Astounding is the only word I can think of and use to describe this movie. It has stunning visual effects (didn’t see it in 3-D, didn’t need to), gut wrenching gore and horror, and this air of mystery that hangs over the whole film. It is a part of the Alien series (5th installment) but at the same time it is set apart completely as its own film. A great cast was selected and an amazing backstory/ prequel was born and thus named Prometheus.
In this epic tale of just what happened before the Alien films, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are two archaeologists who have stumbled upon something fantastic. In different locations all around the world,
It all begins here.
spanning centuries, the same symbol of a gigantic man pointing to a specific star region, as if to say “Come find us.” Interested in this speculation, Peter Weyland (Guy Pearce) finances the whole thing with his massive amounts of dough and creates a ship, named Prometheus.
Janek and Vickers. Opposites attract?
Piloted by Janek (Idris Elba) and watched over by the android David (Michael Fassbender), after two years of flying, the crew lands on the distant planet the star map told them to come to. Under Meredith Vickers’ (Charlize Theron) watchful eye, the crew must find what they’re looking for, even if what they’re looking for is no longer around. What they find is more than they bargained for, and the must stop the deadly trap from making its ways to Earth.
Where should I begin in my shining review of Prometheus? Well, I think that finally technology in special effects has made its way up to Ridley Scott’s vision of what he has wanted the Alien films to look like. It’s space agey, cold and
An unknown marvel awaits.
clinical, and full of wonder and horror all at the same time. The planet storm was breathtaking, the creatures and surreal caverns were creepy and mammoth sized, this movie incorporated everything you wanted to see in our race discovering a planet in… 70 years.
Noomi Rapace, giving her heart and soul to Prometheus, as only she can.
This strong cast of actors all did their jobs in developing their roles in what you would expect of a spaceship crew. Idris Elba did a great job as the ship’s commander. Slightly minor, but he didn’t take shit from anybody as you would expect. Charlize Theron (in one of the only roles I applaud her in) plays the oddly robotic and bitchy overseer of the entire operation. She tows the line between sci-fi amazonian and unemotional human in a very convincing performance. Michael Fassbender stole the show again as the android, fully immersing himself in what Theron had to hint at. His intrigued and distanced character embodies what sci-fi novelists and movie makers have seen as a human robot for years (think Ian Holm in the original, but add the quirkiness of Jude Law in A.I.) And then there’s Noomi Rapace. This Swedish actress from The Dragon Tatoo series put her heart and soul into the part. She tired herself out, did some terrible yet necessary things to her body, and did it all with a British accent she had a coach for. Seeing her dive into a character that has to deal with all these terrible revelations was both disparaging and inspiring. She didn’t let what was happening put her down or stop her from her end goal.
The only true scene I wanted to see in 3-D.
One person I was particularly impressed with was Guy Pearce. I’ve loved him since The Time Machine remake (and Memento, of course) and think he was born to play in sci-fi films. His air of bravado and poise resonates in entitled sci-fi characters. And not to mention he’s playing an old man for 15 minutes of the film that you would barely recognize. And a great little cameo from another one of my favorite actors (since Watchmen), Patrick Wilson.
The music was orchestratedly stunning. At all the moments you feel fear or exhilaration in this newly discovered planet, it fills in with the proper soundtrack. Much as Gabe would describe it as a soundscape
No words can describe it.
that fills in all the spots of your imagination, this soundtrack did that for me. (Was it similar to the other Alien films? Let me know.)
Another thing that was so great about this film (haven’t I said enough?) is that you don’t have to be a die hard Alien fan to watch this movie. This movie itself can get you hooked in (being a prequel and all). I’ve only seen the first Alien and the AVP series (always been more of a Predator fan, sorry), and this movie makes me want to watch all of them. This movie tackles the mythology and world of a film that is also a film! Something made up and fantasized analyzing something else in the same manner? That’s wild! And I thought it was so well done and handled from such a organic and basic place that it made itself into this mythological God that could spark films and analysis for years to come. Until it becomes a reality.
… What started it all.
With all this ranting and raving about the film, why haven’t you X-ed out of my blog and already started up your car to go see this in theaters? You need to see this in order to boost the ratings and maybe someday prove that a genre other than drama can win the Oscar for best movie of the year. Because I would argue that this film is in the running for 2012. Just saying. I have no complaints and was mesmerized from the start of the film. Go see it. Now. 10 out of 10.
