Audition: Let’s Have a Call for All Killers

I was in a state of shock and awe after this film. I thought I had found my favorite horror films, but Audition really blew those out of the water. This perfect balance of horror and troubling thriller really sets the bar high for any films after 1999. Takashi Miike has made a masterpiece of a mindf@#$k with Audition. And the fact that Rob Zombie, John Landis, and Eli Roth said this film was difficult to watch, it has to be golden.

Shigeharu Aoyama (Ryo Ishibashi) is a recently widowed movie producer. He’s been quite distant and lonely lately, and his son, Shigehiko (Tetsu Sawaki) has noticed it. Encouraging his dad to at the very least start dating again, Shigeharu turns to his

The audition begins. This is one of those other shots they held really long so you couldn’t see her face. Chilling.

friend, Yasuhisa Yoshikawa (Jun Kunimura), a fellow movie maker for ideas. This is where he has a stroke of genius. In proposing a new movie idea, these two scoundrels will have an audition (hey, there’s the movie title!) for the leading lady. Shigeharu can choose his top 30 and narrow it down from there, giving the lead to the best actress, but he can claim his favorite choice for his wife.

Ballin’ disturbing images.

Feeling slightly uneasy about this, Shigeharu goes into it half-assed. He dawdles around until he finds a young woman who stops his heart still. Asami Yamazaki (Eihi Shiina) is a former ballerina with a very high guard and a delicate personality. He tragic past and broken dreams intoxicate Shigeharu and he must have her at all costs. After a few dates, Shigeharu starts to notice something different about her. And once she disappears, he digs up a past he never wanted to find.

I have to say it, this is a dope ass film. It’s such a twisted film with a plot that leaves you with no idea what’s going on. What people talk about is the torture scene at the end. Needles, dismemberment, blood, this scene houses the entire NR rating for the

A feeling of unsettling fear…

whole film. People have left disgusted and sickened, but that’s what would have kept me in the film. I’ll admit it, I love torture and horror. Anything that makes people, as an audience, feel unclean is wonderful. For someone to go into a movie like this and realize something about their sensibilities by the time they leave is an experience worth having. It taps into our minds and shows us just how terrible the world can be. But shouldn’t be.

I was impressed with a lot of things about this movie. Eihi Shiina’s performance in this film was chilling and horrific. She seems to be such a nice little girl, but her unemotional, uncaring side is what frightens people. It makes people feel uncomfortable with how relentless and completely honest she is as a character. She hypnotizes the bugs into her web and leaves them there to die by her fangs.

You’ll never wanna guess what happens…

A lot of the film has these extremely long held camera shots in it. The action will stay on one angle and deliver a whole piece of dialogue without moving. You’re anticipating some movement (like you would with most films) but it doesn’t come yet. It waits, and waits, and waits until you feel uncomfortable. The whole movie is made to feel unsettling. It’s a tortuous waiting game of when will the knife fall, until it does (and only in the last 15 minutes).

The surreal quality at the end of the film also really spoke to me. You fade in and out of the torture scene, you see past events as Shigeharu couldn’t have seen them. The past is rewritten. You lose all sense of control and awareness as the drugs settle into Shigeharu. You completely give your control over to Asami, something that is unsettling for people to do, even in real life. You lose yourself to this poisonous flower and have no feeling of waking up. There is a bit of a jarring from this final scene that didn’t need to happen. No happy ending was necessary, and yet Takashi Miike allowed it to happen. It would’ve had such a sweetly unsatisfying ending if it had the villain succeeds ending…

But, all in all, this movie delivers on a horror lovers level and a thriller/psychological level. You feel off either way after you’ve watched this. And that’s what horror movies like this set out to do from the start. No wonder this has a cult

WHAT’S IN THE BAG?!?!?

following. It should have. Asian filmmakers know how to do the horror genre right, and this is no exception. This is the movie that made the rule. 9.4 out of 10.

