Margin Call: I’m Back to Reviews Everyone!

After a long semester of work, homework, and plain more work, I have come back to the world of review blogs. Thanks to those of you out there who come back to check and look forward to reading the inane and ridiculous things I say. And now it’s time for a little movie review. This one (that I watched wayyyyy back in August) is called Margin Call. Based on the events of the 2008 mortgage crisis, this independent film boasts a

Look at Spock and those well defined eyebrows.

star studded cast that focuses more on the characters and their interactions than it does on the action and big picture scheme. If you are looking for car chases and guns, look elsewhere. This movie gets its bite from the dialogue.

So Zachary Quinto (star of Heroes and that almost unrecognizable role as Spock) plays Peter Sullivan, a low level employee that sees the company he has been striving so hard for begin to unexplainably fall apart around him. His boss, Eric Dale (Stanley Tucci) is fired for no discernible reason, leaving Sullivan with a program he was working on that show what we have come to know as the great 2000’s recession (I just call it that… but not really). After some late night calculations, Sullivan finds that his company is really in a lot of deep feces. I’m talking mounds of excrement with no rain boots.

A role Spacey was born to play… A lot…

So a whole meeting is called as you see the chain of command called in to this banking company. It starts with Paul Bettany’s character (my favorite of the entire movie. He’s one of those unspoken characters that just gets it.) and works itself all the way up to Jeremy Irons as the company’s CEO. I was really surprised that for an independent film such as this that so many good actors would sign on, but for a role like this that portrays life in its true form, I’m not as surprised.

But could I even say anymore about the star studded cast? I already mentioned Quinto, Tucci, Irons, and Bettany. That’s solid right there. But throw in Kevin Spacey? Now we’re just getting American Beauty high class on this one. And he’s just as brutal as a upper class boss in this one as he was in Horrible Bosses. But he does have a heart, mind

A bit of that trading floor drama.

you. You got Simon Baker as the hardass playboy with an ego issue that wants to keep it all under wraps. Demi Moore as the manipulated female staff member. Her unsure performance keys right in to a cutthroat business that leaves no room for the timid. Throw in Aasif Mandvi (without any comedic relief, unfortunately) and you have your top billed cast right there.

And what’s more, there is some really great dialogue and monologues in this movie. First one that comes to my mind is the one done by Stanley Tucci towards the end of the movie. His reevaluation of his entire life up to the point he gets fired is true and heartfelt, even if he is approaching it from the way in which he helped out a town commute from West Virginia to Ohio over a bridge. Gotta give him his props for memorizing all those numbers. And basically any line out of Paul Bettany’s mouth just sounds like privileged few from New York’s best areas. His snarky attitude and calm assessment of the downfall of banks during the crisis was just spot on. You need characters like him in movies to really gain perspective on the overall plot.

A star studded cast of dramatic proportions.

Combine all of these great interactions with greatly portrayed characters and you have yourself a movie that is character-driven. But it’s not just that. How could a movie about the logistics of the mortgage crisis be so interesting? This movie barely talks in actual economical jargon. Well, there is some, but I was enraptured by the characters to notice too much. What this movie effectively does is put real human faces to the upper management devastated by this terrible crisis in our society, and help people realize that not everyone who later benefited from the liquidations and lay-offs were such terrible people. (Sure Jeremy Irons was, but look at Kevin Spacey in comparison. Perfect contrast.)

So I would encourage fans of John Grisham bo0k-to-movie remakes and real life drama films to check this one out. It’s not that well known, but it’s worth checking out if you’re not all about the comedy and action. Real intellectual shizz. Margin Call gets a 8.4 out of 10 from me. Get at me guys, I’m back into reviewing!

Bring it home, Tucci.

 

Creation: The “A Beautiful Mind” of the 1800’s

So I just finished this movie and, I have to say, I was blown away by its simplicity. I’m pretty sure this movie had about 5 shooting locations, and this simplicity alone was touching and dramatic. This film about the entity that is Charles Darwin and the theory that changed the world through conflict, was one of anguish, inner turmoil, and alienation. This movie may have been pure speculation about the life of Darwin and his quest to write “Origin of the Species,” but it is rare to encounter a film that makes you believe that the actor who is Darwin must have known Darwin. Must have been Darwin.

I had heard about this movie a year or so ago and have always had an affinity for Paul Bettany. All of his

Paul Bettany as Darwin with his Wife Jennifer Connelly as, well, his wife.

work is top shelf stuff. And Creation is no exception. Another amazing piece from across the sea, and it kept me entranced in Bettany and those around Darwin. The 1850’s was a time of religious dominance and this film portrayed that quite clearly. It is this conflict between science and religion (still ongoing) that frames the film. It is not all encompassing of the purpose, but gives substance to the interactions between work, family, and the past.

Martha West as Emma Darwin. What a relationship they had.

