The Chaser: Korea Keeps Kickin’ It

Should I ever be surprised now when Korea delivers with another amazingly dark and heart pumping thriller movie? I think at this point I just accept that those Krazy Koreans know just how to do it right. Chan Wook-Park and the Revenge Trilogy, I Saw The Devil, and now The Chaser. I hadn’t heard much about this one, but now I will actively be on the lookout for Na Hong-jin after this one. In his debut film, we are

A pimp pushed to the edge to use his strong hand.

introduced to a sadistic killer and a former cop turned pimp and his desire to get back his employees. With a seedy feeling underneath the whole thing, this movie explores the shortcomings of the justice system in catching what’s right in front of them.

As I said before, Eom Joong-ho (Kim Yoon-seok) is an ex-cop turned more lucrative business owner of a ladies of the night agency. He has recently been sending his ladies to the same man and they don’t seem to be coming back to him. This troubles him (he is losing money, after all) and he starts actively seeking out this man stealing his livelihood. What he discovers is something far worse. Based on an actual serial killer in Seoul, Ha Jung-woo plays Je Yeong-hee, a young and aspiring serial killer being looked for for years. This game of cat and mouse just got more dangerous.

The deranged serial killer. Chilling.

And what I liked about it were the stakes. Yeong-hee admits to the murders and the police find he’s a serial killer they’ve been looking for for a while. Eom Jonng-ho brings him in (well, he beats him in) and demands they arrest him and find his women. But there is a justice dilemma that favors Yeong-hee. There’s no evidence, and he was beaten severely, against fair and humane punishment laws. He was treated poorly and, without a warrant, they can’t hold him for very long. With a ridiculous police scramble for evidence, Eom Jonng-ho uses his police skills from way back when to find the conviction.

That’s a pretty good hog-tie right there.

This movie is very twisted in the same way that it is a bit more refined and elegant. There’s not too many bloody dismemberment scenes or gory, blood spurting elements to it. It’s very brutal with the beatings and depravity of it, but it holds back on the reigns when it comes to showing things. It is more of a Streets of Seoul type of film than having to do with a slasher film. The police and “ex-police” call the shots and do all they can to uphold justice. It was an interesting change of pace.

The justice beatdown dance.

A lot of the Korean actors in this film I wasn’t familiar with from other films. The daughter, Eun-ji was from Sympathy for Lady Vengeance, but that was about all I recognized. It was nice to see new faces that I can start to follow like I do with Choi Min-sik, Lee Byung-hun, and Song Kang-ho. Those guys are really legitimate good thriller/action actors, and I’m glad their work is recognized, even over here.

What I don’t appreciate is the fact that U.S. movie makers in Hollywood think it’s cool to remake these movies in a more American way. They’re planning to remake The Chaser with Leo DiCaprio as the leading man. Martin Scorsese in the the talks for directing. It’s gonna be an Infernal Affairs/ The Departed situation all over again. The original Asian make was just fine, why go and jumble it up with a poor remake that attempts to improve on the one before? Is it that

He has a very Choi Min-sik feel to him in this film. Think Oldboy.

Americans don’t wanna watch Asians and read subtitles or something. Come off it then…

But I loved this movie. It’s dark with all the right amounts of thriller/gory/horror/action/police work that you want in a psychological thriller like this. There’s some powerful acting and a chilling, “you gotta hate me” performance from Ha Jung-woo playing the serial killer. It has a good I Saw the Devil feel to it as well. Keep it coming, Korea, you gotta love all these dark Asian films. 8.9 out of 10.

Harsh Times: Get Some Christian Bale

In one of my favorite Christian Bale films, Bale plays a hardened soldier newly returned to South Central Los Angeles. With new promising jobs for himself on the horizon, Jim Davis (Bale) has his feet in two camps. In one, Davis is a well-to-do yet slightly skewed veteran soldier that wants to bring his loving Mexican girlfriend to the U.S. and marry her. In the other, Davis has returned to his old haunts around the streets of L.A., drinking and living the life of a hoodrat. Cruising around with his friend Mike Alonzo (Freddy Rodriguez), attempting to right their lives but always falling short.

Jim Davis, although its not explicitly stated, suffers from Post-traumatic Stress Disorder. After serving over in the Middle East, Davis suffers from bouts of extreme anger and unquenchable violence. This get him in some trouble throughout the film. In a manner of speaking, Davis becomes his own undoing, turning into a destructive time bomb ready to explode at any moment, hurting those he cares about. As an outsider viewing this, Alonzo (Rodriguez) is a spectator to the bomb

Two thugs, cruisin’ to get their. Rodriguez is creepin’ a bit hard on Bale though…

show. Both serve as peer pressure for the other, although, in the end, Davis seems to want to remain in his in between life much longer than Alonzo does.

