Kaze No Stigma: Avatar’s Estranged Cousin

Let me first start off by saying that the wikipedia description of this show really doesn’t describe what I actually witnessed in this show about wind and fire and earth powers (water was sadly left out). I must say that for an anime, straight out of Japan to pale in comparison to the Nickelodeon version of a similar show, is sad. But this show has achieved the impossible. And yet, this gives a lot of props to Avatar: The Last Airbender and the amazing creators behind it. It was a worthwhile show. But that’s not the point.

Let me kick something at you. “Kazuma Kannagi was considered useless within his family because he could not use “Enjutsu” (Blaze Technique), the power to control flames. When he was defeated by Ayano Kannagi, one of his very distant relatives, in a bout to decide

If only it were truly like this...

who would wield “Enraiha” (Blaze Lightning Supremacy), a sword that was wielded by the family heir, he was banished from the family. Four years later, he returns as a master of “Fūjutsu” (Wind Technique), the power to control wind, and with a new name: Kazuma Yagami. Soon after his return, he is reunited with Ayano and his younger brother, Ren, who is also gifted in Enjutsu. Soon, however, Kannagi family members are killed and the murder weapon is revealed to be Fūjutsu. Now Kazuma has to fight his family to prove that he is not the murderer and follow a series of adventures with Ayano.”

Okay, that is the bare bones plot… of the first 6 episodes. This show may start here, but it ends in a different dimension entirely. Thanks for not ruining the plot in your summary, Wikipedia, but you sure as Hell didn’t clue me in as to where this show was headed.

Stranger things have happened in this show.

And from that description alone, I got a different vision of what I thought this show would be. I was envisioning samurai fire sword wielders. Dynasty warriors shit. Real harcore fights. The reality? Modern day Tokyo with some decent fight scenes and not a whole lot about really redeeming himself with that murder on his hands. Nice.

That’s not to say that Kazuma Yagami (Robert McCollum) wasn’t a compelling character. He is by far one of the most compelling characters I’ve encountered in anime. Cast out by his family because of his differences at a young age, Kazuma must make his way in the real world with no real support. And he doesn’t just lay down and die. Oh no. He gets up, makes a pact with the Wind Gods, and comes back to lay waste to his family. Not actually kill them, but bleed them dry of their money by becoming hired help. And at every turn, Kazuma consistently tells the entire Konnagi family to go shove it. He truly doesn’t care if they live or die. Pretty much up until the last episode. You can’t deny that a character with those emotions shouldn’t be messed up. Well he isn’t, and he gets the job done when, with most other characters, he would sit down and cry about his dilemma. Job well done, Kazuma.

But back to the plot. After this little 6 or 7 episode arc of catching his framed killers, Kazuma and Ayano Kannagi (Cherami Leigh) go on random adventures that don’t come together into a coherent end that begins to form in episode 17 of 24. Yes, as small sections the first season and beginning of the second season seem

I bet you anything he's about to cry.

interesting. But when you see the leapfrog style of the entire anime, it almost seems senseless.

Other than that glaring problem, most of the voice acting in the english dub just doesn’t hold up. I know I really should’ve just watched this dubbed, but I wanted to give what I thought was going to be a decent anime a try. This anime that was neither here nor there in genre really took me for a loop. Wow. Cherami Leigh became an annoying time bomb, who, as in most shounen, couldn’t do a damn thing for herself. Ren (Josh Grelle) became a provincial crybaby over his big bro Kazuma, and most other voice actors fell by the wayside with their sub par performances.

I think that reason I’m tied up about this show is that it was so weak in plot, characters, and direction. It wasn’t what I expected and it showed. There’s a whole episode about perverts and panty shots for god sakes. I didn’t mind it for the comic relief, but a lot of this show, even in its most serious moments, came of as just plain comic and sad. I sadly give what I thought was going to be The Last Airbender, 4.1 out of 10.

