Tag Archives: self defense

Bowling For Columbine

In one of the only documentaries that I respect of Michael Moore’s, Moore investigates the gun culture that takes America by storm. Looking at it from the angle of the Columbine High School Shooting, Moore suggests that the gun nuts of America and the way in which we perceive the 2nd Amendment is basically bonkers. Anyone can get a gun and they’re not always used for self defense or hunting. From the get go, you know where Michael Moore is coming from, and pretty much this whole documentary ain’t pretty.

Named after the fact that Eric Harris and Dylan Klebold went out bowling the morning before they tragically went wrong, Bowling for Columbine takes us to the ten pins. After some frightening images here and there, Michael Moore can never seem to help

A frightening image of a man.

attacking the administrations in power (more often Republican than Democrat) and the wrong things they always do (never the right). With a documentary such as this that tackles everything related to and around guns, Michael Moore correctly attempts to narrow down the cause for all the gun violence in America.

He compares the U.S. to other countries, examines what other people have blamed for gun violence, and brings it all crashing down on Charlton Heston, head of the NRA. In what I thought was his best

Let me just scare Charlton Heston into saying he’s sorry. Will that help?

segment of the documentary, Michael Moore allowed Marilyn Manson to defend himself with a wider audience than he may get otherwise. (Not to say he doesn’t, he’s an amazingly talented and magnetic performer.) Manson proves himself to be an intelligent and understanding person (contrary to the images and rants against him) and shows that compassion and listening may have helped the shooting and others around the world.

But I stop here for a moment to acknowledge information that has come to my attention. Thanks Wikipedia, although you may be wrong some of the times, you bring things to light I never knew. In the

Marilyn Manson, a wonderfully talented man and artist.

criticisms of Michael Moore’s documentary, he is annihilated. Some of it may have been by conservatives who believe in the right to bear arms, but a lot of it is coming from those he wronged in the film and otherwise. He was wrong about Lockheed and the particular plant he went to. He was wrong about the violence rates and some of the causes. And he ambushed Charlton Heston (as I felt he did) and inaccurately portrayed Trey Parker by associating him with the cartoon he showed minutes after.

Here’s where most people should come up against a brick wall with Michael Moore. He’s fat. He’s gross. These two aspects of his outer appearance would frighten most people he would talk to or try to approach. (I can understand that police officer wandering off when Michael Moore complained about the Hollywood sign. He had better things to do.) When listening to him talk and seeing the way he presents himself, it almost appears that he has a mental disorder. No joke. The way he holds himself in his documentaries gives a lot of people pissed off impressions of him. And sometimes rightly so.

One of the more well done parts with Moore helping out victims of Columbine.

Because it didn’t just stop here. He goes on to make 4 MORE DOCUMENTARIES ATTACKING THE REPUBLICAN ADMINISTRATION. At this point, he has turned into a huge gargantuan baby who is fed up with the system. He whines and puts up his yellow police tape and carries his bag around crying for money for the people. His head got bigger than it should have after the success of his first few documentaries and he thought that was a green light for as much more as he wanted to make. For shame.

So although I liked the idea and parts of this documentary, when Michale Moore puts his name on something, expect the huge range of bias he’s bringing to the table. Don’t take everything at face value. Because although in this very documentary, Michael Moore says that America has a state of fear going on, he is

Well deserved? You be the judge.

perpetuating it and stirring things up more by showing us why we should be afraid and not other things like invigorated to fight or do something. Damn it, Michael Moore, show some class. And that’s my rant. Bowling for Columbine, 6.1 out of 10. Michael Moore as of today, a whiny baby 0 out of 10.


100 Feet

It’s not every day you see Famke Janssen under house arrest for killing her husband. And it’s not every day that you see a vindictive poltergeist wreaking havoc all over her life for killing him. In this version of what I would consider Jennifer Lopez’s “Enough” gone wrong, Famke Janssen is haunted by her husband she killed in self defense. There are some frightening scenes and I really enjoyed the way that the jumpy scenes are strewn throughout without warning, not just built up until the end. With a minimal cast and quality acting, this was a horror movie that was unfortunate that I hadn’t seen sooner.

Marnie Watson (Janssen) is a newly paroled felon who has just been released from prison and given house arrest in her house. This is the very house that she killed her husband in in self defense. A little twists is that her husband was a police officer, and the partner cop to the man who will stalkingly watch her for the rest of the film, Officer Shanks

Famke Janssen, terrorized all over again.

(Bobby Cannavale). I was semi-impressed with Cannavale’s performance in this film, only because it wasn’t a stretch for him to play a hardened Brooklyn cop. He’s a character actor and it’s all good.

So Famke’s ass gets locked up with a house arrest anklet that only allows her to go within a 100 foot radius in her own house. If she leaves the confines of the house, the alarm will set off and she has only seconds to return to the barrier. This is a problem because parts of her huge and nicely furnished house are off limits to her, including the basement. Plot device, anyone? So Marnie returns to a semi-life of normalcy and goes about buying groceries, cleaning house, ad finding anything she can do to keep busy.

The face of a wife beater…

It’s not any help that the entire neighborhood doesn’t believe that she fought in self defense to save herself. Looked down upon by everyone, only one delivery boy, Joey (Ed Westwick) finds no problem with her. Attempting to be her friend, Marnie copes with a life of solitude. Until her husband starts attacking her from beyond the grave. In a series of scenes that bust up her and her house, Marnie starts reliving all the horrible beatings her husband gave her in life. And this time around, Marnie has had enough of this poltergeist B.S. She’ll fight back at any cost necessary. Without being able to leave her house, this plot restricts her from running away. It’s time to kill again.

I really liked the simplistic plot of this film. It was a creative idea, although I’m not sure they would lock her up in the same house she killed in, as poetically justified it may seem. There are some great haunting scenes in the movie involving a lot of things breaking (including some bones). Ed Westwick plays a reasonably real character in this film, although he’s a straight tool for his work on Gossip Girl. I’d say this is one of his better works. Hauntings and devilish exorcisms and demons are more my style when it comes to horror, so this movie was right up my alley. There’s a great kill scene in the movie, and, although the CG effects in this movie are a bit Syfy channel middle of the road, it doesn’t detract from the whole overall

I know I’ve been stalking you for a while now, but did you know you look like that read headed wench from X-men?

experience of the movie. It’s brutal, and it does the job of performing as a threatening and horrifying film (didn’t scare me much, but all the same, the lights were on).

Most of the time, I’m a tool.

The one thing that will either disappoint you or make you laugh will be the end of the film. There’s some strange confrontation and a ridiculous explosion of an ending that would give Michael Bay a boner. It ruins the whole otherworldly feel of the movie and gives rise to a really dumb explanation of why he’s haunting her and how to stop him. Everything is resolved and, in a really sloppy style for a poltergeist, Shanks believes her and gives her the happy ending she wanted from the beginning. It just really comes down to the sub-par dialogue at the end and that explosion. I can’t get over how that ruined the movie.

But, from beginning to middle, this movie was well executed. It has the right amount of horror and plot, jumpy scenes and furthering events. Famke Janssen did her job (not as Phoenix from X-men, obviously) and gave the woman in peril role new meaning. She fought back with a butch attitude I wasn’t entirely expecting. She doesn’t frighten away like most women do in films and really sticks it to her husband in the film. There’s a real in your face attitude about this horror movie and that made it a breath of fresh air. It’s only the ending that takes down the rating. I’ll give this little horror film a 6.2 out of 10.

Janssen won’t back down easily.