Dance Moms: My Only Reality T.V. Obsession

I have to admit here at the very beginning that I, for some strange reason that has sucked me into it, love Dance Moms. I can’t get enough of the fighting, the drama, and all the strange and delirious opinions that Abby Lee holds inside of her enormously inflated head. I’ve watched every episode, enjoyed the dance segments (as small as they are) and analyzed them with my long time dancing girlfriend and before mentioned, Kim. We had caught an episode or two in the past and I had tuned in and out with my mom and sister to see what all the fuss was about.

At first, I hated the crap out of it. I found it to be degrading, conflict infested, and just downright train wreck level television. I thought there could be no way this would ever catch on. Something I still don’t understand is why any of those upset women wouldn’t just stage a walkout and tell everyone not to go to

The wonderful children of Dance Moms:
Nia, Paige, Chloe, Maddie, and Kendall. (There are more)

Abby Lee’s Dance Company. If they all did, she loses business and gains a reputation as a terrible woman. That’s something this show has done for her, but that’s besides the point. She should realize even she’s replaceable. Three girls on the show have shown that so far. But this show has caught on, and its won my heart.

The beast rears its ugly head!

Should I even divulge any of the premise of this show to those of you who unfortunately happen to come across this blog in my post? Let’s see…. Well, the show starts off with the degrading pyramid. Although most of the girls at some point made it to the top, Maddie erroneously held the top for far too long. I don’t want to degrade any of the girls because they are all wonderful little people. But Maddie (the “star” of the show) has to realize that saying arrogant things on camera and crying when you don’t win are things you learn when your mother tells you not to cry in the meanest tone and you always win. Anyways, this whole post is gonna be one long rant.

Next comes a confrontation between one of the moms and Abby Lee or another mom. They train, for 5 days it always seems, and then comes the competition. In between that comes some of the most

The guns, one of Abby’s questionable decisions.

incredulous backstabbing, loud and obnoxious drinking, and one of the most refined, well spoken, and intelligent women I’ve seen on T.V. Nia’s mother, Holly. For that show, Holly is a godsend. She is a rock among the turbulent tides that is the other Dance Moms. And her daughter, although not treated as well as the other girls because she struggles to keep up, still wins when she is given the chance and helps the group win. She wouldn’t be included if she didn’t have the potential and the talent.

All too common in Dance Moms…

Then the competition comes. Maddie (or Chloe) wins and the group comes in 3rd to 1st. And if they don’t, it’s the girls’ faults, not Abby Lee’s. Watch some of these episodes. Marvel and wonder at how she never blames herself, knowing we are all humans and people make mistakes. Every episode, this woman makes mistakes. She is just such a ridiculous woman, I am awestruck at every turn and utter from her croaky voice (what speech problem does this woman have? Or does she just yell all the time because she’s so unhappy with everything?) and the morbidly obese body that at one point performed dances. She has her extreme faults and her struggles with her “nemesis” Cathy from Candy Apples in my home state of Ohio, which is somehow stupidly depicted as farm country. She lives in Canton, a suburban/city town next to Akron. Get your stuff right Lifetime.

There’s a final confrontation, sometimes between moms and who should have won, and then the show ends with the best cliff hangers I’ve ever seen provided from a show. That’s where I’d give the Bravo! Bravo! Encore! Encore! in this. And that’s it. Take that formula and repeat 13 times each season. And then what?!?!? Abby Lee gets put in her place and leaves on hiatus? This is perfect. If I, at any point in this show, could have sat Abby Lee down and shown her every time she was wrong or a Hitler himself in this show, she probably wouldn’t change, but I’d feel better. That woman needs to learn.

And she will never learn. These wonderful children will never know a more enjoyable dance experience. These moms (the few who just don’t understand) will

The best episode of all time. This is all that needs be shown.

never learn. And the cycle will continue. And I will continue to watch. I can’t get enough of this car accident dance television. And it’s not that the show, from a filmmaking standpoint is any good. Who knows if it’s scripted. But, in the end, the show is only good for human’s sick addiction to reality crap television. As much as I’ll fight it, this will be around for a while. God save us all. Overall, this show gets a 3.5 out of 10. May good things always be on these girls, and karma prepare a slap for everyone else. Me as well.

