Tag Archives: Todd Haberkorn

Kenichi: The Mightiest Disciple

I’m a huge sucker for anime that involves martial arts. Heck, for anything that involves martial arts. I dream about one day becoming a disciple of a certain martial arts form, but that day may be behind me (my only training was trying lethal moves out on my sister, in a joking manner of course). But the adrenaline and inspiration that martial arts injects into me makes me feel like I can do anything. And a character like Kenichi: History’s Mightiest Disciple proves it.

Although this anime boasts 50 episodes (and OVA’s to come), it is rather simple and extols the teachings and techniques of martial arts. Kenichi “Weak Knees” Shirahama (Josh Grelle) is just what his nickname suggests. Picked on all the time at school and always outcasted, Kenichi joins the school’s Karate Club in order to become stronger. After being

Kenichi and the masters of Ryozanpaku!

threatened by the biggest kid in the club, Kenichi is worried for his life. And his alien looking friend Haruo Niijima (Todd Haberkorn) confirms this.

Until one day when Kenichi’s entire life changes. Rescued by a new transfer student to the school, Miu Furinji (Carrie Savage), Kenichi discovers a way to fight back against all those bullies. Joining the Ryozanpaku dojo, Kenichi becomes the sole disciple and strongest hero by story’s end.

Miu, the boob action in the show. Pretty ridonk fighter though.

What I liked most about this show, other than the martial arts, is the sensei’s of the dojo. There’s Hayato Furinji (R. Bruce Elliott), the wizened leader of the gym who is basically unstoppable. Although he’s not around, he supports Kenichi and his granddaughter Miu. There’s Shio Sakaki (Christopher Sabat) the drunken comedy and Karate master. His punches are fierce and so is his standoffish personality. He likes Kenichi like a father (although he already has one) and pushes him to do better.  Apachai Hopachai (Sonny Strait) is the dumb guy in the group. He’s lovable and friendly, but he doesn’t know his own strength. Always kicking Kenichi into the atmosphere, he loves calling out his name when he performs Muay Thai (my favorite. Period.) Shigure Kosaka  (Trina Nishimura) is the weapons expert of the group. She doesn’t talk much, but makes up for it with quick sharp wit with her blade. Kensei Ma (Vic Mignogna) is an interesting old man. Bald and brazen, he brings the pervert aspect into the anime. Always taking pictures, he still finds time to teach Kenichi Chinese Kenpo (softer martial arts). And last but not least, Kenichi’s main teacher, Akisame Koetsuji (Kent Williams). His intelligence and artful technique pervade every aspect of his life. He can usually be seen forcing Kenichi to tow him around on a tire attached to a string through the city streets.

The Shinpaku alliance!

And there are far more characters than that that add spice to this show. As I mentioned before, Niijima is a wonderfully slithery character. His art of running away never fails, and his PDA never fails on recon. Todd Haberkorn brings a wildly raucous character to life with his evil alien features. And then there’s Ragnarok. Considered all to be Kenichi’s arch rivals, Kenichi must defeat them in order to keep from dying (or anything else terrible). One of my personal favorites is Hermit (Eric Vale) this solemn and quiet character has a masterful technique and an iron will. Eric Vale does a wonderful job as usual as a character who never gives up with a great dramatic voice. Jerry Jewell plays a ferociously sinister character I can’t really talk about, but he’s worth waiting for. And J. Michael Tatum does a voice I didn’t recognize at first with Ikki Takeda, the boxing beauty with shiny blue hair.

With all of these wonderful Funimation voice actors and so many characters, nothing could be better. And then you get down to all the fighting. Although some of it may be unrealistic and come with explosions of light and unheard of power with your fists, the technique is there. I’ve learned more from watching Kenichi than I have from anything else. I know moves, fluid techniques, and trick moves too. I know their names and why they’re significant, I might as well have just

Niijima and his wonderfully alien good looks.

watched a Discovery Channel show on it. And from so many different countries! China, Japan, Thailand, and any other Asian country that may have been mentioned. This show displays a sort of U.N. like congregation of the wonders and majesty of martial arts and brings them together in one wonderful show.

This show may floor you.

The plot is simple and straightforward, pulling no punches (pun-ch intended). Kenichi must systematically defeat and conquer enemies and his fears in order to become the best. What more of an archetypal story do you need? Throw in a whole lot of comedy, boobs, and amazing fighting technique, Kenichi: The Mightiest Disciple is one of the best shounen out there. Get some of that kick ass. 8.3 out of 10.


Baccano!: You Just Have to Watch it.

I’m going to say as little as I possibly can about this show while trying to talk about this show and how interesting it was for me. Also, in this review, I’m going to attempt to talk about characters in such a vague way that I don’t reveal anything about the plot and just encourage you to watch the show. Impossible task? Challenge accepted.

