In another vein, for a different class, I watched Charlie Chaplin’s The Great Dictator. I gotta tell ya, this is a completely different pace in comparison to the movies I usually watch. I’m all about movies after 1970, the color films, the 100 minute movies. I’m not usually up for the 2 hour black and white snore fests. But this one was at least a bit different. Hey dad, looks like I’m growing up a bit with a little taste of cultured film.
The Great Dictator is the story of a note so great dictator, Adolph Hitler. Cleverly renamed as Adenoid Hynkel, Charlie Chaplin mirrors the rise of Hitler into power and his subsequent actions in his self appointed office. Parallel to this is an image of Chaplin’s Tramp character, the
It’s just too uncanny…
Jewish barber. After having served during World War I, the barber lost his memory and didn’t realize the war had been lost or that Hynkel had been put into power. The persecution of the Jews is underplayed in this movie (it seems as if they’re not treated that poorly), and Chaplin later apologized after finding out about the concentration camps. A depressing issue indeed.
The parts that make this movie funny is only about half of the film. There’s Chaplin’s speech as Hynkel, accurately mimicking Hitler’s wimpy return salute, and the German language and Hitler’s oratory style is dead on. The short English retorts are perfect and simply explain just what Hitler was up to. The bumbling idiots of Hynkel’s cabinet, characterized by Henry Daniell as “Garbage” and Billy Gilbert as “Herring”, strongly insinuate Himmler and
Too legit.
Goebbels (maybe some Goreing thrown in there). The floating globe is amazing and the slapstick is always good. I had no idea how much of a comedic genius Charlie Chaplin was.
The other half of the movie contains the plot. And I found it to be a very uninteresting one. The Jewish barber falls in love with a Jewish washing woman, and the Nazi Gestapo harass her and the barber all day long. After finding the man whose life he saved in the war, the barber befriends Schultz (Reginald Gardiner) and sets about a coup in order to kill Hynkel (if only they had…). Things go wrong, identities are mistaken, and Chaplin (the barber) gives a profound speech at the end, one I felt was directed right at Hitler. Coming out in 1940, this movie, viewed twice by Hitler, was a plea to stop the war. If only it had succeeded.
A lot of the stuff in older movies like this feel the same to me. The long credits at the beginning, the old time music, the higher pitched male voices and long shots, it’s all a constant. I have to admit I was a bit sleepy after this one. But the subject matter and slapstick are what really saved it for me. It was an
A love made in boredom?
extremely clever spoof of Hitler’s Nazi regime and spoke a lot to the things I’ve been learning about in my Holocaust class. I would recommend this one to history buffs and fans of old films, because this one is one of those classics (if you can’t get a hold of an actual copy, check out YouTube for the whole film). Not exactly my style, but I still appreciate it. 7.3 out of 10.
This is one of those movies I had never heard anything about when it was first released, and became pleasantly surprised when I finally watched it. Russell Crowe is usually always a solid actor for me. A Beautiful Mind, Cinderella Man, Body of Lies, etc. He always comes across as clutch. So why would I have not checked out this great little thriller flick about a desperate man/dad trying to break his wife out of jail? The premise may be a little bit
An actor of ballin’ proportions.
unbelievable, but I always like to believe in a little bit of luck and a stroke of genius.
So the movie starts out on a pretty iffy note. A cat fight between working women. Elizabeth Banks plays Russel Crowe’s wife in this one, Lara Brennan. John Brennan is a well to do educator at a local school (or college, something or other) and loves his wife very much. But she appears to be a bit of a hothead. Arguing about boobs and whatnot, the night ends on a sour note. After the next day and some hours of work later, Elizabeth Banks returns home, finding some suspicious blood on her trench coat. Minutes later she is arrested by the police and charged with the murder of her boss. The hinging evidence on her conviction? A popped button on the “supposed other killer’s” jacket.
A happy family (without Ty Simpkins).