Season of the Witch: Get Your Cage On

I'm liking this.

In the same vein as Black Death and watched only a few nights afterwards, I came to the realization as to why this movie didn’t work for me. It’s not Nic Cage or Ron Pearlman. It’s not the lackluster accents put on by the cast. It’s not the Rock ‘n’ Roll ahead approach to the plot. It’s the fact that I didn’t feel that any of these actors were ever meant to or destined to star in period pieces. As in Black Death, Sean Bean was specifically bred and born to play the role of a Medieval knight. In Nic Cage’s case, I’m not at all positive. Sure, Ron Pearlman has wielded a sword in In the Name of a King (come to think of it, even Jason Statham can’t play an English peasant…) but Pearlman’s body size is really only perfect for Hellboy and Blade II.

And, in this manner, I was removed from fully immersing myself and enjoying the plot presented in Season of the Witch. (Original title idea for Scorsese’s

Do you believe this wench to be a witch?

Mean Streets.) I had to watch this though. My goal in life is to watch the entire career of Nicholas Cage in full. All the way from Fast Times at Ridgemont High down to Ghost Rider 5 (I hope…). I’ll take all the good (The Cage Renaissance) all the way down to his money problems (National Treasure and onwards… for now…). Seeing as this Medieval film really fits this quota, let’s dissect it.

Nic Cage and his flowing locks of sultry power.

So Behmen (Nicholas Cage) and Felson (Ron Pearlman) are two ex-crusaders. And to say that, I mean that after many wars, these two decided all the killing wasn’t worth it anymore. And I gotta say, some pretty pimp-ass helmets as well. They look like cauldrons. Whatever floats your boat. So these two ruffians hustle it back to Germany just in time to find that the Black Plague has hit Europe. (Actually accurate that a lot of Crusaders missed that bit in history.) Discovered in some barn area that they are wanted by the Church, these two duel for a quick second and then are whisked off to meet with Cardinal D’Ambroise (Christopher Lee).

Haggard as ever and possessed by the plague, the Cardinal orders these two men to escort a suspected witch to a hidden monk’s shindig house in order to LIFT THE ENTIRE CURSE OF THE BLACK PLAGUE. All because of one girl?

Read, Deballsack!

Unlikely… But that’s beside the point. So the two agree to avoid jail/death, and they assemble their Super Squad. First up we got Debelzeq (Stephen Campbell Moore). This is pronounced De-ball-sack. Unfortunate, but an actual name. One of the more believable period piece actors, Moore brings a bit of the clergy to the screen. There’s Eckhart (Ulrich Thomsen), the soft-spoken man with a heart of gold. He obviously can’t last. And there’s Hagamar the thief (Stephen Graham). He’s really not worth mentioning.

Robert Sheehan, the last bastion of hope in this film.

And then there’s the star of the show. Young altar boy turned knight, Kay von Wollenbarth (Robert Sheehan). This new up and coming actor stars in one of my favorite shows in the U.K., Misfits. This show (which will be reviewed soon) is a wonderful breakout role for Sheehan, and he has proved his mettle since then in Killing Bono and Red Riding. He’s really not given a chance to shine in this film with the limited script, but you’d barely recognize him. If only his Irish accent could flow from those lips in every film.

So, on this whirlwind roller coaster adventure, in every twist and turn, lives are at stake. Is Anna (Claire Foy) truly a witch? Or something more? Will Behmen and Felson survive? Only watching this movie from start to finish in hopefully one sitting will tell…

There’s really not much to say about anything else in this film, so I’ll summarize. The acting is a period piece, without a sense of the period. English accents failed to veil whatever was going on at the time. If those were even accents… I love the Cage, but when you want some Cage action, you expect a bit better from him. This one was toned down and I commend him for that action, but some more terror and mania was necessary. This supernatural film came across as realistic at first, and moved towards the CGI graphics and buffoonery towards the end. It seemed as if the movie was going in two different directions from start to finish. I don’t blame the actors or what was attempted onscreen, I would say the flaws started from the writing/pre-production phase. So, cast and  crew of Season of the Witch, you gave it your all, but you let Nicholas Cage down. And for that, the Cage vehicle of dastardly deeds gets a measly 3.3 out of 10.

This haggardly crew must fight the witch in this touching film of evil.