The film starts with a bit of iffy war footage of Christian Bale running around in trenches, letting his gun go at will and laying waste to the terrorists. This is juxtaposed to the waking fear that he feels when he wakes up in the squalor of his girlfriend’s poverty in Mexico. Marta (Tammy Trull) is a wonderfully devoted character who is only a product of the environment around her. She makes the best of what she has and loves Davis dearly. Jim loves her too, and surprisingly never cheats on her. In this movie, Spanish is the language of love, spoken competently by Bale in this film, as if he picked it up after falling in love with Marta. The language barriers and connections in this film between the white and Latino characters is one I applaud in its representation in the film.

The hardened stare of a killer.

I was also impressed with Freddy Rodriguez’s performance in this film as well. Not seeing him in much other than the Grindhouse films and Six Feet Under. His voice is more recognizable than his acting, which isn’t necessarily a bad thing, because he ran his mouth in this film. Sylvia, played by Eva Longoria, was just thoroughly average in this film, as she usually is. (I did surprisingly like her in Over My Dead Body… if that’s what it’s called). Terry Crews, star of The Longest Yard and The Expendables, made a surprise appearance as a semi-believable street thug, providing some of the only comedy in the film. And last but not least, J.K. Simmons made an appearance as a Homeland Security agent looking to hire Davis. He’s always believable as authority figures in his films.

In this film comes a lot of the breakdown of what happens to someone who suffers through war. It may not appear during their service as in this film, but it may occur anytime after, triggered by any number of things. For Davis, I felt it was his return to a society that was just as cruel as the conditions he felt in

Look everyone, it’s the Old Spice Guy!

war times that did it for him. He came back to more of what he knew, and treated it like the warring sands of the Middle East. And what impressed me more with David Ayer’s writing and directing, is that he based these characters on real people from his experience in South L.A. This brought a new level to Christian Bale’s acting and the way in which his character was formulated.

Bale and Rodriguez getting the direction they need from Ayers.

Let me say again how impressed I was with Christian Bale’s acting in this film. As one of my favorite films of his, Christian Bale does nothing less than attempt and succeed at an American accent. Although I felt that the lingo used in this film was a bit over the top, when it was used, it was more than likely appropriate. With some tricks of the trade thrown in there and some real mean streets shizz, it wasn’t a stretch to believe the events of the film. But it just goes to show that the corruption of the streets can easily lead to a tragedy. And the way that Christian Bale portrays that breakdown of a character, up to the tears and fear, its a commendable performance. Not to mention how frightening Christian Bale becomes when he’s serious. I wouldn’t wanna deal with him in a dark alley.

So with his performance, some true to the streets gang banging, and the whites vs. the latinos really

Jim Davis, rollin’ hard to get his.

adds a lot to a well written story. The psychological thriller elements of the film are well delivered and I can connect things I’ve witnessed in my life to the events onscreen. On a touchy subject like the recent tours of duty over in Iraq and Afghanistan, this movie touches just the right spots with aplomb. I’ll give this one, as should be expected, a decent 84. out of 10.

Baldr Force EXE Resolution (Not the Video Game)

In this quick little 4 episode OVA, I was blown away by the breadth of this show that took a mere 2 hours to explore. And this is coming from an OVA that was based on a video game! With a beginning, middle, and complete end, this show summarizes (or does it?) or gives a complete new angle to a game I’d really like to play now.

So, Baldr Force EXE Resolution. It’s the story of Toru Soma, an ex-hacker turned good guy cop. He does this for his own motivations in order to catch his protege’s killer, located inside the police force. What he encounters is more than he could have possibly imagined. With

Pretty dec, right?

a past unfolding and new friends becoming enemies, Toru is forced to redefine what he considers real.

Despite the brevity of this show, I still consider it worth watching. It may move much quicker than most anime, but it performs well as a mecha/psychological thriller. Some characters perform well as side characters and need not be fleshed out, but others shine in their key roles that unfurl the story of the internet servers and what’s been menacingly destroying them.

Relying too much on that Fbook, right?

What I find most interesting about this show is its commentary on the interdependency of actual life events with what happens online. The two become so intertwined that it does sort of beg the quesiton, what is reality? Hate to say it, but in an almost Inception-esque way, this OVA suggests that people these days may rely too heavily on technology to get through life. (Hence, I should shut down my internet use and no longer give you my baller ideas on all things entertainment.)  Pretty smart thinking from a Windows/Dreamcast game made way back in 2003.

But I digress. I rather enjoyed the 3-D animation of the Simulacrums that people used to maneuver around the internet, and it really spoke to a mecha audience instead of a fake reality spin in which we as humans walk around on the internet. I like the consequence that was created, like in the Matrix (if you die in here, you die for real shizz) and it was a perfect balance of plot and action sequences.

What madness is going on here?

All-in-all, just check this little mecha OVA out and see if it stacks up against the computer game. If it does, let me know, I’d love to check it out for myself. I’ll give this Matrix/Inception/thriller mecha a 7.9 out of 10.