Tag Archives: R&B singer

Queen of the Damned

Now I’m gonna take the leap here and suggest (as it probably has been, being a film out for 10 years now) that Anne Rice didn’t understand where this film was coming from or going. A little later, I’ll explain why. But it is sad for me to see that Rotten Tomatoes (or any other reviewer) thought that this film was so poor. I have reasons for liking it, but there’s truly really only one. But plot first.

In a modern day world with the rise of Nu Metal in the early 2000’s, Lestat the Vampire (Stuart Townsend) rises to a new sound he had never heard before. A sound that rises him from the grave. Upon encountering the goth band making all the racket, Lestat

Townsend as Lestat. Anyone see Dorian Gray?

reveals himself to be a centuries old vampire comes to make all their wishes come true. Now he just broke the unspoken agreement all vampires tailor themselves to. Don’t talk about being a vampire, or that vampires exist. But he is doing this for a reason.

To break the monotony. His silken and brooding voice (sung by none other than Jonathan Davis of Korn) charms all the goths in the entire world, a la Deathklok from Adult Swim. Pronouncing proudly that he is a vampire, Lestat hopes that other vampires will come out of hiding, even if it is only to get him. He has the world on a string, and he’s shaking it to find out where they’re hiding.

The beautifully frightening Aaliyah.

Meanwhile, at the London paranormal research building, Talamasca…

Jesse Reeves (Marguerite Moreau) is a young researcher, looking into whether or not Lestat is actually a vampire. Analyzing his lyrics, she feels she’s stumbled onto something real. With a colleague of hers confirming that it’s true, David Talbot (Paul McGann, you Dr. Who fans out there may know him as the 8th Doctor… personally, I don’t care.) hands her a diary of Lestat’s pasts and beginnings. When the two intertwine, a evil, ancient presence arises, leading to a new world order. Unless it can be stopped. I’m talking about Aaliyah as Akasha, the vampire Queen of Egypt. Word.

So you have your wondefully sexy and fierce R&B singer that I said I loved from Romeo Must Die. She takes on this role with as much grace before her tragic end (this film is dedicated to her). You have Stuart Townsend, the man who was almost destined to play Aragorn before Peter Jackson up and said he didn’t want him. You may ask, where have I seen Townsend before in a similar film? Look no further than the suave Dorian Gray in The League of Extraordinary

Some pimpin’ old vampires.

Gentlemen. Badass. He was a great addition to the film and really had the whole “Metal Sex God in Leather Pants” look going on. And Jonathan Davis backing him up on vocals. He’s Irish too, so you can’t hate. Marguerite Moreau was beautiful as ever in the film, giving Lestat a reason to fight for humans. And can I say again that Jonathan Davis makes a cameo in the film? Look out for him.

The Moreau factor.

And this is where I come to why I liked the film. Nu Metal. The early 2000’s framed my pathway into teenagery. That means I was frustrated and awkward. And what better music to listen to than Deftones, Static-X (my favorite bands), Disturbed, and the almighty Korn? Nothing in the world soothes my soul more than death metal. And you get all new hauntingly original songs from Korn? This movie is a package deal. It could’ve almost worked out as a rock opera. I’d be down.

And this is also the point where Anne Rice doesn’t get it. Goths/metal have forever been linked with vampires. It’s a fact now at this point. And a woman who was 58 at the time of this movie should’ve keeled over dead at the use of music in this film. New age music that’s not from my early years? Noooooooo! Understandable response. The movie is nothing she’s seen because it’s meant for the goth scene. The punk and metal scene. Because that strain of music has adopted the vampire image and feel. And, in that way, this movie works for me as a metal fan.

Jonathan Davis on his throne of Korns.

There are those out there who think that Korn is a hack band. They’re original, true, that can’t be denied. But, for some people, they’re washed up, or not hard enough for a lot of hardcore metal fans. They’re like Limp Biskit (I don’t even care to look up his name…) But that’s all wrong. And they hate old Limpy boy. Korn has been around since 1993. It is now 2012. They are infusing techno methods now, into their music. They were ahead of the curve when it came to electronic music back in the day, before all this started. They’re metal, they’re rap metal, they’re nu metal. They. Are. Korn. They can do whatever the shit they want. They are the original when it comes to everything. They are groovy and they are hard. And they hate the world. What could be better?

