Tag Archives: spot on

The Dictator: An Actual Plot from Sacha Baron Cohen

I would say I’ve been a pretty big supporter and follower of Sacha Baron Cohen since his Ali G Show days. I loved all his characters when I watched it on HBO and to see them grow into full length movie characters is wonderful. Borat was a wonderful undercover comedy film. Then he followed that up with Bruno, my favorite of his alternate egos. And then, from all this talk about Hussein, Kim Jong-Il, and Gaddafi comes Admiral General Hafez Aladeen. His ability to focus in on one idea that plagues people’s prejudices and preconceived notions on the world around them is spot on as usual. But this one comes with a twist.

Aladeen (Cohen) is a dictator from the North of Africa. In the sweltering heat and tossing sands (a la Hussein), Aladeen lives his life as dictator in luxury. His WMD’s are coming

Aladeen and his majestic hawk, in luxury.

along, he has an all female amazonian entourage and guard, and his palace is so gigantic and wonderful, especially with his fleet of golden Hummers. He’s had sex with everyone (including the great Schwarzenegger. Megan Fox makes an appearance. I wasn’t surprised.) and he is an unforgiving ruler. He sends so many people to death that it’s expected.

As I expected Megan Fox to be in a situation like this…

And then, with the U.N. meeting in NYC looming, Aladeen is kidnapped and tortured. Clayton (John C. Reilly) is a forgiving CIA operative and lets Aladeen off with a shaven face (and then he accidentally burns to death). Stuck in America with only his wits and nobody who believes he’s the real thing, Aladeen’s uncle Tamir (Ben Kingsley) is planning on making Wadiya into a democratic country with the ability to sell their oil. Aladeen must stop them and keep Wadiya a dictatorship. This is the only time you’ll see a dictator as the hero/protagonist (unless you’re watching a film in their country, then probably you will).

This movie is full of a bunch of funny satirized stereotypes and Middle Eastern humor. As usual, Cohen self deprecatingly attacks his Jewish heritage once again. The Chinese law of one child per family is attacked with the baby birthing scene (as seen in the trailer) and masturbation has never been so patriotic. Sacha Baron Cohen is rather tame in this film in

The Man.

comparison to others, only one or two penises on screen and a handful of sexual references (unless you mention the Saw like birthing canal scene).

I really hoped this happened on the streets of NYC.

There’s a great supporting cast of cultural ecclesiastics  in this film. There’s Ben Kingsley, using his darker complexion to play a Middle Eastern man in this film. I’m always surprised when he pops up in comedies. Jason Mantzoukas plays Nadal, the weapons expert and friend to Aladeen in this movie. This man of Greek descent has been doing comedies for a while now and this is just another one. Bobby Lee rears his freaky head in this movie as a U.N. representative who can get a B.J. from whatever celebrity he wants (insert Ed Norton cameo here). His outrageous nature is made for this movie, and that dude will do anything to strip down into a thong. And one of my favorite appearances was Adeel Akhtar as one of Aladeen’s posse, Maroush. Throw in Fred Armisen and the revitalization of Anna Faris’s career as the love interest hippy, Zoe, and you got yourself a satirical comedy.

The best scene.

I really don’t think there’s anywhere that Sacha Baron Cohen won’t go. His terrorist attack scene in the tours helicopter is hilarious. Ironically, he and Jason Mantzoukas are speaking Hebrew. This points out the fact that a lot of languages, although all different may sound similar to an American audience. And all the iconic songs that he turned into an Aladeen medley! Everybody Hurts, 9 to 5, Let’s Get it On, how much that the way the songs were sung alone made me laugh! Cohen even goes to a black man’s funeral in order to procure a beard from a severed head that reappears constantly in the movie. With no bounds and no forgiveness, Sacha Baron Cohen delivers on all cylinders. 8.1 out of 10.

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The Bodyguard #1 & 2: Not Your Average Thai Film

I’m gonna combine the first Bodyguard and the second, as one flows into the other. I loved this movies so much that I even watched them back to back. Petchtai Wongkamlao is a hilariously funny guy and he did a great directorial job with the onscreen humor and action. The movies didn’t focus too heavily on himself and he did this quite humbly. A lot of the humor comes from plays on words and references you have to get from knowing his work with Panna Ritikrai and Tony Jaa. Either way, these movies will kick your ass with their in your face guns and side splitting foreign comedy.

The first films starts off with Wong Kom (Petchtai Wongkamlao) as a bodyguard/official operative. He has come to this international convention to guard a major player named Chot Petchpantakam (Surachai Juntimatom). With the ensuing attack and lots of wire fu

Wongkamlao, the unconventional action star.

(Kung Fu with wires. Think a la Crouching Tiger.), Wong attempts to save Chot, but he is shot in the crossfire. The rest of the film focuses around Wong’s committed attempt to regain his honor and Chot’s son, Chaichol (Piphat Apiraktanakorn) trying to keep his father’s business running. With assassination attempts, a crew of street rats, and a rags meet riches story, this movie has a lot of humor and heart.

Just some Thai humor for ya.

In the second Bodyguard, things are a bit different. Wong is an undercover agent attempting to take down a crime syndicate that is dealing in weapons of mass destruction. After infiltrating a night club as a “provocative dancer”, Wong screws up yet again. Some explosions and gunshots later, Wong must become a famous luk thung (basically, a Thai country singer) star and keep everything from his wife, Keaw (Janet Keaw). With more laughs and quite a bit more explosions, this film surpassed the budget for Ong Bak with 1 million Baht (Thai currency), becoming the biggest film to be made in Thailand. It would be eclipsed by Ong Bak 2 shortly after.

Tony Jaa makes an appearance as the shopkeep boy.

What made these American standard B-rated action films so great is that they didn’t take themselves seriously. Wongkamlao is spinning through the air with two guns cocked and completely infinite in bullets, whipping around the room, absolutely annihilating people in very strange ways. The actors aren’t to serious about their villainous ways and it really shows throughout. Biggest example is the Thai comedian that shows up in both films. In the first, he (and I wish I could decipher which character he was) always wears something inappropriate and never talks. In the second, he dies at the end without saying anything. What makes this so great is that (and I hope it was fake) at the end of the second film, this guy blows up at Wongkamlao for not including him more in the film. I think the Thai sense of humor is spot on and could do very well over here in America.

There are so many over the top explosions and gun fight scenes that you can’t take this movie too seriously. It’s all the

That’s a bit vulgar… and a midget.

kind of action that makes Tony Jaa’s films so popular, but even more so. And that’s another great thing. They advertised in Thailand and America that Tony Jaa was going to be a big player in both these films, and he shows up to do a 5 minute action scene. It always has something to do with one of his other films, and it’s great to see that he can laugh at himself. (Where’s my elephant?)

All the heart and guns in the world.

This movie really shows just what Thailand is like. It’s more than all the action scenes and comedy that comes from these movies. And Wongkamlao knows that. There’s poverty and crime, burgeoning cities and night life, even a rich cultural aspect you don’t always see in an action film. And that’s where the heart comes from in these movies. It’s a movie you set out to do with your friends and come to love making and showing off. I’ve done it myself a dozen times. It’s not serious, it’s just showing that you can make an entertaining movie, and it doesn’t have to be award winning. And that’s why I think American audiences should check out these movies. Embrace this new culture and realize we’re a lot more alike than we think. And for this, The Bodyguard series deserves a comedy induced and action packed 7.5 out of 10.