This is an anime set in the Prohibition Era of America in the early 1900’s. There is an element of magic and mystery that intertwines itself in this show so that you have to accept what’s possible with the impossible. There are gangsters, and, orignally, magicians (of  a sort). The characters range from the mentally unstable to the kind and thoughtful. With inspiration from the film, The Untouchables, the gangster and his New York accent come to life in the world of the speakeasies.

There are a lot of characters...

When you first begin to watch this show, you may become frustrated. A lot of characters and events are thrown at you all at once. Told from so many perspectives, it can become overwhelming in the first couple of episodes. But have patience. In a nonlinear plotline that comes together in pieces, this show was ingeniously crafted to have the characters drive the story until the plot becomes clear. Just remember when watching that the Flying Pussyfoot (really don’t like the name though) is the central event of the series. Things occurring on the train, for the most part, are happening in the real time (I think…) while all other events of the early 1930s are flashbacks, or maybe even flashforwards. Still not entirely sure. It’s a show worth watching through more than once.

 

What's going on?

With all the gangster families, it can become hard to determine just exactly who is who and who did what and who is wanted for what purpose. With all the accents and the strange character names, (Jacuzzi Splot. Enough said.) with three different gangster mafioso families going on at once (the Gandors, the Genoards, and the Martillos) including Jacuzzi’s gang and the Russo family, toss in Isaac and Miria, and you have a lot of chaos all at once. Nothing is as it seems and nothing seems to make much sense in the Baccano! world. It’s all about the ending payoff.

A few noteworthy voice actors in the dubbed version to speak of. You have to start with Isaac Dian and Miria Harvent. J. Michael Tatum and Caitlin Glass

Isaac and Miria. Best.

really branch their talents to their extremes with two ridiculous thieves with no care in the world and no idea what’s going on. John Burgmeier puts on an English accent as a character I can’t reveal (sorry). And R. Bruce Elliott places a mean old Russian bastard who is actually a terribly villainous magician. Joel McDonald in a surprisingly heartfelt performance gets his Brooklyn on as Jacuzzi and Nice, his eye-patched love interest and crime partner is nicely done by Colleen Clinkenbeard. Throw in a Frenchman in jail and you have the wide ranging and seductive talents of Eric Vale.  Throw in Todd Haberkorn and his always likeable goofy characters and you have a Baccano! cast.

I love this man so much.

But, I could never forget the big standout in the show. In a very underrated voice actor comes one of the best performances of his career. Ladd Russo, a highly skilled and highly delusional killer is voiced by Bryan Massey. His questioning and highly energetic character from My Bride is a Mermaid, Shark, returns as another kind of inhuman being. Ladd is vulgar, he is brutal, and he is one of the most likeable and sinister characters in the series. Any guy who can walk into a room and say, “I like you! F%*k you!” deserves respect.

Let's get to pokin'.

And for the rest, AKA the amazing plot, you have to watch it for yourself. In the same vein of shows as Durarara! (interesting, both are marked with exclamation points…) comes a character driven show with a great payoff. Watch it for the characters and voice acting. Watch it for the interesting non-linear plot. Watch it just to watch it. It’s well worth a shot. You just might find what you’re looking for in a show in this 16 episode anime, Baccano!


Fullmetal Alchemist: Brotherhood

I don’t know how long this review may turn out to be, but I have so much to say on the topic of Fullmetal Alchemist/Fullmetal Alchemist: Brotherhood. In what I would consider, and what others would consider to be one of the greatest and most well known anime of all time, Fullmetal Alchemist delivers on so many levels. It has so much going on and so many characters to follow and love that it’s going to be quite hard in keeping this short (that’s what she said).

All that being said, Fullmetal Alchemist: Brotherhood (And its original show I’ve watched as well, and own) is the story of Edward (Vic Mignogna) and

Too many great characters to count.

Alphonse (Aaron Dismuke/Maxey Whitehead) Elric. These two brothers are into alchemy, the mystic version of what we today call science. In a world apart from our own, Ed and Al delve into the inner workings of things like equivalent exchange (In order for something to be gained, something must be lost of equal value.) and alchemic circles. Seeming to be something of the occult, these two delve into what is common practice of the early 1900s.

Living happily with their mother and father (for a time, until he leaves) Ed and Al become engrossed in the world of Alchemy. Taking every opportunity they can to learn about its secrets, the two become formidable alchemists in their own right at a very young age. And then, tragedy strikes.

Ed and Al, two brothers on an adventure.

