Tag Archives: Nu Metal

The Matrix: Reloaded

Okay, let’s think about this logically. I was just reading up (and I’ve been told) that The Matrix: Reloaded is considered a flop of a sequel. The first one set up such a good plot that the second detracted from that and focused solely on action. In essence, a stupid man’s film about boobs, guns, and fighting. Let’s rethink this, shall we? People always say that the

An all-star, stunner cast.

second film in a series flops in comparison to the first. But let’s think about a few trilogies followed the same principle.

The Lord of the Rings. There is an apparent escalation in the amount of action and violence in comparison to the first film. That Battle for Helm’s Deep? That’s a pretty damn good action scene. Star Wars. Both parts. Episode 4 has the Battle of Hoth and Episode 2 has the Clone Wars. Hell, even Harry Potter and the Chamber of Secrets has more action and violence than the first. You wanna know why this is so common? Because the story is set up in the first, and the meaty middle of the story contains most of the action before the crescendo in the third. It’s just the way trilogies are set up. Beginning, middle, end. Simple.

Get at me.

So, now that I’m done explaining that, plot.

Neo (Keanu Reeves) is back again with a vengeance. He has been releasing minds from the Matrix and kicking ass. He and Trinity (Carrie-Anne Moss) are a loving couple (I stress loving in the sexual sense of the word for some of the content rating) and are returning to Zion after a meeting with the other captain’s in the Matrix. With the sentinels digging into Zion and threatening the last bastions of humanity, Neo, Morpheus (Laurence Fishburne), Trinity, and Link (Harold Perrineau) must find some way to beat the machines. It’s gonna be an all out brawl.

And this movie delivers on so many levels. Amazingly choreographed fight scenes, mind blowing CG graphics that broke ground, and great stunts throughout. This movie has it all for Martix and action fans

Straight out of anime. Word.

alike. Some revelation-level secrets are released and we all get to see why Neo is the one. What could be better?

The cool and suave acting is just as good in this one as the last. Everything about the movie just screams sleek and badass, but in a cool way. Keanu Reeves improves his performance from the last one in Reloaded as does Laurence Fishburne and Carrie-Anne Moss. Some newcomers to the film add some spice as well. Jada Pinkett-Smith, one of my Hollywood crushes, performs beautifully as the cold and intense Niobe, captain of the Logos. I loved playing as her in the Enter the Matrix game for Xbox, a game I would recommend re-releasing for the 360 or something. Please?

Wielding, like a boss.

Lambert Wilson was comedically enthralling as The Merovingian, an older program that has survived for years in exile. And Monica Bellucci, the drop-dead gorgeous Mary Magdalene from Passion of the Christ. She’s even sexier in this one, and I’m actually glad she’s in Revolutions as well. Collin Chou throws up a great fight scene (one of my favorites) with Neo as Seraph, the protector of The Oracle (reprised by Gloria Foster, sadly, for the last time). Throw in a cameo from Leigh Whannell, creator of Saw, and you have a great cast of Matrix familiars. A whole world is created with these interesting characters, and I can’t get enough.

Another great soundtrack from Don Davis and various Nu Metal/Metal bands I enjoy listening to, and you got yourself another amazing installment of the Matrix. I may just be a sucker for films like this, but I just can’t find very many flaws with these films at all. It’s a classic tale/archetype of the hero and his transformation/journey, and it just speaks to me on an epic scale of what a good movie and story is. So get at me about The Matrix: Reloaded. It blew my mind, and still does. 9.3 out of 10.

Bang on me!

 

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Queen of the Damned

Now I’m gonna take the leap here and suggest (as it probably has been, being a film out for 10 years now) that Anne Rice didn’t understand where this film was coming from or going. A little later, I’ll explain why. But it is sad for me to see that Rotten Tomatoes (or any other reviewer) thought that this film was so poor. I have reasons for liking it, but there’s truly really only one. But plot first.

In a modern day world with the rise of Nu Metal in the early 2000’s, Lestat the Vampire (Stuart Townsend) rises to a new sound he had never heard before. A sound that rises him from the grave. Upon encountering the goth band making all the racket, Lestat

Townsend as Lestat. Anyone see Dorian Gray?

reveals himself to be a centuries old vampire comes to make all their wishes come true. Now he just broke the unspoken agreement all vampires tailor themselves to. Don’t talk about being a vampire, or that vampires exist. But he is doing this for a reason.

