting really attempted to tie down the movie in a more dramatic superhero style. Violante Placido wasn’t bad, although hard to pinpoint where she was coming from in this movie. The most exciting part for me in this movie was the return of Johnny Whitworth to my knowledge in the film world. After having not seen him since The Rainmaker, I was happy to see his good lookin’ mug again. And Ciaran Hinds just came across as some decrepit pedophile, no thanks to a strangeness in his character’s lines.
Get a taste of them comics, G.R. fans.
Other than that, I’m glad that The Rider returned. And Nicholas Cage thought, “Hey, I’ll reprise the role and give the people a show.” With a darker outlook on the Ghost Rider series, I really appreciated this one more than the other. And hope for more. Much more. This Ghost Rider gets a 7.5 out of 10.
In the same vein as Black Death and watched only a few nights afterwards, I came to the realization as to why this movie didn’t work for me. It’s not Nic Cage or Ron Pearlman. It’s not the lackluster accents put on by the cast. It’s not the Rock ‘n’ Roll ahead approach to the plot. It’s the fact that I didn’t feel that any of these actors were ever meant to or destined to star in period pieces. As in Black Death, Sean Bean was specifically bred and born to play the role of a Medieval knight. In Nic Cage’s case, I’m not at all positive. Sure, Ron Pearlman has wielded a sword in In the Name of a King (come to think of it, even Jason Statham can’t play an English peasant…) but Pearlman’s body size is really only perfect for Hellboy and Blade II.
And, in this manner, I was removed from fully immersing myself and enjoying the plot presented in Season of the Witch. (Original title idea for Scorsese’s
Do you believe this wench to be a witch?
Mean Streets.) I had to watch this though. My goal in life is to watch the entire career of Nicholas Cage in full. All the way from Fast Times at Ridgemont High down to Ghost Rider 5 (I hope…). I’ll take all the good (The Cage Renaissance) all the way down to his money problems (National Treasure and onwards… for now…). Seeing as this Medieval film really fits this quota, let’s dissect it.
Nic Cage and his flowing locks of sultry power.
So Behmen (Nicholas Cage) and Felson (Ron Pearlman) are two ex-crusaders. And to say that, I mean that after many wars, these two decided all the killing wasn’t worth it anymore. And I gotta say, some pretty pimp-ass helmets as well. They look like cauldrons. Whatever floats your boat. So these two ruffians hustle it back to Germany just in time to find that the Black Plague has hit Europe. (Actually accurate that a lot of Crusaders missed that bit in history.) Discovered in some barn area that they are wanted by the Church, these two duel for a quick second and then are whisked off to meet with Cardinal D’Ambroise (Christopher Lee).
Haggard as ever and possessed by the plague, the Cardinal orders these two men to escort a suspected witch to a hidden monk’s shindig house in order to LIFT THE ENTIRE CURSE OF THE BLACK PLAGUE. All because of one girl?
Unlikely… But that’s beside the point. So the two agree to avoid jail/death, and they assemble their Super Squad. First up we got Debelzeq (Stephen Campbell Moore). This is pronounced De-ball-sack. Unfortunate, but an actual name. One of the more believable period piece actors, Moore brings a bit of the clergy to the screen. There’s Eckhart (Ulrich Thomsen), the soft-spoken man with a heart of gold. He obviously can’t last. And there’s Hagamar the thief (Stephen Graham). He’s really not worth mentioning.
Robert Sheehan, the last bastion of hope in this film.
And then there’s the star of the show. Young altar boy turned knight, Kay von Wollenbarth (Robert Sheehan). This new up and coming actor stars in one of my favorite shows in the U.K., Misfits. This show (which will be reviewed soon) is a wonderful breakout role for Sheehan, and he has proved his mettle since then in Killing Bono and Red Riding. He’s really not given a chance to shine in this film with the limited script, but you’d barely recognize him. If only his Irish accent could flow from those lips in every film.
So, on this whirlwind roller coaster adventure, in every twist and turn, lives are at stake. Is Anna (Claire Foy) truly a witch? Or something more? Will Behmen and Felson survive? Only watching this movie from start to finish in hopefully one sitting will tell…
There’s really not much to say about anything else in this film, so I’ll summarize. The acting is a period piece, without a sense of the period. English accents failed to veil whatever was going on at the time. If those were even accents… I love the Cage, but when you want some Cage action, you expect a bit better from him. This one was toned down and I commend him for that action, but some more terror and mania was necessary. This supernatural film came across as realistic at first, and moved towards the CGI graphics and buffoonery towards the end. It seemed as if the movie was going in two different directions from start to finish. I don’t blame the actors or what was attempted onscreen, I would say the flaws started from the writing/pre-production phase. So, cast and crew of Season of the Witch, you gave it your all, but you let Nicholas Cage down. And for that, the Cage vehicle of dastardly deeds gets a measly 3.3 out of 10.
This haggardly crew must fight the witch in this touching film of evil.