Tag Archives: suave

Lock, Stock, And Two Smoking Barrels

I gotta tell ya, if you didn’t already know this about me, I love British films. I’ve watched the casts in British T.V., films, and American movies alike, starring alongside other big name actors. They crush their lines with timing and precision, they hold an air of Shakespearean flair, and

The Lock and Stock gang (not actual name).

they got the whole suave, posh thing goin’ on. I gotta hand it to Jason Statham, he’s a godawful muscle man stunt actor in American films, but he fits right in when the rest of the cast is from the U.K. And Lock, Stock, and Two Smoking Barrels is this perfect case when it comes to that. A flavorful British cast with a renowned British director in one of his first film debuts, Guy Ritchie. Let the guns fly and the villains die.

Always out for a pint.

That’s basically what this movie is. Although there’s not really any big hero vs. villain gun fights or anything (you can’t tell the heroes from the villains anyway. Why would you want to?) you love the situation and the feel of the movie. It seems like everyone in the film has got a mouth on them, and they all speak the crime lingo. Everyone’s out for themselves with the big payday, and this movie has a big payday indeed.

The movie starts out with Bacon (Jason Statham) a two-bit swindler who speaks easy and cons you out of your money. Selling less than par jewelry, he and Eddy the Card Shark (Nick Moran) run through the streets of London after they’ve been had. Meanwhile, Tom (Jason

Talk about your smoking barrels…

Flemyng) is finishing his last deal with Nick “The Greek” (Stephen Marcus). He’s the brash leader of the group. Then there’s Soap (Dexter Fletcher), the straight walking saucier chef of the bunch. They all bring together 100,000 pounds for Eddy to play with versus Harry “The Hatchet” (P.H. Moriarty). After being forced into a loan and some shady dealings with some cameras and Morse code, Eddy loses and all four of the guys have to pay back 500,000 pounds. Oh no.

Cage match. For keeps.

With no means of being able to pay Harry back, the gang decides to drop in on a fellow gang’s robbery idea, stealing from the thieves. With a domino effect of a plot ensuing, you’ll never see the ending coming (or will you?). I personally was very satisfied with this film. Considered one of those “classic films” you should probably see before you die, I do agree. It is. It has a witty cast and a great vibe to it that just reeks of British gangster (as it should. They’re pretty ballin’.)

I want to spend a bit more time on that ballin’ cast I was talkin’ about. I already said Jason Statham, familiar with his feet set on the other side of the pond (not in America, obviously). There’s Nick Moran, who is someone I’ve seen occasionally in small roles, but after seeing this, I think he is destined for bigger and better things.

You bald buffoon.

Jason Flemyng is one of those actors I love seeing (besides his classic role and Dr. Jekyll and Mr. Hyde in The League of Extraordinary Gentelmen), and I can’t get enough of his versatility. It was nice to see Dexter Fletcher without gray hair (he plays Nathan’s dad in the British T.V. show, Misfits) and his character is worth a few laughs. And I have to admit that I found P.H. Moriarty to be a pretty nefarious gang boss in this one. He played Gurney Halleck in the Dune series movies for cryin’ out loud! And there’s Vinnie Jones, the former club soccer player in England. Ever since he did this movie, he’s been poppin’ up all over the place. More power to him.

I’m the Juggernaut, female dog.

I loved the plot of this film. I don’t know if I can speak highly enough of it. It has at least 6 moving parties in the film (even some bumbling idiots you wouldn’t expect to do much), and everyone gets in a whole lotta shenanigans by the end. It’s not very often you see such complicated plots like this with such a great amount of dialogue that is pulled off so well. Leave it to the British to do that.

Combine all this with a solid soundtrack, colorful references and

Let’s get it poppin’.

language and a dialect all its own, and you have a crime film that defines the late 1990’s (even into the 2000’s). I’m just sorry I hadn’t seen this earlier. It kicked my ass, and left me wanting to see some other crime flicks. Looks like Revolver and RocknRolla are up now on my list of things to watch. 8.8 out of 10.

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Death Note: Simply Amazing

So this is one of the best anime I’ve watched. Ever. I mean hands down ever. I think this should be a mandatory requirement for all anime fans to watch. In one sitting. I had to load episodes from the internet, but I loaded them 1o at a time and would site for 3 hours watching al 10. This show blew my mind. It has the most intricate plot with twists and turns. It’s one of those pieces of art that you watch and you have to choose a side. (Clearly there’s only one side to choose in this anime.) But it’s harder than that. It’s about morality.

Light vs. L. Who will win?

