There is only one word that can completely encompass what this movie truly is.
Sucker Punch. Yes.
Plain and simply incredible. When I went with a crew to watch this movie, some didn’t know what to expect. Others were excited. Even few others, me and my roommate/best friend Ian were just about ready to cause some mayhem up in that theater because of pure joy. This movie, as of this year, is my favorite movie of 2011. Heck, best of the past two years, let’s just throw 2010 in there. I thought, hey, The Fighter will clinch my favorite and do okay at the Oscars. Granted. Now… If only Sucker Punch had come out in 2010. It would have blown The Fighter out of the water. This movie was some ridiculous shit. Hands down.
You really will be unprepared.
Let me try to explain this without giving anything away. Not much to give away though, it’s really all just about the experience. Baby Doll (Emily Browning) is a supposed mental patient accused of killing her sister and almost murdering her father. She became deranged after her mother’s death and couldn’t take it any longer. Her father takes her to a mental asylum in Vermont and she is held there until she’ll be lobotomized in a week.
Parallel to this runs Baby Doll’s inner fantasy of being taken to a bordello in which the girls dance for their clients. Baby Doll, being that unattainable virgin, is being withheld for the high roller (Jon Hamm) that is set to come in five days. Baby Doll plans on escaping before that day and enlists the help of four other girls at the bordello. Sweet Pea (Abby Cornish), Rocket (Jena Malone), Blondie (Vanessa Hudgens), and Amber (Jamie Chung). With their help, Baby Doll further escapes from reality into her mind as she dances to obtain the four items she needs to stage an escape. And that’s basically it.
Let me just start off by saying that Emily Browning was amazing in this movie. She’s beautiful, talented, and really come into her own in her early twenties.
Emily Browning. New Favorite Actress.
I’ve seen all her movies since 2000, major and minor roles (Ghost Ship, Darkness Falls, Lemony Snicket’s, The Uninvited, now Sucker Punch) and enjoyed every one of them. As she’s grown up, she has taken on a wide array of movies, from horror to children’s to action and the occasional drama. If I had to pick a favorite actress that I’m going to watch from now on, I’m going to place my bid on Emily Browning.
And that’s not to demean the rest of the girls in this film. I really enjoyed the Abby Cornish/Jena Malone combo. Acting as sisters who followed one another to the bordello, these two really did feel like sisters. I’ve found Jena Malone great since Donnie Darko with her alternative look and quirky acting, and now I’ve got a new actress to look out for. Abby Cornish, a new up and
Sweet Pea & Rocket
comer from Australia, was quite the actress, and I didn’t even know she was from there! In other movies she’s done (Bright Star, Elizabeth: The Golden Age) she stuck to her roots and did more period pieces. But I find now that she’s broken more into action and other forms of drama, I feel we’ll be seeing a lot more of Abby Cornish.
Blondie & Amber. They're okay.
And then there’s Vanessa Hudgens and Jamie Chung. Let me put it this way. Vanessa Hudgens is attractive. She may be talented in the way of singing and Disney Channel acting. But the part as a supporting cast member in Sucker Punch was about the only thing she could play. She was more for show than for play if you catch my drift. Jamie Chung on the other hand was a bit better. Playing as the fragile transporter bordello girl in this movie was not a stretch for a girl I’ve only seen in Sorority Row (not bad, I must say, even though most critics wouldn’t agree. It was brutal, at least.) Oh, AND SHE WAS IN DRAGONBALL: EVOLUTION. Enough said.
Who I have to give it up to in this movie is Oscar Isaac. That man can act. As Blue, the bordello boss and mental asylum orderly, he switched between roles flawlessly at the end and kept up that “don’t mess with me, I have a short fuse” type of acting style. Although he may seem not that strong or menacing, he pulled it off with his voice and actions throughout the entire film. The first thing I’d seen him in was Pu-239 (great film) and I remember him distinctly in
Oscar Isaacs, Prince John. Better in Sucker Punch
Robin Hood as Prince John, quite the effeminate, yet brutal character. I guess if I had to compare him in acting to anyone, I would say Joaquin Phoenix (like in Gladiator).
Now, let’s talk about the special effects. I’ve heard people liken this movie to a two hour Final Fantasy cutscene. Yes. I agree. But about 1,000 times better. This movie was insane when it came to special effects. No need to see this in 3-D, this movie was just as badass in 2-D. This movie has everything (probably why they called it Fantasy, Sci-fi, Suspense, Thriller, Action… etc.) There are zombie WWI German soldiers, Orcs, Dragons, killer robots, you name it, this movie has got it. And it’s not cliche. It gives an authentic feeling to the old classics that every man in the world has imagined battling. And then it does it. Zack Snyder directive attention to the details of the small things, example, the texture of bullets and shell casings, the way glass looks when it is rained on, the inner workings of a functioning robot. All present and accounted for, slowed down, and shown in detail. That’s what I call devotion to the art of art direction.
All in all, this movie is hands down the best movie I’ve seen in a year. But what else do you expect from Zack Snyder. Let’s recap, shall we? 300, Watchmen, Guardians of Ga’hoole, Sucker Punch. That beginning of a laundry list of badass movies is what I like to call ridiculous. Zack Snyder is fastly becoming one of my favorite directors. 11 out of 10. Yes. 11.
Oh, and the SOUNDTRACK. Check it out, it’s quite amazing.
I know it’s been a while since my last post, but I thought I’d come back since I’ve settled into classes (at college) and I just watched a fantastic foreign horror film. For my girlfriend’s birthday we sat in front of my computer and just watched A Tale of Two Sisters. First impression? Stylistically and theatrically terrifying. It’s something about the Asians, but their movies are at least 100 times more terrifying than ours. (Probably why we steal and remake all of them in a less horrifying way.)
Now I can’t get into specifics, but this story is about two sisters. Obvious. And a dad (sad), and a stepmom (evil, of course). The deaths of the past come back to haunt the family as they try to settle down into a normal rhythm in their elegantly Western beach house. (Strange.) My girlfriend Kim is a big fan of Asian horror movies, and I find myself intrigued in how foreign horror films seem to capture horror in a different way, but one not too far from our own concept of fear.
This movie, stylistically, was fantastic. Every shot seemed crafted for a purpose, for a reveal, for the ultimate experience in tension. Every shot, from the pans, to the turn around handhelds, to even the still shots, left me breathless in their scope of capturing the emotion on screen, without words. This, coupled with the seemingly wordless actions of the actors was literally phenomenal. You get a sense of the stepmother’s (Jung-ah Yum) anger and frustration with her new family, and the desperation of the daughters(Su-jeoung Lim & Geun-Young Moon), all beyond the control of the helpless father (Kap-su Kim). With every new scene, you are asked without words to figure out for yourself exactly what just happened and what it means in the bigger picture of the film. Some may find this style to be too confusing and frustrating, but the ambiguity should leave most viewers with their own interpretation, a nice way to end films for me.
All in all, this movie was quite a good film and I’d definitely recommend it for true vintage, thriller film buffs. The director is fantastic and his idea of story goes far beyond what you see on the screen. For another good Ji-woon Kim film, definitely check out The Good, the Bad, the Weird. (Great acting and action.) I might even review that one soon. And for A Tale of Two Sisters American, not so good counterpart, check of The Uninvited (2009) featuring Emily Browning and Elizabeth Banks. I give A Tale of Two Sisters a 9 out of 10.