Margin Call: I’m Back to Reviews Everyone!

After a long semester of work, homework, and plain more work, I have come back to the world of review blogs. Thanks to those of you out there who come back to check and look forward to reading the inane and ridiculous things I say. And now it’s time for a little movie review. This one (that I watched wayyyyy back in August) is called Margin Call. Based on the events of the 2008 mortgage crisis, this independent film boasts a

Look at Spock and those well defined eyebrows.

star studded cast that focuses more on the characters and their interactions than it does on the action and big picture scheme. If you are looking for car chases and guns, look elsewhere. This movie gets its bite from the dialogue.

So Zachary Quinto (star of Heroes and that almost unrecognizable role as Spock) plays Peter Sullivan, a low level employee that sees the company he has been striving so hard for begin to unexplainably fall apart around him. His boss, Eric Dale (Stanley Tucci) is fired for no discernible reason, leaving Sullivan with a program he was working on that show what we have come to know as the great 2000’s recession (I just call it that… but not really). After some late night calculations, Sullivan finds that his company is really in a lot of deep feces. I’m talking mounds of excrement with no rain boots.

A role Spacey was born to play… A lot…

So a whole meeting is called as you see the chain of command called in to this banking company. It starts with Paul Bettany’s character (my favorite of the entire movie. He’s one of those unspoken characters that just gets it.) and works itself all the way up to Jeremy Irons as the company’s CEO. I was really surprised that for an independent film such as this that so many good actors would sign on, but for a role like this that portrays life in its true form, I’m not as surprised.

But could I even say anymore about the star studded cast? I already mentioned Quinto, Tucci, Irons, and Bettany. That’s solid right there. But throw in Kevin Spacey? Now we’re just getting American Beauty high class on this one. And he’s just as brutal as a upper class boss in this one as he was in Horrible Bosses. But he does have a heart, mind

A bit of that trading floor drama.

you. You got Simon Baker as the hardass playboy with an ego issue that wants to keep it all under wraps. Demi Moore as the manipulated female staff member. Her unsure performance keys right in to a cutthroat business that leaves no room for the timid. Throw in Aasif Mandvi (without any comedic relief, unfortunately) and you have your top billed cast right there.

And what’s more, there is some really great dialogue and monologues in this movie. First one that comes to my mind is the one done by Stanley Tucci towards the end of the movie. His reevaluation of his entire life up to the point he gets fired is true and heartfelt, even if he is approaching it from the way in which he helped out a town commute from West Virginia to Ohio over a bridge. Gotta give him his props for memorizing all those numbers. And basically any line out of Paul Bettany’s mouth just sounds like privileged few from New York’s best areas. His snarky attitude and calm assessment of the downfall of banks during the crisis was just spot on. You need characters like him in movies to really gain perspective on the overall plot.

A star studded cast of dramatic proportions.

Combine all of these great interactions with greatly portrayed characters and you have yourself a movie that is character-driven. But it’s not just that. How could a movie about the logistics of the mortgage crisis be so interesting? This movie barely talks in actual economical jargon. Well, there is some, but I was enraptured by the characters to notice too much. What this movie effectively does is put real human faces to the upper management devastated by this terrible crisis in our society, and help people realize that not everyone who later benefited from the liquidations and lay-offs were such terrible people. (Sure Jeremy Irons was, but look at Kevin Spacey in comparison. Perfect contrast.)

So I would encourage fans of John Grisham bo0k-to-movie remakes and real life drama films to check this one out. It’s not that well known, but it’s worth checking out if you’re not all about the comedy and action. Real intellectual shizz. Margin Call gets a 8.4 out of 10 from me. Get at me guys, I’m back into reviewing!

Bring it home, Tucci.

 

Sherlock Holmes: A Game of Shadows

Sitting down to watch this movie, I was filled with mixed opinions. I liked the first one as a whole film. Then I saw the recent BBC adaptation of Sherlock in its modern day context and found a new interest in what used to be my favorite Disney film. What am I talking about, you may ask? The Great Mouse Detective, plain and simple. This story of rats, cats, and

The one, true Sherlock Holmes.

danger is one of my favorite stories and so cleverly done I think it should rank as one of the best Disney creations of all time. But enough about that. So, when I sat down for the sequel to Guy Ritchie’s critically acclaimed Sherlock Holmes, I wasn’t expecting the world of this film. Just some entertainment.

And it didn’t really do that, that much. I was constantly befuddled by the dialogue and the quick witted humor in its attempts to be funny, leaving me unsure as to what was more important, the characters or plot. The action took over all too much of the film and left the sleuthing for the last second. You would get a

Despised friends til the end.

few of those extended deductions, but not enough of any detail that I could have noticed myself. Moriarty’s storyline and relevance in the entire showdown was rushed and wasn’t developed very well at all. If I hadn’t had seen the first film (which this was supposed to stand alone as a Sherlock film) I may not have had any idea or interest of what was going on.