I’ve seen Akira Kurosawa’s film, 7 Samurai. The second that I saw there was an anime dedicated to it (and supplied with the voice acting talents of Chris Sabat as Kikuchiyo) I had to see it for myself. In what I would call a very honest and original ode to Kurosawa, this 26 episode anime series follows the classic tale of the mighty vs. the meek. I saw this film quite a while ago in my film appreciation class and found it to be quite cinematic for its time (1954 in fact). With great characters and a good helping of action, nothing could be wrong with this film and anime classic.
The basic plot of Samurai 7 is that of David vs. Goliath. In a small rice village named Kanna, field workers and peasants must fulfill quotas of rice production to be paid to the bandits. These bandits are former
The cast of Samurai 7.
humans who have encased themselves in the wave of the future. In these new Gundam like bodies, the bandits hold sway over the lives of the peasants and demand rice in exchange for the peasants lives. And yet, despite their payment, the bandits take women to the imperium to become slaves.
After years of this slavery and menial servitude, the peasants decide to secretly do something about it. The village elder sends Komachi (Luci Christian), Rikichi (J. Michael Tatum), and Kirara (Colleen Clinkenbeard), the village’s water maiden. With her divining skills, the three peasants seek out the help of human samurai to fight the samurai encased in metal. Over the course of the show, 7 samurai are recruited in order to defend the rights of the lowly peasants of Kanna. Within this plot comes another plot (NOT INCEPTION B.S.) unlike the Kurosawa film. With an imperial plot by the merchants of the city, the 7 samurai must find the strength to fight off multiple enemies.
That's a legit battle right there.
What I really loved about this anime was the character designs of the 7 samurai. Shimada Kanbei (Robert Bruce Elliott) is the leader of the clan of samurai, wielding the most power. His brusque attitude can come off as disconnected, but he always has the goal in mind to help the peasants in any way he can. Okamoto Katsushiro (Sean Michael Teague) is the timid member of the group with a hidden power that is not revealed until the opportune moment. He also provides the majority of the love interest in the story for Kirara, although it becomes convoluted towards the end. Katayama Gorobei (Bob Carter) provides the easy, laid back man of wisdom with a protective attitude. Shichiroji (Duncan Brannan) plays the right hand man to Kanbei’s leadership in an almost transparent role. He never contradicts or creates any conflict with Kanbei, as I sort of expected. Kikuchiyo (Christopher R. Sabat) plays the outcast of the group as the robotic samurai, out to prove his worth to the humans around him. He plays a great comedic element in the show and provides an endearing character who, despite his buffoonery, inspires hope. Hayashida Heihachi (Greg Ayres) is the quiet, well to do good guy who only wants a good living and nothing more. And Kyuzo (Sonny Strait) plays the no nonsense badass turncoat. Great characters all around.
No words for this awesomeness.
And the animation was, I thought phenomenal. Interesting fact. To produce each individual episode, 32,500,000 Yen, ($300,000) were spent on each episode. The fluent switch between animation styles and the fighting scenes really stood out to me. The robotic digital animations were well coordinated with the samurai fights and the picturesque backdrops of different areas of the world created by Toshifumi Takizawa was a sight to behold. AND THE MUSIC. The keyed up traditional Japanese music with every fight scene and the melancholy tones of the peasant workers were just as good as the music from Kurosawa’s film. Funimation did a fantastic job with the dub and it all came together for a good two weeks worth of watching this on Hulu. I gotta hand it to Hulu, but they stream some quality looking entertainment. So hands off to all those involved with Samurai 7 and hell, how about it for Hulu? Best anime I watched in 2012 so far. 9.4 out of 10.
This cute little film filled with British actors takes a new look at the story of Romeo and Juliet and uses a British topic of interest. Garden gnomes. (Not sure if a lo of Brits have these, but it’d be interesting to see some U.K. gardens.) I watched this with my mom (U.K. T.V. analyst and fellow blogger) mostly for James McAvoy’s voice talents. We’re both fans, but for slightly different reasons. (Not really though, he is pretty dreamy.) This tragic William Shakespeare story is turned on its head (as the poster suggests) with a cute plot device using warring gardens who happen to be owned by Miss Montague (Julie Walters, good old Mrs. Weasley) of the “Blue”burys and Mr. Capulet (Richard Wilson) of the “Red”bricks.
