The Misfits are back for series two, even bigger and stronger than ever. By this point (and I hope those people who follow me have watched it) you know the ASBO 5’s powers. There’s Kelly and her ability to hear people’s thoughts. Alisha and her irresistible sex appeal through touch. Simon and his invisibility, Curtis and his power to turn back time under stress, and Nathan’s immortality that is discovered at the end of the season. I really enjoyed that aspect of mystery in the show and going on the journey of discovery with the Misfits in finding their powers. And, lo and behold, Nathan has the best power of all.
But I have a theory about these powers. Due to Kelly’s insecurity with her self image and fighting attitude, it is her punishment that she hears what other people think, especially her. Simon’s invisibility almost goes without saying, due to his lack of social abilities. Curtis wishes to go back and fix the mistakes he made, as is depicted in the first season. Alisha exudes sex and is treated thus, and Nathan, well, the phrase sticks and stones may break my bones is ironically applied to him. This wonderful analysis of the characters and the back stories we discover is why this show is one of the best I’ve ever seen.
That's what I like to see, Nathan.
And yes, I gave last season a 10 out of 10. Is it a stretch to say that the second season is even better? More strangers with powers, more life and death situations, AND a new masked parkour artist out to help the Misfits. What could be better? A bit of video game violence and cheese never hurt anyone, and adds to this series tremendously. Nathan is still making my sides hurt with his ridiculously offensive quips, and Alisha is as sexy and sassy as ever. Kelly has her smart mouth and Curtis is classic as well. And Simon, well, Simon is Simon.
Oh, and all the twists in this show! Everything connects, things you won’t expect will happen, and you’ll be tragically, yet happily surprised by the end. This show does not spare feelings and will make you care for these characters. I’ve said it once and I’ll say it a thousand more times. Get on Hulu and watch this show. Now. You won’t regret a minute of it.
I don’t want to reveal too much at this point about the show because of every episode’s potential to blow your mind. I really enjoy the length and breadth of every episode and how much is delivered entertainment-wise in each episode. I will tell you that this season takes place towards the end of their community service. And you may say, “Hey, the series must be over when they leave, right?” I would tell you I wish it were so, especially because of Nathan’s departure, but the show must continue for some reason. With a third series filmed and a fourth planned, let’s hope this show ends gracefully at some point.
But until then, watch on and discover why I rant about this show for paragraphs at a time, not saying a single bad thing about it (other than that Nathan leaves after the second season…) and loving every minute of it. It’s well worth the watch, and I’ll have to give this bad boy an 11 out of 10 because of how highly I thought of the last season in comparison to just how damn good this one is. Misfits Series 2 breaks my charts. Redonkulous.
This foreign film from Hong Kong is a diamond in the rough on Netflix. I really gotta hand it to the foreign film section of Netflix in general. Whenever I wanna go for a movie that I didn’t even know was critically acclaimed, I check that shizz out. This movie surprised me. Me and my roommate Ian (that infamous Ian of my other blog posts) we love foreign martial arts films. We absolutely lose our shit when we watch these. And this one was like, “Okay, I’ll deliver that. But guess what. You’re going to feel like a G.D. revolutionary after you watch this film. Just wait.”
And wait we did. With a sweeping and dramatic 2hr. 20min. dramatic climax into some dramatic action scenes, this movie delivers intellectually and
There's definitely some of this.
emotionally. You may think, “Hm, Bodyguards and Assassins huh? Sounds like a straight ahead martial arts mind destruction machine.” And it should make you think that. Because that does happen. It teases you with a bit about 45 minutes in, but the last hour of the film really gives it to you on a grand scale. In a historic context (they mention actual people and death dates in the movie, so many non-fiction?) this movie enters Hong Kong in a time of revolution and a call to action. This wonderful film pushes just what it means to sacrifice for your beliefs and what needs to be done to do so.
A time of revolution.
The plot of the film, as me and my friends struggled to understand at first, is that of a man named Sun Wen. This intellectual revolutionary intends to head to Hong Kong and debate on the issue of China’s corrupt Qing dynasty. With no safety and no secure way to get him into the city, a handful of citizens take up the call and arms in order to safeguard their country’s future. Headed by Chen Shaobai (Tony Leung Ka-fai) and Li Yutang (Wang Xueqi), these two older men who finance and head the revolution place their lifelihoods and lives on the line in order to see justice delievered.
The rickshaw driver makes his worth known.
With a unique cast with so many characters from so many parts of this small section of Hong Kong, it can be a hassle to try to keep them all straight. I had trouble myself, but I felt that the individual attention to storylines and amazing costumes and design really individualized each character. With each character came a heartful angle and allows audiences to connect. Not in a sappy way but in a way like… Black Hawk Down. You know they may not all survive, but you have hope and the want for them to do so. Everybody can have their favorite character, and it all works out.
