As much as I’m sure some people wanted to see this movie for Vince Vaughn, Ben Stiller, and Jonah Hill, there is one man I wanted to see this movie for in particular. And that man was Richard Ayoade. From over the pond, Richard was brought to us as a gift, and should be treated as one. It’s not that often that a truly talented and gifted British
The true star of the film.
comedian graces us with his presence in an American typical absurdist comedy. It’s not to say that the rest of it wasn’t great, but one person stood out. IT Crowd’s lovable Moss. Let’s get it on.
What makes this movie great for me? The fact that it takes place in a fictitious town in my home state of Ohio. In a typical suburban neighborhood like the one I grew up in, Glenview, Ohio gives a true sense of how mundane and fake people can be in a well off town like this one. Where does a character like Evan Trautwig (Ben Stiller) find excitement from? Creating neighborhood groups and organizations and running. Just as well he would create the local Neighborhood Watch.
Classic slo-mo roll seen with every group of slick bricks.
After a horrendous Predator skinning of his recently hired Latino night guard, Trautwig takes it upon himself to keep the streets safe and find his employee’s murderer. Inspiring justice-like feelings in three men, Trautwig creates a badass group of rollers with great hangout basements. You got Bob Finnerty (Vince Vaughn). He’s the lovable dad and sports fan who wants nothing more than utilize the man cave he created years ago but his wife won’t let him even touch. Franklin (Jonah Hill) is the off the walls juvenile who will do and say anything, at any moment. This movie is where it all started with me. I decided to give Jonah Hill a second chance with all his movies from the past. I love him now.
And last and never least is Richard Ayoade. Everything he’s done for the British comedy circuit on television and otherwise is golden. His
Lookin’ fly with that egg in yo eye, Stiller.
geeky attitude and intelligently witty characters may go unappreciated by the masses, but he hits true to home with me. The I.T. Crowd, his work with The Mighty Boosh, this, and anything else he’s ever made an appearance in. He leaves a memorable place in my heart.
It’s about to get heavy up in this biatch.
The movie got its criticisms for vulgarity and poor plot, but I feel the movie delivered when it had to. The plot wasn’t too complicated so it could focus on the humor, and I got that from the start. Take one part Aliens, and one part small American town dynamic, and you have The Watch. Vince Vaughn almost stole the show (in combination with Jonah Hill) and the vulgarity added to all the angst that someone like me feels in a town where there’s nothing to do and everyone is just too nice. You gotta have the right experiences or this movie doesn’t hold the same amount of weight. Keep that in mind, critics.
Billy Crudup makes the greatest appearance as one of the creepiest neighbors I can think of, and Will Forte is classic
You guys are #1 in my book.
dumbass failure as the cop who didn’t hire Jonah Hill’s character. The movie moves along at the perfect pace but sadly doesn’t give enough funny lines to Richard. Seth Rogen better get off the bong and beer and learn to revise that shizz. But I do hope this movie gives Richard Ayoade other opportunities to shine in American cinema, but he’s just fine where he is in the U.K. So I tip my hat to this film for trying and succeeding to tickle my funny bone. And look forward to a lot of reviews on Jonah Hill films. That dude is gold.
You wanna talk about dark and strange to the point of comedy? This show encompasses that idea. Seeing the faces of Matt Berry and Rich Fulcher once again warmed my heart to the sound of “Holy Shitnuts!” and Berry’s sultry pickup lines. I’m glad these two met through Noel Fielding and Julian Barratt’s The Mighty Boosh, because who knew such bizarre comedy could be made! Add some rap song about babies and Matt Berry’s whimsical singing voice and you have a campy comedy about Hangmen.
But it’s far more than that. Using their own names as the personas for their characters, Rich Fulcher and Matt Berry deliver skit after skit that may seem unrelated, and usually is. Berry wants his women and his silver cowboy boots, while Fulcher just wants Matt’s approval (and maybe some women). They both cavort around in a one room brothel/tavern occupied by cantankerous old farts, saying what they want, even traveling back in time. There’s no limits to their
The strange men who are Matt Berry and Rich Fulcher.
brashness and I loved all 6 episodes.