I think this sums up everything about this show… And it’s not even good subbed…

Soul Eater: The Nightmare Before Anime

Ever since my girlfriend and her sister cosplayed the Thompson twins from Soul Eater, I had developed a growing

Liz and Patty. Yes.

interest in watching Soul Eater. I didn’t realize at the time what this show would hold in store for me. (Added bonus if Christopher Sabat does any voice in an anime.) As I began watching this 51 episode anime, I found myself falling in love with the characters and caring for what would happen to them (although I had the ending ruined for me by complete accident.) It didn’t detract from the pulse-pounding episodes of battle after battle that ensued, and I found a new love in this Halloween-type anime that sent chills down my spine and laughs throughout my body as I spent a week watching this amazing anime. I was enraptured.

This anime follows the story of three “Meisters” and their “Weapons.” These duos of weapon and wielder take on what are known as Kishins, the tainted souls of creatures that have become monsters and feed on other people’s souls. Once 99 Kishin souls are collected, and one witch’s soul, then the weapon is deemed worthy of being used by Lord Death. This grim reaper is the essential Headmaster of the DWMA, also known as the Death Weapon Meister Academy. He installed this school to battle Kishins, and it has done a good job up to this point.

The doom and gloom of Death City.

It is at this point that things begin to go downhill. The evil witch Medusa (Luci Christian) and others have made plans to bring down the DWMA, and it is up to three brave Meisters, Maka Albarn (Laura Bailey), Black Star (Brittney Karbowski), and Death the Kid (Todd Haberkorn) to defeat the evil plot of the witches and Kishins. Teamed up with their weapons, Soul Eater (Micah Solusod), Tsubaki (Monica Rial), and the Thompson twins Liz (Jamie Marchi) and Patty (Cherami Leigh).

So it may seem weird that Meisters, who are people, are fighting using weapons who are also people. But these people are born with the ability to change into weapons at will. These weapons are special as well. A Meister and its Weapon have a special bond known as Soul Resonance. This bond allows Meister and Weapon to combine into one soul and creates a higher power in which to defeat enemies. But these three are not on the level of the Professors or Lord Death himself at the DWMA. And it is the school’s purpose to train these Meisters and Weapons in order to make them formidable opponents against Kishins.

The one thing that stands out about this anime, to me, is the style in which the plot is set. The doom and gloom of death and souls is combined with the comedic

Soul Eater. With some pizazz.

drawings of the artists. This gives it an anime meets Nightmare Before Christmas feel to it. The grinning Sun and Moon with blood dripping from their teeth give it that comedic element, mixed with the morbid. The grim reapers and monster encountered, drawn in what appears to be Jack the Ripper Whitechapel area sets up one of the best environments I’ve ever encountered in an anime.

Black Star. Badass.

And there are some great english voice actors that are in this anime. It would take too long to give a whole list, so I’ll just highlight a few. I thought Micah Solusod gave a great performance as Soul Eater, Maka’s weapon scythe. His grave voice and determined attitude comes across great through Micah, although I’ve never heard of him before. Brittney Karbowski was amazing as the cocky Black Star, my all time favorite ninja child and all around badass. John Swasey was great as Lord Death. His goofy voice gave the anime a Jack Skellington element with his personality and outlook. Vic Mignogna was hilarious as Maka’s father and Death Scythe Spirit. His obsession with seeking his daughter’s approval was always worth a laugh. Chuck Huber was fantastic as the madness induced Professor Doctor Franken Stein. His tormented character fought back and forth, and this was amazingly done by Huber. Maxey Whitehead was great as the insecure, gender-bender Crona. The duo of Crona and Ragnarok against the world and the lack of acceptance was heart wrenching to say the least. And yes, Troy Baker was amazing as Excalibur, the useless, fool dueling weapon of legend and lore.

And that’s about it. To get too much into the story might ruin the anime with spoilers, so I’ll leave you with this. If you’re looking for a light-hearted shonen with gore, guts (courage/bravery), and glorious fighting, this anime is for you. I give Soul Eater a 9 out of 10.

