A Ricky Gervais/Stephen Merchant collaboration featuring Matthew Goode and Ralph Fiennes? And it’s not exactly a comedy? Count me in? I was sold after you said Ricky Gervais. And he even makes a cameo or two. Cemetery Junction is one of those stock idea genres that deals with a young man’s coming-of-age story. But what interested me is that I had no idea who any of the men who were coming of age. With a bunch of fresh new faces, I was slightly touched and given a few laughs with another creation from Gervais and Merchant.
In Cemetery Junction, we meet Freddie Taylor (Christian Cooke), a young man looking
Some new British faces.
to make something of himself in a part of England that doesn’t seem to let anyone escape or actually succeed. His friends Bruce (Tom Hughes) and Snork (Jack Doolan) are stuck in the same boat, but they seem to be okay with their situation. Dead end jobs and nothing of interest, Cemetery Junction is a town full of ghosts. But when Freddie is inspired by his former girlfriend Julie (Felicity Jones) to be something more, he shoots a bit higher, not trying to be sucked back into his small town.
Classic Gervais.
So I mentioned I didn’t know any of the young men actors in this film. After looking them up on IMDB, I thought I knew them, but I don’t. Christian Cooke was a standout leading actor, holding down the fort for the rest of the younger actors in the film. I thought of him as a younger version of Matthew Goode, they played off each other so well. Bruce Pearson reminded me of a rebellious and dashingly good looking Cillian Murphy. His character and his troubles gripped me quite well in this one. And Jack Doolan reminded me of a chubbier Iwan Rheon, with all the same dorkiness and charm. These three young men made a winning team.
Throw in a great secondary cast and you have yourself a swinging 70’s period piece. Ricky Gervais was going to include himself no matter what, and he had to inject some of his snarky comedy into this one. It worked well, but I can’t really picture Ricky Gervais as a dad. Stephen Merchant and Karl Pilkington
Lookin’ good, as per usual.
made great little cameos as well, providing a chuckle for those who know them. Matthew Goode played a great playboy d-bag boyfriend, and Ralph Fiennes is as fierce and dominating as usual. And Emily Watson was simply pleasant and stunningly caring as the captured bird of a wife in this film. I was quite happy with the results of all the acting when it all came together.
I must admit, I also enjoyed the soundtrack to this movie as well. I dunno what it is, but this and Velvet Goldmine have just gotten to me
Thanks again, boys.
with their tributes to the 70’s. I had no idea I could enjoy that type of music with my death metal background. The humor is fresh and feels like it comes from a very true place, much different from the extremely awkward style of Ricky Gervais (but that doesn’t mean there wasn’t some of his in there as well). It’s refreshing to see a film like this coming from well known comedic creators and you are surprised because it has substance along with comedy. And even some heart in there. This was an interesting little film that doesn’t break the mold too much, but it is British. So watch it. 7.4 out of 10.
So by now I expect this show to be well known despite its cancellation. Arrested Development, one of the best shows on television from 2003-2006, was (and is) one of my favorite shows. I recently re-watched this and thought it would be good to give it a review it deserves despite its cancellation. I know nobody really gives this show bad reviews, but I just wanted to buffer reviews that already gave this show an amazing name. With the rumors (or preparations) for a movie to be released in 2012 (if we all make it) I think this would be the perfect time to talk about Arrested Development.
Now, Ron Howard, the executive producer and narrator of this show, is pretty well known if you don’t
Ron Howard. Thank you.
already know. And he’s quite great. (Some of my favorite films, A Beautiful Mind and Cinderella Man, are Ron Howard creations. Even the Dan Brown novels-films are quite great.) This combined with Mitchell Hurwitz,’s writing, (writer of such comedies as Golden Girls and The John Larroquette Show) makes for one of the best shows to ever grace television. Both of these guys, combined with the amazingly comedic acting talents of the main cast, leaves me laughing every time I watch any of the three seasons.
So, basic plot. Michael Bluth, the middle of 3 sons of the Bluth family, has to take over for his father’s business. The reason? His father has committed a number of felonies that have placed him in prison, awaiting trial. This structures the basis of the show. The rest of the show? The Bluth family. You have Gob, the failure, incompetent magician, kicked out of his own magical order. Lindsey Bluth, Michael’s twin sister and fair-weather activist. Buster Bluth, the momma’s boy younger brother and complete baby. Along with these are Tobias Funke, the failed therapist and husband of Lindsey. Their child Maebe, is the rebellious wild child. And Michael’s son George Michael has a thing for her. But don’t worry, he’s a goody two shoes, and he’d never step out of line. But everyone steps out of line once in a while. And that’s where the humor comes from. The unabashed comedy that flows from every character, every pun, every situation, and every ironic event.
Best cast. Ever.
And who delivers these genius lines? One of the best casts out there. First, you have Jason Bateman as Michael Bluth, the main focus of the show and the one holding the family together. Bateman’s cynical nature and pessimistic attitude stands in contrast to every other character and their lack of ethical and hard working spirit. Then there’s Portia de Rossi, Michael’s twin Lindsey. She’s the lazy good for nothing who brings the ditzy activist role to life. She literally understands nothing. And she’s great. It makes it funny that her and Tobias’s relationship really doesn’t work because she’s really a lesbian in real life. And her and Tobias never do it. Ironic, huh? Perfect fit though. There’s Will Arnett as Gob, my
Gob (Will Arnett) . Genius
favorite character. He’s the most offensive, hilarious, and unabashedly direct character who loves women, one-upping his brother, and performing magic to the “Final Countdown.” Michael Cera plays Michael’s son, George Michael. (Funny name, huh?) This show functioned as Michael Cera’s jumping off point for more work, but he’s never really done anything as good as Arrested Development. Alia Shawkat plays Maebe, George Michael’s forbidden love and cousin. She is one of the more grown up members of the family but always reverts back to her childishly rebellious state. Tony Hale plays Buster Bluth, the baby of the family. He’s great as one of the stranger characters and really plays the part so well. David Cross plays Tobias Funke, the failed therapist that seems gay and is a never-nude (Check that bit of news out, why don’t you.). Jeffrey Tambor and Jessica Walter fill out the family as George and Lucille Bluth, the parents and more dysfunctional family members than most. With their controlling natures and absurd sex drives, these two really bring out where their children’s bad behavior came from.
And that’s really about all there is that needs to be said about this show. This is what makes it good. With great writing and comedic elements, a great producer/narrator, and an amazing cast, what more do you need? These actors have all made names for themselves from this and other shows, and have gone on to do more than just comedy. I could watch this show over and over again. Although you may need to buy the seasons, their well worth their $25 a piece. Check them out. 10 out of 10.
And here’s the best of Tobias. Thank you David Cross for one of the greatest characters of all time.
A Ricky Gervais/Stephen Merchant collaboration featuring Matthew Goode and Ralph Fiennes? And it’s not exactly a comedy? Count me in? I was sold after you said Ricky Gervais. And he even makes a cameo or two. Cemetery Junction is one of those stock idea genres that deals with a young man’s coming-of-age story. But what interested me is that I had no idea who any of the men who were coming of age. With a bunch of fresh new faces, I was slightly touched and given a few laughs with another creation from Gervais and Merchant.
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