Tag Archives: satirical

Tokyo Gore Gore and More Gore Police

I think I just appropriately changed the title. Because I was expecting gore, but not the magnitude I was given. I was relentlessly pounded with blood and carnage to such an excessive degree that I was in awe and stitches from all the laughing, at the same

Ah yes, the ever popular school girl…

time. This movie is satirically poking fun at the horror/gore genre, even putting gore in the title. It never takes itself too seriously (although some of the actors onscreen may have to deliver some of their lines with a straight face) and it has all the fun you’d ever want from a fantasy/anime/comedy/horror film (look at all those genres in a line…). I was fascinated and swept away by this Japanese wonder.

For as much of a plot as there is here goes nothing. Ruka (Eihi Shiina) is a member of he futuristic Japanese police force. In a similar situation to RoboCop, the police have been revamped with privatization. This is all in order to defeat

You love to see the woman from Audition in some hand rain… (That’s what it was tagged as…)

anime-like creature villains known as Engineers. Created by an evil mad scientist (Itsuji Itao), these Engineers have key-like tumors placed into their bodies (like a macabre Kingdom Hearts) that allow them to regrow injuries into gory and grotesque weapons. Ruka is a special member of the task force that is sent out to handle these demons with her always trusty katana. What a relief that swords are more effective against evil in the future than guns are…

After discovering an evil plot and a hidden past, Ruka must embrace who she is and destroy everyone in her path. This leads to a whole lotta ridiculous gore (basically things you can’t do to or with the

Slugma woman!

human body) and some of the funniest dismemberment scenes I’ve ever witnessed in a film. I was loving it and never wanting the blood spurts and cut in half bodies to stop (that’s a classic M for Mature anime scene for ya). This movie makes no real attempts to take itself seriously, and I was happy to see that. When you watch the scene in the Engineer bordello, you’ll know what I’m talking about.

Just all that gore…

This film is also interspersed with dark infomercials that pop up on the T.V.’s throughout the film. There’s proper swords for Hara-kiri (Japanese ritualistic suicide), mini-kawaii boxcutters for wristcutting (Kawaii meaning cute), and a whole lot of anti-suicide ads. I’m not sure what some of them were for, but maybe it just meant that suicide or mutilation leads to the creation of more Engineers? Strange…

This movie literally has some of the most messed up gore I’ve ever seen. Entering into a reality of warped body image, this movie can do what it wants. Anybody who is an Engineer can recreate themselves into a warped version of themselves with weapons of personality attached to themselves. A venus flytrap for legs, a

There’s no end to the weird.

katana arm, chainsaw on a chain… and my favorite I can’t mention that you’ll have to see to believe. I said before that A Serbian Film left me in awe and despair. This film had the same amount of disturbing scenes, but it was all done with a smile on its face. I like this one far better.

Yay!

Everything is over the top and there’s far more blood than you’d actually think can be in one human body. It’s all tongue in cheek with unrealistic corpses and bottles that can take your whole face off. This movie can’t even go a whole 5 minutes without another dismemberment. I loved every minute of it. It is truly one of those cult classics that ranks up there with Evil Dead in the way it’s presented. So if you like horror/gore movies like that, you have to see this. A big word up for Tokyo Gore Police. 9.1 out of 10.

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The Dictator: An Actual Plot from Sacha Baron Cohen

I would say I’ve been a pretty big supporter and follower of Sacha Baron Cohen since his Ali G Show days. I loved all his characters when I watched it on HBO and to see them grow into full length movie characters is wonderful. Borat was a wonderful undercover comedy film. Then he followed that up with Bruno, my favorite of his alternate egos. And then, from all this talk about Hussein, Kim Jong-Il, and Gaddafi comes Admiral General Hafez Aladeen. His ability to focus in on one idea that plagues people’s prejudices and preconceived notions on the world around them is spot on as usual. But this one comes with a twist.

Aladeen (Cohen) is a dictator from the North of Africa. In the sweltering heat and tossing sands (a la Hussein), Aladeen lives his life as dictator in luxury. His WMD’s are coming

Aladeen and his majestic hawk, in luxury.

along, he has an all female amazonian entourage and guard, and his palace is so gigantic and wonderful, especially with his fleet of golden Hummers. He’s had sex with everyone (including the great Schwarzenegger. Megan Fox makes an appearance. I wasn’t surprised.) and he is an unforgiving ruler. He sends so many people to death that it’s expected.

As I expected Megan Fox to be in a situation like this…

And then, with the U.N. meeting in NYC looming, Aladeen is kidnapped and tortured. Clayton (John C. Reilly) is a forgiving CIA operative and lets Aladeen off with a shaven face (and then he accidentally burns to death). Stuck in America with only his wits and nobody who believes he’s the real thing, Aladeen’s uncle Tamir (Ben Kingsley) is planning on making Wadiya into a democratic country with the ability to sell their oil. Aladeen must stop them and keep Wadiya a dictatorship. This is the only time you’ll see a dictator as the hero/protagonist (unless you’re watching a film in their country, then probably you will).

This movie is full of a bunch of funny satirized stereotypes and Middle Eastern humor. As usual, Cohen self deprecatingly attacks his Jewish heritage once again. The Chinese law of one child per family is attacked with the baby birthing scene (as seen in the trailer) and masturbation has never been so patriotic. Sacha Baron Cohen is rather tame in this film in

The Man.

comparison to others, only one or two penises on screen and a handful of sexual references (unless you mention the Saw like birthing canal scene).

I really hoped this happened on the streets of NYC.

There’s a great supporting cast of cultural ecclesiastics  in this film. There’s Ben Kingsley, using his darker complexion to play a Middle Eastern man in this film. I’m always surprised when he pops up in comedies. Jason Mantzoukas plays Nadal, the weapons expert and friend to Aladeen in this movie. This man of Greek descent has been doing comedies for a while now and this is just another one. Bobby Lee rears his freaky head in this movie as a U.N. representative who can get a B.J. from whatever celebrity he wants (insert Ed Norton cameo here). His outrageous nature is made for this movie, and that dude will do anything to strip down into a thong. And one of my favorite appearances was Adeel Akhtar as one of Aladeen’s posse, Maroush. Throw in Fred Armisen and the revitalization of Anna Faris’s career as the love interest hippy, Zoe, and you got yourself a satirical comedy.

The best scene.

I really don’t think there’s anywhere that Sacha Baron Cohen won’t go. His terrorist attack scene in the tours helicopter is hilarious. Ironically, he and Jason Mantzoukas are speaking Hebrew. This points out the fact that a lot of languages, although all different may sound similar to an American audience. And all the iconic songs that he turned into an Aladeen medley! Everybody Hurts, 9 to 5, Let’s Get it On, how much that the way the songs were sung alone made me laugh! Cohen even goes to a black man’s funeral in order to procure a beard from a severed head that reappears constantly in the movie. With no bounds and no forgiveness, Sacha Baron Cohen delivers on all cylinders. 8.1 out of 10.