And here’s a taste of the show with a tribute to Death the Kid and the sexy Thompson Twins. Hooray.

My Bride is a Mermaid

Let me start off by saying that this is now one of my favorite humorous comedic anime. Hands down. It’s simple, it’s hilarious, and it encompasses an all star cast of voice actors that bring the humor up to a whole new level. I recommend dubbed before subbed, naturally, as I feel anime that we can’t really glean a good delivery from due to subtitles suffers in the delivery. But this anime really stands out to me as one of those anime that comes along for purely a comedic purpose and nails it. Yes, there are quite a few sexual innuendos and reference and most of the characters are drawn in a sexual manner, but it doesn’t detract from the awesomeness that is My Bride is a Mermaid.

The plot of this show is that Nagasumi Michishio(Todd Haberkorn) is visiting his grandmother at the Seto Inland Sea. He drowns. But who saves him? A mermaid. And because Nagasumi has seen Sun Seto (Alexis Tipton), he must pay the price

Pretty serious there, eh?

with his life, for it is the mermaid law. But clever little Sun uses the “loophole” in the law and marries Nagasumi in an effort to save both their hides (or tails in Sun’s situation). This leads to a hilarious string of goofy and outlandish situations that kept me laughing through all 26 episodes.

Okay, so the voice actors that make up the cast of MBIAM is what makes the show amazing. We have Todd Haberkorn as Nagasumi, and his voice always lends a bit of geeky, endearing comedy to everything he does. I truly feel he’s always cast as the geeky character, and I have no problem with that, he’s quite amazing at it and always delivers well. There’s John Swasey, doing his gruff badass voice (he has two modes, gruff or girly) as Sun’s father Gozaburo, the leader of the mermaid mafia gang that threatens Nagasumi’s life. He is not cool with his daughter’s marriage, and makes it a point to make Nagasumi’s life a living Hell.

Now he’s a voice actor who surprised me. Christopher Sabat (AKA God) surprised me fully with his voice as Masa, the black mafia member of the Seto

Christopher Sabat???

tribe. His voice comes off as so black and sensual that you become shocked to find out that Piccolo did his voice. Great work. Monica Rial as Maki, the deranged conch shell assassin. Annoying at yet always laughably funny. Bryan Massey, as Shark, one of the funnier side characters of the anime who always speaks in the form of a question. Would love to cosplay him one day. Another shocker: J. Michael Tatum plays Lunar’s father, the Terminator spoofing hardbody who will do anything to quote one of Arnold Schwarzenegger’s films. And last but not least, Eric Vale. Time and time again he has proven to play characters I connect with and admire, be it my first love of Trunks or the great snob who is Kai Mikawa, the porpoise and agoraphobic who is after Sun’s heart.

Now that we’ve gotten a little into how great the voice actors are, let’s talk about the meat of the show. So, usually, every episode pertains, in some way, to some side character always trying to break up Sun and Nagasumi. Be it Sun’s father or Lunar (Cherami Leigh) Sun’s singing and life rival, there’s always something awkwardly sexual going on. Favorite scene? Nagasumi

Eric Vale, you devil, you...

rubbing down Sun’s legs behind a bush. (Mermaids can walk on human legs, but the second they touch water, it turns into a fin.) Oddly enough, some of this show, I would venture to guess, may turn on some men, who are into mermaids, and young voluptuous girls… That are cartoons. And I think that’s where the TV-MA rating comes in. There is the occasional swear, but the sexual content is where the show really gets its fangs.

All in all, I really love this new up and coming anime. I enjoyed every minute of it and found the dub to be far better than the sub. The delivery and timing of the jokes speaks to both a American and Japanese audience. The art direction was great (weird thing with shiny unicorn blood?) and although the theme song might have been annoying and a tad too long, it didn’t take away from the fact I would get excited when they show started to play. Definitely

Come watch, won't you?

look out for this anime and, hopefully, this will become a big thing. 8.7 out of 10.