Looks quite old for a show from 2006…
If you liked The Mighty Boosh (and I have a blog on it from way back when) then you will most likely like this show. But it’s not a given. This show has some differences. Matt Berry and Rich Fulcher, although outrageous, have hits and misses in their show. For some people who like references in their comedy to draw from, this show has about a 20-80 ratio of referential comedy. It features no big Brit comedians, other than the occasional pop-up from Richard Ayoade from The IT Crowd and the Shaman from Boosh.
A coffee… For those awkward moments of Snuff Box.
But what I can’t get over is how bizarre this show actually is. Most sketches have nothing to do with what’s going on, and, like Little Britain, this show returns to sketches that may or may not have
Leave it to an American to make love to a lollipop…
worked out in previous episodes. It’s rather alarming to see the amount of progress made throughout this six episode series from start to finish. But if you are fans of Rich Fulcher and Matt Berry, this show will work for you.
It really worked for me.
There’s really not that much to say about this show. It’s one of those see it to believe it kind of deals. And there really isn’t anyway to describe it. So just check it out. It’s Brit comedy to the extreme of strange, the edge of darkness. It is, in a word, wonderful. 7.7 out of 10.
But really, leave it to an American on British Television to do things like this. Unbelievably witty.
This movie came to me as a change of pace from jolly ole London. Straight from the director of The Mighty Boosh and Come Fly With Me (two BBC series I love, can’t go wrong with Noel Fielding or Matt Lucas) Paul King, this little movie, Bunny and the Bull is the story of agoraphobia. Stephen (Edward Hogg) travels through his past and towards his front door to face the past that created his fear of leaving his house. Hurt feelings are uncovered and adventures in the weirdest ways are had, and I loved every minute of it.
So let’s see… Stephen goes on a cross-Europe adventure with his friend and gambler Bunny (Simon
Bunny & Stephen on their outrageous adventure.
Farnaby). For all you Boosh fans, Farnaby played pie face and Howard Moon’s twin in The Mighty Boosh. His outlandish acting is required again as Bunny, an unlikeable character needed to drive Stephen from his rut and his home. There are some great parts to this movie. Like, first of all, Stephen’s England flat doubles as a OCD’er’s paradise. Every item used in his home, every routine, is boxed and categorized for later sentimental value. Its quite a sight to see. And what comes in contrast to this to bring Stephen’s life to a screeching halt?
What's going on here, Julian Barratt?
The most amazing animated backgrounds and interactive panels. Stephen and Bunny slip into couches, ride around in crabs, and cross maps in search of what Stephen has been missing. This quirky comedy comes with a dark side that is finally faced at the end of the film. And, although you may not like the way it ends, it brings a conclusion that Stephen, and hopefully the audience can live with. Liberation.
There are some great cameos in this film! Richard Ayoade (former Boosh shaman and now IT Crowd
The Amazing Noel Fielding!
star) plays a Museum Curator in Germany, specializing in cobbling and shoes. There’s Julian Barratt as Atilla, the Russian madman obsessed with dog’s tit milk, and Noel Fielding, as Javier the failed Spanish matador. With all these Boosh actors, what could be wrong with this quirkily dark film? Yes, you end up hating Bunny. Yes, you feel frustrated with Stephen’s insecurities. But it all comes together in the end. This movie deals with standing up for yourself. With taking a chance. With getting up after love and loss, sadness and fear strike you down. Because, as this movie would suggest, it’s always important to bet again on the long-shot.
