To be honest, I had no idea what this movie was going to be about when I first started it. I searched Netflix for movies starring Christian Bale and/or Ewan McGregor and
The perfect glamster couple. (Collette + Meyers)
found this little gem. (I think gem’s the right word to use for this movie in particular.) Not a strong runner in the money department, this movie has a star studded cast but boasts the time and effort of an independent film with a message to put across. I was perfectly okay with all the homosexuality as well. And trust me, there was a lot.
And it wasn’t even a gay vibe from the outfits.
This movie exudes glam and glitter more than any other film I’ve ever seen. In the same documentary/journalistic vein of Party Monster (review a few entries back), this movie handles the earlier era of Glam Rock (back in the 70’s). Knowing not much about glam rock other than David Bowie, it was interesting to see a character based on him. This movie performs as an homage to David Bowie and Iggy Pop, but with less of a focus on the drugs and more on the sex. I wasn’t expecting as much of a straight edge film, but this movie doesn’t leave out the Sex, Drugs, and Rock ‘n’ Roll.
And here’s something even weirder. I’m not that huge of a fan of glam rock. Sure, I have Gary Glitter’s Rock ‘n’ Roll Pt. II on my iPod, but that’s about as far as it goes. Oh, and this:
That’s the extent of my glam rock knowledge. But what surprised me about this film is how much I enjoyed the musical soundtrack of the film. The movie was right in informing me from the very beginning that I should turn up the volume on my T.V. I thoroughly enjoyed the songs of the 70’s, and had no idea how much I would enjoy glam rock. John Rhys Meyers and Ewan McGregor both lent their vocals to the soundtrack to give it a truer feel to the film, something I always
The fantastical outfits.
But let’s get into the story a little bit. Structured after what is considered by every film student as the greatest film of all time, Citizen Kane, this movie attempts to uncover the glittery veil on who Brian Slade (John Rhys Meyers) truly was. Arthur Stewart (Christian Bale) is a journalist and former glam enthusiast who has come full circle in what used to be his glory days. He has been charged with unearthing the truth on Slade/Persona known as Maxwell Demon. After he pulled a fake assassination stunt at one of his concerts, he fell from grace and landed in obscurity. Meanwhile, everyone around him give their opinion of what their lives were like with Brian Slade around.
The Glam-man Rises.
It’s interesting to see how involved Christian Bale’s character was with the glam scene and those who surrounded Brian Slade. In a world of blossoming bisexuality, all of the characters explore just what it means to be human through sexual interaction. At the same time that it could be discomforting to someone who is against abnormal sexual acts, this movie doesn’t play it up to more than it is, human interaction on a very base and carnal level. It is always amazing to see actors perform onscreen what they truly aren’t in real life. All three (Bale, Meyers, and McGregor) are straight men. They all simulate homosexual acts (kissing, suggestive thrusting, etc) on camera in front of what I would expect is a mixed morals cast and crew. When you slip into something you’re not and sell it, I give you props for that.
The costumes and personalities flair onscreen creating something pretty to look at as well as substance for a story about a form of music that swept both the U.K. and America. With this clash of countries (Ewan McGregor plays Curtis Wild, a glam rocker from Michigan) and love all over, this movie
Ewan McGregor, showin’ it all.
professes love and understanding, no matter what beliefs, morals, or nationality. I was impressed with John Rhys Meyers haunted acting (just as I was with Culkins in Party Monster) and everyone did their share. Christian Bale created a character conflicted with his sexual identity and his confused past, while Ewan staged an opposite character that embraced all life offers. It was a dazzling performance by everyone, including Toni Collette. Throw in Eddie Izzard to add some pizzazz and you have yourself a great cast of rockers.
A side you’ll never see of John Rhys Meyers.
And that’s what I loved about this movie. This isn’t your average film. Combining the worlds of musical and sexual liberation created something that an outsider like myself wouldn’t be able to acquire otherwise. The actors deliver superbly and the songs and colors create a fantastical cosmic journey you don’t want to end. If they couldn’t strung a series of glam rock music videos together, I wouldn’t have complained. So I say anyone looking for a change of pace to life should check out this film. It’s fab. 8.4 out of 10.