Ethics. The worth/cost of a life. And whether or not it is just to take a life in the pursuit of justice and goodness. And if humankind can itself be gods.

So this anime is about Light Yagami (Brad Swaile). One day this 17 year old student, top of his class, suave, genius prodigy finds this notebook. And in it are instructions. If a name is written in this book with the persons face in mind, that person will die of a heart attack in 40 seconds. If a cause of death is established in those 40 seconds and the

Light Yagami. God of the New World.

details written in 6 minutes and 40 seconds, then the person will die that way if the means of that death can be accomplished. This is basically disregarded by Light as some ridiculous joke. Until he tries it. Then Light is thrust into a world of possibilities no one before could possibly imagine. And, using this Death Note, Light will become the God of the New World.

There is some baggage that comes with the Death Note. A Death Note can only be found by a human on Earth if it is dropped by a Shinigami. These quite strange, queer, funny creatures come from “limbo” as best I can figure. Their world is dissolving and Ryuuke

Ryuuke. He likes apples.

(Brian Drummond) has grown tired of the days of gambling bones and sleeping. He hungers for intrigue and excitement, and nobody better than Light can give that to him. Light’s attitude towards the power to kill brings surprising results. Light only kills criminals. Ryuuke follows him around, unseen by humans other than Light, for only humans who have touched the notebook can see Shinigamis. And it is Ryuuke’s duty to remain on earth with Light until it is his time to leave Light upon his death.

And from there the show picks up. Light soon becomes Kira (the Japanese pronunciation of Killer. Stereotypical right?) and creates a following. But the justice system won’t stand for that shit. They’re gonna put a stop to him right? So L(Alessandro Juliani), the greatest investigator/crime solver in the world, better than the Hardy Boys and Nancy Drew combined, will do just that. And the chase begins. From here, the twists and mind games that’re played throughout the show display the amazing mind behind Tsugumi Ohba, creator of the manga.

I love Light Yagami. Thank you Brad Swaile.

Let me just say that my explanation/review of this anime comes nowhere near doing it justice. Although this anime was picked up by a Canadian company for dubbing, this doesn’t detract from the quality. Canadian voice actors are just as good as American voice actors. Case in point: Light Yagami’s voice actor, Brad Swaile. This guy must rock the mike when he’s recording. His manical laughs, his brilliantly intelligent air about him, it all fits the character. To a tee. Forget watching the subbed version, this guy brings this show home himself. Also of notable mention is Alessandro Juliani, the voice of L. Although his noises when interacting with food may seem off-putting, it enhances the strangeness that is L. L’s character is quirky and cold, intelligent and funny, but, to me, altogether annoying. And that’s why I chose the side of Light. Okay, not just because of the voice acting. To put my own opinion out there, Light’s sense of justice and genius mind are completely superior to L. In every way. Besides that, yes, L is respectable. But altogether inferior. But that’s where the dichotomy of the show comes from. And that’s why I enjoy the battle of the minds so much.

Also of notable mention in the voice acting department is Brian Drummond, ┬áthe voice of Ryuuke. All these Shinigami have sort of a grating, holier than thou, tone of voice to them and Ryuuke is no exception. Although he may play the part of jester, Brian Drummond brings an almost threatening aura to Ryuuke that makes him seem capable of anything being a God of Death. Chris Britton also gives a great performance as Soichiro Yagami, Light’s father. (I’m not gonna go into details about him, you must watch!) The grave, business air of Soichiro is what gives a respectable dignity to himself. Chris Britton’s caring and

Soichiro Yagami. Badass Dad.

intelligent voice lends itself to the character and really helps to envision a father worried for his family. Vincent Tong gets my honorable mention as Touta Matsuda, the goofy, caring, blundering police investigator of the Kira case. (This is inevitably what develops from Light’s mass killings of criminals.) He cares about the case, but he’s young at heart and this comes through strong and clear from Vincent Tong’s performance, making him an endearing character.

Teru Mikami. You'll see...

Another boss character from Death Note with a great voice actor is Kirby Morrow as Teru Mikami. (Now I can’t go into detail about this character, but look out for him!) Kirby does a great job of a devotional character willing to do whatever it takes for justice. Take that explanation as you like it. This show’s also great because there’s a culture crossover with Americans involved as well. And this shows itself in Raye Penber, voiced by Michael Adamhwaite. Adamthwaite (although a minor character) gives a great performance being an English speaking actor doing a English speaking character (not having watched the subbed, I don’t know exactly how this crossover works) and is quite the interesting character with a humble background.