The years start to pass and John and his son Luke (Ty Simpkins) must cope without a wife and mother. Luke seems not to care and dumb old Elizabeth Banks seems tired and can’t even get an appeal. Even with Daniel Stern as your lawyer, Russell Crowe can’t catch a break. So he decides to do the unthinkable. Break his wife out of jail in an ingenious way. With some help from the great convict cameo by Liam Neeson, Russell Crowe has mere minutes to break his wife out and get out of the country. Can he do it?
Obviously I’m not gonna tell you the ending. But Russell Crowe is a straight boss in this film, as his ridiculous commitment to acting
A great scene a la The Fugitive. Looks like Banksy is a little worried about her acting career…
always shines in all his films. Elizabeth Banks, I could go without her being in any other movies. Her blonde and semi-intelligent facade is stellar-ly annoying and without question one of my least favorite actresses. It’s a good thing she’s in jail for most of this movie, because she has next to no screen time. Perfect. Ty Simpkins breaks onto the screen as the catatonic wonder, just as he did in Insidious. That kid could get any job… as a coma victim.
What I liked about this film? The preparation and plot that went into the execution of this film. It’s not really geared around action and drama, it’s more about the cold calculation that goes into doing such a risky thing. He’s almost caught multiple times and he even throws up because of how scared and nervous he is. He’s an average Joe and it
Liam Neeson, talking about breaking out of jail… and finding his daughter… and training Batman… and punching wolves…
shows in his frailty. But he’s a smart guy. And what I loved is that he used research and even Youtube to do some serious damage in the breakout department.
The acting across the board is pretty good in this film. Russell Crowe, ballin’. Elizabeth Banks, regrettable. Ty Simpkins, coma. Liam Neeson, badass as per usual since Taken. They even gave some opportunity to a deaf man who can ride a motorcycle like a boss. One thing that baffles me though is the repeated use of Olivia Wilde. She seems like a beautiful and kind person, but… what the hell? That woman has no remarkable acting skills. Dat shizz needs to stop, and now. I don’t like movies that use eye candy as a selling point. (Ahem *every Megan Fox film ever created* Cough) Oh well…
I tried to believe the situation despite the extenuating circumstances, and it still comes out to be a pretty solidly entertaining film. It didn’t
Could you leave your child at a gas station? All catatonic and whatnot?
do that well by critics’ standards, but to hell with professionally paid critics. I feel like most critics (older people than me, of course) have lost touch with what makes a successful and entertaining film these days. And with a Hollywood machine that makes things for profit, I can say without a doubt that the “art of film” is dead and really never was a factor in my lifetime. I know it’s harsh and critical of me to say, but that’s just how I view films. I am a pretty jaded person about the whole thing, I guess. But I love films anyways. Judge me if you want, let me know.
So I think of The Next Three Days as one of those films you show to new groups of friends every once in a while. It’s a thrill ride with well thought out planning and has a semi-satisfying ending. Comment on what you think about this post, but I’ll give Russell and his ballin’ acting in this one a 8.1 out of 10.
Let me start this off with a short video that I watch at least one time a day to calm the nerves:
If you watch Deadfall, a couple of scenes from one of his best performances from that Youtube compilation will start to look familiar. And that’s all you’ll really remember about this film.
And that is exactly what makes this film remarkable. Nicholas Cage’s performance, with his strange wig hair and dark sunglasses and matching mustache, is so over the top you can’t believe it actually made it into the film. What did the director ask him to do? There are times when he stumblingly mumbles over half the lines. Others, he’s had to dub over the original audio because it was so incoherent. Did they allow the great Nic Cage to do what he wanted during this film, most likely drunk and living it up? I hope so.
Everything else about this movie is so basic. Joe Donan (Michael Biehn, the man I will always remember from The Abyss as Lt. Coffey) is a con artist who accidentally shot his dad, Mike Donan (James Coburn) in a con. With his father’s last dying wish, Joe
The legendary Nic Cage.
travels to his father’s brother’s place and finds himself in a whole new world of cons and deceit. Nicholas Cage is actually only in the middle third of the film, but his performance as Eddie is unforgettable.
