Tag Archives: no limits

Berry & Fulcher’s Snuff Box

You wanna talk about dark and strange to the point of comedy? This show encompasses that idea. Seeing the faces of Matt Berry and Rich Fulcher once again warmed my heart to the sound of “Holy Shitnuts!” and Berry’s sultry pickup lines. I’m glad these two met through Noel Fielding and Julian Barratt’s The Mighty Boosh, because who knew such bizarre comedy could be made! Add some rap song about babies and Matt Berry’s whimsical singing voice and you have a campy comedy about Hangmen.

But it’s far more than that. Using their own names as the personas for their characters, Rich Fulcher and Matt Berry deliver skit after skit that may seem unrelated, and usually is. Berry wants his women and his silver cowboy boots, while Fulcher just wants Matt’s approval (and maybe some women). They both cavort around in a one room brothel/tavern occupied by cantankerous old farts, saying what they want, even traveling back in time. There’s no limits to their

The strange men who are Matt Berry and Rich Fulcher.

brashness and I loved all 6 episodes.

Looks quite old for a show from 2006…

If you liked The Mighty Boosh (and I have a blog on it from way back when) then you will most likely like this show. But it’s not a given. This show has some differences. Matt Berry and Rich Fulcher, although outrageous, have hits and misses in their show. For some people who like references in their comedy to draw from, this show has about a 20-80 ratio of referential comedy. It features no big Brit comedians, other than the occasional pop-up from Richard Ayoade from The IT Crowd and the Shaman from Boosh.

A coffee… For those awkward moments of Snuff Box.

But what I can’t get over is how bizarre this show actually is. Most sketches have nothing to do with what’s going on, and, like Little Britain, this show returns to sketches that may or may not have

Leave it to an American to make love to a lollipop…

worked out in previous episodes. It’s rather alarming to see the amount of progress made throughout this six episode series from start to finish. But if you are fans of Rich Fulcher and Matt Berry, this show will work for you.

It really worked for me.

There’s really not that much to say about this show. It’s one of those see it to believe it kind of deals. And there really isn’t anyway to describe it. So just check it out. It’s Brit comedy to the extreme of strange, the edge of darkness. It is, in a word, wonderful. 7.7 out of 10.

But really, leave it to an American on British Television to do things like this. Unbelievably witty.

 

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The Dictator: An Actual Plot from Sacha Baron Cohen

I would say I’ve been a pretty big supporter and follower of Sacha Baron Cohen since his Ali G Show days. I loved all his characters when I watched it on HBO and to see them grow into full length movie characters is wonderful. Borat was a wonderful undercover comedy film. Then he followed that up with Bruno, my favorite of his alternate egos. And then, from all this talk about Hussein, Kim Jong-Il, and Gaddafi comes Admiral General Hafez Aladeen. His ability to focus in on one idea that plagues people’s prejudices and preconceived notions on the world around them is spot on as usual. But this one comes with a twist.

Aladeen (Cohen) is a dictator from the North of Africa. In the sweltering heat and tossing sands (a la Hussein), Aladeen lives his life as dictator in luxury. His WMD’s are coming

Aladeen and his majestic hawk, in luxury.

along, he has an all female amazonian entourage and guard, and his palace is so gigantic and wonderful, especially with his fleet of golden Hummers. He’s had sex with everyone (including the great Schwarzenegger. Megan Fox makes an appearance. I wasn’t surprised.) and he is an unforgiving ruler. He sends so many people to death that it’s expected.

As I expected Megan Fox to be in a situation like this…

And then, with the U.N. meeting in NYC looming, Aladeen is kidnapped and tortured. Clayton (John C. Reilly) is a forgiving CIA operative and lets Aladeen off with a shaven face (and then he accidentally burns to death). Stuck in America with only his wits and nobody who believes he’s the real thing, Aladeen’s uncle Tamir (Ben Kingsley) is planning on making Wadiya into a democratic country with the ability to sell their oil. Aladeen must stop them and keep Wadiya a dictatorship. This is the only time you’ll see a dictator as the hero/protagonist (unless you’re watching a film in their country, then probably you will).

This movie is full of a bunch of funny satirized stereotypes and Middle Eastern humor. As usual, Cohen self deprecatingly attacks his Jewish heritage once again. The Chinese law of one child per family is attacked with the baby birthing scene (as seen in the trailer) and masturbation has never been so patriotic. Sacha Baron Cohen is rather tame in this film in

The Man.

comparison to others, only one or two penises on screen and a handful of sexual references (unless you mention the Saw like birthing canal scene).

I really hoped this happened on the streets of NYC.

There’s a great supporting cast of cultural ecclesiastics  in this film. There’s Ben Kingsley, using his darker complexion to play a Middle Eastern man in this film. I’m always surprised when he pops up in comedies. Jason Mantzoukas plays Nadal, the weapons expert and friend to Aladeen in this movie. This man of Greek descent has been doing comedies for a while now and this is just another one. Bobby Lee rears his freaky head in this movie as a U.N. representative who can get a B.J. from whatever celebrity he wants (insert Ed Norton cameo here). His outrageous nature is made for this movie, and that dude will do anything to strip down into a thong. And one of my favorite appearances was Adeel Akhtar as one of Aladeen’s posse, Maroush. Throw in Fred Armisen and the revitalization of Anna Faris’s career as the love interest hippy, Zoe, and you got yourself a satirical comedy.

The best scene.

I really don’t think there’s anywhere that Sacha Baron Cohen won’t go. His terrorist attack scene in the tours helicopter is hilarious. Ironically, he and Jason Mantzoukas are speaking Hebrew. This points out the fact that a lot of languages, although all different may sound similar to an American audience. And all the iconic songs that he turned into an Aladeen medley! Everybody Hurts, 9 to 5, Let’s Get it On, how much that the way the songs were sung alone made me laugh! Cohen even goes to a black man’s funeral in order to procure a beard from a severed head that reappears constantly in the movie. With no bounds and no forgiveness, Sacha Baron Cohen delivers on all cylinders. 8.1 out of 10.