So here’s an up to date review that’s still relevant. Wreck-It Ralph is a wonderful little Disney film about a wrecking villain named Ralph (John C. Reilly) who does nothing but wreck an apartment building. His counterpart and hero, Fix-It Felix (Jack McBrayer) fixes the crumbling building around him and gets a medal for all the hard work. What people who play the games don’t know is that Ralph is sick of being the bad guy.
This movie, first and foremost, is extremely original. As most of
Support group for the ages.
Disney’s animated projects go, it captures you with vivid images and great fluidity, and keeps you entranced with great cameos and good voice acting. This movie accomplishes all that and one thing more: it makes you extremely nostalgic. Throughout the entire film, everyone in the theater was pointing out to their friends and family who their favorite video game characters were and how cool it was to see them act on their own. Even some parents can get in on the action with Pac-Man and Q*bert.
How’s your blood sugar level?
Coupled to some original and iconic songs, there’s nothing about this movie that didn’t please me. You get all the stereotypical games (strategy Pac-Man style, Street Fighter button mashing, racing, shoot-em-up, and even some other bizarre appearances). There’s something for everyone in this pick-and-mix arcade, run by one of my favorite actors, Ed O’Neil. The only thing I could’ve wished for in this film was more video game characters. Where’s Master Chief? Where’s Ezio Auditore? You gotta at least get Mario. But yes, I sadly understand that all of those licensed characters would’ve cost the movie a fortune. Oh well…
So the plot of the movie is simple. Wreck-It Ralph gets fed up with his bad guy role in his 8-bit video game and goes to explore other games. He stumbles upon the opportunity to win a medal in Heroe’s Duty (big children’s joke) and does so. But his medal gets used by Vanellope von Schweetz (Sarah Silverman) to enter a race to win back some honor in
Jane Lynch has never looked so sexy.
Sugar Rush the racing game. It’s up to Ralph to make or break the day, and Felix and Sergeant Tamora Jean Calhoun (Jane Lynch) will do anything to get him back. It’s a video game for the ages.
What made this movie so spectacular were all the guest appearances and voice actors that graced the screen. Ever since Tim and Eric, I’ve grown to love John C. Reilly. And it’s nice to see his range as an actor in a kid’s role like this. Sarah Silverman is both cute and verbose as Vinellope, the cute child race car driver. Her poop jokes and tomboyish attitude are much appreciated by me. I’m not usually a fan of Jack McBrayer and his work on 30 Rock, but he was just fine and the perfect voice for Felix in this one. And here’s the big surprise… The Candy King was done by Alan Tudyk! I couldn’t believe my ears! He truly is the master of voices if I ever heard one. First A Knight’s Tale and now this? Wonderful.
How great are those detailed graphics?
Throw in Mindy Kaling of The Office and Joe Lo Truglio, and you have yourself just a sample of what is an entire cast of great voice talent. You also have Roger Craig Smith as the voice of Sonic (and Ezio Auditore of Assassin’s Creed 2), and Kyle Hebert as Ryu of Street Fighter (acclaimed voice actor), and that’s a great addition. I loved the bad guy support group meeting as well. It’s all good in the hood.
I would recommend, if you have kids, taking them to see Wreck-It Ralph. It’s good for all ages (AKA, anyone who has ever played video games) and you’ll enjoy it too, no matter what your preference. So suit up and grab your controller and lay in to some good old fashioned fun. 8.8 out of 10.
People may get pissed off at me for this one. I… laughed quite a bit at Black Swan. It wasn’t a bad movie overall, but the things I found strange or wrong with this movie made me laugh out loud, kinda like watching a dark comedy. Although this movie wasn’t a comedy. Oh well, it can’t be helped. I hope Natalie Portman never sees this post and hates me for the rest of eternity if some infinitesimal chance allows me to meet her. Let’s just keep this post a secret.
What a beautiful pout. Still in love with her since I was 9.