And would you believe it that there are two other good actors in this film? Leave it to Francis Ford Coppola’s nephew and Nicholas Cage’s brother, Chris Coppola to utilize his connections. There’s Peter Fonda as, get this, Pete. He’s only in it for about two scenes, but he makes more of an impression than a lot of the other actors in this film. And, in my favorite performance of the entire film, is Charlie Sheen. Playing the smooth pool player, Sheen dazzles onscreen with intelligent lines, a cool attitude, and a suave look. He actually plays a realistic looking conman, unlike EVERYONE ELSE. For shame…
That woman was in it, but I didn’t care.
With unremarkable acting from a very minimal script, I’m sure it was hard to ever make this into a B-rated movie. It clings onto a solid C if anything, and wishes it could rise. You know what brings it out of the dregs of all those other movies you were never meant to see? NICHOLAS CAGE. This man is a legend. He can take any average college film and turn it into something you should see before you die. That man is King Midas. This movie became gold when he graced it for 45 minutes. After he leaves the silver screen (if it ever made it to that), it all goes downhill. There’s some creepy German doctor from The Human Centipede with a scissor hand for God sakes! That was less entertaining than one scene of Nic Cage ripping it up. Damn it, all movies need to have Nic Cage in it at all times. He should’ve been the star (no offense, Biehn. Wasn’t your best.)!
So watch this for the Cage. Ignore all else. By all means, stop watching after his unfortunate end. It’ll be worth it. Trust me. Deadfall as a whole, 3.1 out of 10. Nic Cage’s performance? 10 out of 10.
In a bust out and mind expanding experience, this show kicked my ass and said, “We won’t apologize for that.” Black Lagoon, in its entirety and breadth, covers Western cowboy shootouts, Piracy and the high seas, and in-your-face American splendour violence with guns and swords. There’s nowhere this show won’t go, and all of the women have big boobs, just how male viewers want it. I don’t care that the show jumps from arc to arc like a pogo-ing hoodlum. This show delivers heaps of entertainment and doesn’t give a single damn for it. With anime like this that can take a modern action movie
Sexy Lara Croft anyone? Thank God for you, Two Hands.
and slap it with their Desert Eagles, I get behind that anime 100%.
With this dazzling introduction, I had better “WOW” my readers, right? Well strap into your El Camino there, Wild Bill. This show will clash cars in the air, and unleash more shells than the Atlantic and Pacific Oceans combined. More carnage, more elite killings than anything I’ve seen since Christian Bale unlocked the gates of Hell in Equilibrium. And its done more graphically. As I’ve always said, what a cartoon can depict, when done maturely, can be more gruesome than any movie can depict. And you don’t need stunt actors or movie make-up special effects. This show depicts mass carnage on a monumental scale, and the main character has the mouth to back up the high content rating.
The crew of Black Lagoon (minus Benny).
Who is the main character, you may ask this post? Well, Revy (Maryke Hendrikse) provides the tomboyish, action star who looks quite similar to Lara Croft in this rollercoaster ride. Hendrikse provides an unlikeable, demeaning voice to Revy that let’s you know she wasn’t brought up by any Chinese American tycoons. She was backstreet, cat alley, chopshop material from day one. And she has the backstory and sailor’s mouth to prove it. She has a soft spot like any action star needs for the audience to connect with her, but it’s a small one at that. For her character in particular though, you may wanna check out the subbed version, her dubbed is a little bit harsh.
But be sure to check out the dub in general for everyone else! This Canadian dubbing team has worked on Gundams, Death Note, and various other anime worth checking in on. Hell, Ocean even did
The wonderfully frightening and sexy Roberta.
the original Dragonball dubbing! For a lot of the lines and attitudes to come across as cool, I was happy to see that the dub shows that. Even a lot of the lines in the original and in the manga were written in Japanese/English, showing that it was always meant to be transferred into an English context. And with all its praise for spaghetti Westerns and American action films with its references, it was only a matter of time.