And then we come to my issue with Robert Downey Jr. in this film. I thought he made a great comeback, I don’t fault him for that. But what has he done in the last five years that could be considered a serious role? Or even a character that doesn’t have a swelled head? I’m seeing Zodiac back in 2007 and that’s about it. The persona he’s created

I forgot to mention Noomi Rapace was in this one…

since the success of Iron Man is that he is Tony Stark in every role. When you see these movies, it’s not “Robert Downey Jr. as Sherlock Holmes.” It’s “Robert Downey Jr. playing a playboy, egotistical jerkoff.” If there was some range to his acting (other than a standout performance in Tropic Thunder) since his comeback, I would give him more credit. This movie was more of the same.

The playboy strikes again.

It wasn’t to say there weren’t things in this film I enjoyed. After watching the greatness that is Guy Ritchie’s Lock Stock, and Two Smoking Barrels, I know the elements he brings to a movie are fast and slick. Jude Law comes off as a decently done Watson with all the hesitations and reservations he’s supposed to have. Hell, that’s probably because I’m a Jude Law fan. And Stephen Fry makes a great guest star as Sherlock’s brother, Mycroft. Although I don’t think you could ever consider the two brothers, maybe that wasn’t the point. Jared Harris’ performance was unremarkable, but I gave a sigh of relief at killing off Rachel McAdams early in the story. Not a spoiler; a message from the Hollywood gods that she really wasn’t meant to be in these movies.

So you add all these disappointments together into one movie and you end up with a confusing plot and rinse and repeat

Can we see some more explosions please?…

rapport between two characters seen countless times before. The classic buddy comedy with a facade as a thriller action film. I don’t mind all the action and high definition, slo-mo cameras, but this movie got a little ridiculous. The fight with the Russian assassin, the explosions and all the weaponry… This loose adaptation wasn’t really that close to the Sherlock Holmes story was it? I think it would be best to allow the BBC and the British to do what they do best with their British authors. Make television versions worth watching. 5.5 out of 10.

Cemetery Junction: Some New British Faces

A Ricky Gervais/Stephen Merchant collaboration featuring Matthew Goode and Ralph Fiennes? And it’s not exactly a comedy? Count me in? I was sold after you said Ricky Gervais. And he even makes a cameo or two. Cemetery Junction is one of those stock idea genres that deals with a young man’s coming-of-age story. But what interested me is that I had no idea who any of the men who were coming of age. With a bunch of fresh new faces, I was slightly touched and given a few laughs with another creation from Gervais and Merchant.

In Cemetery Junction, we meet Freddie Taylor (Christian Cooke), a young man looking

Some new British faces.

to make something of himself in a part of England that doesn’t seem to let anyone escape or actually succeed. His friends Bruce (Tom Hughes) and Snork (Jack Doolan) are stuck in the same boat, but they seem to be okay with their situation. Dead end jobs and nothing of interest, Cemetery Junction is a town full of ghosts. But when Freddie is inspired by his former girlfriend Julie (Felicity Jones) to be something more, he shoots a bit higher, not trying to be sucked back into his small town.

Classic Gervais.

So I mentioned I didn’t know any of the young men actors in this film. After looking them up on IMDB, I thought I knew them, but I don’t. Christian Cooke was a standout leading actor, holding down the fort for the rest of the younger actors in the film. I thought of him as a younger version of Matthew Goode, they played off each other so well. Bruce Pearson reminded me of a rebellious and dashingly good looking Cillian Murphy. His character and his troubles gripped me quite well in this one. And Jack Doolan reminded me of a chubbier Iwan Rheon, with all the same dorkiness and charm. These three young men made a winning team.

Throw in a great secondary cast and you have yourself a swinging 70’s period piece. Ricky Gervais was going to include himself no matter what, and he had to inject some of his snarky comedy into this one. It worked well, but I can’t really picture Ricky Gervais as a dad. Stephen Merchant and Karl Pilkington

Lookin’ good, as per usual.

made great little cameos as well, providing a chuckle for those who know them. Matthew Goode played a great playboy d-bag boyfriend, and Ralph Fiennes is as fierce and dominating as usual. And Emily Watson was simply pleasant and stunningly caring as the captured bird of a wife in this film. I was quite happy with the results of all the acting when it all came together.

I must admit, I also enjoyed the soundtrack to this movie as well. I dunno what it is, but this and Velvet Goldmine have just gotten to me

Thanks again, boys.

with their tributes to the 70’s. I had no idea I could enjoy that type of music with my death metal background. The humor is fresh and feels like it comes from a very true place, much different from the extremely awkward style of Ricky Gervais (but that doesn’t mean there wasn’t some of his in there as well). It’s refreshing to see a film like this coming from well known comedic creators and you are surprised because it has substance along with comedy. And even some heart in there. This was an interesting little film that doesn’t break the mold too much, but it is British. So watch it. 7.4 out of 10.