To break the monotony. His silken and brooding voice (sung by none other than Jonathan Davis of Korn) charms all the goths in the entire world, a la Deathklok from Adult Swim. Pronouncing proudly that he is a vampire, Lestat hopes that other vampires will come out of hiding, even if it is only to get him. He has the world on a string, and he’s shaking it to find out where they’re hiding.

The beautifully frightening Aaliyah.

Meanwhile, at the London paranormal research building, Talamasca…

Jesse Reeves (Marguerite Moreau) is a young researcher, looking into whether or not Lestat is actually a vampire. Analyzing his lyrics, she feels she’s stumbled onto something real. With a colleague of hers confirming that it’s true, David Talbot (Paul McGann, you Dr. Who fans out there may know him as the 8th Doctor… personally, I don’t care.) hands her a diary of Lestat’s pasts and beginnings. When the two intertwine, a evil, ancient presence arises, leading to a new world order. Unless it can be stopped. I’m talking about Aaliyah as Akasha, the vampire Queen of Egypt. Word.

So you have your wondefully sexy and fierce R&B singer that I said I loved from Romeo Must Die. She takes on this role with as much grace before her tragic end (this film is dedicated to her). You have Stuart Townsend, the man who was almost destined to play Aragorn before Peter Jackson up and said he didn’t want him. You may ask, where have I seen Townsend before in a similar film? Look no further than the suave Dorian Gray in The League of Extraordinary

Some pimpin’ old vampires.

Gentlemen. Badass. He was a great addition to the film and really had the whole “Metal Sex God in Leather Pants” look going on. And Jonathan Davis backing him up on vocals. He’s Irish too, so you can’t hate. Marguerite Moreau was beautiful as ever in the film, giving Lestat a reason to fight for humans. And can I say again that Jonathan Davis makes a cameo in the film? Look out for him.

The Moreau factor.

And this is where I come to why I liked the film. Nu Metal. The early 2000’s framed my pathway into teenagery. That means I was frustrated and awkward. And what better music to listen to than Deftones, Static-X (my favorite bands), Disturbed, and the almighty Korn? Nothing in the world soothes my soul more than death metal. And you get all new hauntingly original songs from Korn? This movie is a package deal. It could’ve almost worked out as a rock opera. I’d be down.

And this is also the point where Anne Rice doesn’t get it. Goths/metal have forever been linked with vampires. It’s a fact now at this point. And a woman who was 58 at the time of this movie should’ve keeled over dead at the use of music in this film. New age music that’s not from my early years? Noooooooo! Understandable response. The movie is nothing she’s seen because it’s meant for the goth scene. The punk and metal scene. Because that strain of music has adopted the vampire image and feel. And, in that way, this movie works for me as a metal fan.

Jonathan Davis on his throne of Korns.

There are those out there who think that Korn is a hack band. They’re original, true, that can’t be denied. But, for some people, they’re washed up, or not hard enough for a lot of hardcore metal fans. They’re like Limp Biskit (I don’t even care to look up his name…) But that’s all wrong. And they hate old Limpy boy. Korn has been around since 1993. It is now 2012. They are infusing techno methods now, into their music. They were ahead of the curve when it came to electronic music back in the day, before all this started. They’re metal, they’re rap metal, they’re nu metal. They. Are. Korn. They can do whatever the shit they want. They are the original when it comes to everything. They are groovy and they are hard. And they hate the world. What could be better?

Now that you know my secret obsession with Korn, you know why this movie works for me. But it’s just my opinion. The acting was fine (I thought Stuart Townsend really stood out), and I pooped myself the second I heard him sing and I knew it was Jonathan Davis. It just

Can’t get enough of the sexy darkness.

clicked with me. It doesn’t have to with you. That’s why I specially recommend this to fans of Nu Metal and all things dark. For those of the 90’s and 2000’s who want to relive a bit of angst. And maybe suck some blood. 7.1 out of 10.