Tag Archives: sociopath

Misfits Series 3

We know that everyone who watches this series misses Nathan. It’s true, Robert Sheehan was the standout star of this show, really bringing down the house with his no holds barred comedy and wise¬† cracking. Hell, I miss him more than anything. So much so, that I didn’t watch the third series until now. My grieving was great, but it was time to figure out who gets what new powers in this series.

Amazingly enough, this series doesn’t ease old viewers in with the typical start you’d think of the old characters reuniting. This series hits you off kilter at first with Joseph Gilgun who plays Rudy, the psychologically ripped apart sociopath with two personalities. So what do you think his power is? Who would’ve guessed?

Now, Joseph Gilgun is kinda meant to replace Nathan. His character Rudy is, for lack of a better word, rude, and insensitive. He never

Look! They’re all friends!

apologizes and is always looking for the next shag. Often confused and slow, this hides his sensitive side that never wants to be hurt. He is a good replacement. I have to say it. I enjoyed Gilgun just as much as I enjoyed Sheehan’s wisecracking. They’re both sexually ignorant and rude, and they both have this immaculate sense of timing. I was impressed, so give him a chance, you lot of Nathan lovers out there.

Some serious stuff going down this series…

From there we hit the ground running. Everyone has their new powers all lined up in a row, Alisha can do this, and Curtis can do that, and Simon has his own thing going on. Kelly, well, she’s just Kelly. (And she has become a Hell of a lot funnier.) Out of community service, it just so happens that Rudy stumbles upon them, befriends them, and steals a car, getting them all back into community service as accessories to the crime.

From here, the show features 8 episodes, most focusing around Simon’s destiny with the past and Alisha. Some focus around Rudy and his new spice he brings to the group, and, in a surprise twist, some focuses around Seth (Matthew McNulty) the drug dealer turned power swapper. There’s some juicy gossip there I can’t get into, but you’ll see soon enough. I also have to mention this before I forget, but, if while watching this show, you feel Rudy talks and acts like a comic version of Christian Bale (skinny of course, and lanky…) then let me know via comment.

A bigger part this series?

As with every season of Misfits, I am more and more impressed with the show. It has such great characters that you grow with and hope for the best for. The comedy is spot on and there’s even more geeky references to movies and pop culture in this season! The sex is toned down and the relationships between the characters have improved. Nobody hates each other as much as they used to, and you can see the friendships growing. There’s not even that much gripe about Rudy joining the group. The ending is bittersweet and I have no idea what they’re gonna do next season.

Here’s why. Kelly (Lauren Socha) is leaving for personal reasons. Her character wasn’t properly sent off or anything so I have no idea what’s happening there. Simon (Iwan Rheon) and Alisha (Antonia Thomas) were properly sent off, and each of them made the appropriately professional and separate choice to leave the show. They had a great run and this is what you come to expect from British T.V. Curtis (Nathan Stewart-Jarrett) is staying on, which I found a surprise. This leave Rudy (Gilgun) and Curtis on the show currently. They are only seeking out another female, and two male roles. Looks like the makings of a sausage fest.

They have made strides in who they have picked for the new series though. It has been confirmed that three new

You’ll be sorely missed Lauren. I will always adore you.

characters named Jess, Finn and Alex. Jess will be played by Karla Crome will play Jess. From the pictures I’ve just looked up on Google (she hasn’t done anything I’ve seen) she should be a good, darker character addition to the show (and I don’t mean skin color, the pics online show her to be a femme fatale). Finn was confirmed as Nathan McMullen, the goofy and nice kid. They have one pic of this kid online over and over, and he looks like a sweet, curly headed kid. Guess he fits the part. These kids are so young these days…

So I hope everyone is ready for a hell of a good time with Series 3, and looking forward to Series 4. I know I am, and I’m gonna give Series 3 a good rating that it deserves. Not the same as Series 1 or 2, but something different and good all the same. 9 out of 10.

