Anddddd we’re back. Now that I’ve moved back into college and getting into the flow of school, let’s get back to some posts (and seeing as I’m sitting here at work at 12:30 in the morning, why not?). To kick things off, let’s review a show a friend of mine said was quite good and the whole first season is on Netflix. When is Netflix gonna give me a bit of money for reviewing all the good things they put on there? Get your ship in order there, Captain Flix.
So Stan Lee’s Superhumans is a pretty basic premise of a show. Stan Lee
That old ass dude just loves his skyscrapers.
loves superheroes and he (or someone who knew he would help host it) decided it would be a good idea to send world renowned contortionist Daniel Browning Smith on the case of finding real life superhumans. Not necessarily superheroes, but some pretty interesting freaks (in the best sense of the word). We all let out our inner car crash interest and tune in to shows like this without any understanding of why, but at least this one has a more wholesome feel to it.
A dud and a stud. Nice.
Basic show structure. Daniel Browning Smith (as he will go to the ends of the earth to remind you) is being tasked by Stan Lee (because his old ass couldn’t leave the skyscraper his millions bought) to find the freaks of the world. He goes out to these locations and finds three separate superhumans per episode. Daniel B.S. (unfortunate abbreviation) never believes the B.S. (nice recovery) and gets some scientists to find out just what’s going on. I loved telling my friends about the unbelievable things I saw and even did a bit of research myself. Can’t believe I actually did (being a college kid and all) but damn it, I did.
Some are dud superpowers and others are just bizarre. I watched the show in about a day and just couldn’t stop watching
Try and get this image out of your head…
what Spider-Man creator Stan Lee was going to throw at me next. I have to say though that the psychokinetic chi master of karate was the funniest. You can’t trust what you see and fat older white gentlemen shouldn’t be allowed to run dojos. Just saying. From the blind to the flabby, and the electric to the bellyfloppers, this show has it all.
I’m Daniel Browning Smith.
After watching it all though, this show proves that human evolution is not without a sense of wonder and humor that walk hand in hand. Sure you can create a man who can withstand heat more than anyone else or survive strong amounts of snake venom. More power to you for that. But, the whole time I watched this show, I was thinking how I would ever assemble all of these men to save the world. Or if we’d all be doomed when that supervillian sends the laser our way. At least prediction man would see it coming… Maybe…
But I find being incredulous and being challenged and disproved to be a learning and growing experience. Not
You have to see this to believe it.
everything a camera shows is real, but this show made a great case for it. Death defying stunts, feats of strength, this show has got it all. So I would recommend comic fans and freak show fans alike should check this show out. It’s eye opening at the very least (although, I wish the names of the superhumans were more creative…) This short lived show deserves at least a 6.7 out of 10.
I’m gonna combine the first Bodyguard and the second, as one flows into the other. I loved this movies so much that I even watched them back to back. Petchtai Wongkamlao is a hilariously funny guy and he did a great directorial job with the onscreen humor and action. The movies didn’t focus too heavily on himself and he did this quite humbly. A lot of the humor comes from plays on words and references you have to get from knowing his work with Panna Ritikrai and Tony Jaa. Either way, these movies will kick your ass with their in your face guns and side splitting foreign comedy.
The first films starts off with Wong Kom (Petchtai Wongkamlao) as a bodyguard/official operative. He has come to this international convention to guard a major player named Chot Petchpantakam (Surachai Juntimatom). With the ensuing attack and lots of wire fu
Wongkamlao, the unconventional action star.
(Kung Fu with wires. Think a la Crouching Tiger.), Wong attempts to save Chot, but he is shot in the crossfire. The rest of the film focuses around Wong’s committed attempt to regain his honor and Chot’s son, Chaichol (Piphat Apiraktanakorn) trying to keep his father’s business running. With assassination attempts, a crew of street rats, and a rags meet riches story, this movie has a lot of humor and heart.
Just some Thai humor for ya.
In the second Bodyguard, things are a bit different. Wong is an undercover agent attempting to take down a crime syndicate that is dealing in weapons of mass destruction. After infiltrating a night club as a “provocative dancer”, Wong screws up yet again. Some explosions and gunshots later, Wong must become a famous luk thung (basically, a Thai country singer) star and keep everything from his wife, Keaw (Janet Keaw). With more laughs and quite a bit more explosions, this film surpassed the budget for Ong Bak with 1 million Baht (Thai currency), becoming the biggest film to be made in Thailand. It would be eclipsed by Ong Bak 2 shortly after.
Tony Jaa makes an appearance as the shopkeep boy.
What made these American standard B-rated action films so great is that they didn’t take themselves seriously. Wongkamlao is spinning through the air with two guns cocked and completely infinite in bullets, whipping around the room, absolutely annihilating people in very strange ways. The actors aren’t to serious about their villainous ways and it really shows throughout. Biggest example is the Thai comedian that shows up in both films. In the first, he (and I wish I could decipher which character he was) always wears something inappropriate and never talks. In the second, he dies at the end without saying anything. What makes this so great is that (and I hope it was fake) at the end of the second film, this guy blows up at Wongkamlao for not including him more in the film. I think the Thai sense of humor is spot on and could do very well over here in America.