Most of the time when you hear a vampire movie is being made, you don’t ever think it will ever get any Oscar buzz. In the case of Anne Rice’s novel turned movie, Interview with the Vampire, that’s a different story. Winning best score and art direction, even
Two regal and noble vamps.
nominating Kirsten Dunst for best supporting actress, this movie cleaned up for a drama about blood suckers. With an all star cast including Tom Cruise, Brad Pitt, and Antonio Banderas, what woman could resist the allure of at least two hunky men? For me, I couldn’t resist a movie spoken in Old English (Shakespeare style).
At the start of the film, we encounter a reporter (Christian Slater, supposed to be played by River Phoenix before his untimely death) following an interesting man with long hair. Before he knows it, he is cornered by what he finds to be a vampire from the late 1700’s. His name is Louis (Brad Pitt, french pronunciation) and instead of sucking his blood dry, he tells him of his story. How he was turned and why he is here, now, telling him all this.
Is Jumanji what tainted this wonderful performance from Kirsten the child actress?
It all starts when Louis loses his wife and child, feeling as if he is a soulless human, wandering through the world in a cold daze. Seeking any means of escape, he encounters Lestat (Tom Cruise), a malevolent vampire who wishes to fulfill his wish, but not in the way he thought. Becoming companions, Lestat teaches Louis the way of the vampires and encourages him to enjoy the new life he has now. But Louis’ problem is that he still feels human with compassion and sympathy, not wanting to live a life alone, in the dark. Forever.
The movie moves through to the present day, skipping a few decades here and there, a century or more until we come to the point where
Brad Pitt is talking to Christian Slater. It’d be interesting to see Louis enter the 20th century, but the movie was 2 hours long as it was. It covered all the important parts of a period piece film, with elegant and regal outfits galore. The music I didn’t notice as much (sorry those who won an Oscar for the soundtrack) but I was more swept up with the look and feel of the film. Elegant, but always with that underlying element of death.
I had tried to catch this movie earlier, but I’d only seen snippets of it. I always came in on that depressing scene with Kirsten Dunst and I was like, “I gotta check this movie out.” Sitting down to an elegant (not Underworldy) film about vampires, I had no idea what to expect. Anne Rice, another woman who wrote about vampires? Pleasantly surprised was the end result.
I really liked all the performances in the film. I think that, and the writing/scripting for the film really set it apart from other vampire movies. You felt like they were humans first, and you forgot that they were out in the dark all the time. The language is poetic and fluid, and seems to slip off their tongues as if it was first nature. Tom Cruise (although people may shit all over his attempts as an actor for his beliefs in Scientology) was ballin’ in this film. He’s one of those actors that you know it’s him, and you’ll always see him as Tom Cruise and not the character he’s playing. But by god, he can deliver a vengeful rage of a line or something just as emotionally stirring. He’s a very
engrossing actor and needs to be given credit for it. Beliefs/opinions needs to be separated from a body of work. They have nothing to do with each other.
As for the rest of the cast, they all did just as well. Brad Pitt (other than a Fabio looking vampire with long hair) is emotion filled and a likable main character. That’s what he usually is. Kirsten Dunst was a phenom as a child actress in this movie, playing the adult in children’s clothing, Claudia the vampire. You know those performances where you see it and you think, “That girl was in Spider-Man with a snaggle
Vampires you can fall for.
tooth…” That’s a “wow” performance. Antonio Banderas, you don’t see him that much anymore these days (other than Nasonex commercials). But I appreciated his accent all the same. The Hispanic Schwarzenegger. Rico Suave.
With a great cast and some spectacular settings, who wouldn’t believe this was a well done period piece. And I love a good period piece. This film deserved awards and it really focused on the humanity of the vampire. People didn’t like The Queen of the Damned in the mind of Anne Rice, but we’ll see what I have to say on the matter… 8.5 out of 10.