So this is a movie about the ballet Swan Lake. The twist? The ballet she is performing is Swan Lake and she is living out the events of Swan Lake. Oh the twist! Other than the WTF middle section of the film, yeah, it follows it pretty closely. Prince has party, Prince meets White Swan, fall in love, Black Swan tricks Prince, Prince and White Swan commit suicide for love. The end. I think it’s the liberties that Darren Aronofsky took at assuming ballet is synonymous with sex. I would sayyyyyyy… No. That is an artistic leap and assumption I wouldn’t necessarily associate.
So… plot now. Nina Sayers (Natalie Portman) is an up and coming ballerina at her dance studio. She’s nice and quiet and just hopes to make a bigger name for herself. And then her dance director Mr. French McCreepy Bastard, Thomas Leroy (Vincent Cassel) announces they’ll be having a Swan Lake run at their production company. He, like every other pompous director who thinks they’re a visionary, says they’ll be doing it differently than ever before. I guess he was going for more rape and sexy. Alright there Leroy, that’s your own choice.
Ah yes, the creepy mother.
Nina begs for the position and gets mouth fondled by Cassel, because for some reason in 2011, it’s still shocking for a director/boss to take advantage of his cast/employees. With all that said and done, Nina takes on the lead role of the White and Black Swan. From this point on comes some “messed up” and thriller like elements that push the boundaries of what’s real and what’s not. The arty version of The Matrix, if you will. And don’t call me sexist or naive or ignorant at this point. People can have their opinions about a film, negative or not. I can say these ignorant things because from what I’ve seen of the hundreds of movies I’ve seen before, this movie isn’t necessarily anything impressive in the way of
Vincent Cassel, crossing toolish lines since… this movie.
groundbreaking. It seems more important for me, at this point, to say how disappointed I was with this film. Because, as serious and mentally disturbing as it was supposed to be, I still laughed.
Should I talk about my problems with this film? Let’s go. I knew there was going to be a conflict when Nina’s mother Erica (Barbara Hershey) flips out. She’s bought Nina this nice big cake for getting the part and Nina simply says no, I can’t eat right now, my stomache is upset. Reasonable reason right? “Well that’s fine, don’t have any.” The music becomes serious and tension filled, she heads towards the can with the cake. A simple pleading no from Nina and you see the smile instantly and bizarrely return to her face. I laughed. Hard. Yes, this was supposed to point out the stressed and overprotective relationship that sparks Nina’s problems in the film. But it was campishly delivered and I enjoyed it. For any Tim and Eric fans out there, this scene may tickle your fancy.
I wanted to put this next to the word “lesbian”.
All the lesbian/finger banging scenes in this film feel out of place. That’s probably because I don’t make an automatic connection in my mind between ballet and sex. For me, ballet in particular, is a purist sport. It has a set amount of moves that allow you to express a gamut of emotions. Other forms of dance, sure, why not? There’s sex everywhere at a high school dance. Just not with ballet. Nina is exploring her sexuality and, for the whole film, until she said it, I thought she was 18, maybe 21 at most. Living with her mother threw off my radar on her age and calling her Mommy (with her room and clothing choices) I assumed 18. Why would a 28 year old dancer be attempting to get big in dance? Her prime is gone. Error right there.
I disliked Vincent Cassel in this movie. I think you’re supposed to. To the extent I did, maybe was a bit extreme. Not death threat level, I’m talking more ruined any scene he was in for me. As a sex icon in the movie? Didn’t really believe it. Mila Kunis though? She was her normal, old relaxed That 70’s Show self in this one. Typical Mila out for a good time, who just happens to be a diabolical dancer. I did love
You made this movie better Winona.
Natalie Portman’s performance in the film. She did have to do a lot of things you never typically see her do in this film. And I was IN LOVE with Winona Ryder’s performance in this film. The fallen dancer and raging spurned lover? That was a convincing and devastating performance for her.