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Whispering Corridors

In returning to one of my favorite genres of horror, the Asian horror film, my girlfriend and I watched the first in a string of popular South Korean horror films set in the Asian all girls high school setting. In this 1998 film, right after the restraints raised after the censorship that held down filmmaking in Korea, this movie, at its best point, raised issues about keeping down a populace of people. The physical and emotional abuse felt at this school of depressed teens created an environment for horror. Not that this film is based on fact, but this dated film from a country barely scraping the surface of horror is a good first attempt.

Let’s summarize. This movie focuses around the lives of three senior students, Young Jae-Yi, Lim Ji-Oh, and Kim Jung-Sook, three differing students who encounter a hanging suicide outside of their school on the first day of classes.

I quite enjoy this, although it's from the fifth one...

Discovering this recently deceased teacher brings up issues of what brought her to this end and who may be responsible. In the same vein of a former student’s death at the school, Jin-Ju, these girls must discover exactly what happened through a journal of Ju-Jin and her secret female lover in a school of taboos. The end may leave you shocked, but who knows? I didn’t really understand what was happening until it was explained to me.

The topic of this movie was quite interesting, but, for a first attempt it was a mediocre delivery on just exactly what was being examined in South Korean film. I’m proud to say for the South Korean population that, since then, there have been quite a few good Korean films that I am a huge fan of. (The Host, The Good Bad and Weird, and A Tale of Two Sisters – check out the review!) To discount this one as just a fluke would be folly, as its just a first attempt in what has turned into a long line of success. The franchise as a whole, I’m not sure about, but I will give this movie the review it deserves.

This is about as scary as it gets.

It’s been a while since I watched this, but there were a lot of genuinely good lines that stood out to me in this film. I would say this derived from a good script, and that’s probably where the creativity started. The journal and its function in the story created a voyeuristic look into the lives of the other students in the school that I found darkly interesting. The issue of lesbian love and experimenting in an all girls school creates a comment on Korean society and the repressed feelings of the masses. In what I could only imagine as a delving into the mind of a deranged sociopath, this movie follows two lines of plot. That of the past and present. When the two collide through the survival of a student lover, the movie takes on the horrific twist that leaves a jarring, supernatural feel that at the same time as it disorients, it poetically ends the film.

I can’t really comment on the acting as usual with a film with subtitles, but I suspect the acting couldn’t be half bad. The youth of the movie could have struggled, but coming from a society with strict schooling, it could be a releasing of some pent up energy. The suspense lags from time to time, but the dark and sinister nature of the film really carries it along. The ending, as I said, is quite strange. If you don’t see it at first, you may need to watch the last 15 minutes again. Otherwise, as it did with me, it may pass over your head. So enjoy, if you can, and give this first in a long string of suspense/horror films from the good ole South Korea a chance. I’d give it a solid 6.2 out of 10 for a first attempt.

The evil minds of Korea at work.


The Room: Greatest Comedic Failure Ever Made

Let me paint you a tale of the worst movie ever made. Or would it be the greatest? Either way, Tommy Wiseau went there. In The Room, (Directed, Produced, Written, Starring Tommy Wiseau) we are given Tommy Wiseau’s greatest masterpiece. The Room, a story of a love triangle between a frumpy woman, a up and coming porn star, and a deranged mental patient escaped from Croatia. In actuality, the means to the end of one of the greatest dramadies ever created. And it’s so heart wrenching and inspiring that I can’t stand it.

But really, Tommy Wiseau released this film in the high hopes it would become an example of a great drama or, as he claims, a dark comedy with the humor as intentional. Let me tell you, anybody who saw that movie, in theaters, really was in for a treat. And I wish I had been one of them. This movie, in all respects, utterly fails. Whatever thought Tommy Wiseau had in his mind about this film, any idea of it as a

"Youre tearing me apart Lisa!"

respectable film at all, should have been thrown out the window the second he spoke. Or rather didn’t speak. Almost every single one of Tommy Wiseau’s lines was dubbed after the film was shot. It makes for one of the funniest aspects of the film.