Struck down by some unexplained illness, Ed and Al’s mother dies at an unexpected and early time in her life. While the two of them are still young (7 and 9), they attempt the taboo. The attempt to perform human transmutation. With what appears to be a straighforward procedure, the two attempt to create life from the makings of a human (i.e. water, carbon, trace elements, etc.). What they don’t account for is what costs them. Taking Ed’s right arm and left leg and Al’s entire body, Ed barely saves Al’s soul by attaching it to a suit of armor in the corner of the room. Debilitated and with no family left except some loving family friends, Winry Rockbell and her grandmother, Pinako, these two burn down their family home and leave Risembool.

This leads Ed and Al to pursue the only other alchemic object that readers of Harry Potter will be familiar with. The Philosopher’s Stone. This magical object, in the context of FMA, can circumvent the need for equivalent

Always leaving Winry behind to cry...

exchange. This object, they believe, will allow them to get their bodies back and return to a life of normalcy. But with the heavy prices and hardships in store, it won’t be that easy. Providing his services to the military state of Amestris as a “dog of the military”, a state alchemist. With Al along, the two must discover just what it means to put it all on the line for the Philosopher’s Stone.

Alchemy. It's hip.

I don’t want to go into too much detail about the later workings of the plots that go down in FMA and FMAB. After a certain amount of episodes, the two diverge in plot. Fullmetal Alchemist doesn’t follow the original plot of the manga, while Brotherhood follows it exactly. Never having read the manga (I’m an anime person, sorry.) I didn’t have a problem with either. There is some big debate and divisive opinions on the matter, but I feel the two shows stand apart, despite being about the same things. Both are quite satisfying in the end.

Great characters, old and new.

In any case, the characters in this show are wonderful. So is the voice acting. Actually, if I may be so bold, the English voice actors are just as popular with this show as the Japanese ones. Funimation did things right when they got the rights to this show and casted accordingly. But enough about that for now. We have to talk characters. I guess I’ll have to talk about characters without revealing anything about the plot. Hard to do, but I’ll manage.

Well, there’s Ed and Al, of course. These two drive the plot and give

Armstrong. Always good for a shirt rip.

wonderfully heartfelt and considerate characters to the show. Ed can be a bit hotheaded (and therein lies the comedy) but his stubborn attitude and realistic view of the world really shape our view into the world of Fullmetal Alchemist. With Al, who’s just as important, comes the caring and gentle giant (because of the suit of armor) character that I secretly admire greatly. His only flaw and greatest strength is that he cares too much. Winry comes across as the weeping damsel in distress,  one of the only female characters in the show to do so. Functioning as a sort of love interest in what is collectively called a shounen, this girl can pack a punch… comedically, whenever she needs to.

Kimblee. Badass. All in white.

And then there are some of my favorite characters. There’s Zolf J. Kimblee, the most badass villain and coolest alchemist to grace the series. With the power to alchemically turn anything into a bomb at his whim, he lays waste to everything in his paste. His nonchalant attitude about life and the love he holds for chaos is something I find to legit to quit in villainous characters. There’s Scar, the Ishballan priest turned freedom fighter. After his people were destroyed in a civil war, Scar ditches his name and uses the powers granted him by his brother in order to kill those alchemists who wronged him. He’s a bit of a conflicted character who really jumps around in the series, but he’s well worth rooting for. Roy Mustang and his surly crew of officers. Mustang is a high ranking officer among the military and effectively rules it with his ability to set anything on fire. Mirrored in his fiery attitude, he has the ambition to rule the country as Furher someday. (Amestris is basically Germany in the early 1900s. Almost hard to swallow that they’re reflecting Nazisms in this show, but it’s a choice.)

This was legit.

Then there are these creatures in the world known as Homunculi. I can’t say anything more about the topic (it’s too damn important), but I can say that they’re named after the 7 deadly sins. Their powers and personalities reflect that, and look out for Greed, Gluttony, and Pride, three of my favorites. Wrath used to be one of my favorites, but he/she is two different characters in FMA and FMAB. All of the Homunculi are key in the plot and well worth picking your favorite for how diverse and interesting their characters are. With two different explanations as to their origins, you can pick your favorite.

I enjoy this.

Now that I’m thinking about all the things that FMA/FMAB has to offer, I am starting to wish I had done a separate blog on Fullmetal Alchemist. These shows are two worlds apart, and similar in so many ways. There’s just so much to go into in detail and scope, and just not enough time to discuss it in. I don’t want to bore anyone with a long winded review, but if you do have questions you’d like answered or a specific topic I should review on my blog, let me know via comment or something. I’d love to talk about it!

Oh, all the characters and the plot I can’t get into and all that good shit. I’m now seeing this review as more of a teaser than anything. The intricate plot and reveals of both versions are well worth it. The dialogue and emotions will enrapture you in joy and sorrow. I can’t talk this up enough, can I? Well I wanna mention voice actors in English before I give this show the 10 out of 10 it deserves.

