Mirai Nikki: Future Diary

Mirai Nikki, Future Diary.

From the get go I’m gonna call this the standout anime for 2012. Although it was done back in October through April, it’s the show that got me excited and entertained for hours. I pretty much watched this show in a few days. I haven’t done that since Death Note. And Death Note is my favorite anime, so you can see what that says about this one. Mirai Nikki (known in English as Future Diary) has an interesting concept, a wide array of characters (one for everyone to choose and root for), and great animation. I don’t know where the Japanese come up with ideas for shows like this, but these intricate plot anime are where it’s at.

Mirai Nikki is the story of Yukiteru Amano (Yukki for short) and his apathetic life of recording things around them. He never hangs out with anyone or does anything remotely social. I guess you could

You crazy, ninth…

count hiding under his blanket and speaking with Deus, the god of this world. One day Yukki visits Deus and Deus decides to give him a new phone diary, one that can tell the future of things around Yukki. Using this to his advantage over the next several days, Yukki finds himself being chased down by a serial killer. In the course of running away, Yukki runs into somebody he didn’t expect. Yuno Gasai, his obsessive stalker. Learning that there are other participants in this “game” with future diaries, Yukki must fight against others, even kill, in order to become the next god of this world. The game is on.

Some of the other characters of Mirai Nikki (they’re kinda better…)

Just from that last paragraph’s description of the story, don’t you want to watch this intricate plot to figure out what happens? And, for me, it’s all about exploring and discovering the world of this wide ranging cast of diary owners. I have to say something right here to speak to that. This show is about “dead ending”/killing the other owners of the diaries. Every owner has their own reason for participating, and, I’ll say, to a fault, Yukiteru doesn’t. It seems, throughout the entire show, that Yukiteru is only playing this game to not die. He had no aspirations of becoming god, and I guess that’s a reason for playing. But that is a faulted reason. Yuno on the other hand… is a bit more complicated.

But this is the first anime I’ve ever watched where I liked all of the other supporting characters, and absolutely hated the two main characters from start to finish. Yukiteru is apathetic and weak. He has nothing to fight for and no way to fight for it. Minene Uryu (the 9th diary owner) is a terrorist, and although she may want to make the world better, she goes about it all wrong. Every character I did like and I thought had a good

This is what Yukki sees under his blanket fantasy world.

reason for winning isn’t given enough time to do so or the means to do so. This constantly was thrown in my face and was quite frustrating. Yuno is manipulative and never allows Yukki to decide if he loves her or not. With such flawed main characters, I guess it’s okay to hate them to an extent. They have to redeem themselves after all.

And that’s why I was okay with liking this show, despite hating the characters who got 80% of the screen time. I don’t think any show has to adhere to the good/bad dichotomy between protagonists and antagonists. And they don’t have to be a good person to be a hero either. So that’s well done in itself. Nothing in life is black and white.

Pretty PC for 9th Graders…

But the plot! The plot, the plot, the plot! Every episode ends with a cliffhanger, you have no idea where the story is going or when it will end! The intricacy of everyone involved in the Future Diary game is complex and not so easy to decipher. No one is safe and everyone is at risk, even those people outside the game. Betrayal, complex love stories, murder, this show has it all (and not without a bit of sexuality and boobs you wouldn’t expect on 9TH GRADERS). Everyone is out for themselves and it is up to you to side with who you think is right. This show would function perfectly as a choose your own ending game (point and click, preferably) in which you take each character to their limits. And praise Jeebus that Funimation got ahold of this show for dubbing, although I think a Death Note cast would’ve worked just as well.

So watch this show if it’s the last thing you do. It is well worth it and brings a whole lot of genres of anime together into one storyline. Anyone who enjoys good adrenaline pumping television, great character driven stories, and an all around game of cat and mouse with human lives at stake, watch this. You won’t regret it. And I stand firm in this being one of the best anime of 2012, maybe the last few years. Mirai Nikki, I may not like Ninth, but this deserves a 9th out of 10.

Beware the love triangles…

Ghost Rider 2: Spirit of Vengeance

The second I saw this trailer in theaters and Ghost Rider is pissing fire, I lost my mind. First, I am a huge Nicholas Cage fan and love all of his work, good or bad. Second, I am a huge fan of the Ghost Rider comics. And this movie came up just at the right time. The first one didn’t do it for me. It gave me a small taste of the Ghost Rider I’m familiar with from the comics, but wasn’t true enough. This one, thankfully, redeemed that for me a bit.