And finally! Here comes a cinematographic film with great fight scenes not
What a picturesque scene.
directed or relating to Ang Lee. And no John Woo doves either. From director Teddy Chan (this guy has been busy since 1981…) and writer Peter Chan and Huang Jianxin (related? Not gonna assume due to racism…) comes a film that was worth the hype I didn’t hear and the Hong Kong Awards I didn’t know it won. 35 nominations and 13 wins from 4 different award affairs? Word. The action scenes though! Leave it to the Asians to make a hooked and metal linked harpoon into a deadly assassin weapon. Some of the fighting may have appeared overdramatic, but it led to a movie I would consider to be worth every minute.
What a great cast. Word.
I can’t talk specifically about the acting, but for most of the cast to be nominated for best actor or best supporting actor, I think, speaks for itself. As in most foreign films, I take the emotions I see through the characters actions and faces to be the true bridge between the gap in language. Another thought goes out to a good subtitled translation. It better sound more poetic than what they’re actually saying to work. If it sounds to corny of colloquial for even an American audience, it won’t cut it.
But this movie is definitely worth the watch. The beginning is slow with development, but it is well worth it by movie’s end. For those who love a good period piece that really has the feeling of the time its set in, check this out. And for those who love a damn good thrashing when it comes to action, be patient. It’s coming. Seeing as this is acclaimed and I loved the shit out of it, 9.3 out of 10 for a movie about Bodyguards and Assassins. Get some.
Alright, I have to tell everyone now that, out of all the genres of anime out there, I am the least fan of magical girl anime. And the prospect of sitting down to watch this anime kind of gave me the willies. The misconceptions on magical girl anime run abound in our society and in Japanese society. Sailor Moon: A bunch of girls transforming without the power to beat the bad guy without the help of Tuxedo Mask. The Powerpuff Girls on Cartoon Network and their original, scarier version of transformation from Powerpuff Girls Z. I mean, come on, those transformations take forever. And the bad guys are a joke. Mojojojo? (I gotta say, Him is the only good bad guy from that series.) But then I was presented a show that completely breaks the stereotype of what exactly defines a magical girl anime, even though it clearly stays in the boundaries… to an extent.
In the town of Mitakihara, there exists a school in which Madoka Kaname, Homura Akemi, and Sayaka Miki, three young middle school students, exist in a world of evil. All around them, evil spirits known as witches cause havoc and chaos in the best way they know how. Murders and suicides. And the only way these beings can be stopped is by the power of the magical girls. And the only way these girls can become magical is through the power of through Kyubey, a creepy cat-like alien that will grant your wish.
Kyubey. Screw that little freak...
And that’s where the twist comes in. After encountering Mami Tomoe, a veteran magical girl who has lived the life of a magical girl, the true weight of just exactly what it means to fight the witches hits them. Sayaka and her love interest clashes with the use of her wish and his disability, and Madoka and her indecision leaves conflict in her wake throughout the show. The ending is slightly confusing, but there is a constant element of danger that is ironically juxtaposed (my least favorite word to use, sorry) against the comically drawn witches of innocence and childish fantasy. It all works out in the end, as expected from a magical girl anime, but not in a way that leaves everyone in a win-win situation. With that breath of fresh air achieved in 12 episodes, an amazing amount of twists and turns are evilly inserted in a short amount of time, really breaking away from what I would consider a bland form of anime into a more interesting one.
You know what caught my eye the most? The animation in relation to the witches. Every time in which the magical girls had to interact with the witches in their world, I was blown away by the different animated styles of the witches. Either crayon colored whimsy or a collage of layered paper, I was intrigued by the clash of anime and art. The fluidity of the two worlds combined was stylistically stimulating.
Some of the more interesting artwork in Madoka Magica.
The pain and anguish behind the show that permeates each episode is something one wouldn’t expect from a livelier, happy form of anime. The choices and decisions of the characters and the secrets they hide from one another leave gaps that none of the characters can cross in order to connect. Not as a
The interesting girls of M.M.
drawback, but more as a connection by separation. Feeling for the characters comes as a challenge for me (especially some of the more fated of characters like Sayaka and and Mami) but one character that stood out with her cruelty and activity was Kyoko Sakura. Although you don’t meet her until later, she’s well worth the wait.
So, all-in-all, Madoka Magica is a quick watch with a lot compiled into its short run. And, in this case, quality over quantity, one of the greatest assets of the anime. With an interesting plot scope and character development (for the most part) with the combination of fate and decision, the magical girl stereotype is effectively squashed. The powers are interesting and the tradeoff is quite good. Never sign the contract, but check this show out. A solid 7.3 out of 10.
This has nothing to do with the show, but it gives you a taste of the anime’s look, with some Suckerpunch 😛