Can't even explain what's going on here.

Vic Mignogna is as iconic and well known for his voice as Edward Elric as the Japanese voice actor. Loved by many, he may always be recognized as Ed. Aaron Dismuke, one of the youngest voice actors to grace Funimation, got his start from a very young age as Alphonse Elric. With a voice that began to change as the show went on, it was all too unfortunate that Aaron could no longer fulfill the part. Maxey Whitehead did a good job in her own right, but there was

Here's a little throwback Greed.

a distinct difference in Al’s soft spoken voice. Travis Willingham delivers well as Roy Mustang, the fiery commander of the Amestris military. In what I would consider an improved performance from the original FMA, he really allowed his character to come out in Brotherhood.

Caitlin Glass does a phenomenal job as the constantly emotional Winry at all the right points. I must say though that I liked Dameon Clarke far more as Scar than J Michael Tatum. The gruff demeanor of Scar, I feel, leans more towards a man of few words than a gruff sounding religious freak. Just saying.

You beat them back, Scar, you religious freak you.

Both good, just drastically different. Who else should I mention… Eric Vale was badass as Kimblee with his, “I don’t care, I’m nuckin’ futs crazy. I’ll kill you.” attitude. Enough said there. Laura Bailey is as sexy as ever as Lust, the sexiest of the Homunculi. Troy Baker, more than Chris Patton, in the original, provides a great “I want the world and I’ll do anything to get it” voice as Greed. And, exclusively to Brotherhood comes Lin Yao, a prince from Xing with one of the best scenes and deliveries in the entire show, done by Todd Haberkorn. The goofiness of Todd disappears behind the character of Lin Yao and become something entirely different. And, of course, Christopher R. Sabat is amazing as with everything he does as Alex Louis Armstrong, the Strongarm Alchemist.

So with all these great things all in one amazing anime, why haven’t you already seen this/are watching it now? There’s no need to read this review when all I could have said is watch this show. Watch Fullmetal Alchemist and tell your friends about it. Subbed or dubbed, it doesn’t matter. Watch both versions and compare, let me know which one’s your favorite. Bask in the glory that is FMA/FMAB. It’s all good so trust The Abyss and jump right in. It’s worth it. 10 out of 10.

It all comes full circle. Full alchemy circle.


Darker Than Black: Badder Than Badass

Thinking back to the days in which I spent less than a week watching Darker than Black, I only have fond memories. As it was with Basilisk (another anime I’ve reviewed about individuals with unique powers) so it was with Darker than Black. The idea of the Contractors and their Payments is really what sold me on the show. In a “post-apocalyptic world” in which the stars have forsaken us in place of demigods on Earth, a world of humans and the mythic becomes meshed into one. With its ridiculous beginning with two normal humans chasing down a Contractor. In an instant, with the breaking of some fingers, the Contractor goes flying off into the sky with his ability to defy gravity and control it to his will. Tell me that isn’t something badass-worthy.

Basic plot of the show: So this mysterious gate appears in Tokyo that appears to hold some mystical powers that alters the face of the earth. In South America, a team of changed human beings prepare to take out what is known as Heaven’s Gate, its twin in Tokyo known as Hell’s Gate. In a gigantic explosion with no known explanation, Heaven’s Gate is destroyed and the pasts of those involved become altered. It is up to Hei (Jason Liebrecht) to discover his past in

Hie and his ladies.

connection to the other Contractors around him.

It is these other Contractors that hold the key to exactly what it means to live in this new world of powers and new discoveries. The art of astrology has become relevant again as the Japanese government uses it in order to keep tabs on the Contractors of Japan. With the denotations of mere letters and numbers, the true names of the Contractors are not known, leaving the government at the mercy of the superhuman beings. Hie and his team consisting of Yin (Brina Palencia) a lifeless doll and tracking system, Huang (John Swasey) the team organizer, and Mao (Kent Williams) a former Contractor, now cat, travel the streets of Tokyo, performing missions given by The Syndicate. Through these missions, Hie and the others begin to discover their role in the Gates and what has been going on the last 10 years.

Yin, one of the more interesting characters.

The structure of the show is quite interesting. Although a continuous plot for Hie is not really put into effect until the last 10 episodes or so, the suggestion of a tying plot is frequently referenced to. Most of the beginning of the show flows between the Japanese government and its agents and a private investigator, intermingling Hie and his teams story. On the government side, Misaki Kirihara (Kate Oxley) is the head of an investigation team within the Public Security Bureau. Although she holds importance over the others, her subordinates Yusuke Saito (Chris Sabat) and Yukata Kano (Todd Haberkorn) provide support and comic relief in their roles. But the true comedy of the show comes from Gai Kurasawa (Brandon Potter) and Kiko Kayanuma (Brittney Karbowski). These two own their own private detective agency that comically coincides with just exactly what’s happening with Hie and the Contractors. Whether it’s looking for a cat or collecting stories on the true stars, Brandon Potter relentlessly blunders through as Gai and leaves a hilarious path of turmoil in his path.

