Tag Archives: warring factions

Assassin’s Creed: Revelations. A Nice Sendoff…

After having played these games faithfully over the years, I was kind of disappointed with the way Ezio and Altair’s storyline ended. These two historical badasses have taught me that I can view the wonderful views of Europe and  Asia from my sofa, and I learned a thing or two along the way. And what’s better than playing as a grizzled and gray old master? But what wasn’t great was the quickly knotted and severed storyline that just led Ezio to Altair through Constantinople. With some strange new additions and a lot of DLC I’ll never be able to play (more that I don’t care to), Revelations left a bittersweet taste in the mouth.

The story is quite simple (especially if you recently played Brotherhood). It’s been a few years and Ezio is starting to show his age. Now that is something I was impressed with in this game. To grow older and wiser with a character as the game progresses? THAT’S A GENIUS MOVE. I loved every second of knowing just where Ezio came

A few of the character types for AC: Revelations.

from and where Altair was going. It was an intelligent gameplay device for the series. So there’s now older Ezio, (known as the Mentor) who has come to Constantinople, formerly known as the Byzantine Empire. With warring factions of Assassin’s and hidden Templars vying for the city, it is up to Ezio to lead the charge against the unwelcome squatters.

Gotta love the Creed.

Okay, Ezio’s other purpose for coming to the Middle East. Altair, in one of the best opening videos for the game series ever, left a door locked for his lineage to discover hidden within Masayaf. Ezio rambles some henchmens’ brains and finds the door, only to discover he must find some keys in order to unlock it and find the secret weapon behind it. They’re scattered throughout Constantinople by the workings of Marco Polo and his father. Using book clues and a lot of cutlery, Ezio swings through the rooftops of the city in order to unlock the secret.

Even further in the plot is Desmond. He just hoo-hawed Lucy and is now in a coma inside of the Animus 2.0. With the help of the figment of Subject 16, Desmond must combine his Altair past lives and Ezio past lives in order to come back from the brink.

Ezio struggling a bit himself, on the edge.

Okay, gameplay: It’s the free running slaughterfest you would expect from the AC series. Ezio is older and shows it with his speed and dexterity. What could he need at this point, you’re wondering. 1 simple solution. Hookblade. This new addition to Ezio’s weaponry allows him to zipline through the city and avoid/slay guards at will. Think of it like a cane for an old man (with a blade hidden inside). Combos are as brutal and fresh as ever. Collectibles and city restoration are normal. But there were some problems.

A bit of the hookblade action.

Having to defend Constantinople from the Templars was annoying as poop. Around every corner, one of the Assassin’s Guilds was under attack. And then you’d have to do some Bloons Tower Defense all over their ass, and that took up time and cut away from you actually doing the slaughtering. There were too many missions with the Assassin recruits and having to visit them and wipe their bottoms wasn’t helping anything. And trying to get any semblance of achievements or furthering the percentage of completion in the game was weighed down by silly side missions and a block building game with Desmond. This is why I will always love the original more than any of the others. Missions, flags, and killing at will. There’s none of this side quests, hidden gems, and pampering the city B.S.

Ah yes, the young Altair. Notice the scar above his upper lip. That looks familiar…

With all of these problems aside, it was a pretty weak sendoff for Ezio and Altair. Yes, you walk around as Altair at 80+ doing some elite pwnage (never use that normally, guess I want to seem like a true gamer…)  and some nice explosions to walk away from, but nothing you would expect from the mind blowing storyline this game series has created. You find the goods, and then one of the biggest cliffhangers ever. Assload of credits and back to some freeplay. Damn it all to Hell, with AC3 coming out, you could’ve gotten me a bit more excited. So I’ll leave you with this. Play the game because it’ll make you feel a bit closer to Ezio and Altair. There are some great bits, but far from Brotherhood or AC1/2. The visuals are stunning and the history is rich, and that’s what I play these games for. Enjoy it while you can until you forget about it because you’re too busy hiding boners from AC3. Just a little bit longer… A solid 6.7

Get some of that carnage.

out of 10.

Advertisements

Chocolate: Not Your Typical Muay Thai Film

In my searchings through the Martial Arts section at F.Y.E, I came across a Thailand Martial Arts films I had not heard of before. It featured, on the cover, a young girl, poised with swords in hand, the most intense look on her face as if to say, “Yeah, I’ll rough you up a bit, Van Damme style.” This immediately piqued my interest.  So I got it, took it home, and watched it with my best bud, E.

Let me just say, this is a major statement in the Martial Arts entertainment/otherwise industry. Not only does a girl do Tony Jaa like moves in this film, but she beats up guys 3-4 times her size. With a ridiculously good idea at its base, this solid films sets you up for an action packed Muay Thai styled film that didn’t disappoint, and never left an opportunity for a great new location for an action sequence.

So Zen (Yanin Vismistananda) is the subsequent child of a West Side Story love

Look at those moves. Wow, Yanin.

affair. One parent Thai and one Japanese, this love child of two warring factions is born autistic. Not only is she born autistic, but her concentration allows her to catch things thrown at her from all angles and allows her to pick up Muay Thai fighting techniques from the dojo next door and from T.V. (some great moves from Tony Jaa’s films, obviously a planted element from same director, Panna Rittikrai)

Literally. Destruction.

When things start to heat up with old wounds opening, Zen must protect her mother Zin (Ammara Siripong). The cancer eating away at her is expensive to treat, and Zen and Moom (Taphon Phopwandee) must team up to add an element of suspense and comedy to this film about how tweens can do anything. Collecting old debts and pissing off No. 8 (Pongpat Wachirabunjong) and getting her father Mashashi (Hiroshi Abe) involved, who knows what lengths an autistic girl will do to protect her family of attrition.

There are some really great elements in this movie that shine through in all of

I'm just gonna keep showing you these.

Prancha Pinkaew/ Panna Rittikrai’s work. First of all, fight locations. This movie has fight scenes in a ice factory, warehouse, slaughterhouse, and tea house, all in one. Using the layout of the locations in combination with Yanin and the stunt actor’s skills makes for a deadly combo that is played out poetically on film. Jumping over boxes, avoiding ice hooks and blocks, what could be better than imagining this all happening in an actual real life situation? This girl knows her stuff, and it shows hard.

How is this not a 12 year old girl?

And that’s another thing that impressed me so much. Yanin Vismistanada, a 24 year old Thai girl, master of Taekwondo with a 3rd degree Dan blackbelt, looks like a 12 year old. Looks can be deceiving. He moves are fluent, her Tony Jaa imitation is flawless, she’s got the works. Discovered on the Born to Fight set in 2003 by Panna Rittikrai himself, this girl is destined to eventually equal/surpass Jaa himself (or at least Dan Chupong).

Simply the best.

With some fantastic English spoken by both Thai and Japanese men (still needed subtitles though) and quite a few transvestites, speaking to Thailand’s rich heritage, this movie has a combination unlike anything I’ve ever seen. An inspirational movie speaking to how children can do whatever they wanna do, this movie is a definite need in anyone’s growing Martial Arts collection. I give this movie, in comparison to all other Panna Rittikrai/Muay Thai movies I’ve seen, a definite 9.5 out of 10.