There are two amazing relationships that also frame this movie. The first is between Darwin and his daughter Annie (Martha West). The conflict between the live Annie and the memory of her past self haunts Darwin throughout the film. Annie loves her father and his dedication and fervor for life. And at the same time, she loves her mother and the devotion she shows to her religion. As Bettany says ever so touchingly, “I thought we were making the perfect child.” But it is this child that causes the loss of faith as well as the devotion to his soon to be world changing book. And, with every painful interaction, Darwin is forced to face the demons of his past and the issue that this creates with his family, most importantly his wife. And therein lies the second best relationship portrayed in the film. Between Darwin and Emma (Jennifer Connelly), there is an ocean. Emma’s religion and Darwin’s science seem to be the issue at the heart of the problem, but in a surprising and touching twist, it is the daughter that causes the rift. And the resolution is worth the watch in itself. It is rare in films that a leading man and lady would be married in real life. This is one of them. And I give that credit to whoever cast a married couple in a role like this. It’s absolutely amazing to watch two people with chemistry that is based in life to interact on film. Every scene with their interaction is so fluid and natural that I was blown away by how wonderful it must be to be those two in love. Quite literally the best part of the film.

Quite similar.

And there are a few notable mentions to make about minor acting parts. Freya Parks does a great job as Etta, the oldest of Darwin’s children, fighting for the attention of her father who is perpetually focused on the memory of his dead daughter. Her scenes are touching and tragic in the way that she tries and seems to flounder without any affection from her father. The last scene, something to see. Benedict Cumberbatch (BBC’s current Sherlock) gave a great minor performance as Mr. Hooker, one of Darwin’s confidantes and emotional support in his hour of need when it comes to writing his book. And Martha West, bless her heart, gave it her all as Annie, the focus of Darwin’s obsession and past regrets. Having to play a protagonist and antagonist simultaneously must be quite hard for a child, and she pulls it off with aplomb.

You may have noticed the title of this blog. And I would have to say this plot reminds me of A Beautiful Mind, the great Ron Howard award winning story of another theorist who could see figments of his imagination, John Nash. All of the dramatic elements are there and its done with the same grace. I gotta give credit to Jon Amiel, a director who I’ve not seen do anything like this before, directing with all he has. Throw in some scenes straight out of The Fall with their exotic nature, and you have a recipe for a great movie. 9.5 out of 10.

Priest: Just as Good as Legion

I’d been waiting quite a while to see this movie with my roommate. Ian and I always get that excited feeling around our college finals when its time to take some time off and go catch a flick. And catch a flick we did. One of the best flicks of the year, if I do say so myself. Priest, another incarnation of Paul Bettany portraying the badass side of himself in real life, but in a movie. Like Legion, Paul Bettany’s character descends from his high throne in order to protect those around him. And this is the way that I like to perceive Paul Bettany. A man of the people. And it must be quite true.

Priest, to put it simply, is the story of a priest. But not any ordinary priest. This particular priest is of an order of priests that

Paul Bettany. He messed up that familiar.

was created for one sole purpose. To eradicate vampires. And not your everyday human-turned  vampires. These vampires are creatures, fearful of  light and hungry for human flesh and blood. And they can only be defeated by the light they fear or priests, the greatest super-weapons on the face of the Earth. And the priests have done this. Now in retirement in the “near future,” these priests roam the streets hated by their fellow humans for representing the state of fear they all once held.

But not is all well. The vampires were placed in “camps” in order to repress any more outbreaks. But they have risen in great numbers to attack the humans once again in their high-walled cities. Led by Black Hat (Karl Urban), these creatures will stop at nothing to kill every human on Earth. So, once Priest’s family has been assaulted and his daughter kidnapped, he must pick up his crosses once again in order to protect those he loves. With the help of Hicks (Cam Gigandet), and a fellow Priestess, (Maggie Q) this rag-tag group of vampire hunters must run against the clock in order to save their world. And do they? Well, please watch it and find out.

Nice tatoo.

Well, let me just say 50% of this movie is top-notch actors. Paul Bettany, it goes without saying. His dramatic, A-rated acting never fails to amaze me, despite whatever role he may take on. (Some of my favorites?: Knight’s Tale, Master and Commander, A Beautiful Mind, and, of course, Legion) And, in my opinion, Paul Bettany always gets better. Maggie Q gives a great supporting role as a fellow Priestess. Despite most of her role being focused on action, she brings a

Maggie Q. Always looks good walking away from an explosion.

dramatic/romantic element to the movie. Karl Urban, for the third time in his career, pulls of an action villain worthy of the movie. And Cam Gigandet, well… he’s just doing his own thing. Not anything special. And Brad Dourif (Wormtongue from Lord of the Rings) makes a surprise appearance as a vampire “cure” seller. All-in-all, Paul Bettany carries the acting load in this film.

Nice save. And nice movie.

The director Scott Stewart, is primarily a special effects guy. Other than Priest, he’s done (surprise) Legion. But his special effects really come out in this film. Probably why they released this in 3-D. But I really feel (although I’ve never read the graphic novel) that this movie does the graphic novel justice. Or I would hope that it did. I really thoroughly enjoy films like this, and I feel there will always be people out there like me that enjoy action films with a new twist. And it’s movies like this that really give me hope for a future of movies that don’t necessarily look promising. So thank you Scott Stewart and thank you Min-Woo Hyung, the creator of Priest, for bringing about what I looked forward to for 5 months. 8.6 out of 10.