And credit needs to be given to the Contractors of the show. November 11 (Troy Baker) is a ridiculously cool Contractor in league with MI6 and the British Intelligence Agency. With his ability to create ice from water spontaneously, November 11 comes across as a suave Bond character with the help from Troy

What a Bond you are, Nov. 11.

Baker. Maki (Maxey Whitehead) is a troubled little boy in league with, well, I’d rather you watch and find out (the plot comes in at this point), with the ability to create explosions with his hands, not unlike Kimblee of Fullmetal Alchemist (my favorite character, mind you and something I am currently re-watching). His troubled past leaves him struggling to be somebody among the wrong people. And a bit of an unspoken badass in the show, Wei Zhijun (Robert McCollum) pays with his own blood in order to lay waste to whatever it touches.

Ahhh, the power of blood.

Now these are only a few in a long string of Contractors that all have great backstories and well developed episodes. With about 2-3 episodes per character interaction, this eats up a good majority of a show. I had wished for a bit more of a straight-ahead plot the whole way through, but it didn’t detract from how good the show is. The voice acting is decent to good and really carries a lot of the show with the emotional scenes that creep up. What really captures me in this show is the excitement of a new Contractor and discovering their power and Payment. (I only capitalize because of those words’ importance.) The show, I guess, is really character driven and that’s the true charm of the show. The dark (hint hint) elements of the show don’t overburden the show or push it into the overdramatic, which really balances out the quality and amount of material the show covers. I really enjoyed myself while watching this and would suggest this to anyone who likes a good crime thriller action anime/film. Enjoy! 8.8 out of 10!

What's hidden behind that mask?


Ga-Rei: Zero

Before I start this review I have to admit that I check Wikipedia before I get too deep into a show. I wanna know the characters I’m looking out for and the basic premise before I dive in. I did this for Ga-Rei: Zero. And boy, was I surprised. There was no Kensuke Nimura (Todd Haberkorn). Although he was in the last minute of the last episode. Every other character was present in this anime, and I finally understood after all 12 episodes that this was a before the manga story that explained how the characters got to where they are. So much more sense now.

So thisstory is about Kagura Tsuchimiya (Leah Clark), a spirit hunter who fights off demons with her samurai blade. She is descended from spirit fighters like her parents and it is one day that her mother dies and passes on the family’s spirit,

Yeah, this show's pretty ridonkulous.

Ga-Rei Byakuei. Going to live with her family’s relative, Yomi Isayama (Alexis Tipton), she hopes to become stronger for her father, but not without resentment. Months pass as the two fight different level classifications of demons until one day everything goes wrong. And then that’s kinda where the anime ends. It’s left open ended for the manga arc to pick up where this built upon, but who knows?

The fighting in this show is rather bloody and intense, quite interesting to see for me not having watched many shounen (is that what this is?) with female protagonists. It just gives credence to the idea that girls can kick just as much ass when it comes to shows like this. (They really are the dominating forces in this one.) The subject matter is rather dark, owing to the fact that nothing good comes out of this situation. I mean shoot, the first episode establishes a group of characters you expect to follow the entire show and then subsequently eliminates them with Yomi. Pretty redonkulous.

Girls with Duel Monsters. Pretty B.A.

Other than that, it was a decent show for its brevity and promises of a continuation. The voice acting was decent from a group of as not well known voice actors from Funimation. I was really happy for the establishment and buildup with a new, interesting way of looking at the spiritual side to “exorcism”/demon fighting in anime, which I always appreciate (although I’m a huge fan of Bleach and am excited for the new season dubbed). I can’t say enough that I liked this show and hope for a continuation visually.  I’d give this show a solid 7.5 out of 10.

 


Blassreiter: Emotionally Fueled Motorcycles

The title of my review says everything about this anime. I fell in love with the graphics, the 3-D battles, the back story. And I was taken away by the emotions behind the characters. The anguish of the foreigner in a land that doesn’t accept them for who they are. The man in love who cannot tell the woman he loves how he truly feels. The orphan abandoned and left without a help in the world. This German set anime (talk about a country of hate and anguish) is tastefully portrayed with a religious background and a head full of steam. With every new character arc (from Gerd to Malek, Hermann to Amanda) you are lead by your heartstrings to the heartbreak you are meant to see, and some you are not.

