And now we come to what has become one of my favorite movies of all time. The Raid Redemption is one of the most cohesive, brutal, action driven films I have seen since I first watched The Protector with Tony Jaa. And what makes it better is that a lot of people actually like it. For once, Rotten Tomatoes is right in giving it a 83% fresh rating. This movie is fresh as hell.
What should I start with in talking about this martial arts movie to the extreme? Well, its
Get your shoot on.
basis comes from some of the best. In an interview, I remember Gareth Evans saying he was inspired by Bruce Lee, Jackie Chan and earlier films of the time. But when you see this, you know it shoots right into the vein of Muay Thai, no holds barred, stunt fighting with punches hardly pulled. People are getting worked in this movie (on and off camera). And when you introduce guns into the mix, you know things are going to get even more brutal.
And there’s a plot here as well! No running after elephants and single minded goals to be had here. There’s a raid, some character development, and then a twist. Everything you need in a movie like
this. Basically, Iko Uwais, now one of my top 5 favorite martial artists of all time, plays Rama, a passionate SWAT team member with a wife and a baby on the way. His team leader, Jaka (Joe Taslim) is determined to do the mission with no losses and everything in order and justified. But with the sounding of the alarm, a 30 floor slum building crawling with hundreds of crime gangs, everything is going to go off.
Other than the adequate acting in this film, I was really impressed that some martial artists I hadn’t see before showed up in this one. Joe Taslim was quite the throw artist with his specialty in Judo. His fight with Mad Dog was literally redonkulous. And then there’s Mad Dog himself, played by Yayan Ruhian. That little greasy haired monkey absolutely destroys half of the people in this movie, and doesn’t even stop when he gets a light bulb shaft shoved in his neck. Unbelievably badass. Throw in the expertise of Iko Uwais and his Silat, and you have the best 101 minutes of my life.
What I was surprised about in this movie was how much weaponry was used in a classically martial arts movie. Guns,
Mad Dog, unleashed.
assault rifles, knives, police clubs, the environment as well as the weapons available created a more realistic situation than just fists and feet. (Watch out for the Machete Gang though…) People getting thrown into furniture and off of ledges, this movie becomes so brutal everybody is shouting “OH!” while watching it.
Now we come to the soundtrack. For the U.S. and English speaking release (I mean subtitled of course), Mike Shinoda of Linkin Park was recruited to make his own original electronic soundtrack to complement the movie in comparison to the Indonesian release. What is created is what I would consider a throwback to the first two L.P. albums which is far superior to the stuff they’re coming out with now. The drums and bass come in at just the right moments to escalate your emotions and really get your blood pumping. Just like a video game, you have this rising action as you get into unique fight after unique fight. Superb.
30 floors of Hell.
Throw together all these elements and you have a Welsh director in an English speaking country that gets Eastern martial arts cinema. If I could grow up to be like him, I’d do it. The Raid: Redemption just proves that martial arts action films can be explosive, entertaining, and dramatic. 9.8 out of 10.
In continuation of the Ezio Arc of the Assassin’s Creed series, Assassin’s Creed Brotherhood: is a slight continuation of the events of Assassin’s Creed 2. In considering this a half-stop between AC 2 and AC 3, this game delivers a whole new amount of gameplay almost identical to AC 2. Taking place entirely in Rome, Ezio climbs and leaps from the historic buildings of Rome and the surrounding countryside. You can rebuild Rome from the tyrannical rule of the Borgia family and attempt to take back what rightfully belongs to the people. In the vein of a Robin Hood story, you use the money from the government to buy the tools you need to take back Rome. The fight is on.
What lacks in this game in comparison to Assassin’s Creed 2 is the slow moving plot. The second game moves so fast with Ezio’s plot and how he becomes an Assassin, it leaves little to be done in the second. It’s all about the revenge story in this one. The Borgias have remained in power by Ezio’s inability to finish the job and he’s paying for it now. With the help of the Assassin’s Guild and a new feature which allows you to send and use Assassin’s to do your
Just a bit of the historic gold.
bidding, its up to Ezio Auditore and crew to save Rome.
