I think the production company says it all when it comes to describing where this movie belongs. The second the Toilet Pictures logo flashed up on the screen, I knew this movie was, in fact, going to be a big piece of poop. But wait! There was one good aspect to the movie! Other than that it was crap. But let me explain…
Phone is a movie about a young journalist named Ji-won. She let loose the floodgates on some sexual predators and is seeking refuge away from the limelight. She moves
Some scary images, not much though…
into her sister and her husband’s second home (rich right?) and lives there until things die down. She changes her number to the only one that the telephone company could get for her (998-6644 or something…) and lives in solitude. But she is still getting these calls from stalkers. And then some inhuman voice of a woman being tortured. Scary, right?
Am I Kawaii desu?
From this point, Ji-won is on a mission to discover who had the number before her and what happened to them. What happens implicates a lot of people in this love affair/ murder plot that gets a little too complicated for a movie storyline. And that’s where the film lost me.
The acting… wasn’t that bad. I feel bad now looking up the woman who played Ji-won, Ha Ji-won (why didn’t they change her name?) and
This girl is a game changer.
realizing she’s an acclaimed actress in South Korea and was nominated for her performance in this film. She wasn’t bad, but I don’t think any of the actors in this movie grasped the entire concept of supernatural horror film in this one.
But there is a little girl who understood what it was to be in a horror movie. Eun Seo-woo did. Playing the adorable niece of Ji-won, Yeong-ju, Eun Seo-woo was a dynamo in this movie. She was always cute, but she delivered such a mature performance when she was possessed in the film that I was actually surprised and chilled. Her character develops an Electra complex and falls in love with her dad,
An nyoung? (That’s hello in Korean.)
and she does it so well. And she’s like 6 or 7 and saying “Shit” onscreen! Her performance deserved an Oscar or award or something, because I fell in love with her and her combination of comedic terror in the movie. It was wonderful.
The rest of the film was average. There were some scary moments but nothing to severe. The Grudge-like long black hair always gets me but that was about it. It didn’t go anywhere horror movies haven’t gone, and was almost tame enough for a thriller film. It had the twist of a thriller film, which I appreciated, but wasn’t dark enough to seal the deal. I’ll give a nice try to Ahn Byeong-ki and Toilet Pictures, but you may wanna change the production company name… It throws out the wrong signals. 5.2 out of 10.
1 Comment | tags: 6 or 7 years old, 998-6644, acclaimed actress, adorable niece, Ahn Byeong-ki, average horror film, award worthy, cell phones, chilling, comedic terror, complicated storyline, cute, decent acting, dynamo, Electra complex, Eun Seo-woo, Grudge, Ha Ji-won, husband, Ji-won, journalist, little girl, long black hair, love affair, mature performance, murder plot, nice ending twist, nominated for performance, not dark enough, number change, Phone, possession, production company, scary, second home, sexual predators, sister, solitude, South Korean, stalkers, supernatural horror film, surprising, thriller film, Toilet Pictures, Yeoung-ju | posted in Movies
I gotta tell you, I’m a sucker for exorcist/devil related films. Any horror movie that tries new ways to prove the Devil walks the earth, I’m on board with believing it. These movies are usually more frightening than gore/slasher/paranormal films. Why? There are a lot of people out there who pray for their immortal souls. Why? Because demons and the Devil himself walk among us, waiting to corrupt us and enter our bodies. In The Rite’s case, no human being is an exception. We are all judge and condemned by spiritual forces. By God himself.
Now, I’m a realist. But I love losing myself in movies like this. Any preacher/demon interaction scenes give me goosebumps.
Colin O'Donoghue. Didn't know he was Irish...
A good shaking of the faith scene here and there is good too. And I love directors/writers who push the boundaries on exactly what it means to be possessed. Different symbolical entities that manifest themselves in unspeakable ways are always something of an interest of mine. Without a strong biblical background, I love the ways the Bible is used to push the envelope with demons and what they can do on a mortal plane.
But anyways, enough of my obsession with the possessed. This movie follows the religious experiences of one Michael Kovak (Colin O’Donoghue). I’ve not seen this guy in any other films, but I was quite impressed with his “I don’t believe in faith” performance and the scientific approach he took. But Michael has two options in his father Istvan’s (Rutger Hauer) eyes. He can either pursue the life of a mortician or that of a priest/preacher. Choosing the less morbid/path his father didn’t choose, Michael begins his training as a priest.
Michael's first experience with an exorcism.
But his faith has never taken any form in Michael. And so Michael’s religious teacher, Father Matthew (Toby Jones) (Great little performance from a great English actor.) suggests Michael take an exorcism class in Italy. It is here that, with no faith in Father Xavier’s (Ciaran Hinds) teaching, is asked to seek the exorcistic teachings of Father Lucas Trevant (Anthony Hopkins). And with this, Michael is shown the tricks of the Devil, and the demons in himself he must conquer.
Now, I need to extoll how good Anthony Hopkins performance is. For the first half of the movie, he plays the nonchalant exorcist. This guy goes around curing people of the Devil himself, no big deal. This guy could care less about whether or not Michael believes in the Devil. He plays the carefree teacher who doesn’t care about his pupil. But then, out of nowhere, due to a shaken faith, Anthony Hopkins channels straight Hannibal Lecter. Could not believe where this came from (can’t tell). But you have to watch how amazingly evil Anthony Hopkins becomes. (Interesting note, there’s a mention of a “Welsh priest.” Coincidence that a movie based on true events would include a role with a Welsh older man? Gotta be fate, or gotta be Hopkins.)
Another little kudos for this movie: special effects. There are 3 scenes in which computer graphics are
Anthony Hopkins. Are you scared yet?
employed. That’s it. Everything else: make-up artists/actual tricks of the camera. When a movie can pull of subtle elements of horror without overdoing the special fx function, then it deserves to be noticed. I feel as if this movie was overlooked as far as horror movies go. This movie has a great balance of horror and plot. Something to watch and take stock in. And that’s worth the few intense horror scenes that’re shown. This movie almost felt like it was the prequel/setup for The Exorcist. (Michael Kovak goes to Chicago to be a priest. Coincidence?)
Pray for your sins. The Devil is coming.
Great Italy shots of Rome and Vatican City. Beautiful buildings to function as B-roll between scenes. The buildings looked (could have been?) Actual religious buildings in Vatican City. It was a great visual experience. I give credit to Mikael Hafstrom, the director of this film. Having some horror movies under his belt already, this Swede really has it down in his 13th film. So thank you, all that worked on this exorcism film. It was great. 8.8 out of 10.
Leave a comment | tags: Anthony Hopkins, B-roll, biblical, Chicago, Ciaran Hinds, Colin O'Donoghue, computer graphics, demons, devil, english actor, evil, exorcist, faith, Father Lucas Trevant, Father Matthew, Father Xavier, frightening, God, Hannibal Lecter, horror, horror and plot balance, Istvan Kovak, Italy, Michael Kovak, Mikael Hafstrom, minimal, morbid, mortician, possessed, possession, pray, preacher, Priest, Rome, Rutger Hauer, souls, subtle horror, Swedish, symbolical images of faith, teacher/pupil, The Devil, The Exorcist, The Rite, Toby Jones, Vatican City, Welsh | posted in Miscellaneous