I had never in my 21 years of life ever before seen a RoboCop film. Hearing of how cheesy they look today and how they would insult my CG effects sensibilities, I was hesitant to check out this film on Netflix. My roommate did only the slightest of convincing and we sat down to watch. I was pleasantly surprised. Being hailed as a good film in its time for the issues it brought up and the icon it created, RoboCop can be seen as an overall achievement for all its done. And, right in the vein of claymation/animatronics that I’ve come to love too. Thank you Hellraiser.
RoboCop is the story of a rundown Detroit (as if Detroit didn’t already have a bad rap…) in which crime runs rampant. In such a desperate time, Detroit’s police force has been bought out by the Omni Consumer Productions Corporation (OCP). Hoping to bring up the efficiency of justice, OCP has created some prototypes to help this along. In error, OCP’s senior VP Dick Jones (Ronny Cox) creates a robot that malfunctions and maliciously kills a fellow worker. With this disaster under wraps, it is up to another boardmember, Bob Morton (Miguel Ferrer) and his robotic-cop idea to shine. In this cutthroat world of business, anything goes. (And this is an issue later.)
The future of policing.
Meanwhile, a newcomer to the Detroit scene is hittin’ the streets. Alex Murphy (Peter Weller) is a transferred cop out to prove just how good he is. And prove he does. He gets kidnapped by a gang led by a man named Boddicker (Kurtwood Smith). You may recognize him as Red from That 70’s Show. I’ll always remember him from RoboCop. Anyways, Murphy gets lit up. And I mean shotgunned to death. Arm destroyed, torso torn, shot dead. Animatronics at its most frightening. It was intense to say the least. You can guess where the rest of the movie goes at this point. Murphy is turned into RoboCop and helps clean up the streets. But there’s mischief afoot. And some inside guys need to be taken out.
Peter Weller, you freaky old bastard you.
All in all, the acting was sub par in this movie. I didn’t recognize many of the actors, although I had seen Miguel Ferrer in something or other. Peter Weller is more of a cult classic actor/T.V. production actor, and completely fell under my radar. You know who didn’t? Ray Wise. This best of the B-rated actors is quite high quality in my book. This Tim and Eric returner is the best hug teacher and Shrim disposer out there. Thanks and Great Job!
Other than that, not a lot stood out to me in this film. The plot chugged along, the ending could have ended a bit sooner, and I think this is one of those movies which could have a successful remake. And I don’t say that often. Some updated acting and an even darker element to this movie would really spice it up as a need to see action movie. Still set it in the 1980’s, this movie could benefit from a touch-up. But enough about that. The simple fact that this movie was so successful it created a merchandise franchise. I give props to a film that can create more than a movie from their idea. Good ideas about the crime of America and its economy went into this film, something to be commended on. Let’s see a remake soon… maybe. 5.5 out of 10.
After seeing this trailer for Tim and Eric’s new movie, I had to excuse myself to the bathroom in order to clean the boxers I had just soiled. Having watched every single episode of Tim and Eric Awesome Show Great Job! countless times, I had to see this the second I could get my hands on it. And I did. And it was great. But I’ll need more than just that to review a classic T&E production properly.
In this movie, a simple plot is simple. Tim and Eric, after revamping their images in the most bizarre of ways, spend a billion dollars in making a box office hit. That is about 5 minutes long. It’s one shot along a Paris street of a man in a suit of diamonds. Diamond Jim. Played by Johnny Depps. And all he has to say is “Bonjour.” He delivers the biggest of diamond rings (being Diamond Jim, Bonjour.) to a lovely waitress and the movie ends. (The credit roll reminds me of the days when I used to take credit for everything I did in my home movies…)
The lights pick up and a garishly and horrifically dressed Tim and Eric turn around in their movie seats to see Tommy Schlaaang in his Schlaaang Recliner (stirrups up and being used) in classic Cinco fashion, disgusted with their production. And seeing as they spent all the money he gave them on diamonds and things for themselves, they have to find some way to make a billion dollars. So what do they think they’ll do? Revitalize a mall.
Hi, Hi, Hi, I'm Chef Goldblum
Oh how the hi-jinks begin. Upon finding this mall in Historic Swallow Valley, they find Damien Weebs (Will Ferrell) in the back office. Sitting there in utter despair, Weebs has no idea how to push his failing mall onto some unsuspecting suckers. Until Tim and Eric fall for the aptly placed commercial in a bar bathroom. After a watch and a rewatch of Top Gun, Weebs is finally ready to turn over his mall. I honestly thought (even if it wasn’t) it was a great stab at the failed use of repetition in Family Guy. With Taquito (John C. Reilly) as their guide, the pair must vanquish a Pizza Court wolf and a handful of vagrants.
This is where the conventional plot is derailed. From here we have Reggie and his son Jeffrey (Matt O’Toole and Noah Spencer) and Tim’s obsession with Jeffrey. He even cuckolds (incorrect usage but whatevs) Reggie into giving up his son to Tim.
So what'd you think?
Righteous. And then Eric meets the love of his life, Katie (Twink Kaplan). There’s some betrayal and one of the strangest sex acts I’ve ever seen in a film, followed by one of the most graphic diarrhea scenes ever recorded. This movie has it all. As well as an explosive ending.
There were complaints in the reception as far as length. With a show that started off on Adult Swim as a 10 minute sketch comedy, this movie was 9 times that. It is almost an entire season’s length in one sitting. And this left people hanging and at times bored with the slow
Are you ready to enter the Shrim?
chugging along of the same plot at great length. I can say the same for myself. It’s not that I have ADHD or ADD, but this movie tried my patience at times. Without the freedom to jump around to whatever they felt like, it left certain parts as plot and others as pure comedy sketches. The transition between the two cut short some laughs.
Other than that, this movie hit home to millions (I hope there’s millions…) of T&EASGJ! fans all over the… planet (?) It had the characters you love from past episodes (James Quall and David Liebe Hart) and reformed actors into characters you grew to love (Will Forte and John C. Reilly). It doesn’t disappoint and delivers a decent bit more than the trailer suggested (i.e. Ray Wise returns as Dr. Doone Struts with SHRIM.). All in all you have to love the effort and the delivery Tim and Eric give to their fans of all things alternative comedy. It’s a wonderful thing. In comparison to the show, this deserves a 7.1 out of 10.
I had never in my 21 years of life ever before seen a RoboCop film. Hearing of how cheesy they look today and how they would insult my CG effects sensibilities, I was hesitant to check out this film on Netflix. My roommate did only the slightest of convincing and we sat down to watch. I was pleasantly surprised. Being hailed as a good film in its time for the issues it brought up and the icon it created, RoboCop can be seen as an overall achievement for all its done. And, right in the vein of claymation/animatronics that I’ve come to love too. Thank you Hellraiser.
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