As gritty as it gets for Rock.
So, yes! The dubbed version. You have Brad Swaile as Rock, the male lead of the show. Used in contrast to the rest of the characters in the novel, Rock is dropped in to a world he would never survive in. As chronicler of this tale, Rock acts as a moral compass in this show that has no meaning or need for direction. His white collar lifestyle and good guy attitude should’ve gotten him killed at this point, but the port town of Roanapur is amused with what he has to offer. He’s determined to change things, and this is an interesting role for a main character whom you’d expect to be pissing himself 90% of the show (the other 10%, would involve the other end).
Look familiar?
There’s Dutch (Dean Redman) and Benny (Brian Drummond), respectively, the leader and muscle of the squad with his big black attitude, and the brains behind the operations with his American ideals and his Jewishness (which I didn’t get at all in this show). Dutch is a fantastic leader and motivator for the team, staying neutral at all times so as not to jeopardize his crew and endeavors. Benny lays low like Rock does, leaving the crew to 50/50 on manpower and gun control. With the rest of the cast of Roanapur’s finest, there’s bound to be bloodshed, booze, and boobs galore.
The tag says “She’s back.” Perfect.
What this show follows is an erratic plot of gigs and tradings that the Lagoon Company gets themselves into. At first, it was just Dutch, Revy, and Benny. But after a botched job that lands Rock in their laps, the Japanese get involved and that’s where the show turns into a Japanese man’s perspective on the seedy underbelly of the Southeastern area of Asia. There are heists, Nazis, shipments of drugs and guns, and fights between the clans. I don’t want to give too much away, but every clan becomes involved at some point in the show, with one of Black Lagoon’s dealings or another. There’s a great secondary cast of mercenaries who always populate Roanopur, but there’s one character you have to look out for.
That character is Roberta, the maid. This Columbian maid has come to find her charge in one of the arcs. After that, she becomes one of the most badass characters in the show. She’s calm, cool, and collected, and never leaves anything to chance. She won’t die, and there’s so much more I could be telling you that I’m leaving out. Let’s just say she’s so amazing that they made an OVA storyline about her. Get some of that Columbian underground.
One of the great secondary characters!
I can’t talk highly enough of this show. It has everything an adrenaline junky is looking for, and then some. Action fans of the world unite and check out this anime, especially if you have no idea what an anime is. The plot and dialogue is insightful enough for a gun toting anime, and there are some unbelievable things that will surprise you. Entertaining to the end, Black Lagoon is one of those few shows that I watched everything related to it. Even those cute and funny little omake episodes they made that’re on Youtube. Everything about this show screams badass. And it should make you scream too. So check out this pumped up gun ride on the high seas. It was never more f#$%ing cool to be a pirate. A 9.5 out of 10.
I have to say this right at the beginning as a disclaimer. If you are squeamish, if you find sexualized violence to be perverse and disturbing, or if you find horror in the 1st degree to be mortifying, this movie and this review are not for you. A Serbian film is the tale of an ex-porn star, Milos (Srdan Todorovic). A man of stamina and skill, Milos (pronounced Milosh) is down to no money and has a wife and child to feed. So what does this absurd bastard do? He decides to take one last job. A sort of “final bank job” if you will. What he doesn’t know is what comes to destroy him.
When I first heard of this film, my roommate had just come back from England. His roommate there told him about this film and told me to check out the trailer. I can’t post it on here due to graphic content, but I’ll post the tamer version below:
Anyways, this trailer blew my mind. From the look and sound of what it was about, I figured it was real. This is classified as a “snuff film”. That’s not a joke. The scenes depicted in the film are designed to look as real as possible. And throw in the ridiculous amount of pornographic content and you have one of the most messed up films since Hostel. Wait, scratch that. Since… Ever.