This gameplay is identical to the gameplay in Assassin’s Creed 2. There are a couple of exceptions. The free running is a bit more advanced with some better gloves for climbing and some more advanced moves in traveling through the extra areas in order to collect the armor of Romulus. The synchronization experience in the game is a bit frustrating with having to attempt to achieve 100% with every mission. A lot more of the missions in this game dealt with not being detected, a fact which frustrated me to no end. If the job is achieved, I would like it to be up to me how it is done. If I want to kill everyone and then deal with the target, what’s wrong with that?
Abe Lincoln joke anyone? Maybe an Assassin from the Guild killed him too… In AC 5…
Anyways, the rest of the game is just as fun as the second game. The Subject 16 missions are just as fun and challenging as the first, indicting the entirety of the world’s powers in what appears to be a power grab by the Templars that control the world. The artwork and historic building information makes me feel smarter while I’m playing a video game. I love games like this with basis in history that allow you to function as a badass Indiana Jones and solve the mysteries behind some of the world’s biggest marvels. With art, weaponry, and Leonardo Da Vinci’s weaponry, history becomes kick ass.
The voice acting is phenomenal as usual in this game. The workers at Ubisoft have their shit on lock with the amazing cast they get to pull of the Italian tinted accents of all the characters in the game. The emotions and actions of the characters are appropriate and, unlike many other video games, the characters are realistic for the subject matter of the game. And, for once, this game has a main character who is above the age of 25. In his mid 30’s, Ezio can still kick as much ass, but the fatigue actually wears on him. The same goes for 50 year old Ezio in Revelations. Let’s talk about character development and just how well this game pulls that off.
Ah yes, the Borgias… and notice the crossbow I forgot to mention.
The Brotherhood has arrived.
With all these elements in my all time favorite game series, Assassin’s Creed is one of the most well thought out games of all time. The creators in every country behind the games come together under different ethnicities and creeds to create a masterpiece of a game. They bring the accuracy of different religions and histories in order to be as accurate as possible. And thinking about the fact that these characters are based on real historical figures is just the icing on the cake. So hunker down and get into Assassin’s Creed: Brotherhood, its a perfect slow down point in the game that allows you to seep in the glory that is Ezio and the Assassins.
In this quick little 4 episode OVA, I was blown away by the breadth of this show that took a mere 2 hours to explore. And this is coming from an OVA that was based on a video game! With a beginning, middle, and complete end, this show summarizes (or does it?) or gives a complete new angle to a game I’d really like to play now.
So, Baldr Force EXE Resolution. It’s the story of Toru Soma, an ex-hacker turned good guy cop. He does this for his own motivations in order to catch his protege’s killer, located inside the police force. What he encounters is more than he could have possibly imagined. With
Pretty dec, right?
a past unfolding and new friends becoming enemies, Toru is forced to redefine what he considers real.
Despite the brevity of this show, I still consider it worth watching. It may move much quicker than most anime, but it performs well as a mecha/psychological thriller. Some characters perform well as side characters and need not be fleshed out, but others shine in their key roles that unfurl the story of the internet servers and what’s been menacingly destroying them.
Relying too much on that Fbook, right?
What I find most interesting about this show is its commentary on the interdependency of actual life events with what happens online. The two become so intertwined that it does sort of beg the quesiton, what is reality? Hate to say it, but in an almost Inception-esque way, this OVA suggests that people these days may rely too heavily on technology to get through life. (Hence, I should shut down my internet use and no longer give you my baller ideas on all things entertainment.) Pretty smart thinking from a Windows/Dreamcast game made way back in 2003.
But I digress. I rather enjoyed the 3-D animation of the Simulacrums that people used to maneuver around the internet, and it really spoke to a mecha audience instead of a fake reality spin in which we as humans walk around on the internet. I like the consequence that was created, like in the Matrix (if you die in here, you die for real shizz) and it was a perfect balance of plot and action sequences.
What madness is going on here?
All-in-all, just check this little mecha OVA out and see if it stacks up against the computer game. If it does, let me know, I’d love to check it out for myself. I’ll give this Matrix/Inception/thriller mecha a 7.9 out of 10.
So I saw an amazing AMV for this anime at Anime Boston and I was hooked. ( To this and t.a.t.u.) This anime, based on a video game really caught my attention. Its plot and characters are really strong and its premise taken from the video game is also really interesting. Makes me really wanna find the game and play it. I’m not exactly sure what the title of the game/anime means, but it evokes images of the anime from now on in my mind.