But enough about voice actors. I could go on for far too long. The art is great too. It’s subtle dark colors mixed with flickering lights and dark corners gives it that seedy underbelly, nobody is who they say they are, investigation feel. This show is dark. I mean, come on, it’s about death. Characters are messed up in this show. But it’s all about the intelligence, it’s about the wording, and, most importantly, it’s all

Oh, did I mention there are live action movies?

about the deductions. The Shinigami, although otherworldly, become believable in this setting that seems it could never happen. I was never surprised or in disbelief by this anime, because it makes the impossible, possible. And that’s where the magic comes from.

So watch this show. Please check it out. It’s well worth its weight in gold. This show sets the bar unbelievably high for anime, and I think could make the jump into pop culture. Or, I wish it would. Love it, love it, love it. 11 out of 10. (Because I can.)

Oh, and this anime has one amazing intro. Check it (if you’re a metal fan).


Rush Hour 2: Chris Tucker Returns

So right after watching the first Rush Hour, I was like, “Let’s spark up the next one.” These movies are great and I need to watch them all in pretty rapid order. I mean, come on, it’s Chris Tucker. And you may be postulating, “What if the movie was called Traffic Jam and it starred Jet Li and Chris Rock?” Well I hear what you’re saying friend, but then we’re talking about a movie that’s not funny in which people die quite quickly. Call it Traffic Jam if you’d like, I’ll still go for Rush Hour 1-3.

So, basic plot. Detectives Carter (Chris Tucker) and Lee (Jackie Chan) have teamed up again, except this time, it’s different. (Straight out of the trailer, right?) This time, Detective Carter is on vacation, right where the last one dropped off, in China. Good old Hong Kong. But while there, a bomb goes off on U.S. soil at the local American Embassy, and somebody sinister is to blame. Detective Lee takes on the case, pulling along the constantly, yet hilariously bitching and moaning Carter as they cavort through the streets of Hong Kong (and later Las Vegas) in search of those no good hoodlums.

Now this movie is a step up in acting in comparison from the last movie. Chris Tucker and Jackie Chan are golden. We lose Tom Wilkinson as Juntao, but we gain John Lone as Ricky Tan, the triad boss and former friend of Detective Lee’s father (although I would find it hard to believe that Lee and Tan are actually closer in age than would be Lee’s father…) I didn’t realize how great

John Lone

John Lone really was. He’s been in War, (shortly after RH2) The Last Emperor, Year of the Dragon, and even a remake at the start of his career as a bit piece in King Kong (Chinese cook, 1976). Now that’s a great career if you ask me, especially The Last Emperor, that movie’s fantastic.

What surprised me more that I had forgotten about was that Ziyi Zhang is in this film. With all the movies she’s been in, I feel like she must be the pride and joy of China (besides Jackie Chan). But Ziyi is great as Hu Li, the badass woman who takes no crap and destroys Chris Tucker. I actually would love to take a second to recap her amazing career:

Ziyi Zhang. Yes.

1. Crouching Tiger, Hidden Dragon (Ridiculously good)

2. Rush Hour 2 (Great, reviewing it currently)

3. The Warrior

4. Hero (She’s worked with Jackie Chan AND Jet Li)

5. House of Flying Daggers (SO visually appealing)

6. Memoirs of a Geisha (Award winning)

7. Even TMNT (Voice acting at its finest)

So yeah, I would definitely think that Ziyi Zhang is a big deal. Her fighting is great and she’s really beautiful. Definite Top 10 actresses in my book.

We also have the amazingly gorgeous Roselyn Sanchez, the Puerto Rican goddess who has done her fair share of acting. She plays the sassy, no

Roselyn Sanchez. Puerto Rican Goddess

nonsense undercover agent with a smokin’ body, Isabella Molina. Although she doesn’t come in until later, this woman definitely lights up the screen.

Again, this movie is classic, suave, and full of Chris Tucker in a robe. What more could you want, I’ll throw something your way, sir. Comedy. And Chris Tucker has it all. Black comedy, situational quips and humor, observational comedy, rapport, slapstick. He’s got all that shizz on lockdown. Talk about your A-list comedian. The buck stops here with Chris Tucker.

Only the best.

I really feel like Brett Ratner and Ross LaManna have done it again with the sequel to a great movie. The moves and stunts this time are tighter, faster. Chris Tucker has picked up some moves. The Chinese girls are hot, spicy even. Ziyi Zhang brings a new kind of evil to the screen. The plot thickens and then disperses. And I can’t wait for the next one. 7.7 out of 10.