There are so many over the top explosions and gun fight scenes that you can’t take this movie too seriously. It’s all the
That’s a bit vulgar… and a midget.
kind of action that makes Tony Jaa’s films so popular, but even more so. And that’s another great thing. They advertised in Thailand and America that Tony Jaa was going to be a big player in both these films, and he shows up to do a 5 minute action scene. It always has something to do with one of his other films, and it’s great to see that he can laugh at himself. (Where’s my elephant?)
All the heart and guns in the world.
This movie really shows just what Thailand is like. It’s more than all the action scenes and comedy that comes from these movies. And Wongkamlao knows that. There’s poverty and crime, burgeoning cities and night life, even a rich cultural aspect you don’t always see in an action film. And that’s where the heart comes from in these movies. It’s a movie you set out to do with your friends and come to love making and showing off. I’ve done it myself a dozen times. It’s not serious, it’s just showing that you can make an entertaining movie, and it doesn’t have to be award winning. And that’s why I think American audiences should check out these movies. Embrace this new culture and realize we’re a lot more alike than we think. And for this, The Bodyguard series deserves a comedy induced and action packed 7.5 out of 10.
This is not an understatement. Troll 2 is considered one of the worst movies ever made. This is so true that because the movie is so bad, it has created a cult following of fans who watch the movie much the same way Rocky Horror Picture Show is done, minus the nudity and horrifying aspects. (Or whatever goes on there…) There’s no true way to talk about this movie, and I would recommend watching the documentary Best Worst Movie immediately after. It’ll open your eyes to just how unprepared people were for this movie to meet their eyes and ears.
To try to convey how strange this movie is, let’s talk about the fact that the director, an Italian man named Claudio Fragasso, didn’t understand exactly what he was trying to do with this movie. He and his wife, Rosella Drudi, wrote the script for this movie, without understanding much English. This leads to the language barrier and the fact that most of the lines in the film aren’t natural things people would say. For example, “You don’t piss on hospitality!” Or the creepy singing of Row Row Row Your Boat in a car trip on the way to Nilbog. Figure that one out.
With an all Italian crew and actors picked off the street like vagrants, the shopkeep in particular is actually a crazed man. No one had any idea what they were doing, and, in true Mussolini fashion, the Fragasso ordered the actors to do the script as he had written it. This leaves plot holes and some of the strangest scenes I’ve ever witnessed to be shown onscreen. There’s a sex scene with popcorn, a creepy molesting grandpa with the ability to save the family, and one of the strangest 80’s workout dances I’ve ever seen. Also, if you’re dad is a hardass, he’ll cut your boyfriend’s little balls off, and eat them. Some of these lines will stick with me forever. And haunt me.
Ah, the Trolls!…
It’s not to say I don’t see the appeal of a film like this for a cult audience. There are a lot of elements, like The Room, that would contribute to a lot of memorable moments in this film. And there are. What’s funny, coupled with the documentary, is a few of these actors have gone on to try other things, but it hasn’t necessarily worked out for them as they thought it would. Just look at Michael Stephenson, the child star of the film playing Joshua. He’s a cute kid and all, but his career was killed at this point. He did make a great documentary though. I commend him for that and would love to show him my appreciation in a future review on the topic.
But this film goes way out there with a lot of elements. George Hardy plays the typical Nuclear Age father with a bit of a bite to him, and I thought he was one of the more refined actors in the film, with no prior acting experience. His segment of the documentary is great, and well worth the watch. His lines are strange and zany, and left me laughing quite a bit. If only this movie had been registered as a comedy… There’s Margo Prey as the wife and mother, Diana. She’s a wonderfully kind and quiet woman, but she seems to be in some sort of daze in this film. It’s as if she has no idea what’s going on… I felt quite sorry for her and her situation though. She keeps to herself and that should be respected.
Look at that delicious icing pie!
Other than that, there are quite a few memorable lines by the secondary cast of the movie, mainly the boys who follow Holly (Connie McFarland) the daughter of the family. These boys never leave Elliot (Jason Wright) and he never wants to leave them. It leads to their downfall.
And what is that downfall you may ask? It’s that the goblins of this little podunk, country bumpkin town are attempting a house swap, and use the newly found humans as their food. The encourage them to eat this Hook inspired gobbledygook in order to become plants that they can feed on. I was the tiniest bit impressed by some of the makeup effects in the film, and found it to be quite entertaining watching some of the characters turn into plants. (This movie also contains what is considered one of the worst delivered lines in the film of all time. You’ll see.)
There are no words.
This movie, if you have a sense of humor about bad films, will keep you laughing all the way through. There is some ridiculous and absurd crap that gets tossed around like a monkey on speed. You’ll enjoy it thoroughly and maybe it’ll become one of your favorite films to pop in for you and your friends when it comes down to testing that friendship. Who knows? All I know is this movie is worth checking out as the all time worst movie of all time forever and always. Rating it as the worst film, it gets a 10 out of 10. As a normal rating, I’d give it a 1.1 out of 10. Work them Trolls, I mean Goblins (who have nothing to do with this film or its unrelated prequel.)