The second I saw this trailer in theaters and Ghost Rider is pissing fire, I lost my mind. First, I am a huge Nicholas Cage fan and love all of his work, good or bad. Second, I am a huge fan of the Ghost Rider comics. And this movie came up just at the right time. The first one didn’t do it for me. It gave me a small taste of the Ghost Rider I’m familiar with from the comics, but wasn’t true enough. This one, thankfully, redeemed that for me a bit.
In this installment of what I hope turns into a yearly thing, Ghost Rider is back. With a vengeance. Etc., etc., etc. And this time, Johnny Blaze is trying to hold back his powers. Knowing that, if he unleashes them, The Rider will kill those he loves and hates, Blaze must hold back the demon. This works for a time but soon, his powers are needed to save the world.
Nic Cage is back, with a more badass bike.
At the start of this film, in a nondescript location, Moreau (Idris Elba) is a drunken vigilante priest set out to warn a castle full of monks that they are no longer safe and cannot protect a young boy named Danny (Fergus Riordan) who is said to have the Devil within him. He must be kept from evil before the day of reckoning, and, of course, that’s not gonna happen. A swat-like takedown ensues and Danny and his mother Nadya (Violante Placido) are forced to leave the safety of the castle. Moreau performs a dastardly move and protects Nadya and Danny for a while.
Meanwhile, after Moreau escapes from his lofty predicament, he seeks out the help of Johnny Blaze, The Ghost Rider (Nicholas Cage). Confining himself to a shed in the middle of Europe somewhere, Blaze vows never to allow his powers to be used again. When told of Danny’s situation and the promise that Moreau can help remove his powers, Blaze agrees to let The Rider out one more time.
Nadya and Danny are on the run from Ray Carrigan (Johnny Whitworth), a no good gun runner and overall punk who is in league with Rourke, The Devil (Ciaran Hinds). He is successful in kidnapping him a number of times and it is up to Moreau, Nadya and Blaze to save him before it’s too late.
How is this drunk man driving?
I was more impressed with this movie more than the other one. Scott M. Gimple, Seth Hoffman, and David S. Goyer wrote a better script/plot that allowed for more elements of The Ghost Rider universe to enter. Johnny Blaze’s conflicted feelings come into effect in this movie. Although Peter Fonda didn’t come back for Mephistopheles (The Devil), Rourke was a poor substitute. Hinds’ decrepit body was no appeal for a diabolical devil. Blackout was a good addition to the series, although the decaying thing isn’t really a part of it, and Blackout is more a factor in the Danny Ketch/Ghost Rider series. Including Danny as a suggestion for the continuation for the Marvel Knight’s Ghost Rider was exciting, but that Fergus kid was a strange one.
Good old Johnny Whitworth is back!
The writers got most of the powers right, and even added a new one. Leaving out the Penance Stare was a bit disappointing and I really enjoyed that in the last film. But what was cool about this one was the ability for The Rider to create any vehicle into a Hellfire machine. I know it’s not true to the comics, but the CG suggestion of it was pretty badass. What they should have brought in was The Rider’s shotgun which projects hellfire. That’s what I’m talkin’ about.
I think where most people got hung up on this movie was Nic Cage’s performance. His performance comes off as over the top manic, and, if he had toned it down, things may have gone over better. His age is also a factor in the movies. A much younger Johnny Blaze probably would’ve been better. And the “Cage stigma” on the film probably stigmatizes the whole thing, but hey, as least it was a more truthful approach to Ghost Rider.
A little bit of the Nic Cage madness.
Other than the Cage’s acting, I was impressed with Idris Elba’s performance in this movie. This English actor badass from the 5th season of The Office as Charles Miner and his hit/award winning show Luther, his acting really attempted to tie down the movie in a more dramatic superhero style. Violante Placido wasn’t bad, although hard to pinpoint where she was coming from in this movie. The most exciting part for me in this movie was the return of Johnny Whitworth to my knowledge in the film world. After having not seen him since The Rainmaker, I was happy to see his good lookin’ mug again. And Ciaran Hinds just came across as some decrepit pedophile, no thanks to a strangeness in his character’s lines.
Get a taste of them comics, G.R. fans.
Other than that, I’m glad that The Rider returned. And Nicholas Cage thought, “Hey, I’ll reprise the role and give the people a show.” With a darker outlook on the Ghost Rider series, I really appreciated this one more than the other. And hope for more. Much more. This Ghost Rider gets a 7.5 out of 10.
So unfortunately for those of my friends who know that Dance in the Vampire Bund is awful, I still had to watch this show to determine just how bad it is. My girlfriend has only seen the nude child photos in the manga and, based on that small encounter, knows it was bad. If only I was as smart… Alas, I still watched this short 12 episode anime to see what all the fuss was about (and, as usual, Christopher Sabat, credited as C.T. Anger.)
This vampires and werewolves love dance that is
Like seriously, what is this?
Dance in the Vampire Bund is… interesting, if I could use any word. If I could use a more accurate word… weird. Creepy. Strange… Pornographic at worst. With such a small range of plot and characters that don’t necessarily change but come full circle, it was more of a laugh then a serious perspective on the age old tale of vampires vs werewolves and their touchy-feely relationships. Oh well…
This doesn't even border wrong. It jumps over it.
In this tale of woe, Mina Tepes (Monica Rial), the “Queen” of the Vampires is planning to reveal the existence of vampires and their desire to live hand-in-hand harmony style with the humans. How does she do this? Quiz/T.V. gameshow style. And some crazy shizz goes down. And people die. And she gets naked. What could be a better way to turn people off from this show?
As the show progresses we meet 3 main villains, a few werewolves, and our main werewolf and pro/antagonist, Akira Kaburagi Regendorf (Eric Vale, credited as Alpha Legrange) who has some freaky love interest with a girl at school, Yuki Saegusa (Alexis Tipton) and Mina… So, yeah, that’s going
This is what's wrong. Twilight won't even touch this.
on. Waking up naked beside a 12 year old girl who is also naked? What an interesting okay view of this taboo, because she’s an old vampire who is far older than Akira…
The show ends halfway through and kicks right back up again, and I’m not sure why… Is it because there was a real push for another 6 episodes? I’m really not sure, but I think (probably based on the manga) there was a need to bring Akira’s backstory full circle.
This is pretty legit...
With a few occaisional sob scenes and way too much boobage, this show is (and should be considered) another in a long string of pop culture spinoffs that should be attached to Twilight (not that that’s a bad thing… please, don’t ask…). With a dark element like Underworld (with very similar Lycan/Werewolf transformations) and a bondage element that is way out of this world/not cool, this show goes places most anime wouldn’t. I give a small ounce of credit to the artwork and sensuality of the drawing, but that’s about as far as that goes.
Other than Eric Vale and Christopher Sabat (One the father, the other the son in this situation.) and a decently not annoying girl voice by Monica Rial, there’s not really anything to say about the voice acting, even in its caliber. I did enjoy the Ayres bro.’s and their identifiable voices as
And there's this guy.
a young quiver voiced wimp (sad though) and a centuries old Chinese vampire, Chris and Greg do it again in what seems to be a string of melodramatic C-rated anime. (Not judging, just giving my opinion. Although, its a career and I like most of their stuff. They’re cool guys in person. Especially Chris with his liters of cola and Greg with his pink hair.)
So I send a sigh your way, Dance in the Vampire Bund. With all your potential, you tell an already told story with way to much sex. And mind you, child sex. No, the transformation sequence doesn’t make it okay. And nobody really dies. Which, okay, they’re vampires, but really? Even vampires have to die someday. And so did this show. 4.5 out of 10.