Vanishing on 7th Street

I had a strong desire to see this movie when it came out, but if I saw every movie I wanted to when it came out, I would be poor. Thank you, Netflix. Anways, Vanishing on 7th Street had its ups and downs for me as I was watching it. To classify it as a thriller over a horror movie would be accurate, as it didn’t have too many bumps or jumps.

Something’s wrong… is it my acting?

There is one scene that may frighten you (I was wearing headphones and sitting too close to my computer), but overall there really only is one. Supernaturally it’s interesting, but the plot left something to be desired.

Let me explain. When I watch a horror movie, by the end, 9 times out of 10, I want the horror to be delved into or explained. To leave it open ended leaves a bad taste in my mouth. I want the origin story of the evil force at least. Where did these beings come from? Why are they here? Why do they need to frighten and kill? What will they do?

Little Ani, you did your job.

This movie didn’t give any of that. In a series of postulations, Vanishing on 7th Street entered in with this ungodly being/s that took away probably 99% of the world’s population. Paul (John Leguizamo) is just chilling up in his projection room, minding his own business, with his head-lamp on. Everyone in the mall disappears and nobody knows why. Cue Chris Bosh the actor and the scariest moment in the film. We head over to Rosemary (Thandie Newton) and her search for her baby, Manny. Then hit up Luke (Hayden Christensen), the lead actor in this horror shin-dig and you have yourself 3 of the last 4 people remaining in… Detroit? I have no idea…

After three days of darkness and people being taken away, you already knew after the first scene that anyone with a

That rave was a bit too redonk…

portable light was going to survive. It was self evident. What you didn’t realize is how fast Hayden Christensen would adapt and become a hardened badass about the whole thing. None of them know what the hell is going on, but they will for damn sure survive longer than I’ve seen anyone in a supernatural thriller. Go get ’em.

The acting wasn’t bad overall. I usually rag on Hayden Christensen for his ruining Star Wars, but he did his job well in this one. He was the brutal survivor everyone needs on their team in this one, and rightly

Probably shouldn’t crouch by all that gas…

so. Thandie Newton was the beautifully tragic character that has to, of course, hold onto her religion in order to survive. (There’s always one in every bunch…) And then there’s John Leguizamo. He needs to stick to just doing Sid in Ice Age, because his acting wasn’t contributing anything in this live action. Jacob Latimore, he was a pretty damn good child actor in this one. Bravo.

So without much explanation of delving into the topic, Brad Anderson skirts around the issue that every horror film should explain/explore at the end. Sure everyone in a movie can die, but you have to then have some sort of closing argument for why it all happened. In the

That plane be tankin’.

world of Hollywood, people don’t feel comfortable with unexplained evil for evil’s sake. There has to be a motive, a reason. If all you can come up with is Roanoke Island, you are sorely mistaken. And Brad Andersen directed The Machinist for Sweet Baby Ray’s sake! A hit and a miss, this movie holds the middle of the road for all the promise it held, and not giving away anything in the end. 6.2 out of 10.

Paul

The second I saw this movie was coming out, I got really excited. I’ve seen Simon Pegg’s show Spaced, I’ve seen both Shaun of the Dead and Hot Fuzz, this was just gonna be another winner to add to the list. Not quite. It was quite good, but this had a different feel to it than the other Pegg/Frost collaborations did. Paul is not quite the movie you’d expect from these two, but it had all the things that Simon Pegg loves: Star Wars and aliens.

Paul is the story of an alien (Seth Rogen) who comes crashing (or exploding rather) into Graeme Willy’s (Simon Pegg) and Clive Gollings’ (Nick Frost) lives. On a road trip around America after Comic Con, Graeme and Willy find that the alien trip they planned through the midwest would be more real than they could ever imagine. Getting into trouble one after another, Graeme and Clive meet an all-star cast along the way in what I could only describe as England vs. America with E.T.

First things first. ACTING. Yes, this movie has quite an extensive cast with cameos and guest stars all over the place. First we got Jeffrey Tambor (Yes, Arrested Development. Best.) as Shadowchild, a sci-fi writer with an ego and O.C.D. problem. Jane Lynch as the alien truck-stop waitress who pops in and out from time to time. David Koechner as the redneck anti-queer (really breaking away from his role as Hannah Montana’s uncle). Jason Bateman as the surly F.B.I. agent out to get Paul (quite funny), along with Bill Hader (one of my favorite SNL guys) and Joe Lo Truglio as the bumbling idiot agents who kind of mess everything up but are quite funny. Also Kristen Wiig (annoying) but actually not that bad in this film. I’ve always found she’s more bearable in films than SNL.Yes, that’s quite a laundry list of actors that have the potential to make a movie funny. Bravo.

Simon and Nick. Just some Comic Con goers.

This movie is also a break directing wise from the usual. Instead of the great Edgar Wright (Shaun of the Dead and Hot Fuzz. How amazing.) we have Greg Mottola (Superbad and Adventureland. Two terrible one word movies.) This really disappointed me. A lot. It gave a different feel to the movie that, frankly, wasn’t all that good at all. Simon Pegg and Nick Frost work well together with other English actors. A lot of the humor in this movie comes from the supporting cast. This saddens me. That’s what made Shaun and Hot Fuzz so great. Edgard Wright (He failed at Scott Pilgrim. Check my blog.), English supporting cast, with Pegg and Frost as the driving forces behind the comedy. Bad form.

But that’s not to say this movie isn’t that good. It has its own genuine feel to it that is still quite funny. All of the supporting cast is quite funny American actors. It’s written by Simon and Nick. It’s their brainchild. The thing that ruins it for me is it doesn’t have the choppy, sporadic, English humor you come to expect from them. You could say that’s probably because it’s not Edgar Wright driving the project from behind the camera. Sad, I know, but still.

I was also surprised how sub par the special effects were in this movie. Maybe it was to give it an E.T. feeling, but maybe it’s just the production value that lacked in the making of the film. Paul wasn’t as real looking as I expected for a 2011 film, the spaceship and such felt unrealistic. The stunts were fine, it was just everything else that threw off the movie for me. Maybe another thing that affected me was my movie watching experience. It wasn’t the audience, it was the theater (Thanks, Regal Cinemas 14). The projection was out of wack, all of the lettering in the film was hard to look at. The lights came on in the theater 30 minutes before the movie was over. It kind of ruined it for me. But besides that, the movie was good (Wow, I just complained a lot…)

I still think this movie is worth watching. If you’re ever in the mood for a pretty good alien comedy, please see this movie. Simon and Nick need all the support they can to become really big in America, and I know they already kinda are, but they need everybody behind them to help Americans realize that they’re just as good as actors are here. (Certainly better than Matthew McConaughey or Brad Pitt. Come on… Although Lincoln Lawyer might be good…) So please go see Paul. It’s definitely worth a watch. 7.8 out of 10.