Let the weird begin.
Other than that, I don’t really wanna shit on this movie too much. I just didn’t like it. It wasn’t my cup of tea. I do see how this movie didn’t beat The King’s Speech for best film. It was too edgy for the Oscar community. But it was a well done film itself. The cinematography was jarring and uncommon, something I just can’t stand. Watch this movie again and see if the still shots outweigh the fluid and nauseating moving shots. You’d be surprised. The acting for the most part is what you would expect from a movie with Oscar buzz and all that good stuff. Just not my film. And because I’m the one rating for my own interest, I have to give this movie a 4 out of 10.
I had never in my 21 years of life ever before seen a RoboCop film. Hearing of how cheesy they look today and how they would insult my CG effects sensibilities, I was hesitant to check out this film on Netflix. My roommate did only the slightest of convincing and we sat down to watch. I was pleasantly surprised. Being hailed as a good film in its time for the issues it brought up and the icon it created, RoboCop can be seen as an overall achievement for all its done. And, right in the vein of claymation/animatronics that I’ve come to love too. Thank you Hellraiser.
RoboCop is the story of a rundown Detroit (as if Detroit didn’t already have a bad rap…) in which crime runs rampant. In such a desperate time, Detroit’s police force has been bought out by the Omni Consumer Productions Corporation (OCP). Hoping to bring up the efficiency of justice, OCP has created some prototypes to help this along. In error, OCP’s senior VP Dick Jones (Ronny Cox) creates a robot that malfunctions and maliciously kills a fellow worker. With this disaster under wraps, it is up to another boardmember, Bob Morton (Miguel Ferrer) and his robotic-cop idea to shine. In this cutthroat world of business, anything goes. (And this is an issue later.)
The future of policing.
Meanwhile, a newcomer to the Detroit scene is hittin’ the streets. Alex Murphy (Peter Weller) is a transferred cop out to prove just how good he is. And prove he does. He gets kidnapped by a gang led by a man named Boddicker (Kurtwood Smith). You may recognize him as Red from That 70’s Show. I’ll always remember him from RoboCop. Anyways, Murphy gets lit up. And I mean shotgunned to death. Arm destroyed, torso torn, shot dead. Animatronics at its most frightening. It was intense to say the least. You can guess where the rest of the movie goes at this point. Murphy is turned into RoboCop and helps clean up the streets. But there’s mischief afoot. And some inside guys need to be taken out.
Peter Weller, you freaky old bastard you.
All in all, the acting was sub par in this movie. I didn’t recognize many of the actors, although I had seen Miguel Ferrer in something or other. Peter Weller is more of a cult classic actor/T.V. production actor, and completely fell under my radar. You know who didn’t? Ray Wise. This best of the B-rated actors is quite high quality in my book. This Tim and Eric returner is the best hug teacher and Shrim disposer out there. Thanks and Great Job!
Other than that, not a lot stood out to me in this film. The plot chugged along, the ending could have ended a bit sooner, and I think this is one of those movies which could have a successful remake. And I don’t say that often. Some updated acting and an even darker element to this movie would really spice it up as a need to see action movie. Still set it in the 1980’s, this movie could benefit from a touch-up. But enough about that. The simple fact that this movie was so successful it created a merchandise franchise. I give props to a film that can create more than a movie from their idea. Good ideas about the crime of America and its economy went into this film, something to be commended on. Let’s see a remake soon… maybe. 5.5 out of 10.
Let me first start off by saying that this show isn’t for everyone. If you don’t find dark, off the wall, probably funny if you were high or on large doses of acid, absurd humor funny without the addition of narcotics, this show is probably not for you. After I had spent time ritually watching Tom Goes to the Mayor (This is a blueprint stop motion animated short show in which Tom/Tim Heidecker goes to the Mayor/Eric Wareheim.) I found out about this show. I had only seen one segment prior, and my friends at school would laugh about the new episodes every Friday in school. But yes, my first and only image of Tim and Eric Awesome Show Great Job! was Chippy, the baby with a mustache that screams when spotted. I knew I had to check out this entire show.