Set apart from typical Pixar and Dreamworks films, this film takes its own approach to animation in the 3-D. Although
McEvoy and Blunt as the disguised Gnomeo and Juliet
Touchstone and Miramax do good animated films, this British touch to the way things looked was refreshing, at the same time that it seemed a bit off in its sharpness and cutting edge-i-ness. But it’s all the same to me these days, what with all these mass amounts of animal infested, fantastical adventures films made for kids and adults in 3-D animation. (I would recommend Rio though, it was quite a cast and story.) But the story stands out in comparison to the lack of pizzazz in the animation, and gave it some credibility.
Warring gardens with love in the mix.
So as expected, the story follows quite closely to the original Romeo and Juliet plot line. (Less death unfortunately.) The warring families led by Lord Rebrick (Michael Caine) who’s Juliet’s (Emily Blunt) father and Lady Bluebury (Maggie Smith) who’s Gnomeo’s (James McAvoy) mother despise each other for reasons that seem a bit hazy. The real test between the families is whose garden is superior. One night, in order to impress her father, Juliet sneaks out of the garden in order to retrieve a beautiful flower to spruce up the garden. Surprise, surprise, Gnomeo sneaks out as well for some mischief. The two cross paths, sparks fly, and their love is forever fated.
But oh the problems that ensue. One’s red and the other’s blue! What will they do? Their love is forbidden and they may only meet in secrecy. And there must be some conflict that arises when their love is discovered! And yes, there is. This version doesn’t disappoint and how could it? True British actors are tackling a fellow countryman’s play.
Now let’s talk about the cast. I was quite surprised at the acting chops associated with this film, and every last one a Brit! Of course there’s the two star-crossed
Sorry Jim Cummings you just missed the mark.
lovers, James McAvoy and Emily Blunt as Gnomeo and Juliet. Maggie Smith and Michael Caine lend their voices to their parents as some veterans of the BBC business. Also, and more unexpectedly, Jason Statham is featured in this film as Tybalt the red menace of the Montague house. I was really surprised to discover this after a few Transporter lines were delivered. I just can’t seem to grip the idea that Jason Statham is British! Matt Lucas, the good old Little Britains sketch comedy genius of the hairless kind lends a generically comedic voice to Benny, Gnomeo’s number 2. Even Patrick Stewart (Will Shakes himself) and OZZY OSBOURNE himself lends his voice to this film, as a ceramic fawn!
Thanks to this British cast for the cute film!
The only miss in this film is Jim Cummings as the pink flamingo garden ornament. His annoying attempt at some sort of foreign bird just loses it for me, because, to put it bluntly, didn’t deliver a funny line. This is quite disappointing as Jim Cummings has been in the Disney voice business since the early 90’s.
But all in all, this cute film about what our gardens hold delivers a nice little escape from reality for 75 minutes. With the occasional grown up joke and slapstick comedy, mixed with witty uses of the gnomes and what they’d be like if they could move (Toy Story style), this movie delivers a bit of entertainment worth a watch if you’re into British accents or children’s love/comedy/adventure films. 6 out of 10.
AND DID I MENTION THAT THE FILMED IS FUELED BY A ELTON JOHN SCORE AND SOUNDTRACK?!?!?
So, as it was described to me, Tron: Legacy is “an orgasm of light and sound”. I’d tend to agree. Knowing next to nothing about Tron other than what I know from Kingdom Hearts II (Kingdom Hearts fans know what I’m talking about), I don’t know how thorough I will be in credibly reviewing this movie. But I’d love to throw in my two cents here.
So from what I got through a first watch of this movie: Sam Flynn is the son of Kevin Flynn, the guy who created this digital world back in the 1980’s.His goal was to create a sort of free space for programs and such to grow in a free grid. (What I kind of thought of it as was like the Internet. Free and you can get anything off of it.) But one day, when Sam was a young’in, Kevin Flynn promised him another game of Tron or something or other, and never came back. 20 years later or so, Sam is on a mission to make his father’s company free from greedy businessmen, and what he stumbles upon is the world his father created. But things are a bit different.