This anime focuses around Shiro Emiya, the son of an adopted father that taught him the virtue of helping those less
Shiro. He just wants to help.
fortunate. When his father passes away, he leaves his entire estate to him, and Shiro continues his pursuit of justice and fairness and help for those who need it. And then one day everything changes. When Shiro witnesses a battle between what seems to be two warriors, he runs away and is stabbed by one. Rin, a fellow classmate saves him and it is at that point that Shiro summons a Servant, Saber. Rin and her Servant Archer team up with Shiro and Saber and these two discover exactly what is going on.
What is going on is that they are in the middle of a centuries old battle for the Holy Grail. There are seven Masters and seven Servants that are fighting each other for control of that Holy Grail in order to grant their wishes. The only way to eliminate competitors is to kill the Masters or kill the servants. From the beginning it appears that killing Masters is more effective, for the Servants will just disappear. But things drastically change this time around as the battles continue. With Shiro’s attitude and the relationship he develops with Saber, nothing will ever be the same for these magical warriors battling for their lives.
Those are some sexy Servants/Masters.
And that’s what I like about this anime. Though it focuses around the battles, not all 24 episodes contain violent action sequences. Most focus on Shiro’s attempts to quell the violence and find another way in which they can avoid confrontation and yet acquire the Holy Grail. (And I won’t even get into how complicated the Holy Grail itself is.) Shiro is constantly, and pretty much annoyingly, protecting Saber and preventing her from her primary function, fighting. But it grows on you as the anime progresses. And that’s where they social/relationship aspect of the show grows from. You begin to discover the pasts of the characters and really wish that not a single character would die. (Kind of the case… Hard to explain.)
But there are great characters in this anime. Shiro, of course, is a conflicted, troubled, angsty main character that really has to use the anime to work out his issues. Rin, his fellow student and collaborator helps Shiro as much as she can while trying to gain the upper hand over him. Illya is a little girl with a tragic past that only needs help from others, and yet at the same time is spine-tinglingly ruthless. Shinji Mato is a troubled boy who only wants to prove himself and meets challenges in his own way (I rather like him and his Servant.) And those are just the Masters to name a few. There’s Saber, Shiro’s Servant with a ruthless attitude that borders on heroically suicidal. Rider, Shinji’s Servant that is sexy and majestic at the same time. And Archer,
Archer. He destroys.
Rin’s Servant with a hard exterior and heart of gold complex. And all these characters are based on mythological/historically ancient warriors. It’s great.
These amazing characters set against a modern backdrop sets up what comes out to be an amazing anime. The battles are epic, the Noble Phantasms are great powers to have, and the mana, attacks, and spells come right out of the video game realm. I’ve never thought of how easily story driven video games can easily be turned into anime/cartoons, but they can, and they have. (Tales games, Final Fantasy, ect.) So please, check this out, it’s worth a watch.
This little gem of a horror movie scared me a bit the first time, but watching it again, I find it to be a worthwhile watch. Never having played the video games, I can appreciate the adaptation this game portrayed onscreen, and can understand if anyone was offended by this adaptation. But it really is up to those who see the film and have played the games to decide for themselves.
From what I gather from the films plot line, this is a story about a mother Rose De Silva (Radha Mitchell) searching for her adopted daughter, Sharon (Jodelle Ferland). She comes upon Silent Hill, the run down West Virginia coal town that has become a ghost town. While there, Rose comes upon some disturbing encounters that leads her to discovering the past behind her daughter. Along the way, Rose encounters undead coal miners, pyramid heads (popular cosplays, if I may add), and dead nurses. All of this leads to some comment on religion and you can decide what the end of this movie means to you.
I gotta say though, this movie did freak me out a bit the first time I watched it. The whole idea of the demonic children in Rose’s first encounter was a bit ridiculous. And I do admit that I watched this at 2 in the morning, a poor choice if I ever made one. But this movie really delivers when it comes to the effects. It may be 5 years old, but this movie is a true testament to how special effects and a digitally graphic environment hasn’t really changed all that much over the years. The guts and gore remain about the same in horror movies, if only the slightest bit more real. Otherwise I give this movie based on a video game (hint to where it gets its effects from) a rather solid grade when it comes to its effects.