The idea behind Blassreiter is one of mecha, with a sci-fi drama backdrop. The line between man’s science and God is

An Amalgam's go to vehicle. Can you feel the emotion?

blurred. No longer is it the struggle between machine and man, but a meshing of the two. Man’s ultimate goal. In futuristic Germany, a crack team of soldiers known as the XAT (Xenogenesis Assault Team) has been given the task for  the bast decades to find and eradicate as well as protect the citizens of Germany from what are known as Amalgams (Demoniacs to the public.). These Amalgams are humans who have been transferred using some scientific disease into machines capable of attaching themselves to electronics and vehicles.

It is only common for these Amalgams to be created from dead bodies. Until one day, after being involved in an Amalgam attack, Gerd Frentzen (Christopher Sabat) is given the chance to regain his

legs and race again. But the price it pays is that he becomes a living Amalgam. And the fate of all Amalgams? Bloodlust, insanity, and death. It is up to the XAT to discover the cause of a living Amalgam and what this would mean for the furure of Germany and the rest of the world. But the Amalgams go deeper than a mere nuisance. And I’ve only covered the first 6 episodes. You have to watch the rest for yourself.

Gerd Frentzen (Christopher Sabat)

As I said before, this anime has some pretty spectacular 3-D animated graphics that blew me away. Any scene with an Amalgam or vehicle is given a special touch of full-breadth motion and fluidity. Combine this with a 2-D background and characters and you have an interactive combo right there. What could be better than this you say? Well, the character creation is top notch. The characters (and there are quite a few) deal with so many different emotions and personalities. There are the soldiers of the XAT, dealing with betrayal, duty, and what it means to be a soldier. (A very German thing, the honor of fighting for one’s country.) The humans turned Amalgams and their struggle with their humanity. The original Amalgams and their struggle with their pasts and their duty to the furthering of humankind and its evolution. God’s role in this anime is huge. (Another attitude of a prominently Protestant country.)

And then there’s the skeletons in Germany’s closet. The race hatred. The problems with German old

The amazing graphics behind Blassreiter.

family citizens of a higher class and the lower class foreigners given a chance for a new life in Germany, but given the scraps of the other classes. The hatred, the xenophobia. It all plays out on a tasteful stage. But even as this issue fades out to a respectable end, Germans are given a nod of respect for the strides they’ve made since the blood of the past has begun to dry and flake on their hands. And I give a nod of respect to the Japanese for the nod to the Germans.

The premise is interesting for a mecha. In a world moving forward, what is the point in which humans must pull back and examine their humanity versus their

What is behind the Amalgams?

technological drive? Anti-sci-fi (?) in a mecha is an interesting approach, and I welcomed it, being a mecha anime fan myself. (If I haven’t covered this before, non-anime fans/fans to be, mecha is mechanized (?) anime, dealing with machines and robots, i.e. Gundam Wing.)

Joseph (Todd Haberkorn), a character of anguish.

There should also be some credit given to the voice strained voice actors who lent their emotion to this anime. Watching this dubbed, I was amazed with the power given to the characters purely through voice. Joseph Jobson (Todd Haberkorn). Almost unrecognizable, but gives that brooding hero voice with a disturbed and tragic past to perfection. Hermann Saltza (Travis Willingham). This guy swore and yelled more than any other voice actor I’ve ever heard. I give him credit for days at a time (probably) of a hoarse speaking voice. His emotions and pain came to the table and delivered. Gerd Frentzen (Christopher Sabat). I give him credit because he is the amazing Christopher Sabat (as you know, I’m a big fan.). His voice of gruff torture and anguish spoke to me as usual, and kept me grippingly emotional. And Amanda Werner (Jamie Marchi). Her torrent of emotional confusion and desperation was quite excellent. And that’s only a few. But isn’t that enough to get you watching this anime? Get to it. 7.8 out of 10.


Rin: Daughters of Mnemosyne

What is there to say about Mnemosyne? This short 6 episode, 45 minutes per is one of those anime you watch without really being able to explain it. Set in 4 different time periods (1990’s, 2011, 2025, and 2055) these episodes display a pattern that is constantly broken. Rin, a private investigator and femme fatale, takes the ordinary and mundane in her cases and uncovers the surreal and supernatural. And this isn’t unfounded. Rin herself is an immortal. How did she get to become an immortal? Well you’ll just have to watch to find out.

There’s not a lot to say about this show, so this’ll probably be a short review. The plot becomes intricate as it

Too sexy Rin.

develops, so it’s not too hard to follow despite the changes in time. There are some consistent characters though. Besides Rin (Colleen Clinkenbeard), there’s her assistant Mimi (Jamie Marchi) the other immortal computer wiz of the ever changing duo. And, as the show progresses, Koki Maeno (Robert McCollum) and his descendants become integral parts of the plot.