Should I even delve into the mind of this film? Should I tell you this contains quite a few of the most absurd fetishes to grace humankind? Let me reiterate this. There is the issue of child rape in this movie. That alone should say this movie is not for the weak. This movie wasn’t even for me. I consider myself a reasonable guy. I feel I can handle some of the images the world has to offer. But I have opened Pandora’s box of horror. And this isn’t all of it. There is an entire following of “snuff films” out there. This is just… one among many.
See?
A big thanks to ScuptingFragments for posting these videos on Youtube, opening me up to an entire genre of films I didn’t realize existed. You can tell, even from the length (and there’s a Part II to this video) that there is an unlimited amount of films out there about gore/torture/snuff. The names are ridiculous, the premises are absurd, but my eyes have been opened.
There are very few things I can show...
A Serbian Film is just the latest in a series of films that have been coming out for quite some time. Also identified as “torture porn”, this film is meant to unsettle the mind… and the stomach. And, you’ll hate me for this, but… It wasn’t as gory/horrifying as I thought it would be. Despite the ridiculousness of Serbia and the ability for a repressed country to finally make this film shocks me. And yet at the same time, there are films out there that would curb the sex and go for the same amount of torture and violence. I feel, with American films, the pornographic aspect is shunned (but what the Hell? Americans love porn and the sexualization of women…) due to the uncomfortable feelings it brings. A sort of taboo, if you will.
And what surprises me the most is that this film wasn’t trashed by reviewers or critics. Harry Knowles of Ain’t it Cool News said, “This is a fantastic, brilliant film – that given time, will eventually outgrow the absurd reactions of people that think it is a far harder film than it actually is. The film is an incredibly great film, where everything feels correct in the context of the film. It is never exploitive.” He even gave this film his Top 10 of 2010. Others said it was a movie with no substance. A film that defies you to find any deeper meaning. The director of the film, Srdan Spasojevic, said, “”As much as we try to deal with our life in this film allegorically, and with the corrupt political authorities that govern it, we are also dealing with today’s Art and Cinema and the corrupt artistic authorities that govern them in a similar manner here. The films that preach and enforce political correctness are the dominant form of cinematic expression today. Nowadays in Eastern Europe you cannot get a film financed unless you have a pathetic and
There are no words to describe the evil of this film.
heartwarming ‘true story’ to tell about some poor lost refugee girls with matchsticks, who ended up as victims of war, famine and/or intolerance. They mostly deal with VICTIMS as heroes, and they use and manipulate them in order to activate the viewer’s empathy. They make a false, romanticized story about that victim and sell it as real life. That is real pornography and manipulation, and also spiritual violence – the cinematic fascism of political correctness.” Using the medium of realistic, pornographic violence, Spasojevic attempts to break the drabness of the former “Eastern Europe” in a way that will shock the world. I feel he achieved that.
Now I’m not gonna say whether or not I liked this film. It’s a basic plot. The acting, as far as I could tell from the Serbian language, was decent. The scenes are disturbing and I couldn’t comprehend how they made the sex look so real. But I commend them for going there. At the same time that I condemn them for exposing me to a horrid side of a world occupied by terrible human beings. It’s like a car accident you can’t look away from. Now, Rotten Tomatoes gave it a 4.9 out of 10. I’m not gonna judge and allow you to find out for yourselves, if you dare. All I’ll say is… Newborn infant porn.
Ice floe, nowhere to go! Ice floe nowhere to go! I don’t think I stopped saying this for a week straight after the first time I watched the Tundra episode of The Mighty Boosh. This show is ridiculous… ly awesome. Every episode redefines humor and every plot outdoes itself in comparison to the last. If I had to choose my favorite British television show, of those I’ve seen, my favorite would still be The Might Boosh hands down. I do love Little Britain, The I.T. Crowd, and of course Monty Python’s Flying Circus. But these all pale in comparison to the genius that is Boosh.