 

The Change-Up: Surprisingly Heartwarming

From the producers and directors of The Hangover and Wedding Crashers, I expected something a bit different from this movie. I expected the ridiculous situations and grossout comedy duo that has been spewing out of Hollywood since Judd Apatow took up The 40 Year Old Virgin. Something a bit different was sent my way. An outrageous comedy… with a sentimental side. As shocking as that may sound, this 2 hour film had the time to flesh out a relationship to the characters and the concern for the well being of their lives. And coming from a pair of true gold comedy actors (that have the capacity for more than comedy), this movie does deliver well. More so on plot and acting than lines and delivery.

So Dave Lockwood (Jason Bateman) is a married man. He married young and

Two men. Two varying lives.

has a beautiful young daughter and a strange pair of infant twins. Meanwhile, Dave’s friend Mitch Planko (Ryan Reynolds) is a single man, banging all he sees and loving living in his own filth and depravity. Although the two remain friends, they have grown apart somewhat since their lifestyles have taken them away from each other. Dave is a successful lawyer at a major corporation and Mitch is a semi-successful actor. The two’s lives aren’t close to perfect, but they enjoy their situations.

Until one day.

 

So who's who?

Dave and Mitch get together, breaking their routines to catch up on old times and catch a baseball game at a local bar. While there, the two get a little more wasted than ususal. Things are talked about and emotions run high. And then, BAM. Freaky Friday hits like a storm as the two piss into a fountain. By the plot Gods, this seems all too familiar. And yet, it’s the male perspective on the idea of taking a walk in another’s shoes. Word, I can dig that. With the fountain moved (classic Big situation), the two have to live each other’s lives for a while, and re-discover themselves through each other’s eyes.

What really stood out to me about this film was how well Jason Bateman

They play each other. To a tee.

played Ryan Reynolds and how well Ryan Reynolds played Jason Bateman. It’s more the generational issue in Freaky Friday, but in this one it’s more of a body swap of men of the same age. Different habits and personalities are mirrored in this comedy down to, what I would say, is a tee. The anal-retentiveness of Bateman pairs off with the ridiculously callous antics of Reynolds. Having to talk to yourself as the other person was pretty key in this movie, and it was pulled off with a-bomb. (Niceeee.)

Word.

In classic fashion, this movie starts off with some poop jokes and some strange combinations of swear words. (F-knuckles? Are you kidding me?) I’ve started to dislike the invention of swear-catch-phrases as I’ll call them, and this needs to be remedied with some great pop culture references and such, a-la Workaholics (can’t wait to rave about that shizz). The movie moves along with some classic situations and works along with quite a few nudie shots for the guy audience. I watched the unrated version. And yet, I was surprised that, despite not being directed by Judd Apatow, his wife, Leslie Mann, played a part in this movie anddd showed off the goods. It was as strange as it was comical.

And then you get hit with the friend moving along in life montage, followed by, BAM. 45 minutes of touching connection. Did you see this coming? Nope. Could you imagine Ryan Reynolds in Jason Bateman’s body pulling off

This movie will get touching.

pretending to be a lawyer by watching Law & Order? Not at all. But this all happens. And, in the realm of strange, quirky fantasy, it works. For the first time ever, I connected with Leslie Mann as a decent actress. Coming from a woman who always plays the comical stuck up bitch, this was refeshing. Some “true” tears were shed and the perfect balance of drama and comedy was achieved. From a movie made by The Hangover and Wedding Crasher guys. Weird…

Sorry guys, just for the eye candy. Don't know about that substance...

I gotta say, if this is in the original version and not the edited, there are some great comedy scenes in this movie. Watch out for the twins, that’s a great bit. And Ryan Reynolds’ acting career as it were? That’s what I’m talking about. Every time he pops up, whether it be Cinderella Man or Scary Movie 4, Craig Bierko delivers. This time as a Russian porn star director. What’s good. There are some great lines from Jason Bateman (while being possessed by Ryan Reynolds) and quite a few attractive women in this movie. Not a big fan of Olivia Wilde’s acting though… she’s just an eye candy actress… (Sorry if that offends…)

So, if you’re into dramatic movies, this one will surprise you. If you’re into comedies of the outlandish sort, this movie will please and appease you. With such a satisfying mix with only a few big name actors putting their names on the bill, this really delivers. And yes, this is the Year of the Bateman. Jason Bateman. Solid 8.6 out of 10.

Can you handle the Bateman?