See what I mean?

This anime is quite graphic as well. Known as a grotesque and erotic anime, there’s some pretty gruesome and pornographic scenes. I mean this thing borders on straight up Hentai. (Not for the kids, mind.) These elements mix to make a suspenseful thriller mystery unlike most anime I’ve ever seen of any of these anime by themselves. I mean there are scenes of sodomy, scenes of overwhelming erotic passion, and bondage with torture. Who doesn’t love that?

I initially wanted to watch this anime because of a really cool AMV I saw (I’ll post it at the end) and I had no idea what to expect. I was pleasantly surprised. I had originally planned to watch this subbed and found a respectable english voice class. Todd Haberkorn did a great job as Apos, the slightly devious and strangely evil… well… angel. (Now you have to watch it.) I’ve not seen Haberkorn

Rin. A different experience.

ever voice act for a villain, but it was slightly chilling. Christopher Bevins gave a respectable performance as Tamotsu Yanagihara, the hardened investigator who’s career develops over the course of the anime. And I give all the credit to Colleen Clinkenbeard for her performance as Rin, the amazingly sexy protagonist of the series.

So, all in all, this is a little anime that gives the creeps. Tastefully sexual and quite intricate, it’s worth more than one watch. Check out Rin: Daughters of Mnemosyne, straight out of The Abyss. 7.2 out of 10.

And here’s that AMV I was talking about.


Soul Eater: The Nightmare Before Anime

Ever since my girlfriend and her sister cosplayed the Thompson twins from Soul Eater, I had developed a growing

Liz and Patty. Yes.

interest in watching Soul Eater. I didn’t realize at the time what this show would hold in store for me. (Added bonus if Christopher Sabat does any voice in an anime.) As I began watching this 51 episode anime, I found myself falling in love with the characters and caring for what would happen to them (although I had the ending ruined for me by complete accident.) It didn’t detract from the pulse-pounding episodes of battle after battle that ensued, and I found a new love in this Halloween-type anime that sent chills down my spine and laughs throughout my body as I spent a week watching this amazing anime. I was enraptured.

This anime follows the story of three “Meisters” and their “Weapons.” These duos of weapon and wielder take on what are known as Kishins, the tainted souls of creatures that have become monsters and feed on other people’s souls. Once 99 Kishin souls are collected, and one witch’s soul, then the weapon is deemed worthy of being used by Lord Death. This grim reaper is the essential Headmaster of the DWMA, also known as the Death Weapon Meister Academy. He installed this school to battle Kishins, and it has done a good job up to this point.

The doom and gloom of Death City.

It is at this point that things begin to go downhill. The evil witch Medusa (Luci Christian) and others have made plans to bring down the DWMA, and it is up to three brave Meisters, Maka Albarn (Laura Bailey), Black Star (Brittney Karbowski), and Death the Kid (Todd Haberkorn) to defeat the evil plot of the witches and Kishins. Teamed up with their weapons, Soul Eater (Micah Solusod), Tsubaki (Monica Rial), and the Thompson twins Liz (Jamie Marchi) and Patty (Cherami Leigh).

So it may seem weird that Meisters, who are people, are fighting using weapons who are also people. But these people are born with the ability to change into weapons at will. These weapons are special as well. A Meister and its Weapon have a special bond known as Soul Resonance. This bond allows Meister and Weapon to combine into one soul and creates a higher power in which to defeat enemies. But these three are not on the level of the Professors or Lord Death himself at the DWMA. And it is the school’s purpose to train these Meisters and Weapons in order to make them formidable opponents against Kishins.

The one thing that stands out about this anime, to me, is the style in which the plot is set. The doom and gloom of death and souls is combined with the comedic

Soul Eater. With some pizazz.

drawings of the artists. This gives it an anime meets Nightmare Before Christmas feel to it. The grinning Sun and Moon with blood dripping from their teeth give it that comedic element, mixed with the morbid. The grim reapers and monster encountered, drawn in what appears to be Jack the Ripper Whitechapel area sets up one of the best environments I’ve ever encountered in an anime.

Black Star. Badass.