Now that you know my secret obsession with Korn, you know why this movie works for me. But it’s just my opinion. The acting was fine (I thought Stuart Townsend really stood out), and I pooped myself the second I heard him sing and I knew it was Jonathan Davis. It just

Can’t get enough of the sexy darkness.

clicked with me. It doesn’t have to with you. That’s why I specially recommend this to fans of Nu Metal and all things dark. For those of the 90’s and 2000’s who want to relive a bit of angst. And maybe suck some blood. 7.1 out of 10.

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Romeo Must Die

In what was considered Jet Li’s breakout American performance, I was a bit disappointed. (I personally though Lethal Weapon 4 really showcased a lot more skills…) The plot is just a crude, urban sampling from Romeo and Juliet. There were minimal stunt/fight scenes. Overall it wasn’t as action packed as the cover had led me to think. I guess I should’ve

An awkward couple?

expected half-assed amounts of martial arts from the director of Exit Wounds, Doom, and Street Fighter. Thanks a lot, Andrzej Bartkowiak…

Let’s just examine the plot to get a what bothers me about this movie. Two warring families. You have the Sing family, led by Ch’u Sing (Henry O). Then you have the black family led by Issak O’Day (Delroy Lindo. He’s that intelligent black man you see in a lot of films as a stock character actor. The smart version of Ving Rhames.) O’Day? What kind of last name is that for a black mafia family? And when have black gangs ever organized like the mafia in the first place? Weird…

This is the second time in a film I’ve seen a guy throwing a girl around…

So yes, I get the two warring families with Jet Li and Aaliyah in the middle. They don’t really love each other at first and you never get that onscreen chemistry from them. Never even a kiss. Just a hug. What I find weird is that they shot the kiss scene (that could’ve been placed anywhere in the film) and they chose to cut it out. Racist anyone? The screeners said it was awkward… Hmm…

Anyways, Jet Li is Han Sing, escaped from a high security prison in Hong Kong. He creatively escapes during one of the cooler fight scenes in the film, but how does he escape the country and make it all the way to Oakland? There is a real lack of police interference in this movie… Aaliyah is a beautiful young actress who (after watching this and The Queen of the Damned) really was taken too quickly from the

It’s all about the shades for Wong.

silver screen. She wasn’t like other R&B actresses onscreen who kinda flaunted their sex appeal. She came across as the cute girl next door you could believe and fall in love with. (Not so much in The Queen of the Damned, but just as good in that movie too.)

A beautiful and tragic young actress.

So Jet Li makes it to Oakland to discover something fishy going on with his father’s gang enterprise. His brother Po (Jon Kit Lee) has been murdered and Han Sing is on the case to find out what happened. (He used to be a police officer. Jackie Chan anyone?) The two star crossed lovers meet (if you can call them lovers) and their families war around them. With some betrayal and only the slightest bit of martial arts, this movie comes to its conclusion: happy ending.

But it wasn’t such a good ride to the happy end. Coming from a 2000 film, the ghetto speak was tired and old. If I had watched it when it had came out, I might be saying something different. But all the dawg’s and yo’s really wore on me… especially when the Chinese gangs used that slang, AND if showed up in

Some of that minimal martial arts.

their subtitle translations for some strange reason… I don’t think they have that kind of slang in the Chinese language…

And how racist this film was! It wasn’t just the speech, it was the music. Sure you have an all star cast doing the R&B hits for all the black gang scenes, but when it comes to cutting over to a scene with Jet Li or someone in the Asian gang, classical oriental music. The clangs and bows of what every person in America hears when they go into a Panda Express. There couldn’t be an infusion or anything more original for both gangs? This movie just seemed like a compare and contrast of races. The only crossover was that some black gang members miraculously knew proper Karate/Wushu form for no reason. Fancy that…

Get your head around that…

The acting was fine and I had no major complaints about that. But for some reason, and I don’t know how to put it into words, Anthony Anderson (co-star of some of the Scary Movies… and Kangaroo Jack…) just rubbed me the wrong way. He wasn’t funny, and seeing him get his ass handed to him by Jet Li just seemed satisfying… Overall though, the whole movie put me in a sour mood. I’ve seen better from Jet Li. This movie is one of those Asian/American films that takes the whole action/martial arts thing for granted. It sickened me a little bit. It was just too dated for me. They should’ve changed the title too… Romeo Must Die? More like A Vague Racist Action Movie About Building A Football Dome. There you go, all fixed. 4.3 out of 10.