Ice floe, nowhere to go! Ice floe nowhere to go! I don’t think I stopped saying this for a week straight after the first time I watched the Tundra episode of The Mighty Boosh. This show is ridiculous… ly awesome. Every episode redefines humor and every plot outdoes itself in comparison to the last. If I had to choose my favorite British television show, of those I’ve seen, my favorite would still be The Might Boosh hands down. I do love Little Britain, The I.T. Crowd, and of course Monty Python’s Flying Circus. But these all pale in comparison to the genius that is Boosh.
Each season takes place in three very distinctly different locations that use those locations to the fullest. The first season starts off as Noel Fielding and Julian Barratt’s original creations, Vince Noir and Howard Moon, two zookeepers of the Zooniverse. It was with the success of this season that the other two came into being. The second series takes place in Naboo (Michael Fielding) the Enigma’s flat, and the third series not far from there in Naboo’s boutique, eloquently named Nabootique. Using the Zooniverse as a location, a lot of the episodes focus mainly on the use of animals and adventures that are so outlandish, I laughed heartily to every one.
Howard, Vince, Bollo, Naboo, and Fossil
As far as the first season goes, Howard has to rain the pain down on a kangaroo like a monsoon. This series blows up to hilarious proportions even from just the very first episode. My personal favorite episode form the first series is the Bollo episode in which Howard is taken to monkey hell instead of Bollo by accident. In this episode, Julian plays one of two hilarious characters that he plays, the first being the mirror world protector complete with mirror balls, and Sandstorm, the sexually frustrated man of sandpaper. It’s not to say I’m giving anything away by revealing characters, each episode in itself seems to have nothing to do with any of the others.
The Jungle episode of the first season introduces one of Rich Fulcher’s (Bob Fossil, later Lester Corncrake) best characters, Tommy Nookah, the man made of cheese. Suffice it so say that although Rich Fulcher is the American man in an all British show, he has some of the most outrageous lines and characters. My roommate loves the hilarious jazz man Lester Corncrake, the most absurdly ridiculous comment on a Southern, American, old, blind, black man. It’s great. Rich’s most notable character, Bob Fossil, runs the Zooniverse underneath one of the funniest comedic British actors to ever grace the T.V., Matt Berry, A.K.A. Dixon Bainbridge. Originally meant to be played by Richard Ayoade, Richard is not left out and comes back in seasons 2 and 3 as a ridiculously awesome shaman, Saboo.
The second season kicks in with the guys, Howard, Vince, Naboo, and Bollo, all crashing at Naboo’s flat in Dalston. We have the Nanageddon episode, hilarious with a great song towards the end, great lines from Howard too. The Fountain of Youth episode reintroduces the cockney character of Noel, the most hilarious and outlandish character of the entire show, my personal favorite. But what the shows most famous for and what became a Youtube phenom was the Old Gregg character played by Noel in the second season. If you’re really interested in the show and want to see some of it, definitely check this Youtube clip out.
The third series, although apparently toned down, is no less amazing. We get a lot of the Board of Shamans along with a new batch of ridiculous characters that find their way to the Nabootique. (Along with Lester Corncrake.) There’s a great tribute to a movie I can’t recall, but it has to do something with shrinking down a human in a sub and injecting them into somebody else to cure them from some sort of disease. The great part about this is the ridiculous twist they put on it and how Noel plays all parts of himself. The show ends on a quite uneventful note with the stage performances of Howard and Vince, both respectively as a lead singer for a new mod band and for a avant garde director. I would’ve rather had the show end with the crimping episode, one of my favorite features of the show, but I guess they still had more ideas coming.
At this point, I feel as I’ve I’m rambling, talking up a show that most people will mistake as the rambling of idiots. But there’s more to the show of that. I feel like yes, it may have the distinct kind of humor most people will shake/scratch their heads at. It isn’t conventional. It’s absolutely absurd. And there’s a growing population of people out there who love it. I’d have to say that most people should give this show a chance. At least one episode. It’s well worth it. Definitely a 10 out of 10.
Here’s that scene from the Old Gregg episode I was talking about. Enjoy. Just like Bailey’s from a shoe. Creamy beige.