And there are some great english voice actors that are in this anime. It would take too long to give a whole list, so I’ll just highlight a few. I thought Micah Solusod gave a great performance as Soul Eater, Maka’s weapon scythe. His grave voice and determined attitude comes across great through Micah, although I’ve never heard of him before. Brittney Karbowski was amazing as the cocky Black Star, my all time favorite ninja child and all around badass. John Swasey was great as Lord Death. His goofy voice gave the anime a Jack Skellington element with his personality and outlook. Vic Mignogna was hilarious as Maka’s father and Death Scythe Spirit. His obsession with seeking his daughter’s approval was always worth a laugh. Chuck Huber was fantastic as the madness induced Professor Doctor Franken Stein. His tormented character fought back and forth, and this was amazingly done by Huber. Maxey Whitehead was great as the insecure, gender-bender Crona. The duo of Crona and Ragnarok against the world and the lack of acceptance was heart wrenching to say the least. And yes, Troy Baker was amazing as Excalibur, the useless, fool dueling weapon of legend and lore.

And that’s about it. To get too much into the story might ruin the anime with spoilers, so I’ll leave you with this. If you’re looking for a light-hearted shonen with gore, guts (courage/bravery), and glorious fighting, this anime is for you. I give Soul Eater a 9 out of 10.

And here’s a taste of the show with a tribute to Death the Kid and the sexy Thompson Twins. Hooray.


My Bride is a Mermaid

Let me start off by saying that this is now one of my favorite humorous comedic anime. Hands down. It’s simple, it’s hilarious, and it encompasses an all star cast of voice actors that bring the humor up to a whole new level. I recommend dubbed before subbed, naturally, as I feel anime that we can’t really glean a good delivery from due to subtitles suffers in the delivery. But this anime really stands out to me as one of those anime that comes along for purely a comedic purpose and nails it. Yes, there are quite a few sexual innuendos and reference and most of the characters are drawn in a sexual manner, but it doesn’t detract from the awesomeness that is My Bride is a Mermaid.

The plot of this show is that Nagasumi Michishio(Todd Haberkorn) is visiting his grandmother at the Seto Inland Sea. He drowns. But who saves him? A mermaid. And because Nagasumi has seen Sun Seto (Alexis Tipton), he must pay the price

Pretty serious there, eh?

with his life, for it is the mermaid law. But clever little Sun uses the “loophole” in the law and marries Nagasumi in an effort to save both their hides (or tails in Sun’s situation). This leads to a hilarious string of goofy and outlandish situations that kept me laughing through all 26 episodes.

Okay, so the voice actors that make up the cast of MBIAM is what makes the show amazing. We have Todd Haberkorn as Nagasumi, and his voice always lends a bit of geeky, endearing comedy to everything he does. I truly feel he’s always cast as the geeky character, and I have no problem with that, he’s quite amazing at it and always delivers well. There’s John Swasey, doing his gruff badass voice (he has two modes, gruff or girly) as Sun’s father Gozaburo, the leader of the mermaid mafia gang that threatens Nagasumi’s life. He is not cool with his daughter’s marriage, and makes it a point to make Nagasumi’s life a living Hell.

Now he’s a voice actor who surprised me. Christopher Sabat (AKA God) surprised me fully with his voice as Masa, the black mafia member of the Seto

Christopher Sabat???

tribe. His voice comes off as so black and sensual that you become shocked to find out that Piccolo did his voice. Great work. Monica Rial as Maki, the deranged conch shell assassin. Annoying at yet always laughably funny. Bryan Massey, as Shark, one of the funnier side characters of the anime who always speaks in the form of a question. Would love to cosplay him one day. Another shocker: J. Michael Tatum plays Lunar’s father, the Terminator spoofing hardbody who will do anything to quote one of Arnold Schwarzenegger’s films. And last but not least, Eric Vale. Time and time again he has proven to play characters I connect with and admire, be it my first love of Trunks or the great snob who is Kai Mikawa, the porpoise and agoraphobic who is after Sun’s heart.

Now that we’ve gotten a little into how great the voice actors are, let’s talk about the meat of the show. So, usually, every episode pertains, in some way, to some side character always trying to break up Sun and Nagasumi. Be it Sun’s father or Lunar (Cherami Leigh) Sun’s singing and life rival, there’s always something awkwardly sexual going on. Favorite scene? Nagasumi

Eric Vale, you devil, you...

rubbing down Sun’s legs behind a bush. (Mermaids can walk on human legs, but the second they touch water, it turns into a fin.) Oddly enough, some of this show, I would venture to guess, may turn on some men, who are into mermaids, and young voluptuous girls… That are cartoons. And I think that’s where the TV-MA rating comes in. There is the occasional swear, but the sexual content is where the show really gets its fangs.

All in all, I really love this new up and coming anime. I enjoyed every minute of it and found the dub to be far better than the sub. The delivery and timing of the jokes speaks to both a American and Japanese audience. The art direction was great (weird thing with shiny unicorn blood?) and although the theme song might have been annoying and a tad too long, it didn’t take away from the fact I would get excited when they show started to play. Definitely

Come watch, won't you?

look out for this anime and, hopefully, this will become a big thing. 8.7 out of 10.