It had to end sometime, but I’m betting a lot of people who watched this show as hardcore fans wish it hadn’t have ended as soon as it did. I’m not going to get into the details many of you may know about why Chappelle left the show. It was his choice and I respect that. This review is just going to be about how wonderful the show was and my appeal to maybe bringing it back.
So the premise of Dave Chappelle’s Show is quite simple and brilliant. In a series of sketch comedy scenes, Chappelle addresses the issues of racism, ethnic tension, and the ways in which we deal with issues between the races. In a not so subtle way, I feel that Dave Chappelle attacked racial stereotypes in a not so subtle manner. By displaying the
ridiculously racist ideals of the U.S., Chappelle showed that even in a entertainment type setting, these racist views aren’t plausible in today’s society. Now, Chappelle said in one of his recordings that, “You know why my show is good? Because the network officials say you’re not smart enough to get what I’m doing, and every day I fight for you. I tell them how smart you are. Turns out, I was wrong. You people are stupid.” In an offensive way, Dave Chappelle is addressing the issue that the stereotypes are what makes everyone laugh. It doesn’t do anything else. It doesn’t make us think. I’m sure there are those of us that it does do more than make us laugh at the racism, but the show lost sight of that (i.e. Lost Episodes).
One of the best written sketches, and I think it went over people’s heads.
What made me laugh about this show wasn’t necessarily the racism and stereotypes. What made me laugh were the ridiculous characters and the great way the dialogue was written. I’m not gonna say I was above laughing at some of the racist jokes, but it was more characters like Leonard Washington and Tron that made me laugh at the exaggerated mannerisms that were displayed in their sketches. And I felt that Dave Chappelle tackled more than just racism. He talked about ridiculous pop culture. Be it Grand Theft Auto or Cribs, Chappelle showed just how ridiculous our society has become in what it values and projects. He handled the political and the ethics of society. He even displayed, in a good light, just how pervasive and progressive African Americans have
Now that’s a position you wanna see.
become in society. Yes, the Lost Episodes went in the wrong direction, but it was the abrupt end of what was before a good thing.
And this show was a very good thing. It brought to my attention that Eddie Murphy’s brother is funnier than he is. He proved to me that white people can be included in black comedy and join in the laughter without feeling awkward. He’s brought out the issues of drug use among society, race relations, and African American views on just about everything. He pushed the boundaries at a time that being politically correct was more important than anything else. He spit in the face of keeping silent on issues that actually matter. And I applaud him for that.
Game, blouses. May you never quit comedy, Dave Chappelle.
So, if you are one of those people who this show passed by, check it out now. It’s all on Netflix. Bask in the glory of what is considered in the top 50 of all time best shows on television. It may have been too short lived, but Dave Chappelle is an intelligent and sensitive person who understands quality is better than quantity. And he makes some of the best quality sketches I’ve seen. So, for all his hard work and comedic genius, Chappelle’s Show deserves a 9.1 out of 10.
1 Comment | tags: African Americans, amazing writing, awkward, black comedy, brother, Chappelle quoted, Chappelle's Show, Charlie Murphy, comedic genius, Cribs, Dave Chappelle, drugs among society, dumb society, Eddie Murphy, ended too soon, entertainment setting, ethics, ethnic tension, exaggerated mannerisms, glorious, good dialogue, Grand Theft Auto, great scripts, hardcore fan base, intelligent and sensitive person, issues between the races, laughs, left the show, Leonard Washington, Lost Episodes, Netflix, not plausible, not subtle manner, political, political correctness, pop culture, pushed the boundaries, quality over quantity, race relations, racial stereotypes, racism, racist ideals, racist jokes, ridiculous characters, short lived, simple and brilliant, sketch comedy, sketch scenes, television, top 50 of all time shows, Tron, U.S., values, white people, wonderful show | posted in Anime/ T.V.
So, as it was described to me, Tron: Legacy is “an orgasm of light and sound”. I’d tend to agree. Knowing next to nothing about Tron other than what I know from Kingdom Hearts II (Kingdom Hearts fans know what I’m talking about), I don’t know how thorough I will be in credibly reviewing this movie. But I’d love to throw in my two cents here.
