What Women Want: A Chinese Take

I can’t explain what it is, but the original Mel Gibson version of this film has just stuck with me for years. I loved it and loved the idea behind it. Almost like a comedians joke, it is true that men can’t think behind what women are thinking. Combine that with Mel Gibson’s attitude and apparent macho sex appeal, and you got yourself a movie with comedy, wit, and a combining of the sexes.

And the same thing goes for the Chinese version of this film. Starring Andy Lau and

Some real chemistry between two beautiful Asians.

Gong Li, these two had a chemistry on film that wasn’t present as much between Mel Gibson and Helen Hunt. The humor is all there in both films, it just comes off as more of a real feeling when watching this 2011 remake. Maybe the Chinese know something about gender relations than we do…

Basic plot. Sun Zigang (Andy Lau) is a successful and macho advertising agent. He knows sex sells to a male audience and does it in a very male oriented way. After all his success and the expectation of a promotion, along comes Li Yilong (Gong Li). She’s young, sassy and successful, and her headstrong attitude scares Sun. He must learn to work under her when she takes his sought after promotion, only to struggle against her managerial style. After taking some female products home, Sun is struck by electrocuted by a fish lamp in his bathtub.

Andy Lau as a secure male. In red heels.

That’s where everything changes. Suddenly, Sun Zigang can hear the thoughts of women. Not all people, like a useful power would, just women. And he finds out that all the women at his work hate him, even his own daughter from his newly divorced wife. With this massive hit to his ego, he must save face and do well in his job all at the same time.

I keep coming back to it, but the idea of a plot like this fascinates me. Most men in this situation would use this power to manipulate women. Andy Lau does this to an extent. But to learn that women can be just as mean to men (just not saying it) is a scary and

Gong Li really is a beautiful woman.

depressing thing. I hope this idea/ script was written by a women, or it wouldn’t be as true and enlightening and this film becomes.

I’m sure there are those people who write this off as just a romantic comedy. Why look into it any more than that? But why not? The idea that maybe being able to be honest and truthful with one another (even if we don’t know that we are) can make things better. It can improve relationships, maybe break them. Maybe that’s not a bad thing. But honesty is at the heart of this movie, and that’s what I connected so much with. Listen, I’ve not had a bunch of good luck with female friends in the past. They back stabbed me, left me, didn’t understand me, and I tried to communicate with them on a real level. Maybe that’s something a lot of people can’t handle. Unrelenting trust. That’s the kind of difficulty this movie idea tries to handle.

Ya got beat, Mel.

The acting is great, just like the original, but the chemistry and relationships seem a bit more realistic in this Chinese version. I liked the awkward Asian stereotype at play in the way that it was an ebb and flow between the characters. Nobody ever really said what they wanted to say, and that proves how hard it is to be trusting and honest, completely, with other human beings. I saw a side of China that you don’t often get to see, and it reassures me that not everywhere other than America is so unrelated to us. The music was upbeat and modern, and the comedy was nicely paced and quirky. I gotta say, Mel Gibson, you got beat by Andy Lau. 7.1 out of 10.

Baby’s Day Out: My Slapstick Childhood Returns

I love this movie poster.

The second I saw that this film came on Netflix, I pooped my pants, very similar to what Baby Bink would’ve done (although they’re 18 now…) . This movie made me laugh so hard when I was younger and I really found it to be an endearing movie for children of all ages. Heck, I’m 21 now and I enjoyed it just as much as when I was 8. The Worton twins are adorable and have great movie presence for how young they are. It may have taken a lot of shots to get those adorable faces to do what they wanted, but they got the right shots. My childhood was not soon forgotten when I watched this movie again. I remembered every part.

Baby’s Day Out is the story of a baby in a suburb of Chicago. With his well-to-do family always wanting their child to be the center of attention, Laraine (Lara Flynn Boyle) and Bennington (Matthew Glave) want Bink’s picture in the newspaper. (They use such pretentious names to show that all they care about is high class image and money.) Three no-good lousy crooks find the photography company and take their place, posing as professionals. Their names? Joe Matengna, Joe Pantoliano, and Brian Haley. If only they could’ve gotten a third Joe/Italian gangster to fill out the trio…

The dastardly trio.

Baby Bink is kidnapped and the crooks demand a ransom. With the FBI on the job (such a high class mission right?), it’s only a matter of time before Baby Bink is found. But Baby Bink doesn’t need their help. He has the power of comedic timing and slapstick comedy and wit on his side. And this is the exact point where a lot of critics were lost on finding this film redeemable. It is cheesy, but at least they got a good cast to fill out the humor. Look, this is Joe Pantoliano, before Joe Pantoliano was Cypher from The Matrix. Yes, he did good work before, and after, but that was when Pantoliano came into my awareness.

Look at this cute baby. Staring death in the face.

And I have no problem with the cheesiness of this film. It can be cheddar for all I care, this movie appeals to the child’s audience and the child in all of us. And my inner child tells me I loved slapstick back in the day. This movie delivers it well, just like Home Alone. And apparently this did well in the box office… And in Southeast Asia… Weird.

So bring in the wonderful elements of great Italian actors, slapstick, and a cute baby, and this movie is gold. It is so endearing and the music sweeps you away into the children’s book that Bink is reliving. That’s what I liked about it, that element of magical whimsy. The magical sense of adventure that lies in the bottoms of all of our hearts is reinvigorated by a baby crawling around Chicago. Who knew?

This gets a bit ridonkulously funny.

And there are so many great scenes! The apartment rooftop scene screams of parkour gone wrong. (Just watched District 13: Ultimatum. Can’t get Parkour out of my head.) Matengna delivers his big boss with a boo-boo lines so well and, surprisingly, Pantoliano is a great buffoon. I love that he’s bald in this like he always is, it gives a great slapstick element to the trio. My favorite scene in the Primate house is wonderful and gets me every time. Not to mention the fire crotch scene (you’ll get what I mean when you watch this too and relive your childhood). With all things good and cute in this movie, who wouldn’t want to watch this for the coo’s and awwwww’s, mixed with a laugh in there for all ages? It’s a wonderfully nostalgic experience. A well worth it 8.6 out of 10 (by my childhood grading scale).

Look at this cute face. Check it.