In this installment of what I hope turns into a yearly thing, Ghost Rider is back. With a vengeance. Etc., etc., etc. And this time, Johnny Blaze is trying to hold back his powers. Knowing that, if he unleashes them, The Rider will kill those he loves and hates, Blaze must hold back the demon. This works for a time but soon, his powers are needed to save the world.

Nic Cage is back, with a more badass bike.

At the start of this film, in a nondescript location, Moreau (Idris Elba) is a drunken vigilante priest set out to warn a castle full of monks that they are no longer safe and cannot protect a young boy named Danny (Fergus Riordan) who is said to have the Devil within him. He must be kept from evil before the day of reckoning, and, of course, that’s not gonna happen. A swat-like takedown ensues and Danny and his mother Nadya (Violante Placido) are forced to leave the safety of the castle. Moreau performs a dastardly move and protects Nadya and Danny for a while.

Guilty.

Meanwhile, after Moreau escapes from his lofty predicament, he seeks out the help of Johnny Blaze, The Ghost Rider (Nicholas Cage). Confining himself to a shed in the middle of Europe somewhere, Blaze vows never to allow his powers to be used again. When told of Danny’s situation and the promise that Moreau can help remove his powers, Blaze agrees to let The Rider out one more time.

Nadya and Danny are on the run from Ray Carrigan (Johnny Whitworth), a no good gun runner and overall punk who is in league with Rourke, The Devil (Ciaran Hinds). He is successful in kidnapping him a number of times and it is up to Moreau, Nadya and Blaze to save him before it’s too late.

How is this drunk man driving?

I was more impressed with this movie more than the other one. Scott M. Gimple, Seth Hoffman, and David S. Goyer wrote a better script/plot that allowed for more elements of The Ghost Rider universe to enter. Johnny Blaze’s conflicted feelings come into effect in this movie. Although Peter Fonda didn’t come back for Mephistopheles (The Devil), Rourke was a poor substitute. Hinds’ decrepit body was no appeal for a diabolical devil. Blackout was a good addition to the series, although the decaying thing isn’t really a part of it, and Blackout is more a factor in the Danny Ketch/Ghost Rider series. Including Danny as a suggestion for the continuation for the Marvel Knight’s Ghost Rider was exciting, but that Fergus kid was a strange one.

Good old Johnny Whitworth is back!

The writers got most of the powers right, and even added a new one. Leaving out the Penance Stare was a bit disappointing and I really enjoyed that in the last film. But what was cool about this one was the ability for The Rider to create any vehicle into a Hellfire machine. I know it’s not true to the comics, but the CG suggestion of it was pretty badass. What they should have brought in was The Rider’s shotgun which projects hellfire. That’s what I’m talkin’ about.

I think where most people got hung up on this movie was Nic Cage’s performance. His performance comes off as over the top manic, and, if he had toned it down, things may have gone over better. His age is also a factor in the movies. A much younger Johnny Blaze probably would’ve been better. And the “Cage stigma” on the film probably stigmatizes the whole thing, but hey, as least it was a more truthful approach to Ghost Rider.

A little bit of the Nic Cage madness.

Other than the Cage’s acting, I was impressed with Idris Elba’s performance in this movie. This English actor badass from the 5th season of The Office as Charles Miner and his hit/award winning show Luther, his acting really attempted to tie down the movie in a more dramatic superhero style. Violante Placido wasn’t bad, although hard to pinpoint where she was coming from in this movie. The most exciting part for me in this movie was the return of Johnny Whitworth to my knowledge in the film world. After having not seen him since The Rainmaker, I was happy to see his good lookin’ mug again. And Ciaran Hinds just came across as some decrepit pedophile, no thanks to a strangeness in his character’s lines.

Get a taste of them comics, G.R. fans.

Other than that, I’m glad that The Rider returned. And Nicholas Cage thought, “Hey, I’ll reprise the role and give the people a show.” With a darker outlook on the Ghost Rider series, I really appreciated this one more than the other. And hope for more. Much more. This Ghost Rider gets a 7.5 out of 10.