And so I did. 5 nights, 5 seasons. Series 1 through Cinco. There was many a time I was frightened, and many a time I pooped my pants in laughter. My roommate Ian and I (he’s my movie/T.V. show buddy, we watch everything together) spent a week straight laughing for the hour and 40 minutes that was Tim and Eric. Frankly, this show has great actors, great characters, and great, absurd humor. I greatly applaud Tim Heidecker and Eric Wareheim for their work.
Great Job!, Tim and Eric
Every season consists of 10 episodes that are 10 minutes each. Eric and Tim play themselves, they play stock characters, they bust out the outrageous character or two. There’s really not anything to ruin as far as spoilers go in this show. Nobody dies (or stays dead for long) not really any continuous plot from episode to episode. It’s all about the absurdity and low quality/college campus acting and effects.
Best stock characters. Yes. We have James Quall, the horrific, dull, doll-like impressionist who loves Cosby and spaghetti and meatballs. David Leibe Hart, the man picked right off the streets for his work with ventriloquism assisted by the most frightening dummies known to man. Richard Dunn, the cantankerous old man who is always on the verge of kicking the bucket. Pierre (Ron Austar), the dad obsessed funk dancer who loves meat, but not
There's my Chippy
when it’s spoiled. And of course Chippy, the hirsute baby with the greatest scream on the face of the planet.
And it’s not just these drifters off the street that make up the show. We also have character/T.V. show/movie actors and other celebrities that make special appearances based on the episode. Of course there’s Dr. Steve Brule (John C. Reilly) with
For Your Health!
Brule’s rules and the varying segment where he drinks some wine or makes a panini. Tairy Greene (Zach Galifianakis. I feel like this is what made him popular.) the actor/director who shouts at children and dances as he flies through the air. Will Grello (Will Forte), the man who is haunted by his childhood and occasionally lets us into his brain to view his nightmares. Also of notable interest, David Cross who shows up as a pizza boy in a porno, a celeb exec, and a crazed old man who attaches paintbrushes to cats. There’s Josh Groban, singing the best of Casey Tatum and his brother, Marilyn Manson without makeup as the dark man, Rainn Wilson, always as some creepy character, and Paul Rudd, dancing it out on his computer to himself. There’s also a little scene you may discover interesting when Tim and Eric battle in tennis and they have stunt doubles. Check it out for yourself.
And if that doesn’t catch your interest with that laundry list of great actors and celebrities, there are the stock characters that Tim and Eric perform. There’s Jan and Wayne Skylar, Channel 5’s best married news team, although they don’t show up as much as I’d like them to. (Tim Heidecker always plays really good soccer mom looking women and such.)
Spagett, one of the greatest characters that Tim portrays, a balding, pony-tailed man who jumps out and spooks people with a “Spagett!” The Beaver Boys who can’t resist a good shrimp and white wine. Casey Tatum and his brother, always performing on Uncle Muscles’s (Weird Al Yankovic) Hour. This is consistently my favorite sketch and it’s great when they literally have Josh Groban on to do his own renditions of Casey’s songs. And I could go on. Every sketch is great along with every episode. The only part I would recommend skipping is the Women’s Afternoon Review.” Those sections disturb me, and I don’t mind 99% of the things I see on T.V. and movies.
What more is there to say about Tim and Eric. They take things far beyond any other show I’ve ever witnessed. (Man milk, puberty, eating their own boogers, etc…) They practice their scenes, I’m sure, to such a great degree that every action and gesture is done is such a way that it’s absurd, awkward, too long, and yet hilarious nonetheless. Their humor destroys. The have good guest stars. The premises of their episodes make no sense. And I would consider this among the top 10 funniest shows that have ever been on television. 9.7 out of 10. Check it out. Great Job!