Upon entering the grid, Sam is entered into the games, and these games kill you. It’s not like how steroids kill you, it’s more like how Murderball could kill a
Sam Flynn. He has a Bugatti.
person not in a wheelchair. By playing these games, Sam discovers Clu, the alternate grid-ego that his father created to help him create the cyber world he’s in now. And he’s gone completely evil. (Also, he’s completely digitally animated. Think Beowulf, the newest version.) And unfortunately, so has Tron. And these two have taken over the cybernetic world and have destroyed the one thing that came about from Kevin’s creation. *Secret* Don’t wanna spoil it.
So yeah, as some critics might say, it was a bit flimsy on the plot. I say, what do you expect from a PG Disney movie. No, it’s not necessarily geared towards children. But older children can appreciate this movie, knowing nothing about the movie that came out 20 years before they were born. You have to look at the demographic and the time it was created in. (I don’t feel like critics ever take that into account. Just harshly compare it to the classics.) At face value, I’d take this film to be quite visually pleasing. The lights and visual effects that went into this movie give it a very sleek and appealing look. And to accompany this? Daft Punk. These guys were great in the creation of this soundtrack, and coincidentally make a cameo appearance as the two masked DJs in the in Zeus’s club.
Acting wise? Some big acting chops are brought to the table in this film. Of course we have Jeff
Well that's certainly a change...
Bridges as Kevin Flynn/Clu, reclaiming his original role in the Tron film. There’s also Garrett Hedlund who plays Sam Flynn, the bad boy hacker and heir to his father’s company. I’ve seen Garrett Hedlund in other movies (Troy, Four Brothers, Eragon) and now I realize he’s an actor who is typecast in certain roles. Either the bad boy or a minor character, I feel as if he might/might not break out of these roles. (I haven’t/won’t see Country Strong, but that’s a change of pace, right?) Olivia Wilde plays Quorra, nothing special there (not a big fan).
And then there are the special appearances. Bruce Boxleitner plays Tron, one of the biggest badasses that makes me want to see the original. Michael Sheen makes an amazing appearance as the slightly flamboyant and hilarious Zeus, the club host with the most. I love how much work Michael Sheen gets ever since he was in Underworld, and I think it’s really great how much range he has. Oh, and really, don’t forget Cillian Murphy, the badass Scarecrow back to strike again as always, performing amazing role after amazing role. I love his work and, even in the smallest part, I feel he never lets me down.
Michael Sheen. Master.
So I’d have to say that first time director Joseph Kosinski did quite a nice job on touching up and updating the Tron movie that so many came to love in the 1980’s. The lights, the sound, the actors all came together for one nice 2 hour thrill ride that was quite entertaining to watch. And if it was nothing more than entertainment, not a tribute to the Tron “legacy” at all, then I apologize to all you diehard Tron fans out there. Sorry to disappoint. But I wasn’t disappointed. 7.3 out of 10.
There is only one word that can completely encompass what this movie truly is.
Sucker Punch. Yes.
Plain and simply incredible. When I went with a crew to watch this movie, some didn’t know what to expect. Others were excited. Even few others, me and my roommate/best friend Ian were just about ready to cause some mayhem up in that theater because of pure joy. This movie, as of this year, is my favorite movie of 2011. Heck, best of the past two years, let’s just throw 2010 in there. I thought, hey, The Fighter will clinch my favorite and do okay at the Oscars. Granted. Now… If only Sucker Punch had come out in 2010. It would have blown The Fighter out of the water. This movie was some ridiculous shit. Hands down.
You really will be unprepared.
Let me try to explain this without giving anything away. Not much to give away though, it’s really all just about the experience. Baby Doll (Emily Browning) is a supposed mental patient accused of killing her sister and almost murdering her father. She became deranged after her mother’s death and couldn’t take it any longer. Her father takes her to a mental asylum in Vermont and she is held there until she’ll be lobotomized in a week.