So from what I got through a first watch of this movie: Sam Flynn is the son of Kevin Flynn, the guy who created this digital world back in the 1980’s.His goal was to create a sort of free space for programs and such to grow in a free grid. (What I kind of thought of it as was like the Internet. Free and you can get anything off of it.) But one day, when Sam was a young’in, Kevin Flynn promised him another game of Tron or something or other, and never came back. 20 years later or so, Sam is on a mission to make his father’s company free from greedy businessmen, and what he stumbles upon is the world his father created. But things are a bit different.
Upon entering the grid, Sam is entered into the games, and these games kill you. It’s not like how steroids kill you, it’s more like how Murderball could kill a
Sam Flynn. He has a Bugatti.
person not in a wheelchair. By playing these games, Sam discovers Clu, the alternate grid-ego that his father created to help him create the cyber world he’s in now. And he’s gone completely evil. (Also, he’s completely digitally animated. Think Beowulf, the newest version.) And unfortunately, so has Tron. And these two have taken over the cybernetic world and have destroyed the one thing that came about from Kevin’s creation. *Secret* Don’t wanna spoil it.
So yeah, as some critics might say, it was a bit flimsy on the plot. I say, what do you expect from a PG Disney movie. No, it’s not necessarily geared towards children. But older children can appreciate this movie, knowing nothing about the movie that came out 20 years before they were born. You have to look at the demographic and the time it was created in. (I don’t feel like critics ever take that into account. Just harshly compare it to the classics.) At face value, I’d take this film to be quite visually pleasing. The lights and visual effects that went into this movie give it a very sleek and appealing look. And to accompany this? Daft Punk. These guys were great in the creation of this soundtrack, and coincidentally make a cameo appearance as the two masked DJs in the in Zeus’s club.
Acting wise? Some big acting chops are brought to the table in this film. Of course we have Jeff
Well that's certainly a change...
Bridges as Kevin Flynn/Clu, reclaiming his original role in the Tron film. There’s also Garrett Hedlund who plays Sam Flynn, the bad boy hacker and heir to his father’s company. I’ve seen Garrett Hedlund in other movies (Troy, Four Brothers, Eragon) and now I realize he’s an actor who is typecast in certain roles. Either the bad boy or a minor character, I feel as if he might/might not break out of these roles. (I haven’t/won’t see Country Strong, but that’s a change of pace, right?) Olivia Wilde plays Quorra, nothing special there (not a big fan).
And then there are the special appearances. Bruce Boxleitner plays Tron, one of the biggest badasses that makes me want to see the original. Michael Sheen makes an amazing appearance as the slightly flamboyant and hilarious Zeus, the club host with the most. I love how much work Michael Sheen gets ever since he was in Underworld, and I think it’s really great how much range he has. Oh, and really, don’t forget Cillian Murphy, the badass Scarecrow back to strike again as always, performing amazing role after amazing role. I love his work and, even in the smallest part, I feel he never lets me down.
Michael Sheen. Master.
So I’d have to say that first time director Joseph Kosinski did quite a nice job on touching up and updating the Tron movie that so many came to love in the 1980’s. The lights, the sound, the actors all came together for one nice 2 hour thrill ride that was quite entertaining to watch. And if it was nothing more than entertainment, not a tribute to the Tron “legacy” at all, then I apologize to all you diehard Tron fans out there. Sorry to disappoint. But I wasn’t disappointed. 7.3 out of 10.
Leave a comment | tags: 1980's, 2 hour thrill ride, alternate ego, bad boy hacker, Beowulf, biggest badass, Bruce Boxleitner, certain demographic, Cillian Murphy, Clu, Country Strong, credible review, cyber world, cybernetic world, Daft Punk, diehard Tron fans, digital world, digitally animated, Disney movie, Eragon, evil, father's company, first time director, flimsy plot, Four Brothers, free space for programs, Garrett Hedlund, greedy busninessmen, Internet, Jeff Bridges, Joseph Kosinski, Kevin Flynn, Kingdom Hearts 2, Michael Sheen, Murderball, Olivia Wilde, orgasm of light and sound, PG, pure entertainment, Quorra, Sam Flynn, Scarecrow, sleek look, soundtrack, steroids, the games, the grid, Tron, Tron: Legacy, Troy, two masked DJs, typecast, Underworld, versatile actor, visually pleasing film, wheelchair, Zeus | posted in Movies