Let’s just go through how this movie fails, and in that way, how it succeeds. First of all, Tommy himself stars in this film as Johnny. He’s the man who’s being cheated on by his fiance with his best friend. His best friend. But Mark (Greg Sestero) is his best friend. This point will be driven home about every 10 minutes. Juliette Danielle plays Lisa, Johnny’s disgusting wife. Really, I don’t know why either guy in this film wants to bang her. And speaking of banging, the first 40 minutes of this film is a softcore porno. And, to make things worse, Tommy Wiseau jumped on Danielle within the first day of shooting. She really would’ve been better off trying to start her career in porn and failing miserably.

But the first 40 minutes is wherein lies the beauty of the film. The soundtrack. You will be serenaded to a handful of tracks as both Johnny and Mark mount

Whats going on here... Possible sex scene?

Lisa from the side and the top, in that awkward angle where all you see is Tommy Wiseau’s tanned and wrinkling buttocks. It’s quite strange. I really hope that he never intended for those sex scenes to come off as anything more than some twisted ego trip to force people to stare at his glorious body naked, on screen. But yes, we are given Boyz II Men quality R&B love ballads as Tommy does his thing all over Lisa, and then he does it again, and then Mark, and then Mark again. You really don’t know what direction this movie is taking within the first half an hour.

The rest of the film is fantastic. We are introduced to Michelle and Mike (Robyn Paris & Mike Holmes. Wow.) the couple who love to perform chocolate oral sex in other people’s living rooms, and then get caught by an old woman. And that old woman? Claudette, the breast cancer ridden nagger who is relentlessly trying to convince Lisa, her daughter, to stay with Johnny forever. If only for money. And from the looks of their apartment and how retarded Tommy Wiseau is, I would say there is no financial security in that man. She comes over, from I don’t know how far away, to have 3 minute talks in Johnny’s apartment. What kind of a mother is that.

Favorite character hands down? Denny (Philip Haldiman) This kid really brings the film together. Denny is the financial egg and complete dependent of Johnny and Lisa and makes it a point to come over. All the time. For no

Look at Denny, that creep.

reason. He’ll just pop his head in with a football. Break in and make his way to the roof. All sorts of creepy shit. It’s really bothersome. And he has a thing for Lisa. AND Johnny. He wants them to both have sex in front of him, just for the pure pleasure of watching. And he doesn’t even look young enough to play a high school/college student. There’s just something not right with that weirdo.

And you can tell this movie wasn’t good. A ton of anonymous members of The Room came out and said terrible things about the movie. Another great part of the movie was when Peter miraculously and inexplicably becomes Steven. Peter (Kyle Vogt) dropped out of the film and was replaced by Steven (Greg Ellery). And there are no attempts to explain why some random guy comes over and tries to help Lisa with her relationship problems. This film has more holes than a block of Swiss cheese. And smells worse when its grown mold. Just hilariously awful.

I mean, what else is there to say about The Room? Terrible actors. Covered. Terrible director/producer/writer/actor. Check. The bad Boyz II Men tribute soundtrack. The actors that fall of the face of the earth like the Rock of Gibraltar. The sets. OH THE SETS. This movie takes place in 3 locations. Bedroom, apartment roof, living room. That’s it. And you can tell that thoser sets haven’t been used since the 70’s. You can tell that they’re sets! As Johnny and Denny throw the ball around like 3 year old girls, you know they aren’t ballin’ it up on a roof. They’re ballin’ it up right next to the set of Full House. Pathetic.

And therein lies the genius of this film. If you can call what Tommy Wiseau egotistically calls a tour de force of drama. But let’s imagine, if you will, for a second. What if Tommy Wiseau released this film, with the hidden intention of solidifying his film as the worst movie ever made? Just 8 short years ago, good ole Tommy got the idea to break the boundaries of what is considered a film and put together the worst one possibly conceivable. Then what a genius he would be. Every critics review would turn into amazing praise for the God that is Wiseau. He would be winning Oscars left and right, for years past 2003. That, in truth, would be the work of a true film aficionado. Sadly, I feel that this mentally deficient, psychotically narcissistic sociopath could not have concocted such a brilliant plan. If he did, 10 out of 10.

Really. Enough said.

But he didn’t. 0.1 out of 10 (Although for humorous purposes, I would give it a 6.3 out of 10.)

And here’s the best scene. You’re my favorite customer.