Each season takes place in three very distinctly different locations that use those locations to the fullest. The first season starts off as Noel Fielding and Julian Barratt’s original creations, Vince Noir and Howard Moon, two zookeepers of the Zooniverse. It was with the success of this season that the other two came into being. The second series takes place in Naboo (Michael Fielding) the Enigma’s flat, and the third series not far from there in Naboo’s boutique, eloquently named Nabootique. Using the Zooniverse as a location, a lot of the episodes focus mainly on the use of animals and adventures that are so outlandish, I laughed heartily to every one.
Howard, Vince, Bollo, Naboo, and Fossil
As far as the first season goes, Howard has to rain the pain down on a kangaroo like a monsoon. This series blows up to hilarious proportions even from just the very first episode. My personal favorite episode form the first series is the Bollo episode in which Howard is taken to monkey hell instead of Bollo by accident. In this episode, Julian plays one of two hilarious characters that he plays, the first being the mirror world protector complete with mirror balls, and Sandstorm, the sexually frustrated man of sandpaper. It’s not to say I’m giving anything away by revealing characters, each episode in itself seems to have nothing to do with any of the others.
The Jungle episode of the first season introduces one of Rich Fulcher’s (Bob Fossil, later Lester Corncrake) best characters, Tommy Nookah, the man made of cheese. Suffice it so say that although Rich Fulcher is the American man in an all British show, he has some of the most outrageous lines and characters. My roommate loves the hilarious jazz man Lester Corncrake, the most absurdly ridiculous comment on a Southern, American, old, blind, black man. It’s great. Rich’s most notable character, Bob Fossil, runs the Zooniverse underneath one of the funniest comedic British actors to ever grace the T.V., Matt Berry, A.K.A. Dixon Bainbridge. Originally meant to be played by Richard Ayoade, Richard is not left out and comes back in seasons 2 and 3 as a ridiculously awesome shaman, Saboo.
The second season kicks in with the guys, Howard, Vince, Naboo, and Bollo, all crashing at Naboo’s flat in Dalston. We have the Nanageddon episode, hilarious with a great song towards the end, great lines from Howard too. The Fountain of Youth episode reintroduces the cockney character of Noel, the most hilarious and outlandish character of the entire show, my personal favorite. But what the shows most famous for and what became a Youtube phenom was the Old Gregg character played by Noel in the second season. If you’re really interested in the show and want to see some of it, definitely check this Youtube clip out.
The third series, although apparently toned down, is no less amazing. We get a lot of the Board of Shamans along with a new batch of ridiculous characters that find their way to the Nabootique. (Along with Lester Corncrake.) There’s a great tribute to a movie I can’t recall, but it has to do something with shrinking down a human in a sub and injecting them into somebody else to cure them from some sort of disease. The great part about this is the ridiculous twist they put on it and how Noel plays all parts of himself. The show ends on a quite uneventful note with the stage performances of Howard and Vince, both respectively as a lead singer for a new mod band and for a avant garde director. I would’ve rather had the show end with the crimping episode, one of my favorite features of the show, but I guess they still had more ideas coming.
At this point, I feel as I’ve I’m rambling, talking up a show that most people will mistake as the rambling of idiots. But there’s more to the show of that. I feel like yes, it may have the distinct kind of humor most people will shake/scratch their heads at. It isn’t conventional. It’s absolutely absurd. And there’s a growing population of people out there who love it. I’d have to say that most people should give this show a chance. At least one episode. It’s well worth it. Definitely a 10 out of 10.
Here’s that scene from the Old Gregg episode I was talking about. Enjoy. Just like Bailey’s from a shoe. Creamy beige.
In another vein, for a different class, I watched Charlie Chaplin’s The Great Dictator. I gotta tell ya, this is a completely different pace in comparison to the movies I usually watch. I’m all about movies after 1970, the color films, the 100 minute movies. I’m not usually up for the 2 hour black and white snore fests. But this one was at least a bit different. Hey dad, looks like I’m growing up a bit with a little taste of cultured film.
reviewsfromtheabyss 