Parallel to this runs Baby Doll’s inner fantasy of being taken to a bordello in which the girls dance for their clients. Baby Doll, being that unattainable virgin, is being withheld for the high roller (Jon Hamm) that is set to come in five days. Baby Doll plans on escaping before that day and enlists the help of four other girls at the bordello. Sweet Pea (Abby Cornish), Rocket (Jena Malone), Blondie (Vanessa Hudgens), and Amber (Jamie Chung). With their help, Baby Doll further escapes from reality into her mind as she dances to obtain the four items she needs to stage an escape. And that’s basically it.
Let me just start off by saying that Emily Browning was amazing in this movie. She’s beautiful, talented, and really come into her own in her early twenties.
Emily Browning. New Favorite Actress.
I’ve seen all her movies since 2000, major and minor roles (Ghost Ship, Darkness Falls, Lemony Snicket’s, The Uninvited, now Sucker Punch) and enjoyed every one of them. As she’s grown up, she has taken on a wide array of movies, from horror to children’s to action and the occasional drama. If I had to pick a favorite actress that I’m going to watch from now on, I’m going to place my bid on Emily Browning.
And that’s not to demean the rest of the girls in this film. I really enjoyed the Abby Cornish/Jena Malone combo. Acting as sisters who followed one another to the bordello, these two really did feel like sisters. I’ve found Jena Malone great since Donnie Darko with her alternative look and quirky acting, and now I’ve got a new actress to look out for. Abby Cornish, a new up and
Sweet Pea & Rocket
comer from Australia, was quite the actress, and I didn’t even know she was from there! In other movies she’s done (Bright Star, Elizabeth: The Golden Age) she stuck to her roots and did more period pieces. But I find now that she’s broken more into action and other forms of drama, I feel we’ll be seeing a lot more of Abby Cornish.
Blondie & Amber. They're okay.
And then there’s Vanessa Hudgens and Jamie Chung. Let me put it this way. Vanessa Hudgens is attractive. She may be talented in the way of singing and Disney Channel acting. But the part as a supporting cast member in Sucker Punch was about the only thing she could play. She was more for show than for play if you catch my drift. Jamie Chung on the other hand was a bit better. Playing as the fragile transporter bordello girl in this movie was not a stretch for a girl I’ve only seen in Sorority Row (not bad, I must say, even though most critics wouldn’t agree. It was brutal, at least.) Oh, AND SHE WAS IN DRAGONBALL: EVOLUTION. Enough said.
Who I have to give it up to in this movie is Oscar Isaac. That man can act. As Blue, the bordello boss and mental asylum orderly, he switched between roles flawlessly at the end and kept up that “don’t mess with me, I have a short fuse” type of acting style. Although he may seem not that strong or menacing, he pulled it off with his voice and actions throughout the entire film. The first thing I’d seen him in was Pu-239 (great film) and I remember him distinctly in
Oscar Isaacs, Prince John. Better in Sucker Punch
Robin Hood as Prince John, quite the effeminate, yet brutal character. I guess if I had to compare him in acting to anyone, I would say Joaquin Phoenix (like in Gladiator).
Now, let’s talk about the special effects. I’ve heard people liken this movie to a two hour Final Fantasy cutscene. Yes. I agree. But about 1,000 times better. This movie was insane when it came to special effects. No need to see this in 3-D, this movie was just as badass in 2-D. This movie has everything (probably why they called it Fantasy, Sci-fi, Suspense, Thriller, Action… etc.) There are zombie WWI German soldiers, Orcs, Dragons, killer robots, you name it, this movie has got it. And it’s not cliche. It gives an authentic feeling to the old classics that every man in the world has imagined battling. And then it does it. Zack Snyder directive attention to the details of the small things, example, the texture of bullets and shell casings, the way glass looks when it is rained on, the inner workings of a functioning robot. All present and accounted for, slowed down, and shown in detail. That’s what I call devotion to the art of art direction.
All in all, this movie is hands down the best movie I’ve seen in a year. But what else do you expect from Zack Snyder. Let’s recap, shall we? 300, Watchmen, Guardians of Ga’hoole, Sucker Punch. That beginning of a laundry list of badass movies is what I like to call ridiculous. Zack Snyder is fastly becoming one of my favorite directors. 11 out of 10. Yes. 11.
Oh, and the SOUNDTRACK. Check it out, it’s quite amazing.