And, from what I’ve heard from game players, the game experience itself is like a horror movie. Except its gameplay. And you can run away or *scoff* fight. In its similarity to Condemned, this game probably brings it pretty hard in the fright department. I will probably not be playing this game if it delivers the way that Condemned did. That was a fright and a half. Not to mention how, in the game world, you’re experiencing these frights firsthand, with no musical cues. Forget that.
Acting. Not too bad. Radha Mitchell was quite decent in the film as Rose De Silva, Sharon’s mother. I found it quite notable that she has had experience before
Radha Mitchell. Decent
in the horror movie department and I think that lended to an overall great heroine/woman in distress hybrid performance. Sean Bean was a classic Dad on a Mission character as Rose’s husband Christopher. Although he never entered Silent Hill, he provided the back story from beyond the white veil. Deborah Kara Unger was great and quite beautiful as Alessa’s mother, and I think the only problem was attempting to hide her good looks under some sort of old witch outfit in this movie. Another more notable actress was Alice Krige, the South African actress who usually (so far as I know) brings a dramatic performance to her films. And you definitely hate her guts in this film, trust me.
The ending came as a bit of a surprise, so far as how the religion and “survivors” of Silent Hill ties in. But a decent cast and good effects ties together what makes a good, at least one time watch of this film. And then hey, you can go play the video games if the movie sparks your interest to have the poop scared out of you as you play. But who knows what this movie will do for you. I commend five time French director Christophe Gans on his work. It seems this film was right up his alley. So if you want to have a demonic experience (apparently a demonic experience that’s being re-released? in 3-D) check this out. It’s worth at least a cringe. 7.3 out of 10.
So I sat down last night and watched this movie finally. I had thought about seeing it in theaters and decided against. I find myself in the realm of good decisions waiting for this one for DVD. Alright, so to sum up this movie. Scott has an Asian girlfriend, Knives Chau (Ellen Wong) and then meets Ramona Flowers (Mary Elizabeth Winstead) and must defeat her seven evil exes (a reoccurring joke that doesn’t seem funny). The whole movie is shot in a music infused video game style with stylized violence throughout. At first as I watched, I felt, okay, this movie could go PG. Nope. turned PG-13 pretty quickly. A sensual scene here, a swear there, and it turned in to what was a feeble attempt at a PG-13 movie. Edgar Wright did a fantastic job directing and worked well with the style he decided to pursue. Almost all the comedy comes from the visual effects and looks fantastic (one movie I would see in theaters in 3D).
Apart from this, I was greatly distressed by the level of acting in this movie. To start things off, Michael Cera was awful. He came of as a gangly, falsetto pedophile who didn’t belong in the movie. I must say I like Michael Cera, but more Youth in Revolt level acting. He lent his quips and awkward charm to the movie, but to no avail. Mary Elizabeth Winstead was fine, I think she’s beautiful and brought a solid B+ performance to the movie. I loved her in Black Xmas, but that’s for another time. (Horror movies are on a whole other level for me.) Allison Pill came off as extremely annoying, albeit she was Scott’s ex-girlfriend. Mark Webber brought the humor as the band’s erratic and easily frightened front man, although I haven’t seen Mark since Snow Day back in 2000 (that really dates my movie experiences…). Kieran Culkin was fantastic as Scott’s homosexual roommate, Wallace. If I had to compare him to any actor, I would consider him a more refined version of Tobey Maguire.
Some high points of the movie stand out to me which I wasn’t expecting at all. Jason Schwartzman’s small role towards the end was fantastic as Ramona’s strongest evil ex. Although not the typical A-list shizz that he normally does, I enjoyed his part. Let me also just say that Tom Jane’s guest appearance in the movie was badass. I won’t tell you now but, if anything, this movie is worth watching for his cameo. Mae Whitman was fantastic as Ramona’s lesbian phase. I see it as a tribute that they would include Michael Cera’s former ex-girlfriend from Arrested Development, Ann, into the mix. Bravo. To round it off, Chris Evans part was great as the cheesy action film star and all around tool. I’ve liked him in comedies ever since Not Another Teen Movie and he’s always great at it.
All in all, the movie was quite good, but mostly lacking in overall acting and delivery. To have a movie’s visual effects overtake the acting and comedy of the situations of those actors is poor, although this movie wasn’t at all about the acting really. And for that, I give it a 6.6 out of 10.